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last updated: Moritz Eggert |
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alphabetical | chronologic | ||||||
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Work Back to overview |
Haemmerklavier XXXI: Dual Band
(2020) |
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Chamber music - Duos |
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| For 2 pianists at one grand piano with special instruments | |||||||
| work list |
278-HW-2020
|
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| completed |
07/01/2020
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| instruments |
Piano, toy piano, bongos, paper
|
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| duration |
8'
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| special |
one player at keyboard, the other with inside piano and special instruments
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| dedicated |
Dorrit Bauerecker
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| publication |
http://www.sikorski.de
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Work Back to overview |
Haemmerklavier XXX: One Woman Band
(2020) |
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Chamber music - Solo also look at Piano solo |
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| For piano solo, small instruments and sampler | |||||||
| work list |
276-HW-2020
|
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| completed |
05/08/2020
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| instruments |
Piano Solo, sampler, small instruments (1 player)
|
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| duration |
6'
|
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| publication |
http://www.sikorski.de
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Work Back to overview |
Die zwei Tauben
(2019) |
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Stage Works - Short operas also look at Songs with instruments |
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| Für singende Schauspielerin/singenden Schauspieler und Ensemble mit zusätzlichem Vokalpart | |||||||
| work list |
272-NW-2019
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| completed |
11/25/2019
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| text |
Patrick Hahn, Ludwig van Beethoven
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| movements |
1. Das Leben vor dem Tode 2. Barcarole 3. Tango 4. Walzer 5. Can-Can |
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| voices |
male voice, 2 female voices
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| instruments |
Baroque Harp, Jazz-Bass, Drumset, Piano
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| duration |
40'
|
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| world premiere |
12/16/2019
Jackie O./Jacques Offenbach: Marlene Goksch, Beethoven/B.: Moritz Eggert, Baroque Harp; Luise Enzian, Piano/voc.: Moritz Eggert, Drumset: Christian Thomé, Jazz-Bass: Johannes Esser RheinEnergie (ship), between Cologne and Bonn (Germany) |
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| special |
Written for the Offenbach/Beethoven celebrations 2019/2020
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| publication |
http://www.sikorski.de
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Work Back to overview |
24 Lieder und Zwischenspiele aus "Ein Fest für Mackie"
(2019) |
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Vocal music - Songs with piano also look at Vocal music |
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| work list |
269b-NW-2019
|
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| completed |
09/23/2019
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| text |
Moritz Eggert
|
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| movements |
1. Morgenchoral 10. Komm zu mir, kleine Sonne 11. Zwischenmusik V 12. Wir sind Freunde 13. Wir woll'n nur Huren bis zum End' 14. Zwischenmusik VI 15. Nun geh' ich ein in die Dunkelheit 16. Die Macht der Hormone 17. Ich bin wie'n trunknes Schiff 18. Habt Spaß, ihr Leut' 19. So endet es hier nicht 2. Zwischenmusik I 20. Zwischenmusik VII 21. Komm zu mir, kleine Sonne (Reprise) 22. Jeder Steiger braucht viel Freunde 23. Mackie ist mein Mann 24. Dann halt doch einfach mal die Fresse 3. Bald kommt der Zahltag heran 4. Zwischenmusik II 5. Wann wird es wieder voll 6. Als ich jung war 7. Die Rente zahlt das Steigerlied 8. Zwischenmusik III 9. Zwischenmusik IV |
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| instruments |
voice(s), piano
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| duration |
55'
|
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| publication |
http://www.sikorski.de
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| see also |
A Feast for Mackie |
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Work Back to overview |
A Feast for Mackie
(2019) Pub Cantata for beggars, miners and drunks |
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Stage Works - Operas/ music theatre also look at Musiktheater und Performance |
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| work list |
269-NW-2019
|
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| completed |
09/05/2019
|
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| text |
Martin Becker
|
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| voices |
8 singing actresses and actors, optional choir
|
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| instruments |
fl. (picc.), Ob., clar. (bass-clar.), bassoon– Horn, trumpet, trombone, Tuba – Timpani – 1 percussionist(Drumset) – harp, elctr. guit., piano - strings
|
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| duration |
90'
|
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| world premiere |
10/10/2019
With: Guy Clemens, Martin Horn, Veronika Nickl, Romy Vreden, Michael Lippold, Dominik Dos-Reis, Moritz Eggert Bochumer Symphoniker, Conductor: Steven Sloane, Director: Johan Simons Bochum (Germany), Anneliese-Brost-Musikforum |
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| special |
"Song Play" (Play with inserted songs and musical interludes Uses musical material from "La BETTLEROPERa", orchestration: Katharina Schmauder, Moritz Eggert |
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| publication |
http://www.sikorski.de
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| see also |
24 Lieder und Zwischenspiele aus "Ein Fest für Mackie" |
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|
Work Back to overview |
Maedchenmonstermusik
(2019) Clara Schumann - Wunderkind |
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Stage Works - Stage music also look at Musiktheater und Performance |
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| A theatre piece with music | |||||||
| completed |
05/04/2019
|
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| text |
Winnie Karnofka
|
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| duration |
1 h 30'
|
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| world premiere |
05/04/2019
Text: Winnie Karnofka | composition: Tom Smith & Moritz Eggert | with Julia Sontag, Philipp Zemmrich, Laura Hempel, Tom Smith, Lysann Schläfke, director: Michaela Dicu Leipzig (Germany), Theater der Jungen Welt |
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| see also |
Cilia Wir drehen Bleib doch einfach fort Haemmerklavier XXIX: No Replay |
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|
Work Back to overview |
Haemmerklavier XXIX: No Replay
(2019) |
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Chamber music - Piano solo also look at Singing with instruments |
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| for piano and screaming voice/s ad lib. (also from tape) | |||||||
| work list |
267-NW-2019
|
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| completed |
04/02/2019
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| text |
Winnie Karnofka
|
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| instruments |
piano
|
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| duration |
4'
|
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| world premiere |
05/04/2019
Julia Sontag, Philipp Zemmrich, Laura Hempel, Tom Smith, Lysann Schläfke Leipzig (Germany), Theater der Jungen Welt |
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| publication |
http://www.sikorski.de
|
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| see also |
Maedchenmonstermusik |
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|
Work Back to overview |
Wir drehen
(2019) |
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Vocal music - Songs with piano also look at Music for choir |
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| for female and male voice, small choir | |||||||
| work list |
265-NW-2019
|
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| completed |
03/20/2019
|
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| text |
Winnie Karnofka
|
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| voices |
for female and male voice, small choir
|
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| instruments |
piano
|
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| duration |
3'
|
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| world premiere |
05/04/2019
Julia Sontag, Philipp Zemmrich, Laura Hempel, Tom Smith, Lysann Schläfke Leipzig (Germany), Theater der Jungen Welt |
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| special |
from "Maedchenmonstermusik"
|
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| publication |
http://www.sikorski.de
|
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| see also |
Maedchenmonstermusik |
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|
Work Back to overview |
Bleib doch einfach fort
(2019) |
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Vocal music - Songs with piano also look at Stage music |
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| for baritone and piano | |||||||
| work list |
264-NW-2019
|
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| completed |
01/26/2019
|
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| text |
Winnie Karnofka
|
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| voices |
baritone
|
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| instruments |
piano
|
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| duration |
3'
|
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| world premiere |
05/04/2019
Philipp Zemmrich, Tom Smith Leipzig (Germany), Theater der Jungen Welt |
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| special |
from "Maedchenmonstermusik"
|
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| publication |
http://www.sikorski.de
|
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| see also |
Maedchenmonstermusik |
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|
Work Back to overview |
Cilia
(2019) |
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|
Vocal music - Songs with piano also look at Musiktheater und Performance |
|||||||
| for voice and piano | |||||||
| work list |
262-NW-2019
|
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| completed |
01/24/2019
|
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| text |
Winnie Karnofka
|
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| voices |
Stimme
|
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| instruments |
Klavier
|
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| duration |
5'
|
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| world premiere |
05/04/2019
Laura Hempel, voice and piano Leipzig (Germany), Theater der Jungen Welt |
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| special |
from "Maedchenmonstermusik"
|
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| publication |
http:///www.sikorski.de
|
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| see also |
Maedchenmonstermusik |
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|
Work Back to overview |
Martien Martienne
(2018) |
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Stage Works - Operas/ music theatre |
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| Based on the short story „Ylla“ from the„Martian Chronicles“ by Ray Bradbury | |||||||
| work list |
261-HW-2018
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| completed |
12/23/2018
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| text |
Laurent Frèchuret, after Ray Bradbury
|
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| voices |
singer/actress, actor
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| instruments |
5 Percussionists (Mallets and other instruments)
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| duration |
60'
|
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| world premiere |
10/18/2019
Director: Laurent Fréchuret, Arnaud Perrat, stage and computer visuals: Grégory Lasserre & Anaïs Met Den Ancxt With Claudine Charreyre, Mychel Lecoq, „voix off:“:François Chattot, percussions claviers de Lyon : Sylvie Aubelle, Renaud Cholewa, Jérémy Daillet, Gilles Dumoulin, Lara Oyedepo Grenoble (France), Théatre Municipal de Grenoble |
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| publication |
http://www.sikorski.de
|
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Work Back to overview |
Lied des Moerders
(2018) from the opera "M - Eine Stadt sucht einen Mörder" |
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Vocal music - Duets |
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| for 2 voices and piano | |||||||
| work list |
257b-18-NW
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| completed |
10/24/2018
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| text |
trad.
|
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| voices |
2 voices
|
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| instruments |
piano
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| duration |
1'
|
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| publication |
http://www.sikorski.de
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|
Work Back to overview |
To The Point
(2018) Piano Trio No. 3 |
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Chamber music - Trios |
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| work list |
258-18-NW
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| completed |
09/07/2018
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| instruments |
vl., vc., pf.
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| duration |
7'
|
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| world premiere |
11/24/2018
Elisabeth Kufferath, vl., Jessica Kuhn, vl., Moritz Eggert, pf. Sophiensaal, Munich (Germany), "Vom Phänomen der Zeit" |
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| special |
uses 3 metronomes, independent rhythms
|
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| publication |
http://www.sikorski.de
|
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|
Work Back to overview |
M - eine Stadt sucht einen Mörder
(2018) |
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Stage Works - Operas/ music theatre |
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After the screenplay by Thea von Harbou und Fritz Lang, arranged and expanded with texts by Walter Mehring and children’s songs by Barrie Kosky and Ulrich Lenz |
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| work list |
257-18-HW
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| completed |
06/28/2018
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| voices |
M (Bariton), Solo-Soprano, Solo-Tenor, children’s choir and children soloists, actors, dancers, speakers, extras
|
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| instruments |
orchestra (amplified): flute/picc., oboe, clarinet (Bb), alto saxophone, bassoon – horn, trumpet, tenor trombone, bass trombone, bass tuba – 3 percussionists (3: drum set) – accordion, electric guitar, electric bass– 4 keyboards (Software-Sampler) – 12 singers (SSSAAATTTBBB) – strings 6.6.4.3.2
|
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| duration |
1 h 45'
|
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| world premiere |
05/05/2019
Conductor: AinÄrs RubiÄis, director: Barrie Kosky, stage and lighting: Klaus Grünberg, stage: Anne Kuhn, costumes: Katrin Kath, Dramaturgie: Ulrich Lenz, choirs: David Cavelius, children’s choir: Dagmar Fiebach, cast: M, der Moerder: Scott Hendricks, voices: Alma Sadé, Tansel Akzeybek, students of the Hochschule für Schauspielkunst »Ernst Busch« Berlin: Emilia Giertler, Noëlle Haesling, Laura Kiehne, Max Haase, Jan Eric Meier, Daniel Warland Kinderchor und Kinderkomparserie der Komischen Oper Berlin, Saenger*innen des Opernstudios und des Vocalconsorts Berlin Berlin (Germany), Komische Oper |
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| publication |
http://www.sikorski.de
|
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|
Work Back to overview |
"...wenn Helmut das darf..."
(2018) |
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|
Texts & Essays - Essays |
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|
Über Helmut Lachenmanns „Marche Fatale“ In MusikTexte 157 |
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| completed |
05/09/2018
|
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| publication |
MusikTexte 157 (in German)
|
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|
Work Back to overview |
La BETTLEROPERa
(2017) |
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|
Stage Works - Musiktheater und Performance also look at Dance theatre |
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|
Music/Dance Theatre Based on Gay/Pepusch “Beggar’s Opera” |
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| work list |
251-17-HW
|
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| completed |
07/24/2017
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| text |
Lyrics: Moritz Eggert Libretto: Bernhard Glocksin/Balletto Civile |
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| voices |
Roles (actors/dancers/singers): Peachum, Mrs. Peachum, Filch, Macheath, Polly, Matt, Jenny, Lucy, Lockit, Trappola, whores, gangsters
|
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| instruments |
Ensemble: 2 recorders (Sopranino-, Soprano-, Alto-, Tenor-, Bass-, Great Bass-, Paetzold), Electric Guitar, Violoncello and small instruments washboard/melodica/typewriter/bell/baroque violin (all instruments amplified)
|
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| duration |
1 h 30'
|
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| special |
Overture Morning Chorale (Peachum) And Beauty Must Be Paid (Filch) DANCE I (2a) 3. Diamonds are Whore’s best Friend (Mrs. Peachum/Peachum) DANCE II (3a) 4. Macheath is my man (Polly) 5. Wait for the Tillerman (Polly/Mrs. Peachum) DANCE III (5a) 6. Dreaming a Dream of you (Macheath) 7. Bleib bei mir, kleine Sonne (Macheath, Polly) 7.a Zwischenaktmusik 8. We’ll keep whoring till the end (Matt und Chor) 9. Enjoy yourself (Jenny und Huren) DANCE IV (9a) 10. Behind the green door (Jenny) 11. It’s later than you think (Jenny,Hurenchor)12. They call it Dharma in Mandalay (Lucy) 13. It doesn’t end like that (Lucy/Macheath) 14. Twang Dang Dillo Dee (Lockit) 15. The Power of Love (Polly/Lucy) DANCE V (15a) 16. Bleib bei mir kleine Sonne (Reprise:Lucy/Macheath) 17. Confession (Lucy) 18. Giocatori sono amici (Lockit)19. How to make a living (Filch) DANCE VI (19a) 20.Wir sind Freunde (Macheath/Chor) DANCE VII (20a) 21.In the days of my youth (Trappola) DANCE VIII (21a) 22. I’m like a little ship (Lucy) 23. The Bile of Men (Polly und Lucy) Dance IX (23a) 24. Every Month was May (Polly) DANCE X (24a) 25. Cercatene un altro (Peachum) 26. Nun geh ich ein in die Dunkelheit (Macheath) Dance XI (26a) 27. Adieu, Farewell (Lucy, Polly, Macheath) Dance XII (27a) 28. Finale (Hau ihm einfach auf die Fresse, Alle)
|
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| publication |
http://www.sikorski.de
|
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|
Work Back to overview |
Caliban
(2016) |
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|
Stage Works - Operas/ music theatre also look at Musiktheater und Performance |
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| Chamber Opera | |||||||
| work list |
246-HW-2016
|
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| completed |
12/09/2016
|
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| text |
Peter te Nuyl
|
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| voices |
Soprano, Tenor, Baritone, Actor
|
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| instruments |
Orchestra (11 players): Contrabass Flute/Flute/picc., Clarinet/Bass-Clarinet  Trumpet (Bb), Tenor/Bass-Trombone  Percussion (1 player)  Keyboard/Toy Piano  Accordion  Violin, Viola, Cello, Double Bass
|
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| duration |
85'
|
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| world premiere |
03/25/2017
Conductor: Steven Sloane, Director: Lotte de Beer, Production Design: Clement&Sanou, Orchestra: Asko|Schönberg Caliban: Michael Wilmering Miranda/Trinculo: Alexandra Flood Stephano/Ferdinand: Timothy Fallon Prospero: Alexander Oliver Amsterdam (Netherlands), Compagnietheater, Opera Forward Festival |
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| publication |
http://www.sikorski.de
|
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| Video |
|
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| texts |
Caliban, kurzer Text zum Stück Caliban [
Moritz Eggert , 08.01.2019
]
|
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|
Work Back to overview |
Traviata Remixed
(2016) |
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|
Stage Works - Operas/ music theatre |
|||||||
| new version of "La Traviata" (G. Verdi) | |||||||
| work list |
244-NW-2016
|
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| completed |
06/26/2016
|
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| voices |
4 singers (playing various roles)
|
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| instruments |
flute/picc., clar./Bass-clar., Alt-Sax/Sopr.-Sax Trumpet, Bass-Trombone elec. Git., elec. Bass Mallets (1 player), Drumset (1 player) accordion, Keyboard - Violin, Cello
|
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| duration |
90'
|
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| world premiere |
08/13/2016
Alessandro Scotto di Luzio tenor / Alexandra Flood soprano / Ernst Danil Smid baritone / Lore van den Broeck soprano / Alexander de Jong bass / Steven Sloane conductor/ Lotte de Beer director/ Clement & Sanu scene/ Musici NJO: Nationaal Jeugd Orkest ensemble Amsterdam (Netherlands), Grachtenfestival, Zuiveringhal West |
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| special |
composed together with Jacopo Salvatori
|
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| Video |
|
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|
Work Back to overview |
Hump and Circumstances
(2016) |
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|
Orchestral works - Chamber orchestra also look at Ensembles |
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| for chamber orchestra with sampler | |||||||
| work list |
242-NW-2016
|
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| completed |
05/10/2016
|
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| instruments |
Orchestra: Fl., Ob., Cl. (Bb), Bn. Hn,, Tr. (Bb), Ten.-tn. Drumset piano/Sampler (1 player), E-Guitar, Accordion 1.1.1.1.1
|
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| duration |
3' 5''
|
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| world premiere |
06/18/2016
MGNM-Ensemble, Peter Hirsch Munich (Germany), Schwere Reiter |
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| publication |
http://www.sikorski.de
|
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|
Work Back to overview |
Muzak
(2016) |
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|
Orchestral works - Singing with instruments also look at Vocal music |
|||||||
| for voice and orchestra | |||||||
| work list |
241-HW-2016
|
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| completed |
03/22/2016
|
||||||
| text |
Moritz Eggert
|
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| voices |
amplified voice
|
||||||
| instruments |
orchestra: picc., 2 Fl., 2 Ob., C.A.., 2 cl. (Bb), Bassclar., 2 Bn., Double-Bn.. 4 Hn., 3 Trp. (Bb), 2 tb., 1 Bass-tb., Tba. timp., 2 perc, Drumset harp, piano/keyboard E-guitar, E-Bass strings (min. 10.8.6.4.3.)
|
||||||
| duration |
43'
|
||||||
| world premiere |
06/04/2016
David Robertson, Symphonieorchester des BR, Moritz Eggert Munich (Germany), Herkulessaal, "musica viva" |
||||||
| dedicated |
David Bowie
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Partiturvorwort mit Text zum Stück Moritz Eggert: [
Moritz Eggert , 22.03.2016
]
|
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|
Work Back to overview |
wo?
