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Sorting | alphabetical | chronologic |
Work Back to overview |
The Gaze Of The Raven
(2013) an evening after Edgar Allan Poe |
Stage Works - Dance theatre also look at Ballet |
|
dance theatre with orchestra and singer | |
completed |
10/19/2013
|
text |
„Nimmermehr!“ Der sprechende, stets verneinende Rabe aus Edgar Allan Poes berühmtem Gedicht ist eines der stärksten und faszinierendsten Symbole für Melancholie und Hoffnungslosigkeit. Der amerikanische Weltliterat setzte sich in seinen Werken wie kein anderer mit den dunkelsten Ängsten und Albträumen der Menschheit auseinander. Ausgehend von Poes Gedichten und Kurzgeschichten erkundet Tarek Assam dessen einmaligen Blick auf die Welt: düster und traurig – doch von einem unerklärlichen Zauber durchdrungen. Bereits zum vierten Mal wird er dabei von Bühnenbildner Fred Pommerehn und Kostümbildnerin Gabriele Kortmann unterstützt. Die eigens für diesen Abend komponierte Musik des renommierten Komponisten Moritz Eggert wird live unter der musikalischen Leitung von Michael Hofstetter vom Philharmonischen Orchester Gießen präsentiert. |
voices |
female voice
|
instruments |
dancers and orchestra
|
duration |
1 h 40'
|
world premiere |
10/19/2013
choreography: Tarek Assam musical director: Michael Hofstetter / Herbert Gietzen, stage design: Fred Pommerehn, costumes: Gabriele Kortmann , Dramaturgie: Christian Schroeder Der Schwarm: Endre Schumicky / Claudio Pisa / Edoardo Novelli / Sven Krautwurst / Leona Striet / Magdalena Stoyanova / Mamiko Sakurai / Jennifer Ruof / Yuki Kobayashi / Lea Hladka / Caitlin-Rae Crook Two Ravens: Manuel Wahlen / Michael Bronczkowski singer: Bettina D'Mello Philharmonisches Orchester Giessen Giessen (Germany), Stadttheater, Grosses Haus |
publication |
http://www.sikorski.de
|
Work Back to overview |
My Sleep Is A Dream
(2013) |
Orchestral works - Dance theatre also look at Musiktheater und Performance (suiteable for church) |
|
Cycle for Orchestra | |
work list |
217b-HW-2013
|
completed |
04/01/2013
|
movements |
1. Auf nach Kreta! 2. The Death Of Music 3. Once There Was A Swan 4. Nur was nicht aufhoert, wehzutun 5. A Lover Turned To The Wall 6. Purple Clouds And Golden Rays 7. What I See Is A Hole 8. My Sleep Is A Dream |
instruments |
2 fl. (2 alt. picc.), 2 ob., 2 cl., 2 bn. (2 alt. double-bn.) – 2 hn., 2 tr. (Bb), 2 tn., 1 bass-tn., tba. – hp. – timp., 1 perc. – strings
|
duration |
60'
|
special |
In Excerpts part of the music theatre “Tragedy Of A Friendship”, thematically connected with “man soll schwimmen”, cycle for trio
|
publication |
http://www.sikorski.de
|
see also |
man soll schwimmen Tragedy Of A Friedship |
Work Back to overview |
Orfeo Shows
(2004) Ballet by Ed Wubbe |
Stage Works - Dance theatre |
|
used music by Moritz Eggert: Haemmerklavier III, V | |
completed |
11/25/2003
|
world premiere |
11/25/2003
Scapino-Ballett, Rotterdam Rotterdam (Netherlands), Rotterdamse Schouwburg |
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"aural corridors"
(2002) |
Stage Works - Dance theatre |
|
