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last updated: Moritz Eggert |
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Work Back to overview |
Ballade des unbekannten Muenchners
(2020) |
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Vocal music - Singing with instruments also look at Voice with other instruments (suiteable for church) |
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| Für Stimme, Harmonium, Barockharfe, Kontrabass | |||||
| work list |
274-NW-2020
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| completed |
02/10/2020
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| text |
Moritz Eggert
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| voices |
Voice
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| instruments |
Harmonium, Baroque Harp, Double Bass
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| duration |
15'
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| publication |
http://www.sikorski.de
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Work Back to overview |
Mad Mieter
(2019) |
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Vocal music - Singing with instruments also look at Musiktheater und Performance (suiteable for church) |
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| for overtone singing and baroque harp | |||||
| work list |
270-NW-2019
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| completed |
07/19/2019
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| text |
vocalise
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| voices |
overtone singing
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| instruments |
Baroque Harp
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| duration |
7'
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| world premiere |
11/27/2019
Luise Enzian, baroque harp, Moritz Eggert, voc. Munich (Germany), Villa Stuck |
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| special |
originally written for film project „Mad Mieter“ by artist’s duo M+M (Marc Weis, Martin de Mattia)
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| publication |
http://www.sikorski.de
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Work Back to overview |
One Charming Night
(2017) |
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Vocal music - Singing with instruments (suiteable for church) |
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| for mezzo and electric guitar | |||||
| work list |
248-17-NW
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| completed |
03/19/2017
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| text |
(trad.)
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| voices |
Mezzo
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| instruments |
electric guitar
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| duration |
4' 20''
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| world premiere |
11/19/2017
Susanne Barta, Adrian Pereyra Landshut (Germany), Skulpturenmuseum |
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| dedicated |
Susanne Barta, Adrian Pereyra
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| publication |
http://www.sikorski
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Work Back to overview |
Muzak
(2016) |
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Orchestral works - Singing with instruments also look at Vocal music |
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| for voice and orchestra | |||||
| work list |
241-HW-2016
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| completed |
03/22/2016
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| text |
Moritz Eggert
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| voices |
amplified voice
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| instruments |
orchestra: picc., 2 Fl., 2 Ob., C.A.., 2 cl. (Bb), Bassclar., 2 Bn., Double-Bn.. – 4 Hn., 3 Trp. (Bb), 2 tb., 1 Bass-tb., Tba. – timp., 2 perc, Drumset – harp, piano/keyboard – E-guitar, E-Bass – strings (min. 10.8.6.4.3.)
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| duration |
43'
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| world premiere |
06/04/2016
David Robertson, Symphonieorchester des BR, Moritz Eggert Munich (Germany), Herkulessaal, "musica viva" |
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| dedicated |
David Bowie
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| publication |
http://www.sikorski.de
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| texts |
Partiturvorwort mit Text zum Stück Moritz Eggert: [
Moritz Eggert , 22.03.2016
]
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Work Back to overview |
Unbesiegt
(2013) |
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Vocal music - Singing with instruments also look at Choir music for vocal ensemble (suiteable for church) |
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| for 4 singers, 6 voices and ensemble | |||||
| work list |
217-HW-2013
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| completed |
04/20/2013
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| text |
Ludwig I.