(2016) |
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|
Texts & Essays - Articles |
|||||||
| about contemporary music festivals | |||||||
| completed |
02/04/2016
|
||||||
| publication |
crescendo 1/2016
|
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|
Work Back to overview |
Neu!
(2015) |
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|
Texts & Essays - Articles also look at Essays |
|||||||
| about the history of contemporary music | |||||||
| completed |
02/04/2016
|
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| publication |
crescendo 1/2016
|
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|
Work Back to overview |
Terra Nova
(2015) the white life |
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|
Stage Works - Operas/ music theatre |
|||||||
| Large Opera in 3 acts | |||||||
| work list |
238 - HW - 2015
|
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| completed |
08/30/2015
|
||||||
| text |
Franzobel, Rainer Mennicken
|
||||||
| voices |
Pandura (Mezzo), Ruler (Tenor), Marilyn (Chansonette), Change (coloratura-sopr.), Kolker (Bar.), Armstrong (Spieltenor), Titov (Baritone), Dreier (Lyrical Tenor), Ann (Sopr.), Mira (Mezzo), Yioti (Soubrette), Ein Freier (actor), The Little Prince (child soprano), Moonwalker etc. (choir soloists: T/Bar./B.), Choir, dance soloists
|
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| instruments |
Orchestra: picc., 2 Fl. 2 Ob., C.A., 2 clar. (Bb), Bass clarinet, 2 Bn., D.Bn. 4 Hn., 3 Tr. (Bb), 2 Ten-tn., 1 Bass-tn., Basstuba Timpani, 2 percussionists, harp, electric guitar, E-Bass, Organ/Keyboards/piano (1 player) Strings Tape Sounds
|
||||||
| duration |
2 h 15'
|
||||||
| world premiere |
05/26/2016
conductor: Dennis Russell Davies, Takeshi Moriuchi, director: Carlus Padrissa, choreography: Mei Hong Lin, stage: Roland Olbeter, costumes: Chu Uroz Ruler, Präsident: Jacques le Roux, Lara alias Chang'e, seine ehemalige Frau: Mari Moriya, Marylin, seine Geliebte: Anas Lueken, Pandura, Astronomin: Katerina Hebelkova, Kolker, Laras Bruder, ein Agent: Martin Achrainer, Armstrong, Raumfahrer: Sven Hjörleifsson, Titov, Raumfahrer: Michael Wagner, Dreier, Raumfahrer: Matthäus Schmidlechner, Ann, Armstrongs Frau: Elisabeth Breuer, Mira, Titovs Frau: Kerstin Eder, Yioti, Dreiers Frau: Gotho Griesmeier, Ein Freier: Lutz Zeidler, Der kleine Prinz: Benjamin Gotthard/Jakob Reiter, Ein Lautsprecher: Ulf Bunde/Moritz Eggert, Drei Moonwalker / Drei Rädelsführer / Drei Reporter / Drei Partygäste: Csaba Grünfelder, Ulf Bunde, Marius Mocan Ballett des Landestheaters Linz Chor des Landestheaters Linz Kinder- und Jugendchor des Landestheaters Linz Statisterie des Landestheaters Linz Bruckner Orchester Linz Linz (Austria), Opera |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
|
Work Back to overview |
Musik und Spiritualität (Kommentar)
(2015) |
||||||
|
Texts & Essays - Essays also look at Articles |
|||||||
| completed |
06/01/2015
|
||||||
| publication |
published in "Österreichische Musikzeitschrift" 06 2015
|
||||||
|
Work Back to overview |
Songs from the Bordello Ballad
(2015) |
||||||
|
Vocal music - Songs with instruments also look at Singing with instruments |
|||||||
| for voice and string quintet | |||||||
| work list |
188c-NW-2015
|
||||||
| completed |
05/06/2015
|
||||||
| text |
Franzobel
|
||||||
| movements |
Die Zeiten, sie drehn sich Do you like animals Liebeslied Man muesste blind sein So ein Wuermnchen |
||||||
| voices |
voice
|
||||||
| instruments |
string quintet (1.1.1.1.1.)
|
||||||
| duration |
21'
|
||||||
| world premiere |
06/26/2015
Moritz Eggert, voc., Ensemble Resonanz Hamburg (Germany), Resonanzraum |
||||||
| special |
instrumentation by Jacopo Salvatori
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
Bordello Ballad |
||||||
|
Work Back to overview |
Borowiak-Songs
(2015) 5 songs from "Titanic"-Magazine |
||||||
|
Vocal music - Songs with piano |
|||||||
| for voice and piano | |||||||
| work list |
239a-NW-2015
|
||||||
| completed |
05/05/2015
|
||||||
| text |
Simon Borowiak
|
||||||
| movements |
1. Heut fahr ich zu meim Schätzelein 2. Bin nur eine kleine Maklerin 3. Herbstlied 4. Mutterliebe 5. Spirituosenleben |
||||||
| voices |
voice
|
||||||
| instruments |
piano
|
||||||
| duration |
12'
|
||||||
| special |
originally published in 2012
|
||||||
| publication |
"Titanic"-Magazine, 2012 http://www.sikorski.de |
||||||
|
Work Back to overview |
Neues vom Bad Boy 1-?
(2015) |
||||||
|
Texts & Essays - Essays also look at Articles |
|||||||
| bi-monthly column in "Silberhorn" (magazine of NMZ and Jazz-Zeitung) | |||||||
| completed |
03/03/2015
|
||||||
| publication |
Neues vom Bad Boy #2 Erschienen in Silberhorn 02/Mai 2015 In German |
||||||
|
Work Back to overview |
PG Dada
(2015) |
||||||
|
Chamber music - Octets also look at Ensembles |
|||||||
| for octet | |||||||
| work list |
237-HW-2015
|
||||||
| completed |
01/31/2015
|
||||||
| instruments |
Fl., Ob, Cl. (Eb), Tr. (C), Hn., Ten.-tn., Bn., Cb. (conductor)
|
||||||
| duration |
17'
|
||||||
| world premiere |
06/07/2015
notabu-Ensemble, Mark-Andreas Schlingensiepen, conductor Dusseldorf (Germany), Tonhalle, Großer Saal |
||||||
| special |
Instrumentation as in Octandre, theatrical elements
|
||||||
| dedicated |
Mark-Andreas Schlingensiepen
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
PG Dada, Partiturvorwort und Text zum Stück Moritz Eggert [
PG Dada, score preface and text about the piece , 31.01.2015
]
|
||||||
|
Work Back to overview |
Remix
|
||||||
|
Texts & Essays - Articles |
|||||||
| completed |
01/31/2015
|
||||||
| publication |
VAN#2, tablet magazine for classical music culture
|
||||||
|
Work Back to overview |
Der Summensucher
(2015) |
||||||
|
Texts & Essays - Articles |
|||||||
| completed |
01/30/2015
|
||||||
| publication |
VAN #2, Tablet-Magazin fuer klassische Musikkultur
|
||||||
|
Work Back to overview |
Ich akzeptiere die Nutzungsbedingungen
(2014) Report from the premiere of I accept the terms and conditions |
||||||
|
Texts & Essays - Texts about works also look at Articles |
|||||||
| completed |
12/15/2014
|
||||||
| text |
https://www.datenschutzverein.de/wp-content/uploads/2015/01/DANA_14_4_Inhalt.pdf |
||||||
| publication |
Published in Datenschutz Nachrichten, 4/2014, ISSN 0137-7767, 37. Jahrgang
|
||||||
|
Work Back to overview |
Muenchen leuchtete
(2014) Hans Werner Henze als Mentor des neuen Musiktheaters |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
12/11/2014
|
||||||
| publication |
"Die Muenchener Biennale 1988-2104" Herausgeber: Kulturreferat München |
||||||
|
Work Back to overview |
Leipzig Noir
(2014) |
||||||
|
Vocal music - Voice with other instruments also look at Singing with instruments |
|||||||
| For 2 speakers/singers, Ensemble, Beats and Sampler | |||||||
| work list |
235-HW-2014
|
||||||
| completed |
10/26/2014
|
||||||
| text |
Moritz Eggert
|
||||||
| voices |
female voice, male voice (+Melodica/Beats/Sampler)
|
||||||
| instruments |
trumpet (Bb), Heckelphone, Bass Clarinet, Percussion (1 Player), piano, Strph Violin/musical saw Säge, Electric guitar
|
||||||
| duration |
21'
|
||||||
| world premiere |
12/17/2014
Theresa Martini/Moritz Eggert, speaker, Antje Thierbach, ob., Karola Elßner, bass-cl., Damior Bacikin, trump., Philipp Lamprecht, perc., Jan Gerdes, pf., Daniel Göritz, musical saw/Strohgeige, Daniel Goeritz, Electric Guitar, Gerhardt Müller-Goldboom, conductor, Beats: Samuel Pender-Bayne Leipzig (Germany), UT Connewitz, "Leipzig Noir" (FZML) |
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Leipzig noir, Libretto Leipzig Noir [
Moritz Eggert , 26.10.2014
]
Leipzig Noir, Partiturvorwort Moritz Eggert: Leipzig Noir [
Moritz Eggert , 26.10.2014
]
|
||||||
|
Work Back to overview |
Hells Kitchen
(2014) |
||||||
|
Stage Works - Musiktheater und Performance also look at Chamber music |
|||||||
| for 3 players | |||||||
| work list |
233-NW-2014
|
||||||
| completed |
07/14/2014
|
||||||
| instruments |
Player 1: clarinet (Bb), hand brush, bass clarinet (Bb), soup/beer coaster/glass/spoon, horn Player 2: Marimbaphone (small), coconut and saw, wooden frog, rice rattle, peppermill, castanets, bread paper (withz brush), bongos (2), shrill whistle, lithophone (e��, f sharp��, g��, a��, b��, c���, c sharp���, d���, e���), �pot organ� (electronically simulated): 1 bb, 2 d�, 3 a�, 4 c��, 5 e��, 6 b��, 7 c sharp���), mouth siren, nuts with nutcracker, small drumset, 2 squeaky objects, bike horn, kalimba, soup/beer coaster/glass/spoon Player 3: Violoncello, metronome, glass organ (fastened tuned glasses, bowed): c��, e��, f��, g��, a��, singing saw, duck call, soup/beer coaster/glass/spoon |
||||||
| duration |
70'
|
||||||
| world premiere |
11/07/2014
"KinderKinder�-Festival, Music and performance: Carola Schaal (clarinets), Sonja Lena Schmid (Cello), Sven Kacirek (Percussion), Devil: Apostolos Dulakis, Director: Heiko Hentschel Hamburg (Germany), Kampnagel, P1 |
||||||
| special |
Musical Theater for children, ca. 27 Minutes composed music, the rest improvisations devised together with the musicians
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Haemmerklavier XXV: Deviation
(2014) |
||||||
|
Chamber music - Piano solo |
|||||||
| for piano solo | |||||||
| work list |
232-NW-2014
|
||||||
| completed |
05/21/2014
|
||||||
| instruments |
piano
|
||||||
| duration |
4'
|
||||||
| world premiere |
04/22/2015
Susanne Kessel, pf. Bonn (Germany), Rheinhotel Dreesen, "250 Piano Pieces for Beethoven" |
||||||
| dedicated |
Susanne Kessel
|
||||||
| publication |
http://www.sikorski.de �250 piano pieces for Beethoven�, ISMN 9790708147008, Editions Musica Ferrum |
||||||
| Video |
|
||||||
| texts |
Hämmerklavier XXV, kurzer Text zum Stück Für mich ist die Musik am interessantesten, die mit unserem Leben und den Umständen unseres Lebens zu tun hat und sich nicht allein in Kopfgeburten verliert. Insofern sind natürlich auch Freiheit und Frieden große Themen, die auf jeden Fall Platz in der Musik haben sollten. Ich ... [more] [
Moritz Eggert , 16.08.2015
]
|
||||||
|
Work Back to overview |
Die Glocken (von Uschi)
(2014) eine Goethiade von Schiller |
||||||
|
Vocal music - Ensembles also look at Songs with piano |
|||||||
| for vocal quartet (S,A,T,B), piano and 2 assistants | |||||||
| work list |
231-NW-2014
|
||||||
| completed |
05/10/2014
|
||||||
| text |
Goethe/Moritz Eggert
|
||||||
| voices |
S, A, T, B
|
||||||
| instruments |
piano, 2 assistants
|
||||||
| duration |
12'
|
||||||
| world premiere |
06/30/2014
Caroline Melzer, sopr., Olivia Vermeulen, mezzo, Karol Kozlowski, ten., Wolfgang Holzmair, bar., Siegfried Mauser, pf., Axel Bauni, Jan Philip Schulze, ass. Bad Kissingen (Germany), Kissinger Sommer, Rossini Saal |
||||||
| special |
performance elements
|
||||||
| dedicated |
Kari Kahl-Wolfsjger
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Aggro
(2014) |
||||||
|
Chamber music - Duos also look at Duets |
|||||||
| for alto saxophone and piano | |||||||
| work list |
230-NW-2014
|
||||||
| completed |
05/08/2014
|
||||||
| instruments |
alto saxophone, piano
|
||||||
| duration |
18'
|
||||||
| dedicated |
Christian Segmehl
|
||||||
| publication |
http://www.moritzeggert.de
|
||||||
|
Work Back to overview |
Waltzing 1914
(2014) |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
|
Musical performance by Moritz Eggert with Gebrueder Teichmann, Transforma and Theresa Martini Music by Satie, Chopin, Eisler, Antheil, Gebrueder Teichmann, Eggert a.m.o., contains: Einmal muss Sperrstund sein, Das Lied von der weiten Welt, Mach mit, So ein Wuermchen from the Bordellballade, contains highway 61 and One Man Band from Haemmerklavier |
|||||||
| completed |
05/07/2014
|
||||||
| text |
Franzobel, Arthur Rubinstein, Kurt Schwitters, Andrea Heuser, Wilfred Owen
|
||||||
| duration |
70'
|
||||||
| world premiere |
05/07/2014
with: Gebrueder Teichmann, Theresa Martini, Moritz Eggert Video by Transforma, director/concept: Moritz Eggert Berlin (Germany), Maxim-Gorki-Theater, Grosse Buehne (History Campus 14-14) |
||||||
|
Work Back to overview |
Ein paar Gedanken zum Thema "Meisterwerk"
(2014) |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
04/27/2014
|
||||||
| publication |
Published in Seiltanz, Ausgabe 8, April 2014 ISSN 2191-0499 In German |
||||||
|
Work Back to overview |
bring me up, bring me down
(2013) |
||||||
|
Vocal music - Songs with piano |
|||||||
| für Sopran und Klavier | |||||||
| work list |
226-NW-2013
|
||||||
| completed |
12/15/2013
|
||||||
| text |
(collage)
|
||||||
| voices |
soprano
|
||||||
| instruments |
piano
|
||||||
| duration |
7'
|
||||||
| world premiere |
02/01/2014
Irene Kurka, sopr., Marttin Tchiba, pf. Dusseldorf (Germany), Schumann-Saal, Festival "Schoenes Wochenende" |
||||||
| dedicated |
Irene Kurka, Martin Tchiba
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
1,2,3
(2013) |
||||||
|
Orchestral works - Ensembles also look at Chamber orchestra |
|||||||
| for sampler and ensemble | |||||||
| work list |
225-HW-2013
|
||||||
| completed |
12/08/2013
|
||||||
| instruments |
fl., clar. (Eb), Alt-Sax., Bassoon Hn., Tba. Percussion 4.0.2.2.1 Sampler
|
||||||
| duration |
22'
|
||||||
| world premiere |
02/20/2014
Ensemble Resonanz/Ensemble Variances, Jonathan Stockhammer, cond., Moritz Eggert, sampler Metz (France), Arsenal |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
The Gaze Of The Raven
(2013) an evening after Edgar Allan Poe |
||||||
|
Stage Works - Dance theatre also look at Ballet |
|||||||
| dance theatre with orchestra and singer | |||||||
| completed |
10/19/2013
|
||||||
| text |
Nimmermehr! Der sprechende, stets verneinende Rabe aus Edgar Allan Poes berühmtem Gedicht ist eines der stärksten und faszinierendsten Symbole für Melancholie und Hoffnungslosigkeit. Der amerikanische Weltliterat setzte sich in seinen Werken wie kein anderer mit den dunkelsten Ängsten und Albträumen der Menschheit auseinander. Ausgehend von Poes Gedichten und Kurzgeschichten erkundet Tarek Assam dessen einmaligen Blick auf die Welt: düster und traurig doch von einem unerklärlichen Zauber durchdrungen. Bereits zum vierten Mal wird er dabei von Bühnenbildner Fred Pommerehn und Kostümbildnerin Gabriele Kortmann unterstützt. Die eigens für diesen Abend komponierte Musik des renommierten Komponisten Moritz Eggert wird live unter der musikalischen Leitung von Michael Hofstetter vom Philharmonischen Orchester Gießen präsentiert. |