theatrical concert with the following music: L'idée fixe, heute (version for 6 speakers), Sonett an die schreibfaule Brieffreundin (Bar.), Liebeserklaerung (Mezzo), Flugkoerper (Bar.), Luft (Mezzo), herz vers sagen (Bar.), In der letzten Nacht (Mezzo), Rondeau Allemagne (Bar./Mezzo), Fast Forward , Luftkuesse, Haemmerklavier III, Haemmerklavier IX, Boehmische Hymne | |
photo |
|
completed |
2002
|
voices |
mezzo, baritone, 2 dancers
|
instruments |
piano, cello
|
duration |
1 h 15'
|
world premiere |
02/08/2002
with Desirée Petitpierre (director, concept, choreography, dancer, costumes), Julia Wirth (dancer), Liat Himmelheber (mezzo), Yaron Windmueller (baritone), Sebastian Hess (vc.), Moritz Eggert (pf.), Roger Staub (stage design) Basel (Switzerland), Theater Skala |
scores |
Schott ED 8622 http://www.schott-musik.de |
see also |
idee fixe Bohemian Hymn Haemmerklavier III Kisses in the air Fast Forward Rondeau Allemagne In der letzten Nacht herz vers sagen Luft flugkoerper Liebeserklaerung Sonett an die schreibfaule Brieffreundin heute Haemmerklavier IX |
Work Back to overview |
In the sandbox
(2000) |
Stage Works - Dance theatre |
|
dance theatre by Brigitta Trommler. contains the following, seperately listed works: Bad Attitude: Bad Vibes, Bad Attitude, Croatoan II: Im Sandkasten, Breathless, the meal of Mr. Orlong: Mondmann/Die Buehnenarbeiter treten auf/Die Nacht, Sandbox-variations, Haemmerklavier VII: Secret Desires, A house with 7 rooms: The room with the locked door | |
completed |
03/11/2000
|
voices |
mixed ensemble (dancers/actors)
|
instruments |
Musik vom Band
|
duration |
1 h 30'
|
world premiere |
03/11/2000
stage design: Barbara Dallendorfer, costumes: Andrea Spanier, musical assistant: Hee-Seon Jin, with Barbara Sternberger, Brigitte Cuvelier, Vera Bilbija, Giuseppe und Michele de Filipis, Octavio Campos, Thomas Langkau, Mauricio Motta, Guido Markowitz, Sabine Lindlar, pre-produced music: members of the "Orchester des Staatstheaters Darmstadt", conductor: Moritz Eggert Darmstadt (Germany), Staatstheater |
soundcarrier |
Ausser Atem Bridges into the future |
scores |
Schott ED 9137 Schott OFB 192 http://www.schott-musik.de |
texts |
Im Sandkasten, Skizzen zum musikalischen Konzept KONZEPT FÜR MUSIK „IM SANDKASTEN“ [
14.09.2004
]
|
see also |
Bad Attitude Croatoan II Breathless The meal of Mr. Orlong Sandbox - Variations Haemmerklavier VII A house with seven rooms Schhhhh ... |
Work Back to overview |
Millennium Dance Shuffle
(1999) Variante zu "Number Nine III: Millennium Dance" |
Stage Works - Dance theatre |
|
for 5 or more amplified dancers with orchestra | |
work list |
89b-98-BE
|
completed |
10/26/1998
|
voices |
5 or more amplified dancers with orchestra
|
instruments |
3 Fl. (3.+picc.), 2 Ob., 2 Clar.(Bb and Eb), 2 Bn., Double-Bn. - 4 Hn, 2 Tr., 3 Tb. - 1 Timp.,3 Perc. - strings 10.8.6.5.4
|
duration |
3'
|
world premiere |
03/27/1999
Guido Wallner, Ruth-Marie Hyprath, Sophatai Kanthatham, Wubkje Kuindersma, Alexandra Milne, Tom Baert, Yuki Mori, Adam Ster, Jessica Billeter, Dagmar Bock, Maria Nitsche, Brit Rodemund, Ivo Baertsch, Christian Maier, Luca Marazia, Philharmonisches Orchester Nuernberg, Christian Reuter, cond. Nuremberg (Germany), opera house |
special |
In this variant of the final part of the orchestral piece "Millennium Dance" rhythmical actions by the dancers are accompanied by the orchestra.