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| voices |
2 baritones, 2 basses 6 (male) voices |
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| instruments |
Ten.-Sax, Bass Trombone, 3 percussionists(4 Tom-Toms, Vibraphone, Great Drum)
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| duration |
17'
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| world premiere |
06/08/2013
Ensemble Oktopus, Konstantia Gourzi, cond. Kelheim (Germany), Befreiungshalle |
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| dedicated |
Cornel Franz
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| publication |
http://www.sikorski.de
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| Video |
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| texts |
Unbesiegt, Partiturvorwort Moritz Eggert: Unbesiegt [
Moritz Eggert , 20.04.2013
]
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Work Back to overview |
Das Ewig Weibliche (Eternal Love)
(2012) after a line from Goethe |
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Vocal music - Singing with instruments |
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| for solo singers, choir, piano and orchestra | |||||
| work list |
208-12-NW
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| completed |
01/28/2012
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| voices |
soprano, baritone, bass, choir
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| instruments |
picc., 2 Fl., 3 Ob., 2 cl. (Bb), Ten.-Sax, Basscl., 2 Bn., Dbn. – 4 Hn., 3 Tr. (Bb), 2 tbn., 2 bass-tbn., Tb. – Timpani, 2 percussionists – hp., piano, electric organ - strings
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| duration |
6'
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| world premiere |
03/16/2012
Bochumer Symphoniker, Philharmonic Choir Brno, Rebecca Nelsen, sopr., Peter Schoene, bar., Miklosz Sebestien, bass, Moritz Eggert, pf., Steven Sloane, Dir. Bochum (Germany), Jahrhunderthalle |
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| publication |
http:www.sikorski.de
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Work Back to overview |
Yodler
(2010) |
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Vocal music - Singing with instruments (suiteable for church) |
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| for singing fiddler, singing diatonic accordion player, singing guitarist | |||||
| work list |
196-NW-2010
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| completed |
08/12/2010
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| text |
vocalises
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| instruments |
Violin or fiddle (+ voice) diatonic accordion (+ voice) guitar (+ voice) |
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| duration |
3'
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| dedicated |
Monika Drasch
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Work Back to overview |
De Avaritia
(2010) |
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Vocal music - Singing with instruments also look at Musiktheater und Performance (suiteable for church) |
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| For soprano, mezzo soprano, alto (or altus), 2 tenors, baritone, bass, children�s choir, choir, 5 percussionists, 2 pianos as well as transport means (helicopters) and live video/sound transmission (theatrical version only) | |||||
| work list |
195-NW-2010
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| completed |
08/08/2010
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| text |
"De Avaritia" from "Carmina Burana" (ca. 1230)
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| voices |
soprano, mezzo soprano, alto (or altus), 2 tenors, baritone, bass, Kinderchor, Gro�er Chor
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| instruments |
5 percussionists, 2 pianos
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| duration |
16'
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| world premiere |
09/02/2010
Philipp Amelung, conductor, Susanne Bernhard, Soprano, David Erler, Altus, Thomas E. Bauer, Baritone, Uta Hielscher and Moritz Eggert, piano, Schlagwerker der Bayerischen Staatsoper, Max Reger Vereinigung, Lofoten Voices, Regional choirs, Andu Dumitrescu, video Kulturwald Kinderchor (version with helicopters) Deggendorf (Germany), Stadthalle, opening "Kulturwald" Festival |
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| special |
can be used as a prologue to Orff�s �Carmina Burana�
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| Video |
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| texts |
De Avaritia, komplettes Partiturvorwort Moritz Eggert: DE AVARITIA (szenische Version) [
Moritz Eggert , 8.8.2010
]
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Work Back to overview |
Andernacht
(2010) |
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Vocal music - Singing with instruments also look at Voice with other instruments (suiteable for church) |
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| for 2 voices and ensemble | |||||
| work list |
190-NW-2010
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| completed |
03/20/2010
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| text |
---
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| voices |
mezzo soprano, tenor
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| instruments |
Flute, percussion (1 player), violin, cello, double bass, accordion, piano
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| duration |
10' 30''
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| world premiere |
05/15/2010
Simon Bode, ten., Barbara Hoefling, mezzo, Ida Bieler, vl., Jhong-Yun Chey, fl., Martin Heinze, cb., Maria Kliegel, vc., Cornelia Monske, perc., Elsbeth Moser, baj., Nina Tichman, pf., Moritz Eggert, conductor Burg Namedy bei Andernach (Germany), 20. Andernacher Musiktage |
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| dedicated |
Maria Kliegel und ihre Freunde
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| publication |
http://www.sikorski.de
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| texts |
Andernacht, kurzer Text zum Stück „Andernacht“ [
Andernacht, short text about the piece , 10.4.2010
]
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Work Back to overview |
Auf dem Wasser zu singen
(2009) |
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Vocal music - Singing with instruments also look at Large ensemble (suiteable for church) |
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| work list |
HW-185b-09
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| completed |