||||||
| voices |
female voice
|
||||||
| instruments |
dancers and orchestra
|
||||||
| duration |
1 h 40'
|
||||||
| world premiere |
10/19/2013
choreography: Tarek Assam musical director: Michael Hofstetter / Herbert Gietzen, stage design: Fred Pommerehn, costumes: Gabriele Kortmann , Dramaturgie: Christian Schroeder Der Schwarm: Endre Schumicky / Claudio Pisa / Edoardo Novelli / Sven Krautwurst / Leona Striet / Magdalena Stoyanova / Mamiko Sakurai / Jennifer Ruof / Yuki Kobayashi / Lea Hladka / Caitlin-Rae Crook Two Ravens: Manuel Wahlen / Michael Bronczkowski singer: Bettina D'Mello Philharmonisches Orchester Giessen Giessen (Germany), Stadttheater, Grosses Haus |
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Ode an Twitter
(2013) ein zeitgemaesser Liederzyklus |
||||||
|
Vocal music - Songs with piano |
|||||||
| for voice and piano | |||||||
| work list |
223-NW-2013
|
||||||
| completed |
09/15/2013
|
||||||
| text |
Moritz Eggert
|
||||||
| movements |
1. geschaeftig 2. nachdenklich 3. Romanze 4. dozierend 5. stuermisch |
||||||
| voices |
Voice
|
||||||
| instruments |
piano
|
||||||
| duration |
2'
|
||||||
| special |
written for the opera insert of German ZEIT-magazine
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Wir bauen ab
(2013) |
||||||
|
Texts & Essays - Articles |
|||||||
| article for the "Bad Blog Of Musick" | |||||||
| completed |
09/01/2013
|
||||||
| publication |
NMZ 9/13 also published as Wir bauen ab in Seiltanz, Beitraege zur Musik der Gegenwart, 7/2013
|
||||||
|
Work Back to overview |
Poe
(2013) |
||||||
|
Orchestral works - Orchestra alone also look at Ballet |
|||||||
| Ballet scenes for orchestra | |||||||
| work list |
221-HW-2013
|
||||||
| completed |
08/15/2013
|
||||||
| movements |
1. The Tell-Tale Heart 2. The Bells 3. The Pit And The Pendulum 4. Maelstrom Interlude 1-6. optional, for theatrical use only |
||||||
| instruments |
2 Fl. (2.auch picc.), 2 Ob., 2 Kl., 2 Fg. 4 Hn., 2 Tr. (B), 2 Pos., 1 Basspos. Timpani Schlagzeug (1 Spieler) Streicher mindestens 8.6.4.3.2
|
||||||
| duration |
46'
|
||||||
| special |
After tales and poems by Edgar Allan Poe Length with optional interludes: +12 minutes |
||||||
| publication |
http:/7www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Poe, Text zum Stück E. A Poe kann in seiner Bedeutung für die Literatur gar nicht überschätzt werden. Ganze Genres hat er eigenhändig erfunden (zum Beispiel die Gattung der Detektivgeschichten, die dann von Arthur Conan Doyle und Agatha Christie in die Blüte geführt wurde) und er hat den... [more] [
Moritz Eggert , 3.10.2013
]
|
||||||
|
Work Back to overview |
Wagner-Jingles/ Verdi-Jingles
(2013) |
||||||
|
Orchestral works - Ensembles also look at Brass orchestra |
|||||||
| 3 Jingles each for wind band | |||||||
| work list |
219b,c-NW-2013
|
||||||
| completed |
06/06/2013
|
||||||
| instruments |
variable
|
||||||
| duration |
4'
|
||||||
| world premiere |
06/28/2013
Tölzer Stadtkapelle (cond.: J. Kronwitter), Musikverein Eichenau e.V. (cond.: Philipp Lüdecke) Munich (Germany), Opernfestspiele 2013 |
||||||
| special |
Part of the Project "Wagner versus Verdi"
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
Wagner versus Verdi: Einzug, Auferstehung, Finale |
||||||
|
Work Back to overview |
et veggio ben
(2013) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for medium voice and piano | |||||||
| work list |
220
|
||||||
| completed |
06/05/2013
|
||||||
| text |
Petrarca (Fragment from 361, Canzoniera)
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
12'
|
||||||
| world premiere |
07/07/2013
Olivia Vermeulen, mezzo, Moritz Eggert, pf. Bad Kissingen (Germany), Kissinger Sommer, Rossini-Saal |
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Wagner versus Verdi: Einzug, Auferstehung, Finale
(2013) |
||||||
|
Orchestral works - Large ensemble also look at Brass orchestra |
|||||||
| for 2 wind orchestras, 2 wind bands and soloists | |||||||
| work list |
219a-2013
|
||||||
| completed |
05/31/2013
|
||||||
| instruments |
instrumentation: Wind Orchestra 1: picc., 2 Fl., 2 Ob., 2 Fg., Es-Kl., 3 Kl., Basskl., 2 Alt-Sax, Ten.-Sax, Bar.-Sax 4 Hn., 4 Tr., 3 Pos., 2 Flhn., Bar., Euph., 2 Tba.- Hfe., Kb. Timp., 3 Perc. Wind Orchestra 2: picc., 2 Fl., 2 Ob., 2 Fg., 3 Kl., Basskl., 2 Alt-Sax, Ten.-Sax, Bar.-Sax 4 Hn., 3 Tr., 3 Pos., 3 Flhn., 2 Euph., 2 Tba.- Timp., 3 Perc Wind Bands 1&2: any number of fl. Cl., bass-cl., alt-sax, ten.-sax, bar.-sax, flhn., ten./bar., tn., bass-tn., tb., cymb., snare-dr., great drum |
||||||
| duration |
21'
|
||||||
| world premiere |
06/28/2013
Polizeiorchester Bayern (Leitung J. Mösenbichler), Musikkapelle Peter Mayr Pfeffersberg, Südtirol (Leitung: J. Feichter), Tölzer Stadtkapelle e.V. (Leitung J. Kronwitter), Musikverein Eichenau e.V. (Leitung: P. Lüdecke), Bläsersolisten und Schlagzeuger der Bayerischen Staatsoper Munich (Germany), Opernfestspiele 2013, Max-Joseph-Platz |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| see also |
Wagner-Jingles/ Verdi-Jingles |
||||||
|
Work Back to overview |
Strawinsky und das Opfer
(2013) about Strawinsky's "Sacre" |
||||||
|
Texts & Essays - Articles also look at Essays |
|||||||
| completed |
05/01/2013
|
||||||
| publication |
"tanz" (Zeitschrift), Mai 2013
|
||||||
|
Work Back to overview |
Party Number 9
(2012) |
||||||
|
Orchestral works - Ensembles |
|||||||
| for ensemble | |||||||
| work list |
216-NW-2012
|
||||||
| completed |
12/31/2012
|
||||||
| instruments |
Oboe, Bassoon, trumpet in C, trombone, marimbaphone, accordion, piano, violin, viola, cello
|
||||||
| duration |
2'
|
||||||
| world premiere |
10/17/2013
Ensemble Either/Or, Richard Carrick, cond. New York, Miller Theatre (USA) |
||||||
| special |
contribution to the Cage 100-project of the Forum Zeitgenoessische Musik Leipzig 2013
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Diversionary Tactics
(2012) |
||||||
|
Chamber music - Duos also look at Musiktheater und Performance |
|||||||
| instrumental theatre for bassoon and piano | |||||||
| work list |
214-HW-2012
|
||||||
| completed |
10/29/2012
|
||||||
| instruments |
Bassoon, Piano
|
||||||
| duration |
16'
|
||||||
| world premiere |
03/02/2013
Annette Winker, fg., Klaus Simon, pn. Freiburg (Germany), Elisabeth-Schneider-Stiftung |
||||||
| dedicated |
Annette Winker
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
My Love Is As A Fever (Sonnet 147)
(2012) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for counter tenor, singing pianist and 2 small tables | |||||||
| work list |
211-HW-2012
|
||||||
| completed |
06/08/2012
|
||||||
| text |
Shakespeare (translation: Helmut Krausser)
|
||||||
| voices |
Countertenor singing pianist |
||||||
| instruments |
piano, 2 small tables
|
||||||
| duration |
12'
|
||||||
| world premiere |
06/30/2012
Tim Severloh, Ct., Moritz Eggert, pf./voc. Bad Kissingen (Germany), Kissinger Sommer, Liedwerkstatt, Rossini-Saal |
||||||
| dedicated |
Tim Severloh
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
My Love Is As A Fever, lyrics My Love Is As A Fever [
My Love Is As A Fever, lyrics , 9.6.2012
]
|
||||||
|
Work Back to overview |
I am curious
(2012) contribution to issue theme "why compose?" |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
05/04/2012
|
||||||
| text |
Language: German
|
||||||
| publication |
Neue Zeitschrift für Musik, 4_2012, Schott, ISSN 0945-6945
|
||||||
|
Work Back to overview |
Die Gedanken sind frei - aber nicht kostenlos
(2012) |
||||||
|
Texts & Essays - Articles |
|||||||
| completed |
03/01/2012
|
||||||
| publication |
NMZ, 3/12 (in German)
|
||||||
|
Work Back to overview |
op.111
(2012) |
||||||
|
Orchestral works - Concerts |
|||||||
| for narrator, solo piano and orchestra | |||||||
| work list |
209-HW-12
|
||||||
| completed |
02/16/2012
|
||||||
| text |
Thomas Mann (excerpt from "Doktor Faustus")
|
||||||
| voices |
Narrator
|
||||||
| instruments |
picc., 2 Fl., 3 Ob., 2 Cl. (Bb), Ten.-Sax, Basscl., 2 Fg., Dbn. 4 Hn., 3 Tr. (Bb), 2 tn., 2 bass-tbn., Tb. Timpani, 2 percussionists Hp., Solo-Piano, electric organ strings
|
||||||
| duration |
7'
|
||||||
| world premiere |
03/16/2012
Bochumer Symphoniker, Harald Schmidt, narr., Moritz Eggert, pf., Steven Sloane, Dir. Bochum (Germany), Jahrhunderthalle |
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Das Ewig Weibliche (Eternal Love)
(2012) after a line from Goethe |
||||||
|
Vocal music - Singing with instruments |
|||||||
| for solo singers, choir, piano and orchestra | |||||||
| work list |
208-12-NW
|
||||||
| completed |
01/28/2012
|
||||||
| voices |
soprano, baritone, bass, choir
|
||||||
| instruments |
picc., 2 Fl., 3 Ob., 2 cl. (Bb), Ten.-Sax, Basscl., 2 Bn., Dbn. 4 Hn., 3 Tr. (Bb), 2 tbn., 2 bass-tbn., Tb. Timpani, 2 percussionists hp., piano, electric organ - strings
|
||||||
| duration |
6'
|
||||||
| world premiere |
03/16/2012
Bochumer Symphoniker, Philharmonic Choir Brno, Rebecca Nelsen, sopr., Peter Schoene, bar., Miklosz Sebestien, bass, Moritz Eggert, pf., Steven Sloane, Dir. Bochum (Germany), Jahrhunderthalle |
||||||
| publication |
http:www.sikorski.de
|
||||||
|
Work Back to overview |
Little Samba from the "Foot Ballet"
(2011) |
||||||
|
Chamber music - Solo |
|||||||
| for bassoon solo | |||||||
| work list |
NW-172b-2011
|
||||||
| completed |
12/23/2011
|
||||||
| instruments |
bassoon solo
|
||||||
| duration |
1'
|
||||||
| special |
easy piece intended for young players
|
||||||
| dedicated |
Olli Schlichtenberg
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
At The Ball |
||||||
|
Work Back to overview |
Haemmerklavier XXIV: Trigonometry
(2011) |
||||||
|
Chamber music - Piano solo |
|||||||
| for piano solo | |||||||
| work list |
206-NW-2011
|
||||||
| completed |
12/16/2011
|
||||||
| instruments |
piano
|
||||||
| duration |
3'
|
||||||
| world premiere |
06/08/2012
Huw Watkins, pf. London (GN), Schott London, Recital Room |
||||||
| dedicated |
Peter Hanser-Strecker
|
||||||
| publication |
http://www.sikorski.de Schott ED 21470 |
||||||
| Video |
|
||||||
| texts |
Trigonometrie, kurzer Text zum Stück Hämmerklavier XXIV: Trigonometrie [
Moritz Eggert , 16.5.2012
]
|
||||||
|
Work Back to overview |
All These Days
(2011) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| Time Opera in 14 scenes | |||||||
| work list |
205-HW-11
|
||||||
| completed |
12/12/2011
|
||||||
| text |
Andrea Heuser
|
||||||
| voices |
Child (boy soprano), Old Man I (actor/singer), Old Man II (actor/singer), 3 girls (youths, speaking roles), voice artist (performer), The Boy Who Isnt (coloraturo soprano), Guelistan/Woman 2 (Soprano), Josefine/Woman 1 (Mezzo), Mother (Mezzo/Alto), Julian/Cedric (Tenor), Brother/handyman (Baritone), Father/Worker (Baritone), childrens choir, mixed choir, Performer ensemble (amateurs/yoths)
|
||||||
| instruments |
extra percussion (youths) Orchestra: picc./Fl., Ob., C.A.., Clar. (B), Bass-Cl. (B), 2 Bn. 2 Hn., 2 Tr. (B), 2 tb. (Ten-), 1 tb. (Bass-) Timpani, 2 perc. Hp., Harmonium (stage), Sampler (Orchestra), Accordion, Electr. Guitar, Electric Bass Strings (minimum 6.4.4.3.2) |
||||||
| duration |
1 h 35'
|
||||||
| world premiere |
04/28/2012
Conductor: Florian Ziemen, Director: Michael Talke, stage and costumes: Henrike Engel, choir: Daniel Mayr, childrens choir: Achim Rikus, choreography: Jacqueline Davenport, Dramaturgie: Hans-Georg Wegner, Guelistan/ Frau II: Sirin Kilic Josefine / Frau I: Barbara Buffy Mutter: Tamara Klivadenko Vater/ Arbeiter: Björn Waag Bruder/ Handwerker: Christoph Heinrich Julian/ Cedric: Kejia Xiong Junge, den es nicht gibt: Alexandra Scherrmann Alter Mann I: Wolfgang von Borries Alter Mann II: Daniel Wynarski Stimmkünstler: Benjamin Boresch Soufflage: Ulrike Heinrich Bremen (Germany), Theater Bremen |
||||||
| publication |
http:///www.sikorski.de
|
||||||
| Video |
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Haemmerklavier XXIII: musica viva
(2011) |
||||||
|
Chamber music - Solo also look at Musiktheater und Performance |
|||||||
| for pianist/performer | |||||||
| work list |
204-NW-2011
|
||||||
| completed |
07/05/2011
|
||||||
| instruments |
piano and various materials
|
||||||
| duration |
4'
|
||||||
| world premiere |
07/08/2011
Moritz Eggert Munich (Germany), Kaufmannscasino, reception of the musica viva |
||||||
| special |
musical realisation of all pieces that have been commissioned under Udo Zimmermann as artistic director (musica viva concert series, Munich)
|
||||||
| dedicated |
Udo Zimmermann
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Vorwort der Partitur Hämmerklavier XXIII: musica viva [
Moritz Eggert , 05.07.2011
]
|
||||||
|
Work Back to overview |
A Life More Ordinary
(2011) |
||||||
|
Orchestral works - Large ensemble also look at Musiktheater und Performance |
|||||||
| for large orchestra, performer and extra percussion | |||||||
| work list |
203-HW-2011
|
||||||
| completed |
05/17/2011
|
||||||
| instruments |
picc., 2 Fl., 2 Ob., E.H., 2 Clar. (Bb), Bass clar., 2 Bn., Double Bsn. 4 Hn, 2 Tr. (Bb), 2 tbn., Bass-tbn., Tba. Timpani, 2 perc. Strings minimum of 12 Performers, minimum 6 Extra Percussionists
|
||||||
| duration |
17'
|
||||||
| world premiere |
11/10/2011
Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, conductor: Roland Böer, AG-Neue Musik Leninger-Gymnasium Gruenstadt (director: Silke Egeler-Wittmann), Schlagzeugensemble Landesmusikgymasium Montabaur (director: Walter Reiter), concept and artistic direction: Silke Egeler-Wittmann Kaiserslautern (Germany), Fruchthalle |
||||||
| special |
Use of iphone instruments and apps, mp3-players, theatrical elements
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Was wir von Kindern lernen können
(2011) Plädoyer für eine ungezähmte Musikerziehung |
||||||
|
Texts & Essays - Essays |
|||||||
| Article | |||||||
| completed |
04/30/2011
|
||||||
| publication |
NMZ 5/11
|
||||||
|
Work Back to overview |
über "Cabaret"
(2011) |
||||||
|
Texts & Essays - Essays |
|||||||
| text about the musical by Kander/Ebb | |||||||
| completed |
04/14/2011
|
||||||
| publication |
program book Theater Koblenz, season 2011/2012
|
||||||
|
Work Back to overview |
sing softly
(2011) 6 songs after Brentano and Rilke |
||||||
|
Vocal music - Songs with piano |
|||||||