|
texts |
Millennium Dance Shuffle Aufführungshinweise Millennium Dance Shuffle [
23.03.2004
]
|
see also |
Aboriginal / Millennium Dance A visit to the mines Zu "Ein Besuch im Bergwerk" |
Work Back to overview |
Milennium Shuffle
(1999) |
Stage Works - Dance theatre |
|
for 5 or more dancers with headphones | |
work list |
88-98-NW
|
completed |
10/21/1998
|
voices |
5 or more dancers with headphones
|
instruments |
5 oder mehr Tänzer mit Kopfhörern
|
duration |
5'
|
world premiere |
03/27/1999
Guido Wallner, Ruth-Marie Hyprath, Sophatai Kanthatham, Wubkje Kuindersma, Alexandra Milne, Tom Baert, Yuki Mori, Adam Ster, Jessica Billeter, Dagmar Bock, Maria Nitsche, Brit Rodemund, Ivo Baertsch, Christian Maier, Luca Marazia Nuremberg (Germany), opera house |
special |
music consists of percussive sounds created by the movements of the dancers; performance elements; the rhythm is provided by a cue-track through headphones, audible only for the dancers
|
texts |
Pressestimmen … der Münchner Komponist Moritz Eggert hat extra für Nürnberg eine faszinierende, vielfarbige Klangwelt arrangiert, die in ihrer rhythmisch-instrumentalen Raffinesse ein weitaus größeres Ideenpotential hätte freisetzen können. Eggerts hervorragend proportionierte ... [more] [
MÄRZ/APRIL 1999
]
Millennium Shuffle Aufführungshinweise Millennium Shuffle [
24.03.2004
]
|
see also |
A visit to the mines Zu "Ein Besuch im Bergwerk" |
Work Back to overview |
now - I need now
(1997) |
Stage Works - Dance theatre |
|
music: Et in Arcadio Ego, Kisses in the air, Sea/Desert, Bohemian Hymn, Avec ma main brulée, Symphony 1.0, Fleeting Encounter, Adagio, Heute, Skelter | |
completed |
1997
|
text |
based on the life and works of Ingeborg Bachmann
|
voices |
mixed ensemble (dancers, actors)
|
instruments |
2 pianists, 2 percussionists
|
duration |
1 h 30'
|
world premiere |
02/28/1997
director/choreography: Birgitta Trommler, stage design: Gudrun Schretzmeier, with Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor, musicians: Martina Bittner, Arne Willimczik (pf.), Wolfgang Umber, Edgar Pritsch (perc.), conductor of the pre-produced recordings: Moritz Eggert, Art Core Sax-Saxophonquartett, Orchester des Staatstheater Darmstadt Darmstadt (Germany), Staatstheater |
soundcarrier |
Porträt-CD Moritz Eggert |
texts |
PRESSESTIMMEN "Vom Band spielen dazu ein Streichquartett, ein Saxophonquartett, ein Streicherensemble des Darmstädter Staatsorchesters. Sie schildern die Seelenzustände plastisch, mal in sanften Melodien, mal in chaotischen Dissonanzen, mal in minimalistischen Veränderungen. Von der depressiven Ver... [more] [
März 1998
]
Interview anlässlich der UA von "Gegenwart - Ich brauche Gegenwart" Fragen zu Musiktheater an Moritz Eggert [
nach Fragen von Laura Berman , 10.07.2003
]
|
see also |
Avec ma main brulée Fleeting Encounter heute Kisses in the air Adagio - An Answered Question Skelter Symphony 1.0 Et in Arcadia Ego Sea/desert |
Work Back to overview |
Fleeting Encounter
(1997) |
Stage Works - Dance theatre |
|
for 8 or more dancers | |
work list |
71-97-NW
|
completed |
1997
|
voices |
8 or more dancers
|
duration |
6'
|
world premiere |
02/28/1997
Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor Darmstadt (Germany), Staatstheater |
special |
the music is created by the dancer's movements; mouth percussion, theatrical elements
|
publication |