05/04/2009
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| text |
Goethe
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| voices |
2 Tenors, 2 Baritones, 2 Basses
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| instruments |
3 trumpets, 1 Horn, Tenor Trombone, Bass Trombone, Bass Tuba, 12 percussionists, DJ, Accordion
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| duration |
14'
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| world premiere |
07/05/2009
Gebrueder Teichmann, Max-Reger-Vereinigung, „The Next Step“ Percussion-Ensemble, Mateja Zenzerovic, acc., C.W. Bauer, Speaker/author, Blaeserensemble der Tiroler Festspiele, Moritz Eggert, conductor, pf. Erl (Austria), Staustufe, Tiroler Festspiele |
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| publication |
http://www.sikorski.de
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| texts |
Auf dem Wasser zu singen, detaillierte Besetzung Moritz Eggert [
Auf dem Wasser zu singen, detailed instrumentation , 07.05.2009
]
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| Multimedia |
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| see also |
Three Interludes (Auf dem Wasser zu singen) Auf dem Wasser zu singen (theatrical concert) |
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Work Back to overview |
Anna Who Was Mad
(2006) 7 songs from wide unclasp |
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Vocal music - Singing with instruments also look at Essays (suiteable for church) |
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| for voice and mixed and ensemble | |||||
| work list |
130b-06-Bearbeitung
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| completed |
12/31/2006
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| text |
lyrics by Anne Sexton and William Shakespeare
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| movements |
I. wide unclasp II. Anna Who Was Mad I III. The Silence IV. Anna Who Was Mad II V. Locked Doors VI. Rowing VII. these same thoughts |
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| voices |
female voice
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| instruments |
cl., bn. – hn., tr., tn. – perc. , drum set (1 player each) – E-Git., E-Bass – pf., keyb. (1 player each) – 1.1.1.1 (15 musicians)
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| duration |
24 h ' ''
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| world premiere |
73
Europäische Ensembleakademie, Bettina Koziol, voc., Sian Edwards, cond. Dortmund (Germany), Konzerthaus |
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| special |
New instrumentation/reworking of some songs from the cycle "wide unclasp" (see above)
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| dedicated |
Andrea Heuser
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| soundcarrier |
European Ensemble Academy |
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| publication |
http://www.sikorski.de
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| Multimedia |
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| see also |
wide unclasp |
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Work Back to overview |
Ballack, du geile Schnitte (original version)
(2006) version 1: for soprano and accordion |
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Vocal music - Singing with instruments |
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| for soprano and accordion | |||||
| work list |
160-06-HW
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| completed |
01/14/2006
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| text |
original texts from the guestbook of the homepage of Michael Ballack
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| voices |
soprano
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| instruments |
Accordion
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| duration |
13'
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| world premiere |
05/01/2006
Irene Kurka, sopr., Stefan Hippe, acc. Munich (Germany), Fussballglobus, Globusklaenge |
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| special |
small performance elements
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| dedicated |
Simone Hohmaier
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| publication |
Sikorski, www.sikorski.de
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| texts |
Ballack du geile Schnitte, kompletter Gesangstext Die folgenden Texte sind originale Beiträge aus dem Forum der Homepage von Michael Ballack, zwischen Weihnachten 2005 und Neujahr 2006. Die Rechtschreibung und Aussprache folgt der originalen Vorlage. [
28.07.2006
]
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| Multimedia |
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| see also |
Ballack, du geile Schnitte (Version 2 für Bariton und Klavier) Ballack, you lusty tart (version 3 for soprano and piano) |
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Work Back to overview |
wide unclasp
(2002) |
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Vocal music - Singing with instruments |
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| song cycle for female voice and jazz ensemble | |||||
| work list |
130-02-HW
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| completed |
08/18/2002
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| text |
Anne Sexton (from "The awful rowing towards God") and William Shakespeare (2 short quotes)
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| movements |
I. wide unclasp II. Anna who was mad I III. The room of my life IV. Courage IX. Locked doors V. Anna who was mad II VI. When man enters woman VII. The silence VIII. Anna who was mad III X. Rowing XI. these same thoughts XII. Anna who was mad IV |
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| voices |
female voice
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| instruments |
trumpet (Bb), electric guitar, drumset, piano, cello, bass (acoustic)
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| duration |
1 h 10'
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| world premiere |
10/25/2002
Celine Rudolph, voc., Steven Bernstein, tr., Gerry Hemingway, dr., Georg Breinschmid, cb., Sebastian Hess. vc., Ralph Beerkircher, git., Moritz Eggert, pf. Eltville/Erbach (Germany), Schloss Reinhartshausen, "between the lines" concert |
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| special |
The whole cycle was conceived for the label "between the lines" as a "concept album"; all musicians have to partly improvise, chords and scales are mostly suggested by the author; sometimes experimental notation.