| for soprano and piano | |||||||
| work list |
202-HW-2011
|
||||||
| completed |
03/29/2011
|
||||||
| text |
Brentano/Rilke
|
||||||
| movements |
1. Wiegenlied 2. Liebesgedicht (aus Rheinmaerchen) 3. Grabmal eines jungen Maedchens 4. Letzter Abend (aus dem Besitze Frau Nonnas) 5. Liebeslied 6. Menschen bei Nacht |
||||||
| voices |
soprano
|
||||||
| instruments |
piano
|
||||||
| duration |
25'
|
||||||
| world premiere |
07/03/2011
Anna Lucia Richter, sopr., Moritz Eggert, pf. Bad Kissingen (Germany), Kissinger Sommer, Rossini-Saal, Liederwerkstatt 2011 |
||||||
| special |
uses toy piano, melodica, bongo, paper, maraca
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Mannheimer Schule
(2011) |
||||||
|
Orchestral works - Orchestra alone also look at Large ensemble |
|||||||
| for orchestra | |||||||
| work list |
200-HW-2011
|
||||||
| completed |
02/23/2011
|
||||||
| instruments |
picc., 2 Fl., 2 Ob., 2 clar. (Bb), Bassclar., 2 bn., double bassoon - 4 Hn., 2 tr.(B), 2 tbn., bass tbn., Tba. - Timpani, 2 perc. - Celesta - strings
|
||||||
| duration |
20'
|
||||||
| world premiere |
05/30/2011
Orchesterakademie des Nationaltheaters Mannheim, conductor: Axel Kober Mannheim (Germany), Rosengarten, Mozartsaal |
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Im Schöpferischen wirkt das große Nichtwissen
(2011) eulogy for Hans-Ulrich Engelmann |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
02/01/2011
|
||||||
| publication |
NMZ 2/11
|
||||||
|
Work Back to overview |
The Orchestra goes to the Concert
(2010) Alternative title: "Die Bamberger Symphoniker gehen zum Konzert" |
||||||
|
Orchestral works - Musiktheater und Performance also look at Large ensemble |
|||||||
| for narrator and orchestra | |||||||
| work list |
198ab-HW-2010
|
||||||
| completed |
12/30/2010
|
||||||
| text |
Paul Maar
|
||||||
| voices |
narrator
|
||||||
| instruments |
picc., 2 Fl., 2 Ob., 2 clar. (Bb), 2 Bn., Dbn. ad lib. � 4 Hn., 2 Tr. (Bb), 2 tbn., bass tbn. ad lib., Timp., 2 perc., harp OR piano, strings ALTERNATIVE INSTRUMENTATION HV198b: picc., 1 Fl., 2 Ob., 2 clar. (Bb), 2 Bn., Dbn. ad lib. – 4 Hn., 2 Tr. (Bb), 2 tbn., bass tbn. ad lib., tba. Or bass trombone - Timp., 1 perc., harp OR (e-)piano, strings, narrator |
||||||
| duration |
1' 90''
|
||||||
| world premiere |
07/02/2011
Bamberger Symphoniker, Martin Neubauer, narrator, Jonathan Nott, cond. Bamberg (Germany), Maxplatz (Open Air) |
||||||
| special |
piece for children, text and title can be adapted for the orchestra playing the piece
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Sprechertext von Paul Maar
[
Paul Maar , 10.01.2011
]
Besetzung und Partiturvorwort Paul Maar/Moritz Eggert: Die Bamberger Symphoniker gehen zum Konzert [
Moritz Eggert , 10.01.2011
]
|
||||||
|
Work Back to overview |
Mein Traum ist laenger als die Nacht
(2010) Music Discovery Project |
||||||
|
Vocal music - Oratorios/Masses also look at Vocal music |
|||||||
| project with 2raumwohnung | |||||||
| photo |
|
||||||
| work list |
197-HW-2010
|
||||||
| completed |
12/19/2010
|
||||||
| text |
Lyrics by 2raumwohnung (except "Ich bin der Welt abhanden gekommen" by Rueckert)
|
||||||
| movements |
1. die schwere (instrumentation) 2. mein traum ist länger als die nacht (new composition together with 2raumwohnung) 3. wir werden sehen (instrumentation) 4. bei dir bin ich schön (new composition together with 2raumwohnung) 5. Ich bin der Welt abhanden gekommen (new composition together with Inga Humpe) 6. bleib doch bis es schneit (Orchestral Remix) 7. 2 von millionen von sternen (Orchestral Remix) 8. angel of germany (instrumentation) 9. wir erinnern uns nicht (Orchestral Remix) |
||||||
| voices |
solo voice
|
||||||
| instruments |
Fl. (also picc.), 2 Ob., E.H., 2 Bb-clar. (also A-clar.), 2 Bn. Dbn. 6 Hn., 4 trumpets (Bb), 2 Ten.-tb.., Bass-tb., Tba. Timpani, 4 perc. hp. strings
|
||||||
| duration |
43'
|
||||||
|
Work Back to overview |
Bordello Ballad, version with piano
(2010) |
||||||
|
Vocal music - Songs with piano |
|||||||
| 21 songs for 1-6 voices and piano | |||||||
| work list |
188b-HW-2010
|
||||||
| completed |
09/04/2010
|
||||||
| text |
Franzobel
|
||||||
| voices |
3 women, 3 men (can also be sung by actors)
|
||||||
| instruments |
piano
|
||||||
| duration |
1 h 10'
|
||||||
| world premiere |
09/04/2010
Moritz Eggert, Uta Hielscher, piano Julia Rutigliano, Rosl, Puffmutter Amlie Sandmann, Zuckergoscherl, starke Prostituierte Lilian Naumann, Ferkel, schwache Prostituierte Marc Megele, Bussibaer, junger Mafioso Moritz Eggert, Kirschgarten, alter Mafioso Joachim Hoechbauer, Alfred, Metzger Buchet, Wildberghof (Germany), Kulturwald-Festival |
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
Bordello Ballad |
||||||
|
Work Back to overview |
Breaking The Waves (Open Air Performance)
(2010) |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
|
Theatrical Open-Air-Performance for the Sound Symposium Music: Symphony 3.0, Trilocke 1 und 2, Passagen, Evokation, Akkorde (Processional), Trommlerprolog, Drums Of The World, Wende dich zu mir, Kisses In The Air, Breaking The Waves (World Premiere) |
|||||||
| completed |
07/10/2010
|
||||||
| instruments |
12 Percussionists, 7 brass players, various other performers, 3 actors
|
||||||
| duration |
1 h
|
||||||
| world premiere |
07/10/2010
With artists of the Sound Symposium and percussion ensemble The Scruncheons, Moritz Eggert, conductor St. Johns, Neufundland (CAN), Sound Symposium 2010, Cape Spear |
||||||
| Multimedia |
|
||||||
| see also |
Symphony 3.0 Processional: 2 Trilockes Processional: Passages Processional: Evocation/Accord Opening ceremony of the FIFA World Cup 2006 Wende dich zu mir / Vom Schiff weg ... Kisses in the air Breaking The Waves Breaking The Waves - Call |
||||||
|
Work Back to overview |
Breaking The Waves - Call
(2010) |
||||||
|
Electronic music - Hörspiele |
|||||||
| prologue for open air project Breaking The Waves | |||||||
| completed |
07/05/2010
|
||||||
| text |
Moritz Eggert
|
||||||
| voices |
4 speakers
|
||||||
| duration |
11'
|
||||||
| world premiere |
07/10/2010
CBC Newfoundland (Canada), Radio |
||||||
| see also |
Breaking The Waves (Open Air Performance) The eternal song Number Nine VII: Mas Encore |
||||||
|
Work Back to overview |
Earworm
(2010) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for high voice and piano | |||||||
| work list |
194-HW-2010
|
||||||
| completed |
06/24/2010
|
||||||
| text |
public domain/internet
|
||||||
| voices |
high voice
|
||||||
| instruments |
piano
|
||||||
| duration |
11'
|
||||||
| world premiere |
10/17/2010
Hanna-Elisabeth Mueller, sopr., Mihaela Tomi, pf. Chemnitz (Germany), Theater Chemnitz, BDI-Jahrestagung |
||||||
| dedicated |
Hanna-Elisabeth Mller
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Ohrwurm, Text zum Stück Ohrwurm [
Moritz Eggert , 22.9.2010
]
|
||||||
|
Work Back to overview |
Haemmerklavier XXI: 3 Microludes
(2010) |
||||||
|
Chamber music - Piano solo also look at Solo |
|||||||
| for piano solo | |||||||
| work list |
191-NW-2010
|
||||||
| completed |
03/30/2010
|
||||||
| movements |
1. Unnatural Selection 2. 2. Holly Golightly Is Surprised By A Thunderstorm On The Steps Of The Fire Exit Of Her New York Apartment 3. Variation upon a theme by Kai Schumacher |
||||||
| instruments |
piano solo (+moo box in third movement)
|
||||||
| duration |
3'
|
||||||
| world premiere |
10/04/2012
(all three movements in one concert): Moritz Eggert, pf. Guanajuato (Mexico); Festival Cervantino |
||||||
| dedicated |
diverse
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
|
Work Back to overview |
I, Phone
(2010) |
||||||
|
Vocal music - Songs with piano also look at Musiktheater und Performance |
|||||||
| for soprano, piano and assistant | |||||||
| work list |
NW-189-10
|
||||||
| completed |
02/12/2010
|
||||||
| text |
Moritz Eggert
|
||||||
| voices |
soprano
|
||||||
| instruments |
piano, 3 mobile phones
|
||||||
| duration |
3'
|
||||||
| world premiere |
04/27/2010
Gesa Hoppe, sopr., Heather O'Donnell, pf. Berlin (Germany), BKA, Unerhoerte Musik, Sidney Corbett 50th birthday concert |
||||||
| dedicated |
Sidney Corbett
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
6 Songs from Neue Dichter Lieben
(2010) |
||||||
|
Vocal music - Voice with other instruments also look at Singing with instruments |
|||||||
| for tenor, violin, cello, accordion or piano | |||||||
| work list |
96w-NW-2010
|
||||||
| completed |
01/23/2010
|
||||||
| text |
Elke Schmitter, Andrea Heuser, Franz Xaver Kroetz, Rolf Haufs, Herbert Asmodi, Sarah Kirsch
|
||||||
| movements |
1. tierchen 2. flugkoerper 3. Liebeserklaerung 4. Neues Maerchen 5. Sprich, Scheherazade 6. Don Juan kommt am Vormittag |
||||||
| voices |
tenor
|
||||||
| instruments |
violin, cello, piano or accordion
|
||||||
| duration |
16'
|
||||||
| world premiere |
05/15/2010
Simon Bode, Tenor, Ida Bieler, vl., Maria Kliegel, vc., Elsbeth Moser, baj. Burg Namedy bei Andernach (Germany), 20. Andernacher Musiktage |
||||||
| special |
accordion and piano part are identical can be realized on both instruments
|
||||||
| dedicated |
Xyrion-Trio (Nina Tichman, Ida Bieler, Maria Kliegel) und Elsbeth Moser
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
Neue Dichter Lieben tierchen flugkoerper Liebeserklaerung Neues Maerchen Sprich Sheherazade Don Juan kommt am Vormittag |
||||||
|
Work Back to overview |
Riffing
(2009) |
||||||
|
Chamber music - Duos |
|||||||
| for 2 violins | |||||||
| work list |
119b-NW-09
|
||||||
| completed |
20/06/2009
|
||||||
| instruments |
2 violins
|
||||||
| duration |
4'
|
||||||
| special |
new instrumentation of the finale of Riff
|
||||||
| see also |
Riff |
||||||
|
Work Back to overview |
Processional: 2 Transfers
(2009) |
||||||
|
Chamber music - Solo |
|||||||
| for solo trumpet | |||||||
| work list |
137bb/cc-NW-09
|
||||||
| completed |
20/06/2009
|
||||||
| movements |
1. 2. |
||||||
| instruments |
solo trumpet (Bb)
|
||||||
| duration |
6'
|
||||||
| world premiere |
07/25/2009
Bregenz (Austria), opening "Musik aus der Zeit" (Bregenzer Festspiele) |
||||||
| special |
Can only be performed as part of the larger work "Processional"
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: 2 Trilockes
(2009) |
||||||
|
Chamber music - Trios |
|||||||
| for 3 percussionists | |||||||
| work list |
137y/z-NW-09
|
||||||
| completed |
15/06/2009
|
||||||
| movements |
1. 2. |
||||||
| instruments |
small drum, cymbals, bass drum
|
||||||
| duration |
6'
|
||||||
| world premiere |
07/25/2009
Bregenz (Austria), opening "Musik aus der Zeit" (Bregenzer Festspiele) |
||||||
| special |
Can only be performed as part of the larger work "Processional"
|
||||||
| publication |
http://www.sikorski.de also published in: Neue Töne - Musik für Percussion, Verlag für Neue Musik ISBN |
||||||
| see also |
Processional Breaking The Waves (Open Air Performance) |
||||||
|
Work Back to overview |
Processional: Chords
(2009) |
||||||
|
Orchestral works - Big Band |
|||||||
| for jazz big band | |||||||
| work list |
137x-NW-09
|
||||||
| completed |
13/06/2009
|
||||||
| instruments |
soprano-sax., alto-sax., 2 ten.-sax., bar.-sax., 2 tr. (Bb), 2 corn. (Bb), 2 tromb., bass-tromb.., drums, piano, keyboard, bass
|
||||||
| duration |
5'
|
||||||
| world premiere |
07/25/2009
Bregenz (Austria), opening "Musik aus der Zeit" (Bregenzer Festspiele) |
||||||
| special |
Can be performed alone or as part of the larger work "Processional"
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
Processional Breaking The Waves (Open Air Performance) |
||||||
|
Work Back to overview |
Bordello Ballad
(2009) A Three Hoe Opera |
||||||
|
Stage Works - Operas/ music theatre also look at Songs with instruments |
|||||||
| for 6 singing actors and ensemble | |||||||
| work list |
188-HW-09
|
||||||
| completed |
12/23/2009
|
||||||
| text |
Franzobel (based on an idea by Moritz Eggert)
|
||||||
| movements |
1. Kann man die Liebe denn kaufen 10. Und ich moecht ja so gern 11. Do you like animals 12. Eine Vene, mein Herr 13. Die Zeiten, sie drehn sich 14. Man müsste blind sein 15. Das Studium des Grunzens 16. Jetzt sei nicht so gemein 17. So ein Wuermchen 18. Liebeslied 19. Ich will noch nicht sterben 2. Die Ballade von der koerperlichen Demontage 20. Einmal muss Sperrstund sein 21. Was heisst es Mensch zu sein 3. Das Lied von der weiten Welt 4. Geh her 5. Grad weilst glaubst 6. Mach mit 7. Das Lied vom goldenen Handwerk 8. Misch dich nicht ein 9. Fuer uns |
||||||
| voices |
Alfred (higher male voice), Bussibaer (medium male voice), Kirschgarten (lower male voice), Zuckergoscherl (higher female voice), Ferkel (medium female voice), Rosl (lower female voice)
|
||||||
| instruments |
Ensemble: alto saxophone, tenor trombone, jazz guitar, drumset, accordion, violin, double bass, piano (also conductor)
|
||||||
| duration |
1 h 40'
|
||||||
| world premiere |
03/04/2010
soloists: actors and musicians from the Theater Koblenz Rosl, brothel mother - Ks. Claudia Felke Ferkelchen, whore - Dorothee Lochner Zuckergoscherl, whore - Isabel Mascarenhas Bussibär, Mafioso - Matthias Schaletzky Kirschgarten, Mafioso - Adrian Becker Alfred, butcher - Marcel Hoffmann conductor and solo piano: Arno Waschk director: Robert Lehmeier stage design and costumes: Dirk Steffen Göpfert Dramaturgie: Judith Pielsticker correpetitors: Karsten Huschke a. Werner Lemberg production assistant: Alexander Wang Dessau (Germany), Bauhaustheater, Weill-Fest Dessau |
||||||
| dedicated |
Clemens Birnbaum
|
||||||
| publication |
http://www.moritzeggert.de
|
||||||
| see also |
Bordello Ballad Bordello Ballad, version with piano |
||||||
|
Work Back to overview |
Lasst uns ungereimt sein, Version für mittlere Stimme
(2009) Version 2: medium voice and piano |
||||||
|
Vocal music - Songs with piano |
|||||||
| for medium voice and piano | |||||||
| work list |
171b-09-HW
|
||||||
| completed |
09/05/2009
|
||||||
| text |
Aphorisms by Herbert Heckmann
|
||||||
| voices |
Mezzo or Baritone
|
||||||
| instruments |
Piano
|
||||||
| duration |
1' 70''
|
||||||
| world premiere |
09/20/2009
Hans-Christoph Begemann, bar., Moritz Eggert, pf. Edenkoben (Germany), Kuenstlerhaus |
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
Lasst uns ungereimt sein |
||||||
|
Work Back to overview |
Nie den Mut verlieren - riskieren!