http://www.sikorski.de
|
texts |
Fleeting Encounter, translations of remarks in the score Flüchtige Begegnung (Fleeting Encounter) [
01.12.2003
]
|
see also |
now - I need now Sea/desert |
Work Back to overview |
Haemmerklavier
(1996) |
Stage Works - Dance theatre |
|
choreography by Lucinda Childs, based on "Haemmerklavier VII" | |
completed |
03/19/1996
|
instruments |
male and female dancer, piano solo
|
duration |
7'
|
world premiere |
03/19/1996
with Anna Villadolid, Norbert Graf (dancers), Moritz Eggert (pf.) Munich (Germany), Bavarian State Opera |
soundcarrier |
Haemmerklavier I-X Don't panic! |
scores |
Schott ED 9137 http://www.schott-musik.de |
see also |
Haemmerklavier VII |
Work Back to overview |
Weird Actions
(1996) |
Stage Works - Dance theatre |
|
Musik: Hämmerklavier II, III, IV, VII, IX | |
completed |
1996
|
voices |
mixed ensemble (dancers)
|
instruments |
piano
|
duration |
40'
|
world premiere |
08/14/1996
stage: Birgit Ehrlicher, light design: Charles Balfour, with: Lucy Bethune, Kerry Chappell, Paul Clayden, Sarah Fahie, Betsy Gregory, Hanne Lilleheim, Lizie Saunderson, Paula Vacarey (dancers), Moritz Eggert, pf. London (GB), Back Hill Studios |
soundcarrier |
Haemmerklavier I-X Don't panic! |
scores |
Schott ED 9137 Schott ED 8265 http://www.schott-musik.de |
see also |
Haemmerklavier II Haemmerklavier III Haemmerklavier IV Haemmerklavier VII Haemmerklavier IX |
Work Back to overview |
Tragedy Of A Friedship
(2013) |
Stage Works - Dance theatre also look at Musiktheater und Performance |
|
Wagner versus Nietzsche: a fatal friendship In 2013, it will be 200 years since Richard Wagner was born: an ideal time to turn the spotlight on this legendary composer. The Flanders Opera invited Jan Fabre to make a musical theatre creation on the subject of Wagner, who is one of his favourite artistic figures. He was inspired by Wagner's 13 operas and the fascinating but tragic association between Wagner and Nietzsche, which ended in a feud. In collaboration with the writer and Nietzsche expert Stefan Hertmans and the German composer Moritz Eggert, the result is an exciting new work of theatre. Coproductio,: Troubleyn/Jan Fabre, Concertgebouw Brugge, Théâtre de la Ville Paris, Opéra de Lille, Wagner Genèva Festival & Holland Festival. |
|
text |
Stefan Hertmans, Wagner, Nietzsche
|
voices |
Tenor/Mezzo (live)
|
instruments |
Orchestra, Theremin, Cello, Harmonium (from tape)
|
duration |
3 h 15'
|
world premiere |
05/15/2013
singers: Lies Vandewege / Hans Peter Janssens, Performers: Silke Muys / Anne Pajunen / Solène Weinachter / Gustav Koenigs / Nikolaus Barton / Annabelle Chambon / Cédric Charron / Ivana Jozic / Kurt Vandendriessche / Fabienne Vegt Musicians from Tape: Lydia Kavina (ther.), Jadranka Gasparovic (vc.), Nico Declerck, Moritz Eggert (Harmonium), Flanders Symphony Orchestra, Conductor: Moritz Eggert Antwerp (Belgium), Opera Antwerp, "Opera XXI" |
special |
contains parts of „man soll schwimmen“ (cycle for Trio) and „My Sleep Is A Dream“ (cycle for orchestra), sound improvisations and A Cappella – excerpts from operas by Richard Wagner
|
Video |
Tragedy of a Friendship - Warm-Up from Opera Vlaanderen on Vimeo.
Jan Fabre | Troubleyn - Tragedy of a Friendship from Peak Performances on Vimeo. |
see also |
man soll schwimmen My Sleep Is A Dream |
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