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last updated: Moritz Eggert |
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Work Back to overview |
wide unclasp
(2002) |
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Vocal music - Singing with instruments |
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| song cycle for female voice and jazz ensemble | |||
| work list |
130-02-HW
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| completed |
08/18/2002
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| text |
Anne Sexton (from "The awful rowing towards God") and William Shakespeare (2 short quotes)
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| movements |
I. wide unclasp II. Anna who was mad I III. The room of my life IV. Courage IX. Locked doors V. Anna who was mad II VI. When man enters woman VII. The silence VIII. Anna who was mad III X. Rowing XI. these same thoughts XII. Anna who was mad IV |
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| voices |
female voice
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| instruments |
trumpet (Bb), electric guitar, drumset, piano, cello, bass (acoustic)
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| duration |
1 h 10'
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| world premiere |
10/25/2002
Celine Rudolph, voc., Steven Bernstein, tr., Gerry Hemingway, dr., Georg Breinschmid, cb., Sebastian Hess. vc., Ralph Beerkircher, git., Moritz Eggert, pf. Eltville/Erbach (Germany), Schloss Reinhartshausen, "between the lines" concert |
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| special |
The whole cycle was conceived for the label "between the lines" as a "concept album"; all musicians have to partly improvise, chords and scales are mostly suggested by the author; sometimes experimental notation.
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| dedicated |
Andrea Heuser
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| soundcarrier |
wide unclasp |
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| publication |
http://www.sikorski.de
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| texts |
Pressestimmen "Moritz Eggert gehört zu den ungewöhnlichen Komponisten, die anscheinend jedes Terrain betreten können und es sich unverkrampft aneignen.(…)Es ist eigentlich erstaunlich, wie sicher sich die Kompositionen und Arrangements Eggerts im Bereich des Jazz ausleben. Die Haltung stimmt und me... [more] wide unclasp, kurzer Text zum StückDas Winchester-Haus ist ein sehr merkwürdiger labyrinthiner Ort in der Nähe von San Francisco: Hier lebte die Erbin der Winchester-Gewehrfabrik, die sich unter dem Fluch der durch die Winchester-Gewehre Getöten wähnte, und daher aufgrund eines Ratschlags einer Spiritistin ein Hau... [more] [
11.01.2005
]
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| Multimedia |
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| see also |
Anna Who Was Mad Wide Unclasp (theatrical version) |
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