(2009) Was Kreativität für mich bedeutet |
||||||
|
Texts & Essays - Articles also look at Essays |
|||||||
| completed |
08/28/2009
|
||||||
| publication |
Musikforum (Zeitschrift) 3/09
|
||||||
|
Work Back to overview |
Auf dem Wasser zu singen (theatrical concert)
(2009) |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
| contained: Bohemian Hymn, Zwei Klagegesaenge, excerpts from Processional, Three Interludes (Auf dem Wasser zu singen) (premiere), Streaming, schhhh, Trommlerprolog, Trommeln der Welt, Symphony 3.0, Fanfarerafnaf, Ausklang, Sea/Desert, Sanctus, Iron Curtain, morphing, Rondeau Allemagne, Auf dem Wasser zu singen (premiere) | |||||||
| completed |
07/05/2009
|
||||||
| duration |
2'
|
||||||
| world premiere |
07/05/2009
Gebrueder Teichmann, Max-Reger-Vereinigung, The Next Step Percussion-Ensemble, Mateja Zenzerovic, acc., C.W. Bauer, speaker/author, brass ensemble of the Tiroler Festspiele, Moritz Eggert, conductor, pf. Erl (Austria), Staustufe, Tiroler Festspiele |
||||||
| special |
theatrical concert for the Tiroler Festspiele
|
||||||
| see also |
Auf dem Wasser zu singen Three Interludes (Auf dem Wasser zu singen) |
||||||
|
Work Back to overview |
Number Nine VIII: Temporal Work
(2009) |
||||||
|
Orchestral works - Concerts |
|||||||
| for pianp/sampler/small instruments and large orchestra | |||||||
| work list |
186-HW-2009
|
||||||
| completed |
06/21/2009
|
||||||
| instruments |
piano/sampler/toy piano/mloedica/foot pedal (soloist) Large Orchestra: 2 Fl. (also 2 picc.), oboe 1, oboe 2/english horn, clarinet in Bb, clarinet in A, bass clarinet, alto saxophone, 2 bassoons, double bassoon - 4 hn., 2 tr. (C), ten.-tbn., bass-tbn., bass tba. - timp., 2 perc. - harp - strings |
||||||
| duration |
14'
|
||||||
| world premiere |
09/04/2009
DSO Berlin, Ingo Metzmacher, conductor, Moritz Eggert, pf. and Sampler Bonn (Germany), Beethovenhalle, opening concert "Beethovenfest" |
||||||
| special |
written for the 60 year anniversary of the Republic of Germany
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
|
Work Back to overview |
Illumination
(2009) Finale from Processional |
||||||
|
Orchestral works - Big Band also look at Large ensemble |
|||||||
| for Jazz Big Band and Large Orchestra | |||||||
| work list |
137t-09-HW
|
||||||
| completed |
04/02/2009
|
||||||
| instruments |
Jazz Big Band: Sopran-Sax., Alt-Sax., 2 Ten.-Sax., Bar.-Sax., 5 Tr., 3 Tbn, 2 Bass-Tbn., Drums, Bass, Pf., E-Guit. Großes Orchester: Picc., 3 Fl., 4 Ob., Eb-Clar., 2 Clar., Bass-Clar., 3 Bn., 1 Double Bn. 5 Hn., 3 Tr., 2 Ten.-Tbn., Bass-Tbn.., Tba. Hp., Timp., Vibr., 3 Perc. - Strings |
||||||
| duration |
18'
|
||||||
| world premiere |
08/23/2009
BJO and BuJazzO, Dennis Russell Davies, conductor Berlin (Germany), Konzerthaus |
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Illumination, kurzer Text zum Stück ILLUMINATION (Finale aus Processional) [
Moritz Eggert , 21.4.2009
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Wie ich lernte sorglos zu sein und auf Stil zu pfeifen
(2009) |
||||||
|
Texts & Essays - Readings |
|||||||
| German version of the lecture "How I Learned To Stop Worrying And Forget About Style" | |||||||
| completed |
03/23/2009
|
||||||
| world premiere |
03/23/2009
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Fuenf Zigarren
(2009) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for voice and piano | |||||||
| work list |
HV 182-NW-09
|
||||||
| completed |
01/17/2009
|
||||||
| text |
Moritz Eggert
|
||||||
| voices |
medium voice
|
||||||
| instruments |
Piano
|
||||||
| duration |
5'
|
||||||
| dedicated |
Salome Kammer zum Geburtstag
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Number Nine VII: Mas
(2007) |
||||||
|
Orchestral works - Large ensemble also look at Essays |
|||||||
| for large orchestra | |||||||
| work list |
173-07-HW
|
||||||
| completed |
12/30/2008
|
||||||
| instruments |
Orchestra: picc., 2 Fl., 3 Ob., 2 Clar.(B), 1 Bassclar., 2 Bn., 1 Dbn. 4 Hn., 4 Tr. (B), 1 Ten-tr., 1 Ten.-Bass-tb.., 1 Bass-tb., 1 Tb. timpani, 3 perc.. strings 12.10.8.6.4.
|
||||||
| duration |
17'
|
||||||
| special |
tutti throughout
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
Breaking The Waves - Call |
||||||
|
Work Back to overview |
Fuer eine Handvoll Tomaten
(2009) BAD BOY 11 |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
12/01/2008
|
||||||
| publication |
NMZ 1/09 (Neue Musikzeitung)
|
||||||
|
Work Back to overview |
Industrial
(2008) |
||||||
|
Orchestral works - Concerts |
|||||||
| for percussion and orchestra | |||||||
| work list |
181-HW-08
|
||||||
| completed |
11/13/2008
|
||||||
| instruments |
Solo Percussion Orchestra: picc.2.2.2.Bassclar.2.Cbn. - 4.3.3.1 (Tuba) - E-Bass, Timp., Synthesizer/Sampler, 2 perc.- Strings |
||||||
| duration |
17'
|
||||||
| world premiere |
02/12/2009
Peter Sadlo, Percussion, RSO Stuttgart, Conductor: Kristjan Järvi Stuttgart (Germany), Liederhalle, Great Hall |
||||||
| special |
Special instruments used by solo percussionist, vacuum cleaner, trash parts, etc.
|
||||||
| dedicated |
Peter Sadlo
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Industrial, kurzer Text zum Stück INDUSTRIAL [
INdustrial, short text about the piece , 4.12.2008
]
Industrial, detallierte Besetzung Moritz Eggert: INDUSTRIAL [
Industrial, detailed instrumentation , 13.11.2008
]
|
||||||
| Multimedia |
|
||||||
| see also |
Industrial, solo version Industrial, solo version with obligatory synthesizer/sampler |
||||||
|
Work Back to overview |
Beruehmt werden - jetzt!
(2009) original title. "Gedanken eines Bad Boys" |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
10/31/2008
|
||||||
| publication |
Quart Heft fuer Kultur Tirol 13/09 http://www.haymonverlag.at |
||||||
|
Work Back to overview |
Fruechte des Zorns
(2008) BAD BOY 10 |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
10/01/2008
|
||||||
| publication |
NMZ 11/08 (Neue Musikzeitung)
|
||||||
|
Work Back to overview |
Die Liebe in den Zeiten der Neue-Musik-Netzwerke
(2008) BAD BOY 9 |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
09/01/2008
|
||||||
| publication |
NMZ 10/08 (Neue Musikzeitung)
|
||||||
|
Work Back to overview |
Linkerhand
(2008) An Opera in 33 scenes |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| based on the novel "Franziska Linkerhand" von Brigitte Reimann | |||||||
| work list |
180-08-HW
|
||||||
| completed |
08/28/2008
|
||||||
| text |
Libretto: Andrea Heuser
|
||||||
| voices |
Franziska (young dramatic soprano), Franziska II (actress), Architekt (Tenor with buffo tendency), Wilhelm (lyrical tenor), Affaere (Baritone), Aristide/Engel (coloraturo soprano), Django/Schlagersaenger (singing and dancing actor), Assistent (various musical and theatrical actions, no singer) Mixed choir, Audio Samples |
||||||
| instruments |
Orchestra: fl/picc., ob., E.H., clar. In Eb, Bass-clar. � 2 Hn., Tr. (Bb), 3 Tromb. � Hp., theremin vox, percussion (1 player), drumset/small perc. (1 player), jazz-bass, electric guitar, piano/sampler/electric church organ (1 player) � strings: 6.5.4.3.1 (min.)
|
||||||
| duration |
1 h 35'
|
||||||
| world premiere |
05/10/2009
conductor: Eckehard Stier, director: Sebastian Ritschel, Dramaturgie: Ronny Scholz, stage: Karen Hilde Fries, choreographers: Dan Pelleg, Marco E. Weigert, with Yvonne Reich (Franziska), Ines Burdow (Franziska II), Lisa Mostin (Aristide), Frank Ernst (Architekt), Shin Taniguchi (Aff�re), Jan Novotny (Wilhelm), Django (Hans-Peter Struppe), Neue Lausitzer Philharmonie, Chor des Theaters Goerlitz Hoyerswerda (Germany), Lausitzhalle |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Linkerhand, kurzer Text zum Stück LINKERHAND [
Linkerhand, short text about the piece , 4.12.2008
]
Linkerhand, detaillierte Besetzung mit Auflistung von Toneinspielungen LINKERHAND [
Moritz Eggert , 28.8.2008
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
True Love Songs
(2008) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for soprano and piano | |||||||
| work list |
179-08-NW
|
||||||
| completed |
08/12/2008
|
||||||
| text |
1. Sonnet 116 (William Shakespeare) 2. since feeling is first (E.E. Cummnings) |
||||||
| voices |
Soprano
|
||||||
| instruments |
piano
|
||||||
| duration |
6' 15''
|
||||||
| world premiere |
08/30/2008
Felicitas Fuchs, sopr., Moritz Eggert, pf. Litmore, Ebtehaj House, London (GB) |
||||||
| dedicated |
Homa and David
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Der Grosse Sprung ins Nichts
(2008) BAD BOY 8 |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
08/01/2008
|
||||||
| publication |
NMZ 8/08 (Neue Musikzeitung)
|
||||||
|
Work Back to overview |
Souvenir du Japon
(2008) |
||||||
|
Chamber music - Duos |
|||||||
| for Koto and Recorder | |||||||
| work list |
178-08-HW
|
||||||
| completed |
07/14/2008
|
||||||
| instruments |
Koto (with voice), Recorder (Tenor and sopranino)
|
||||||
| duration |
6' 30''
|
||||||
| world premiere |
08/29/2008
Makiko Goto, Koto, Jeremias Schwarzer, rec. Fuerth (Germany), Logensaal, Fraenkischer Sommer |
||||||
| special |
additional accessories and theatrical elements
|
||||||
| dedicated |
Makiko Goto, Jeremias Schwarzer
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
|
Work Back to overview |
Ein Sommerstreikstraum
(2008) BAD BOY 7 |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
07/01/2008
|
||||||
| publication |
NMZ 8/08 (Neue Musikzeitung)
|
||||||
|
Work Back to overview |
Symphony 4.0 (TV Ballet)
(2008) |
||||||
|
Orchestral works - Ensembles also look at Musiktheater und Performance |
|||||||
| Fpr 3 zapping tv-sets, E-git,, E-Bass and 10 noise soloists | |||||||
| work list |
177-NW-08
|
||||||
| completed |
06/19/2008
|
||||||
| instruments |
3 TV sets with remote control or similar setup Electric Guitar Electric Bass Sound Ensemble 1.Vacuum Cleaner, small mixer, referee`s whistle 2. Coffee Can filled with stones, tin cans (2) Skiffle Board 3. Bottles (tuned, 1 octave) 4. Bongos 5. Tom Toms (5) 6. Woks/frying pans(5 verschiedene) 7. Donnerblech, 3 Metal Units 8. Congas, bike bell 9. Cardboard Crate/ 2 plastic trash cans 10. Great Drum |
||||||
| duration |
11'
|
||||||
| world premiere |
10/11/2008
Noise Orchestra of the Hans-Werner Henze-Musikschule Berlin, conducted by Jobst Liebrecht Berlin (Germany), Marzahn (Ploener Musiktag, "Machen ist besser als fuehlen" - project of the Hans Werner-Henze Musikschule Berlin) |
||||||
| special |
TV sets zap in rhythm with the music, unusual instrumentation
|
||||||
| dedicated |
Der Musikschule Marzahn
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
Beginning of the Symphony 4.0 for 3 tv sets and ensemble composed by Moritz Eggert, performed here by an Ensemble of the Hans-Werner Henze-Musikschule Berlin at a concert in the Konzerthaus Berlin, Germany, conducted by Jobst Liebrecht |
||||||
| texts |
Interview mit Heinz-Jürgen Winkler von der Hindemith-Gesellschaft Frech und niveauvoll [
Heinz-Jürgen Winkler, Moritz Eggert , 7.10.2008
]
Symphonie 4.0, Partiturvorwort mit Anmerkungen Moritz Eggert: [
Moritz Eggert , 10.7.2008
]
Symphonie 4.0, kurzer Text zum Stück Symphonie 4.0: Fernsehballett gehört zu meiner Serie vom Mini-Symphonien für ungewöhnliche Instrumente, angefangen von Symphonie 1.0 für 12 Schreibmaschinen, Symphonie 2.0 für 4 Kazoos mit Instrumenten bis Symphonie 3.0 für 6 Schiffshörner oder Autohupen. [
Moritz Eggert , 10.7.2008
]
|
||||||
|
Work Back to overview |
Wenn der Schamane zweimal bimmelt
(2008) BAD BOY 6 |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
06/01/2008
|
||||||
| publication |
NMZ 7/08 (Neue Musikzeitung)
|
||||||
|
Work Back to overview |
freaks (2003/2008)
|
||||||
|
Chamber music - Sextets |
|||||||
| für 4 Schlagzeuger und 2 Pianisten | |||||||
| completed |
05/20/2008
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Partiturvorwort (enthält detaillierte Besetzung) FREAKS [
Foreword Score (contains detailed instrumentation) , 20.5.2008
]
|
||||||
| Multimedia |
|
||||||
| see also |
freaks |
||||||
|
Work Back to overview |
Unwort Versatzstueck
(2008) BAD BOY 5 |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
05/10/2008
|
||||||
| publication |
NMZ (Neue Musikzeitung) 6/08
|
||||||
|
Work Back to overview |
Die zwei Mächte
(2008) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for 2 baritones and piano | |||||||
| work list |
176-08-HW
|
||||||
| completed |
04/01/2008
|
||||||
| text |
Friedrich Rückert ("Die zwei Mächte", "Lachens und and a fragment from "Wanderung" (Weisheit des Brahmanen, Siebente Stufe)
|
||||||
| voices |
2 Baritones
|
||||||
| instruments |
piano
|
||||||
| duration |
11'
|
||||||
| special |
playing inside the piano, some performance elements
|
||||||
| dedicated |
Peter Schne und Hans-Christoph Begemann
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Das Moment der Reibung
(2008) BAD BOY 4 |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
04/01/2008
|
||||||
| publication |
NMZ (Neue Musikzeitung) 5/08
|
||||||
|
Work Back to overview |
Der Klang der Worte
(2007) |
||||||
|
Film music |
|||||||
| Documentary by Gerhard Schick | |||||||
| completed |
03/25/2008
|
||||||
| text |
uses music from: Haemmerklavier I, IV, Et in Arcadia Ego, The Eternal Song
|
||||||
| duration |
1 h 15'
|
||||||
| world premiere |
03/25/2008
Goethe-Institute Jerusalem (Israel), German Film Festival |
||||||
| publication |
http://www.derklangderworte.de/projekt.html
|
||||||
| see also |
Haemmerklavier IV Haemmerklavier I Et in Arcadia Ego The eternal song |
||||||
|
Work Back to overview |
Was interessant klingt und was man wirklich gerne hört
(2008) BAD BOY 3 |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
03/01/2008
|
||||||
| publication |
NMZ (Neue Musikzeitung) 4/08
|
||||||
|
Work Back to overview |
Unauthorized Musical Setting Of A Sentence From A Program Note By Claus-Steffen Mahnkopf
(2008) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for tenor solo or with pianist | |||||||
| work list |
174-08-NW
|
||||||
| completed |
02/08/2008
|
||||||
| text |
Claus-Steffen Mahnkopf
|
||||||
| voices |
tenor
|
||||||
| instruments |
(piano)
|
||||||
| duration |
2' 30''
|
||||||
| world premiere |
09/07/2008
Salome Kammer, voc., Moritz Eggert, pf. Buchet, Wildberghof (Kulturwald-Festival, Germany) |
||||||
| special |
performance elements, various accesoires
|
||||||
| dedicated |
Theo Geiler
|
||||||
|
Work Back to overview |
Das vergangene Lachen
(2008) BAD BOY 2 |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
02/01/2008
|
||||||
| publication |
published in NMZ (Neue Musikzeitung) 3/08; program book "Die Prinzessin im Eis" (Anno Schreier) Theater Aachen |
||||||
|
Work Back to overview |
Radikal verstaendlich
(2008) |
||||||
|
Texts & Essays - Readings |
|||||||
| written for the symposion of the Koerber-Stiftung "The Art Of Music Education" | |||||||
| completed |
01/10/2008
|
||||||
| world premiere |
01/23/2008
Moritz Eggert Hamburg (Germany), Koerber-Stiftung |
||||||
| publication |
published in "Reflexion und Initiative", "Band VII zur Arbeit der Koerber-Stiftung" ISBN 978-3-89684-406-4 http://www.koerber-stiftung.de |
||||||
|
Work Back to overview |
Die Zukunft ist ungnaedig
(2008) BAD BOY 1 |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
01/01/2008
|
||||||
| publication |
published in NMZ 2/2008 (Neue Musikzeitung)
|
||||||
|
Work Back to overview |
Musik in die Welt - Welt in die Musik
(2007) |
||||||
|
Texts & Essays - Essays also look at Singing with instruments |
|||||||
| Article for the issue insert of the Koerber-Stiftung, NMZ 12/07 | |||||||
| completed |
11/15/2007
|
||||||
| text |
in German
|
||||||
|
Work Back to overview |
At The Ball
(2007) A Footballet |
||||||
|
Stage Works - Ballet also look at Essays |
|||||||
| for dancers and orchestra | |||||||
| work list |
172-HW-07
|
||||||
| completed |
10/31/2007
|
||||||
| text |
story by Moritz Eggert
|
||||||
| instruments |
Large orchestra: picc., fl. 2 ob., 2 clar., 2 Bn. 3 Hn., 3 Tr., 2 Tromb. (Tenor/Bass) Timpani, Drumset, Percussion Hp.. Strings
|
||||||
| duration |
17' 30''
|
||||||
| world premiere |
01/31/2008
Dancers and young dancers of the Vienna State Ballet, choreography: Giorgio madia, orchestra of the "Opera Ball", conductor: Michael Halasz, Herbert Prohaska, Andi Herzog Vienna (Austria), state opera, Vienna Opera Ball 2008, opening ceremony |
||||||
| special |
Orchestra plays fan instruments, comments on action, etc.