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| dedicated |
Andrea Heuser
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| soundcarrier |
wide unclasp |
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| publication |
http://www.sikorski.de
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| texts |
Pressestimmen "Moritz Eggert gehört zu den ungewöhnlichen Komponisten, die anscheinend jedes Terrain betreten können und es sich unverkrampft aneignen.(…)Es ist eigentlich erstaunlich, wie sicher sich die Kompositionen und Arrangements Eggerts im Bereich des Jazz ausleben. Die Haltung stimmt und me... [more] wide unclasp, kurzer Text zum StückDas Winchester-Haus ist ein sehr merkwürdiger labyrinthiner Ort in der Nähe von San Francisco: Hier lebte die Erbin der Winchester-Gewehrfabrik, die sich unter dem Fluch der durch die Winchester-Gewehre Getöten wähnte, und daher aufgrund eines Ratschlags einer Spiritistin ein Hau... [more] [
11.01.2005
]
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| Multimedia |
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| see also |
Anna Who Was Mad Wide Unclasp (theatrical version) |
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Work Back to overview |
Agur's saying
(2001) 2nd version |
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Vocal music - Singing with instruments |
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| for soprano and cello | |||||
| work list |
53b-01-BE
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| completed |
2001
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| text |
text: Liber Providentium
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| voices |
soprano
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| instruments |
cello
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| duration |
5'
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| world premiere |
06/09/2001
Naomi Grundke, soprano, Judith Schimanowski, cello Saarbruecken (Germany), Musikhochschule |
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| dedicated |
Detlev Glanert
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| see also |
Agur's saying |
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Work Back to overview |
Song
(1996) from "Bright Nights" version for voice and small ensemble |
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Vocal music - Singing with instruments |
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| version for voice and small ensemble of an aria from the opera "Bright Nights" | |||||
| work list |
66a-96-HW
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| completed |
03/10/1996
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| text |
text: vocalises
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| voices |
soprano
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| instruments |
Soprano-Sax., Ten.-Sax, Double-Bn.., Acc., Pf., Synthesizer, Vc.
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| duration |
5'
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| world premiere |
04/18/1996
Eric deClercq, cond., Jenny Haisma, soprano, Newt Hinton Ensemble Rotterdam (Niederlande), Zaal de Unie |
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| soundcarrier |
Porträt-CD Moritz Eggert |
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| see also |
Bright Nights (original version, reworked version) |
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Work Back to overview |
Agur's saying
(1994) original version |
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Vocal music - Singing with instruments |
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| written for the collaborative work "Agur's sayings" | |||||
| work list |
53a-94-HW
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| completed |
08/05/1994
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| text |
text: Liber Providentium
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| voices |
low alto
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| instruments |
trombone
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| duration |
5'
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| world premiere |
19940000
Doris Huber, Alt, Mike Svoboda, Posaune Munich (Germany), Neues Theater |
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| dedicated |
Detlev Glanert
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| see also |
Agur's saying |
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Work Back to overview |
Song from "Merlin"
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Vocal music - Singing with instruments |
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| song after a text from "Merlin" by Tankred Dorst | |||||
| work list |
20-88-NW
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| completed |
12/17/1988
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| text |
text: Tankred Dorst
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| voices |
singer (could also be an actor/actress)
|
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| instruments |
Oboe, percussion (1 player), Vc., Pf.
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| duration |
4'
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