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Vorwort der Partitur mit detaillierter Besetzung und Szenenbeschreibung Am Ball [
Foreword of the score with detailed instrumentation and story , 02.11.2007
]
|
||||||
| see also |
Little Samba from the "Foot Ballet" |
||||||
|
Work Back to overview |
Lasst uns ungereimt sein
(2007) 30 Aphorisms by my father |
||||||
|
Vocal music - Songs with piano |
|||||||
| for high voice and piano | |||||||
| work list |
171-07-HW
|
||||||
| completed |
09/09/2007
|
||||||
| text |
Herbert Heckmann
|
||||||
| movements |
1. Reden 1 10. Denken 3 11. Idylle 12. Denken 4 13. Schweigen 1 14. Schreiben 4 15. Denken 5 16. Denken 6 17. Portraet 3 18. Expedition 19. Schreiben 5 2. Schreiben 1 20. Portraet 4 21. Portraet 5 22. Schweigen 2 23. Schreiben 6 24. Portraet 6 25. Schreiben 7 26. Denken 7 27. Schweigen 3 28. Portraet 7 29. Amseln 3. Portraet 1 30. Denken 8 4. Schreiben 2 5. Reden 2 6. Schreiben 3 7. Denken 1 8. Denken 2 9. Portraet 2 |
||||||
| voices |
soprano or tenor
|
||||||
| instruments |
piano
|
||||||
| duration |
17'
|
||||||
| world premiere |
12/14/2007
Akeo Hasegawa, ten., Jone Punyte, pf. Kempten (Germany), Stadttheater, Lied:Strahl Festival |
||||||
| special |
Use of a radio/metronome, some performance elements
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Lasst uns ungereimt sein, 30 Aphorismen meines Vaters Aus bisher unveröffentlichten Texten meines Vaters habe ich eine Auswahl von 30 kurzen Texten zusammengestellt, größtenteils Aphorismen, Beobachtungen, Gedanken. Trotz der extremen Kürze der einzelnen Nummern handelt es sich eigentlich um einen richtigen ausgewachsenen Liederzyk... [more] [
Moritz Eggert , 10.9.2007
]
|
||||||
| see also |
Lasst uns ungereimt sein, Version für mittlere Stimme |
||||||
|
Work Back to overview |
Das vergangene Lachen
(2007) |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
09/08/2007
|
||||||
| publication |
published in "Zeitgenoessische Komische Oper" Pfau-Verlag 2010 ISBN 978-3-89727-411-2 |
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Fremdverstuemmelung
(2007) anlaesslich der Oper "Freax" von Moritz Eggert |
||||||
|
filma about.../ participation in Films - Operas/ music theatre |
|||||||
| film by Christoph Schlingensief | |||||||
| completed |
09/02/2007
|
||||||
| publication |
film by Christoph Schlingensief
|
||||||
|
Work Back to overview |
2 Killmayer Songs
(2007) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for medium voice and piano | |||||||
| work list |
170
|
||||||
| completed |
08/11/2007
|
||||||
| text |
Wilhelm Killmayer
|
||||||
| movements |
1. Schmoeger 2. Heisse Nacht bei Brabinski |
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
6'
|
||||||
| world premiere |
11/09/2007
Julia Rutigliano, sopr., Moritz Eggert, pf. Munich (Germany), Musikhochschule, Grosser Saal, "Killmayernacht" |
||||||
| special |
Use of small preparation and additional instruments (pistol, melodica)
|
||||||
| dedicated |
Wilhelm Killmayer
|
||||||
| publication |
http://www.sikorski.de edition sikorski 8818
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Operator, pleae!
(2007) |
||||||
|
Texts & Essays - Essays |
|||||||
| Essay for the online portal of the Goethe Institut | |||||||
| completed |
07/11/2007
|
||||||
| text |
In German and English
|
||||||
|
Work Back to overview |
Ballack, you lusty tart (version 3 for soprano and piano)
(2007) Version for soprano and piano |
||||||
|
Vocal music - Songs with piano |
|||||||
| for soprano and piano | |||||||
| work list |
160c-07-HW
|
||||||
| completed |
07/02/2007
|
||||||
| text |
using texts from the homepage of Michael Ballack
|
||||||
| voices |
soprano
|
||||||
| instruments |
piano
|
||||||
| duration |
13'
|
||||||
| dedicated |
Simone Hohmaier
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
Ballack, du geile Schnitte (original version) Ballack, du geile Schnitte (Version 2 für Bariton und Klavier) |
||||||
|
Work Back to overview |
Über die Angst vorm Überwachungsstaat
(2007) |
||||||
|
Texts & Essays - Essays |
|||||||
| contribution for the "Aktion Mensch" "In welcher Welt wollen wir leben" | |||||||
| completed |
05/24/2007
|
||||||
|
Work Back to overview |
3 Marches from "Processional"/Progression
(2007) |
||||||
|
Orchestral works - Large ensemble |
|||||||
| for large wind ensemble | |||||||
| work list |
HV 137s
|
||||||
| completed |
05/13/2007
|
||||||
| instruments |
2 fl. 2 clar., alto-Sax., ten.-Sax 4 hn., 2 tr., 2 tb. (2.: bass-tb.), 2 tba. 3 perc. |
||||||
| duration |
14'
|
||||||
| special |
New orchestration of the 3 "Strassenbahner"-marches plus "Progression" from "Processional"
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
3 Marches from "Processional"
(2007) |
||||||
|
Orchestral works - Large ensemble also look at Orchestra alone |
|||||||
| for large orchestra | |||||||
| work list |
137r
|
||||||
| completed |
05/08/2007
|
||||||
| instruments |
picc., 2 Fl., 2 Ob., 2 Cl., 2 Bn. 4 Hn., 3 Tr., 3 Tbn., Bass-Tba. Timp., 3 perc. Hp. Strings
|
||||||
| duration |
11'
|
||||||
| world premiere |
06/27/2007
Junges Klangforum Mitte Europas, Sebastian Weigle, conductor Berlin (Germany), Konzerthaus, "Europa Blauer Stern" |
||||||
| special |
Orchestration of the Poellau-part of Processional
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
3 Märsche aus "Processional", Text zum Stück und Besetzung 3 Märsche aus Processional (2007) [
3 Marches from "Processional", text about the piece and orchestration , 8.5.2007
]
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Freax
(2007) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| Large Opera in 2 Acts | |||||||
| work list |
169
|
||||||
| completed |
04/19/2007
|
||||||
| text |
Libretto: Hannah Duebgen
|
||||||
| voices |
Franz (Tenor), Lea (Mezzosoprano), Isabella (Soprano), Hibert Winter (Baritone), Direktor Andreas von Annen (Tenor), Lucia Tetralucchi (Alto), Anne-Marie (Soprano), Marie-Claire (Mezzo), Dominique (Baritone or Counter), Romeo (Bass), Helmut/Hartmut (speaking roles), Charly Chocolate (silent role), Extras, Large mixed choir, some audio samples
|
||||||
| instruments |
orchestra: 3 Fl. (3 also picc.), Ob., Oboe damore, clar., basscl., 2 Bn., 1 Dbn. 2 Hn., 3 Tr., 1 Tenor-tb.., 1 Bass-tb., 1 Bass Tuba timp. 2 percussionists Hp., Guitar/Banjo/Mandolin/12-string guit., E-Guit. ad lib. (1 player) Harmonium, Bar piano, prepared piano, electric organ, grand piano (2 players) cone or electric violin solo, Baroque or electric cello solo, Strings stage musicians: clarinet (eb), Trumpet, Violin, accordion, drum set, Jazz Bass |
||||||
| duration |
2 h 5'
|
||||||
| world premiere |
09/02/2007
concertante premiere: Bonn (Germany), Theater Bonn/ Beethovenfest Bonn, Grosses Haus, 9/2/2007 Conductor: Wolfgang Lischke, installation/film: Christoph Schlingensief, stage: Thekla von Muelheim / Tobias Buser, costumes: Aino Laberenz, Choreinstudierung: Sibylle Wagner, Dramaturgie: Jens Neundorff v. Enzberg Franz: Tom Harper, Lea: Anjara I. Bartz, Isabella: Julia Rutigliano, Hilbert Winter: Louis Gentile, Direktor Andreas von Annen: Hans-Jürgen Schoepflin, Lucia Tetralucci: Vera Baniewicz, Anne-Marie: Hege Gustava Tjoenn, Marie-Claire: Sybille Specht, Dominique: Otto Katzameier, Romeo: Johannes Floegl In weiteren Rollen (Film/Pauseninstallation) Susanne Bredehoeft, Kerstin Grassmann, Brigitte Kausch, Christiane Tsoureas, Helga von P., Karin Witt, Eva Zander; Arthur Albrecht, Klaus Beyer, Hagn Danny, Horst Gellonek, Manni Laudenbach, Willibald Mayerhofen, Peter Mueller, Dirk Salm, Achim von P. Chor des Theater Bonn Beethoven Orchester Bonn Theatrical Premiere: Regensburg, Theater, 1/21/2017, Franz: Matthias Laferi, Lea: Vera Semieniuk, Isabella: Michaela Schneider, Hilbert: Winter Matthias Wölbitsch, Direktor Andreas von Annen: Steven Ebel, Lucia Tetralucci: Vera Egorova, Anne-Marie: Theodora Varga, Marie-Claire: Ruth Müller, Dominique: Otto Katzameier, Romeo: Adam Krużel, Hartmut: Elena Lin, Helmut: Katrin Poemmerl, Statisterie, Opernchor, Philharmonisches Orchester Regensburg, Director: Hendrik Müller, stage/costumes: Marc Weeger, conductor: Tom Woods Bonn (Germany), Theater Bonn, Grosses Haus Regensburg (Germany), Stadttheater |
||||||
| special |
inspired by the film "Freaks" by Tod Browning
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
"Vergessen Sie die Regeln einer Wirklichkeit, hinter der so vieles erst beginnt" Vergessen Sie die Regeln einer Wirklichkeit, hinter der so vieles erst beginnt [
Simone Hohmaier, für Programmheft des Beethovenfestes , 1.6.2007
]
Freax, Zur Entstehungsgeschichte Zur Entstehungsgeschichte: [
Moritz Eggert , 20.4.2007
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
How
(2007) |
||||||
|
Texts & Essays - Readings |
|||||||
| Lecture for "Composing in the 21st century", conference of the Universit de Montral | |||||||
| completed |
02/25/2007
|
||||||
| publication |
KunstMUSIK Herbst 2007, ISBN 1612-6173
|
||||||
| texts |
How I learned to stop worrying and forget about style How I learned to Stop Worrying... [
Moritz Eggert ]
|
||||||
|
Work Back to overview |
Wide Unclasp (theatrical version)
(2007) A haunting in 12 songs |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
| completed |
02/08/2007
|
||||||
| text |
Anne Sexton, William Shakespeare
|
||||||
| voices |
see work list entry
|
||||||
| instruments |
see work list entry
|
||||||
| duration |
1 h 10'
|
||||||
| world premiere |
02/08/2007
With Bettina Koziol (voc,), Mark Foster (musical director, pf.), Aurel Nowal (tp), Samuel Nyffeler (Vc.), Walter Beltrami (Guit.), Claudio Strebel (Bass), Arno Troxler (Drums), Wolfgang Lauber (Old Man), Elisabeth Kopp (speaker) Director/stage: Peter Carp, Stage/Sound Installation: Jan-Peter E.R. Sonntag, costumes: Silvana Arnold Lucerne (Switzerland), UG (Luzerner Theater) |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| see also |
wide unclasp |
||||||
|
Work Back to overview |
Number Nine VI: A Bigger Splash
(2007) |
||||||
|
Orchestral works - Large ensemble |
|||||||
|
Version 1: for alto saxophone, jazz bass and large orchestra Version 2: reduced solo parts, same orchestration |
|||||||
| work list |
168
|
||||||
| completed |
01/22/2007
|
||||||
| instruments |
orchestration: picc., fl., alto., 2 Ob., cor anglais., 2 clar., Bass clar., 2 Bn., DoubleBn.. 4 Hn., 3 Tr., 3 Tn., Bass tuba timpani, 2 percussion (1: Drumset, 2: var..) hp. alto sax., jazz bass - strings
|
||||||
| duration |
17'
|
||||||
| world premiere |
276
World Premiere Version 2: 6/21/2007, Amsterdam (Netherlands), Concertgebouw, Holland-Festival, Concertgebouw-Orkest, conductor: Markus Stenz World Premiere Version 1: 4/24/2008, Bochum (Germany), Audimax, Bochumer Symphoniker, Bastian Fiebig, sax., Henning Sieverts, db., Steven Sloane, cond. Amsterdam (Netherlands), Concertgebouw |
||||||
| soundcarrier |
Horizon 1 |
||||||
| publication |
Sikorski
|
||||||
| texts |
Number Nine VI: A Bigger Splash, Text zum Stück Moritz Eggert [
Moritz Eggert , 16.3.2007
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Produktion und Kritik
(2007) |
||||||
|
Texts & Essays - Readings |
|||||||
| transcription of a panel discussion about reviewing art with Heiner Goebbels, Christian Jankowski, Eran Schaerf and Moritz Eggert | |||||||
| completed |
01/01/2007
|
||||||
| text |
In: KuenstlerKritiker, Pfau-Verlag, ISBN 978-3-89727-329-0
|
||||||
| publication |
Pfau-Verlag, ISBN 978-3-89727-329-0 http://www.pfau-verlag.de/shop_detail/27329.html |
||||||
| see also |
plakativ |
||||||
|
Work Back to overview |
Den Impuls zum Weihnachtschoralschreiben erst empfinge
(2006) |
||||||
|
Texts & Essays - Essays |
|||||||
| Humoristic Blog article for the Munich newspaper "tz" | |||||||
| completed |
11/30/2006
|
||||||
| publication |
on the website of the "tz"
|
||||||
| texts |
Den Impuls zum Weihnachtschoralschreiben erst empfinge, kompletter Text In meiner kurzen Zeit in Frankreich lernte ich eine der großen französischen Kultkomödien kennen, mit dem schönen Titel Le Pre Nol est une ordure, was übersetzt ungefähr so viel heißt wie Der Weichnachtsmann ist ein Haufen Sch....dreck. [
Moritz Eggert , 30.11.2006
]
|
||||||
|
Work Back to overview |
Idyl
(2006) |
||||||
|
Chamber music - Solo |
|||||||
| for violin solo | |||||||
| work list |
167-06-HW
|
||||||
| completed |
10/05/2006
|
||||||
| instruments |
violin solo
|
||||||
| duration |
4'
|
||||||
| world premiere |
11/13/2006
Piotr Szewczyk, vl. Miami, FL (USA), New World Symphony, Forum Concert Video (WMV) |
||||||
| special |
performance elements (reading from newspaper), light scordatura
|
||||||
| dedicated |
Piotr Szewczyk
|
||||||
| publication |
Sikorski
|
||||||
| Video |
|
||||||
| texts |
Idyl, short text about the piece Idyl [
Moritz Eggert , 3.5.2007
]
|
||||||
|
Work Back to overview |
Der toskanische Fluch
(2006) published as "Vom toskanischen Fluch und anderen Gefahren" |
||||||
|
Texts & Essays - Articles |
|||||||
| article about composition competitions | |||||||
| work list |
00-06-HW
|
||||||
| completed |
09/30/2006
|
||||||
| world premiere |
09/30/2006
|
||||||
| publication |
published in NMZ 10/06 (Neue Musikzeitung)
|
||||||
|
Work Back to overview |
Von Foerderern und Freunden
(2006) speech held at the anniversary celebratrion of the Musikkreis Leyda Ungerer |
||||||
|
Texts & Essays - Readings |
|||||||
| work list |
00-06-HW
|
||||||
| completed |
09/28/2006
|
||||||
| world premiere |
09/28/2006
|
||||||
|
Work Back to overview |
Haemmerklavier XIX: Anthems Of The World (Afghanistan To Zimbabwe)
(2006) for piano solo |
||||||
|
Chamber music - Piano solo |
|||||||
| work list |
166-06-HW
|
||||||
| completed |
09/12/2006
|
||||||
| duration |
11'
|
||||||
| world premiere |
09/12/2006
|
||||||
| special |
Contains nearly all current national anthems (from 2006)
|
||||||
| dedicated |
Shiau-uen Ding
|
||||||
| publication |
Sikorski
|
||||||
| texts |
Hymnen der Welt, kurzer Text zum Stück Ich hatte schon immer ein perverses Interesse für Nationalhymnen, das auf dem Fund einer Ausgabe mit Nationalhymnen der Olympischen Spiele von 1936 aus dem Nachlass meines Großvaters beruht. [
Moritz Eggert , 19.10.2010
]
Haemmerklavier XIX, short text about the piece Hämmerklavier XIX: Anthems of the World (Afghanistan to Zimbabwe) [
20.09.2006
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Wahnfried - ein deutsches Stammlokal
(2006) |
||||||
|
Stage Works - Stage music |
|||||||
|
theatre piece by Klaus Umbach Blues/Klavierimprovisation I/II/Rockn Roll/Walzerimpro/Ballade (Eggert), excerpts from Walküre, Der Fliegende Hollaender, Die Meistersinger von Nuernberg, Rheingold (R. Wagner), Trauergondel Nr. 2, Wiegenlied, Am Grabe Richard Wagners (F. Liszt) |
|||||||
| work list |
00-06-HW
|
||||||
| completed |
08/27/2006
|
||||||
| text |
Klaus Umbach
|
||||||
| instruments |
piano (melodica)
|
||||||
| duration |
1 h 40'
|
||||||
| world premiere |
08/27/2006
with Alan Titus (Bill Applepie), Raphaela Crossey (Cosima, Völkl, Wesendonck), Jona Mues (Bruckner, Wieland Wagner), Dietmar Mues (Nietzsche), Klaus Philipp (Waechtershagen, Winifred Wagner, Mikhail Bakunin), and Silvia Ospina, Joerg Piel, Manfred Stelkens, Charles Toulouse, Lukas Arndt/ Moritz Pollock Regie: Markus Dietze, Kostüme: Tina Carstens, Bühne: Magdalena Gut musical director/ Franz Liszt/stage music/piano: Moritz Eggert Bochum (Germany), Jahrhunderthalle, Ruhrtriennale |
||||||
|
Work Back to overview |
Wagner - eine misslungene Verfuehrung
(2006) |
||||||
|
Texts & Essays - Essays |
|||||||
| work list |
00-06-HW
|
||||||
| completed |
08/27/2006
|
||||||
| world premiere |
08/27/2006
|
||||||
| publication |
program book "Wahnfried - ein deutsches Stammlokal", Ruhrtriennale 2006
|
||||||
| texts |
Wagner - eine mißlungene Verführung Wagner eine mißlungene Verführung [
Wagner - eine misslungene Verfuehrung , 29.08.2006
]
|
||||||
|
Work Back to overview |
Haemmerklavier XVIII: 3 Miniatures
(2006) for piano solo |
||||||
|
Chamber music - Piano solo |
|||||||
|
I Sketch (Skizze) (for Louisa Gustafsson) II Four-Dimensional Object Useful As A Souvenir (Vierdimensionales Objekt mit Souvenircharakter) (for Marianne Augustin) III For A Waltz (from Shostakovitch) / An einen Walzer (von Schostakowitsch) |
|||||||
| work list |
165-06-HW
|
||||||
| completed |
08/06/2006
|
||||||
| instruments |
piano solo
|
||||||
| duration |
5'
|
||||||
| world premiere |
10/14/2006
Francesco Piemontesi, pf. Munich (Germany), Gasteig, Kleiner Konzertsaal, "Winners and Masters" |
||||||
| special |
Unusual playing techniques, clapping, snapping
|
||||||
| dedicated |
Louisa Gustafsson, Marianne Augustin
|
||||||
| publication |
Sikorski
|
||||||
| texts |
Hämmerklavier XVIII, kurzer Text zum Stück Hämmerklavier XVIII: 3 Miniaturen [
28.09.2006
]
|
||||||
|
Work Back to overview |
Bright Nights (Hagen version)
(2006) Hagen version (alternative instrumentation) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| opera based on motives from "Arabian Nights" and Knut Hamsun's "Mysteries" | |||||||
| work list |
66e-06-HW
|
||||||
| completed |
08/01/2006
|
||||||
| text |
Helmut Krausser
|
||||||
| voices |
8 singers, female choir
|
||||||
| instruments |
fl./picc., clar., alto-sax, bass-clar., Bn./Double Bn.. sm. tr. in Eb, tr., 2 tn.., tb. perc. (2 players) piano/harmonium/MIDI-Keyb. (3 players) strings (triple div. maximum)
|
||||||
| duration |
1' 40''
|
||||||
| world premiere |
08/26/2006
director: Roman Hovenbitzer, Stage: Roy Spahn, Choreography: Hilton Ellis, Conductor: Antony Hermus, with Johanna Krumin (Dagny), Peter Schoene (Nagel, Goldsmith, Executioner), Frank Dolphin-Wong (Nagel Dream-Double, Imam), Marc Baron/Florian Weber (Nagel Dream-Double stage), Tanja Schun (Angel), Andrea Schmermbeck (Angel stage), Margarete Nuesslein (Unknown Lady), Leonie Theis/ Kirsten Wagner (Unknown Lady stage), Richard van Gemert/ Jeffery Krueger (Father/Dwarf/Sultan), Dorian Luebbeck/ Ben Joy Muin (Dwarf Dream-Double stage), Liane Keegan (Aziza), Marily Bennett (Aziz/Dieb), Stefania Dovhan (Singer), Andrey Valiguras (Painter/Soldier), Opernchor/Statisterie des Theaters Hagen, Uwe Muench, Choir Director, Philharmonisches Orchester Hagen Hagen (Germany), Theater Hagen |
||||||
| publication |
Sikorski
|
||||||
| Video |
|
||||||
| see also |
Bright Nights (original version, reworked version) |
||||||
|
Work Back to overview |
Oral Pole Mazy Brats
(2006) |
||||||
|
Vocal music - Musiktheater und Performance |
|||||||
| for 4 singers, narrator and orchestra, using the music of W.A. Mozart | |||||||
| work list |
164-06-HW
|
||||||
| completed |
07/12/2006
|
||||||
| text |
Moritz Eggert
|
||||||
| voices |
sopr., mezzo/alt., ten., bar./bass, narrator
|
||||||
| instruments |
Large Orchestra: picc., 2 Fl., 2 Ob., 2 clar., Bassethorn, 2 Bn. 4 Hn., 2 Tr., 3 Tr.. Timpani, 2 percussionists Cembalo, Cello (soloist of cello section) strings (min. 6.6.4.4.2)
|
||||||
| duration |
25'
|
||||||
| world premiere |
07/23/2006
Jennifer OLoughlin, sopr.; Maite Beaumont, mezzo; John Mark Ainsley, ten.; Markus Werba, bar., Moritz Eggert, narrator, Mozarteum-Orchester, Manfred Honeck, cond. Salzburg (Austria), Salzburger Festspiele, opening concert, Haus fuer Mozart |
||||||
| special |
compendium of all personas of all Mozart operas, extremely dense collage techniques, theatrical elements
|
||||||
| publication |
Sikorski
|
||||||
| texts |
Vom zarten Pol, Sprechertext Vom zarten Pol [
Vom zarten Pol, text for speaker , 12.7.2006
]
Vom zarten Pol, detaillierte Besetzung und Aufführungshinweise Moritz Eggert: Vom zarten Pol [
Vom zarten Pol, detailed instrumentation and performance instructions , 12.7.2006
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Ballack, du geile Schnitte (Version 2 für Bariton und Klavier)
(2006) Version 2 for baritone and piano |
||||||
|
Vocal music - Songs with piano |
|||||||
| version for baritone and piano | |||||||
| work list |
160b-06-HW
|
||||||
| completed |
06/14/2006
|
||||||
| text |
after texts from the homepage by Michael Ballack
|
||||||
| duration |
13'
|
||||||
| world premiere |
06/30/2006
Thomas Bauer, bar. Moritz Eggert, pf. Regensburg (Germany), Musica Europa, Reichssaal |
||||||
| see also |
Ballack, you lusty tart (version 3 for soprano and piano) Ballack, du geile Schnitte (original version) |
||||||
|
Work Back to overview |
Schlaflos in München
(2006) |
||||||
|
Film music |
|||||||
| Film by Andreas Simon for the Infokanal ZDF (German TV) in the series Die Aufbrecher | |||||||
| work list |
00-06-HW
|
||||||
| completed |
06/11/2006
|
||||||
| duration |
20'
|
||||||
| world premiere |
05/06/2006
ZDF Infokanal (German cable TV) |
||||||
| texts |
Ballacj, du geile Schnitte, kompletter Gesangstext Die folgenden Texte sind originale Beiträge aus dem Forum der Homepage von Michael Ballack, zwischen Weihnachten 2005 und Neujahr 2006. Die Rechtschreibung und Aussprache folgt der originalen Vorlage. [
28.07.2006
]
|
||||||
| see also |
Ballack, du geile Schnitte (original version) |
||||||
|
Work Back to overview |
Dialog im Dunkeln
(2006) |
||||||
|
Film music |
|||||||
| Film by Andreas Simon for the Infokanal ZDF (German TV) in the series Die Aufbrecher | |||||||
| work list |
00-06-HW
|
||||||
| completed |
06/11/2006
|
||||||
| duration |
20'
|
||||||
| world premiere |
01/07/2006
ZDF Infokanal (German cable TV) |
||||||
|
Work Back to overview |
Opening ceremony of the FIFA World Cup 2006
(2006) |
||||||
|
Stage Works - Stage music |
|||||||
| Gigantic show with 1400 participants | |||||||
| work list |
163-06-NW
|
||||||
| completed |
05/25/2006
|
||||||
| instruments |
participants: Toelzer Knabenchor, 180 Schuhplattler, 15 Goaßlschnalzer, Chorvereinigung Wien/Neubau (director: Walter Zeh), Junges Klangforum Mitte Europas (conductor: Christoph Altstaedt), 180 Wolfauslasser, 150 bavarian Ruehrtrommler, 120 Drummers of the world
|
||||||
| duration |
30'
|
||||||
| world premiere |
06/10/2006
director: Christian Stueckl, costumes. Marlene Pohley, music: Moritz Eggert (except the pieces by Seeed and Herbert Groenemeyer), 1500 participants (see above) Munich (Germany), worldwide broadcast with 1.5 billion viewers, WM-Arena |
||||||
| special |
contains the following music: Hymne an den Ball (from The Depth Of Space) (new version without voices) Adagio An Answered Question (excerpt) Drums Of The World for 120 percussionists Im Anfang war das Spiel for boys choir Orchestral Intro for orchestra and choir Drumming Prologue for 180 drummers and 15 Gaosslschnalzer Wolfauslasser for 180 Wolfauslasser and orchestra Finale (for all) |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Interview with the composer Malay Mail (Malaysia) Classical & Jazz: Symphonic soccer fan [
Ahmad Azrai , 11.06.2006
]
Liste der musikalischen Mitwirkenden Liste der musikalischen Mitwirkenden bei der Eröffnungsfeier der WM in Deutschland, 9.6.2006 (Regie: Christian Stückl) [
15.07.2006
]
|
||||||
| see also |
Adagio - An Answered Question From the depth of space - a soccer oratorio Breaking The Waves (Open Air Performance) |
||||||
|
Work Back to overview |
Now - I need Now
(2006) notes about the composition of the dancde theatre |
||||||
|
Texts & Essays - Texts about works |
|||||||
| Edition Steinbauer | |||||||
| work list |
00-06-HW
|
||||||
| completed |
05/08/2006
|
||||||
| world premiere |
05/08/2006
|
||||||
| publication |
published in: Die Saite des Schweigens Ingeborg Bachmann und die Musik, Edition Steinbauer, ISBN 3-902494-12-3 (978-3-902494-12-2)
|
||||||
|
Work Back to overview |
Der Abgekuehlte
(2006) from: 4 Lieder nach Heine |
||||||
|
Vocal music - Songs with piano |
|||||||
| for soprano and piano | |||||||
| work list |
158-06-HW
|
||||||
| completed |
04/25/2006
|
||||||
| text |
Heinrich Heine
|
||||||
| voices |
soprano
|
||||||
| instruments |
piano
|
||||||
| duration |
4'
|
||||||
| world premiere |
04/25/2006
|
||||||
| publication |
Sikorski
|
||||||
| see also |
4 Lieder nach Heine |
||||||
|
Work Back to overview |
Erinnerung
(2006) from: 4 Lieder nach Heine |
||||||
|
Vocal music - Songs with piano |
|||||||
| for soprano and piano | |||||||
| work list |
158-06-HW
|
||||||
| completed |
04/25/2006
|
||||||
| text |
Heinrich Heine
|
||||||
| duration |
2'
|
||||||
| world premiere |
04/25/2006
|
||||||
| publication |
Sikorski
|
||||||
| see also |
4 Lieder nach Heine |
||||||
|
Work Back to overview |
Der Unglaeubige
(2006) from: 4 Lieder nach Heine |
||||||
|
Vocal music - Songs with piano |
|||||||
| for soprano and piano | |||||||
| work list |
158-06-HW
|
||||||
| completed |
04/25/2006
|
||||||
| text |
Heinrich Heine
|
||||||
| voices |
soprano
|
||||||
| instruments |
piano
|
||||||
| duration |
3'
|
||||||
| world premiere |
04/25/2006
|
||||||
| publication |
Sikorski
|
||||||
| see also |
4 Lieder nach Heine |
||||||
|
Work Back to overview |
4 Lieder nach Heine
(2006) |
||||||
|
Vocal music - Songs with piano |
|||||||
| consists of: 1 Der Unglaeubige, 2. Erinnerung, 3. Der Abgekuehlte, 4. Doktrin | |||||||
| work list |
158-06-HW
|
||||||
| completed |
04/25/2006
|
||||||
| text |
Heinrich Heine
|
||||||
| voices |
soprano
|
||||||
| instruments |
piano
|
||||||
| duration |
13'
|
||||||
| world premiere |
03/04/2006
Doktrin (Lied 4): Munich (Germany), Musikhochschule, Reimann-Nacht, Sigrid Plundrich, sopr., Uta Hielscher, pf., Lieder 1-3: Bad Reichenhall (Germany), 8/24/2006, AlpenKlassik, Liedwerkstatt, Felicitas Fuchs, sopr., Moritz Eggert, pf. Munich/Bad Reichenhall (Germany) |
||||||
| publication |
Sikorski
|
||||||
| see also |
Doktrin Erinnerung Der Abgekuehlte Der Unglaeubige |
||||||
|
Work Back to overview |
Haemmerklavier II: Upon the first 4 notes of "Lulu"
(2006) |
||||||
|
Chamber music - Quartets |
|||||||
| for quartet | |||||||
| work list |
48b-06-NW
|
||||||
| completed |
02/28/2006
|
||||||
| instruments |
alto/bass recorder, bass/great bass recorder, bass clarinet, percussion (vibraphone/glockenspiel)
|
||||||
| duration |
6'
|
||||||
| world premiere |
03/01/2006
|
||||||
| dedicated |
for the Abash Ensemble
|
||||||
| see also |
Haemmerklavier II |
||||||
|
Work Back to overview |
Amad, Amad
(2006) |
||||||
|
Chamber music - Quintets |
|||||||
| for quintet | |||||||
| work list |
162-06-HW
|
||||||
| completed |
02/28/2006
|
||||||
| instruments |
oboe, clarinet, horn, bassoon, piano
|
||||||
| duration |
22'
|
||||||
| world premiere |
05/21/2006
Zephyr-Ensemble (Manuel Bilz, ob., Thorsten Johanns, clar., Ole Kristian Dahl, bn., Luiz Garcia, hn.) Moritz Eggert, pf. Augsburg (Germany), Mozartfest, "Mozart der Fortschrittliche", Schaezler Palais |
||||||
| special |
commission for the Mozart year 2006, same instrumentation as Mozart KV 452
|
||||||
| publication |
www.sikorski.de
|
||||||
| Video |
Ausschnitt aus dem Stck, gespielt von Ensemble piano possibile und dem Komponisten im Mnchener icamp beim "Newmusix"-Projekt. |
||||||
| texts |
Programmhefttext der UA Jeder Komponist hält das, was er gerade geschrieben hat, für sein bestes, kommentiert Moritz Eggert den berühmten Ausspruch Mozarts relativierend. Er muss es wissen. Denn der gebürtige Heidelberger, der im Alter von 15 Jahren zu komponieren begann, gilt heute als einer der meis... [more] [
Nicole Restle , 14.06.2006
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
The Game Of The Century
(2006) |
||||||
|
Chamber music - Quintets |
|||||||
| For quintet and speaker or tape/samples ad lib. | |||||||
| work list |
161-06-HW
|
||||||
| completed |
01/31/2006
|
||||||
| text |
text: Moritz Eggert
|
||||||
| voices |
speaker
|
||||||
| world premiere |
05/01/2006
Ensemble TrioLog Munich (Germany), Fussballglobus, Globusklaenge |
||||||
| special |
Flute (also picc.), Oboe, Bass Clarinet, percussion (1 player), Cello
|
||||||
| publication |
www.sikorski.de
|
||||||
| texts |
Das Jahrhundertspiel, detaillierte Besetzung Moritz Eggert [
31.01.2006
]
Das Jahrhundertspiel, kompletter Text Das Jahrhundertspiel [
31.01.2006
]
|
||||||
|
Work Back to overview |
Ballack, du geile Schnitte (original version)
(2006) version 1: for soprano and accordion |
||||||
|
Vocal music - Singing with instruments |
|||||||
| for soprano and accordion | |||||||
| work list |
160-06-HW
|
||||||
| completed |
01/14/2006
|
||||||
| text |
original texts from the guestbook of the homepage of Michael Ballack
|
||||||
| voices |
soprano
|
||||||
| instruments |
Accordion
|
||||||
| duration |
13'
|
||||||
| world premiere |
05/01/2006
Irene Kurka, sopr., Stefan Hippe, acc. Munich (Germany), Fussballglobus, Globusklaenge |
||||||
| special |
small performance elements
|
||||||
| dedicated |
Simone Hohmaier
|
||||||
| publication |
Sikorski, www.sikorski.de
|
||||||
| texts |
Ballack du geile Schnitte, kompletter Gesangstext Die folgenden Texte sind originale Beiträge aus dem Forum der Homepage von Michael Ballack, zwischen Weihnachten 2005 und Neujahr 2006. Die Rechtschreibung und Aussprache folgt der originalen Vorlage. [
28.07.2006
]
|
||||||
| Multimedia |
|
||||||
| see also |
Ballack, du geile Schnitte (Version 2 für Bariton und Klavier) Ballack, you lusty tart (version 3 for soprano and piano) |
||||||
|
Work Back to overview |
Home Game
(2005) |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
| Description for a musical soccer-play with 11 or more participants plus referee (conductor) and stadium announcer | |||||||
| work list |
159-06-NW
|
||||||
| completed |
12/31/2005
|
||||||
| voices |
1 "home" team, 7 or more, 1 "away" team, 4 or more, referee, stadium announcer
|
||||||
| duration |
11'
|
||||||
| world premiere |
4
Music course of the "Gymnasium am Muensterplatz", Basle, rehearsed by Jennifer Rudin, Moritz Eggert, referee Weil am Rhein (Germany), Vitra-Design-Museum, "Les Museiques"-Festival |
||||||
| special |
can also be performed by amateurs or youths and children, improvisatory character, with "game rules"
|
||||||
| publication |
Ueben & Musizieren (Schott), Juni/July 2006 "Sport" (Magazine) http://www.sikorski.de |
||||||
| texts |
Heimspiel, komplette Performanceanweisung I: Besetzung [
Moritz Eggert , 10.4.2008
]
|
||||||
|
Work Back to overview |
Doktrin
(2005) from: 4 Lieder nach Heine |
||||||
|
Vocal music - Songs with piano |
|||||||
| for soprano and piano | |||||||
| work list |
158-05-NW
|
||||||
| completed |
12/27/2005
|
||||||
| text |
text: Heinrich Heine
|
||||||
| voices |
Soprano
|
||||||
| instruments |
piano
|
||||||
| duration |
5'
|
||||||
| world premiere |
03/04/2006
Sigrid Plundrich, sopr., Uta Hielscher, pf. Munich (Germany), Musikhochschule, Grosser Saal, Reimann-Night |
||||||
| dedicated |
Aribert Reimann zum 70. Geburtstag
|
||||||
| publication |
Sikorski, www.sikorski.de
|
||||||
| see also |
4 Lieder nach Heine |
||||||
|
Work Back to overview |
alien
(2005) |
||||||
|
Chamber music - Solo |
|||||||
| for recorder (1 player plays Garklein, sopranino, soprano and renaissance-alto) and live electronics | |||||||
| work list |
157-05-HW
|
||||||
| completed |
12/21/2005
|
||||||
| instruments |
Garklein, sopranino, soprano, renaissance-alto recorder (1 player), effects (Harmonizer, Chorus, Octaver), Sampler, 3 microphones
|
||||||
| duration |
12'
|
||||||
| world premiere |
12/21/2005
|
||||||
| dedicated |
Genevieve Lacey
|
||||||
| soundcarrier |
Weaver Of Fictions |
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
alien, short english text about the piece alien [
Moritz Eggert , 2.7.2007
]
alien, performance notes in english Moritz Eggert: [
17.07.2006
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Sanctus (2nd version)
(2005) 2nd version for trombone and accordion |
||||||
|
Chamber music - Duos |
|||||||
| work list |
50b-05-HW
|
||||||
| completed |
10/27/2005
|
||||||
| instruments |
trombone and accordion
|
||||||
| duration |
13'
|
||||||
| world premiere |
12/07/2005
Mateja Zenzerovic, accordion, Mateusz Dwulecki, trombone Hanover (Germany), Musikhochschule, Brass Micro Festival |
||||||
| dedicated |
Mateja Zenzerovic und Mateusz Dwulecki
|
||||||
| publication |
Sikorski
|
||||||
| Multimedia |
|
||||||
| see also |
Sanctus |
||||||
|
Work Back to overview |
Interior At Petworth
(2005) 8 variations on a picture by William Turner |
||||||
|
Chamber music - Septets |
|||||||
| for septet | |||||||
| work list |
156-05-HW
|
||||||
| completed |
10/09/2005
|
||||||
| instruments |
Flute (also picc.), clarinet (also bass clar.), perc.., piano, violin, viola, violoncello
|
||||||
| duration |
16'
|
||||||
| world premiere |
11/13/2005
ars nova - Ensemble Nuremberg, conductor: Werner Heider Erlangen (Germany). Musikinstitut |
||||||
| special |
Based on a picture William Turner, performance elements, various small instruments
|
||||||
| dedicated |
Werner Heider und dem ars-nova-Ensemble N�rnberg
|
||||||
| publication |
Sikorski, http://www.sikorski.de
|
||||||
| Video |
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Dr. Booger Suite
(2005) |
||||||
|
Orchestral works - Large ensemble also look at Operas/ music theatre |
|||||||
| work list |
115c-05-NW
|
||||||
| completed |
09/30/2005
|
||||||
| instruments |
Orchestra (children and youths): recorder quintet (sopranino, soprano, alto, tenor, bass), 2 Fl., Ob., Clar. (B), saxophone quartet (soprano, alto, tenor, bass), bass cl., Bsn. 2 Tr. (in Bb), Hn., ten.-tb. tba. timpani percussion (3 players), sound orchestra (min. 4 players) 2 electr. Guit., electric bass, drumset, keyboards (organ), celesta, cembalo, piano strings: 6.6.4.3.2 (or more)
|
||||||
| duration |
30'
|
||||||
| world premiere |
12/06/2005
Jugendsymphonierochester der Musikschule Marzahn/Hellerau, Jobst Liebrecht, conductor Berlin (Germany); FEZ Wuhlheide, Grosser Saal |
||||||
| publication |
Schott
|
||||||
|
Work Back to overview |
From the depth of space - a soccer oratorio
(2005) |
||||||
|
Vocal music - Oratorios/Masses also look at Orchestra alone |
|||||||
| fpr 4 singers, 3 speakers, large choir and large orchestra | |||||||
| work list |
155-05-HW
|
||||||
| completed |
07/31/2005
|
||||||
| text |
text: Michael Klaus
|
||||||
| voices |
Virtue (Soprans), Sin (Mezzo), Player (Tenor), Reporter (Baritone), Large Choir (12-part), 3 speakers (Alt-Internationaler, Trainer, Sport-Reporter),
|
||||||
| instruments |
Large Orchestra: picc.2.2.2.bass clarinet, ten.-sax, 2, double bassoon 4 hn.., 3 tr., 2 tromb.., bass tuba, Timpani, percussion (4 players), harp, el.guitar, Continuo: accordion, cembalo/keyboard, electr. bass, cello, strings: at least 10.8.6.5.3, samples (sound collages)
|
||||||
| duration |
1 h 56'
|
||||||
| world premiere |
09/11/2005
Bochumer Symphoniker, Steven Sloane, conductor, Joachim Krol (coach), Peter Lohmeyer ("old international"), Christoph Bantzer (reporter), speakers, Claudia Barainsky (virtue), Ursula Hesse von den Steinen (sin), Corby Welsh (player), Thomas Bauer (reporter), Chorus of the Ruhrtriennale, choir coach : Walter Zeh Bochum (Germany), Jahrhunderthalle |
||||||
| special |
can be performed theatrically as well, official commission of the culture program of the soccer World Championship 2006
|
||||||
| publication |
Sikorski Musikverlage http://www.sikorski.de/ |
||||||
| Video |
|
||||||
| texts |
Interview mit Ingo Gerlach von der Komischen Oper Heute holt man sich die große Gefühlsdosis eher im Stadion ab [
26.05.2006
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Frauen, traut Euch!
(2005) |
||||||
|
Texts & Essays - Essays |
|||||||
| work list |
00-05-HW
|
||||||
| completed |
07/05/2005
|
||||||
| world premiere |
07/05/2005
|
||||||
| publication |
In: Musik ist weiblich, "Fuehrer durch die Sammlung von Komponistinnen Musikbibliothek Mannheim", ISBN 3-00-014729-2, 2004
|
||||||
|
Work Back to overview |
Scapa Flow (Number Nine IV)
(2005) |
||||||
|
Texts & Essays - Texts about works |
|||||||
| excerpt from score, short text | |||||||
| work list |
00-05-HW
|
||||||
| completed |
06/13/2005
|
||||||
| world premiere |
06/13/2005
|
||||||
| publication |
in: Abdruck in: Pfau-Verlag, ISBN 3-89727-272-5 |
||||||
| see also |
Number Nine IV |
||||||
|
Work Back to overview |
Don't Trust The Crocodile Dog
(2005) |
||||||
|
Vocal music - Voice with other instruments |
|||||||
| for female voice and ensemble | |||||||
| work list |
154-05-NW
|
||||||
| completed |
05/16/2005
|
||||||
| text |
Rebekka Kricheldorf
|
||||||
| voices |
female voice
|
||||||
| instruments |
trumpet (Bb), electr. Guit., drum set, pf., vc., db.
|
||||||
| duration |
6'
|
||||||
| world premiere |
06/01/2005
Bettina Koziol, voc., Henning Sieverts, bass, Sebastian Hess, vc., Udo Moll, tr., Christian Thom, drums, Moritz Eggert, pf. Munich (Germany), Bayerische Akademie der Schoenen Kuenste, 8th ADevantgarde Festival, PopAid |
||||||
|
Work Back to overview |
L.O.V.E.R.S.
(2005) Stage play for singer, dancer and pianist |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
| included the following songs from Neue Dichter Lieben: 1. Auf welchem Fuss 2. Liebeserklaerung 3. Luft 4. Tote Liebe 5. herz vers sagen 6. Neues Maerchen 7. Ich liege neben Dir danach 8. Don Juan kommt am Vormittag 9. In der letzten Nacht | |||||||
| work list |
00-05-HW
|
||||||
| completed |
04/21/2005
|
||||||
| text |
various
|
||||||
| duration |
75'
|
||||||
| world premiere |
04/21/2005
idea: Rosamund Gilmore, Jutta Georg baritone: Claudio Otelli dance: Irene Klein piano: Christian Nagel Frankfurt am Main (Germany), Kuenstlerhaus Mousonturm |
||||||
|
Work Back to overview |
Fortschritt, Avanciertheit, Avantgarde (statement)
(2005) |
||||||
|
Texts & Essays - Essays |
|||||||
| published in: "Musik und Aesthetik", 9. Jahrgang, Heft 33, Januar 2005 | |||||||
| work list |
00-05-HW
|
||||||
| completed |
04/21/2005
|
||||||
| text |
in German
|
||||||
| world premiere |
02/05/2005
|
||||||
|
Work Back to overview |
Primus
(2005) |
||||||
|
Orchestral works - Concerts |
|||||||
| for double bass and orchestra | |||||||
| work list |
153-05-HW
|
||||||
| completed |
02/24/2005
|
||||||
| instruments |
picc.2.2.2.bass-clar.2.Dbn.. 4.picc.-tr., 2.2.bass tuba timp., 4 perc. hp. strings: 12.10.8.6.4
|
||||||
| duration |
27'
|
||||||
| world premiere |
09/19/2005
Nabil Shehata, soloist, Junges Klangforum Mitte Europas, Christoph Altstaedt, conductor Berlin, Universitaet der Kuenste |
||||||
| dedicated |
Nabil Shehata, Christoph Altstaedt und dem Jungen Klangforum Mitte Europas
|
||||||
| publication |
Sikorski
|
||||||
| Video |
|
||||||
|
Work Back to overview |
Die lachende Provinz
(2005) |
||||||
|
Texts & Essays - Articles |
|||||||
| Artikel zum Sonderheft "München" der Neuen Zeitschrift für Musik | |||||||
| work list |
00-05-HW
|
||||||
| completed |
02/23/2005
|
||||||
| text |
in German
|
||||||
| world premiere |
02/23/2005
|
||||||
| publication |
Neue Zeitschrift fuer Musik, May/June 2005
|
||||||
| texts |
Die lachende Provinz, kompletter Text Die lachende Provinz [
23.02.2005
]
|
||||||
|
Work Back to overview |
Erinnerung an die Marie A.
(2005) |
||||||
|
Vocal music - Songs with piano |
|||||||
| work list |
152-05-NW
|
||||||
| completed |
02/21/2005
|
||||||
| text |
Bertolt Brecht
|
||||||
| voices |
mittlere Stimme
|
||||||
| instruments |
piano
|
||||||
| duration |
4'
|
||||||
| world premiere |
03/03/2005
Salome Kammer, voc., Moritz Eggert, pf. Munich (Germany), celebration for the reopening of the Munich "Lyrik-Kabinett", LMU, Great Hall |
||||||
| dedicated |
Salome Kammer
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Narcissus
(2004) alternative version of "Narcissus" for recorder and percussion |
||||||
|
Chamber music - Duos |
|||||||
| for recorder and prepared piano | |||||||
| work list |
106b-04-HW
|
||||||
| completed |
12/13/2004
|
||||||
| voices |
Sopranblockflöte, präpariertes Klavie
|
||||||
| instruments |
soprano recorder, prepared piano
|
||||||
| duration |
12'
|
||||||
| world premiere |
05/27/2004
Tomma Wessel, soprano recorder, Frederick Croene, pf. Gent (Belgium), De Handelsbeurs |
||||||
| special |
various advanced playing techniques
|
||||||
| see also |
Narcissus |
||||||
|
Work Back to overview |
The Son Of The Daughter Of Dracula Versus The Incredible Frankenstein Monster (From Outer Space)
(2004) |
||||||
|
Chamber music - Sextets also look at Electronic music |
|||||||
| for 2 Theremins (+MIDI-Theremin), percussion, violin, cello, piano/sampler | |||||||
| work list |
149-04-NW
|
||||||
| completed |
11/28/2004
|
||||||
| instruments |
2 Theremins (+MIDI-Theremin), percussion, violin, cello, piano/sampler
|
||||||
| duration |
8'
|
||||||
| world premiere |
03/30/2005
Barbara Buchholz, Lydia Kavina, theremin, Ensemble f�r Neue Kammermusik Berlin: Tobias Rempe, vl., Ringela Riemke, vc., Heather O�Donnell, pf., Dirk Rothbrust, perc. Weimar (Germany), "Fr�hjahrstage f�r Neue Musik", mon ami |
||||||
| special |
parody of horror film music from the 50�s
|
||||||
| dedicated |
Barbara Buchholz, Lydia Kavina
|
||||||
| soundcarrier |
touch! - don't touch! |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
|
Work Back to overview |
Kommander Kobayashi: Go versus Comet
(2004) |
||||||
|
Stage Works - Short operas |
|||||||
| Opera scene for the Kommander Kobayashi-project by novoflot | |||||||
| work list |
151-04-HW
|
||||||
| completed |
11/20/2004
|
||||||
| text |
Tobias Dusche, Sebastian Bark, novoflot, Moritz Eggert
|
||||||
| voices |
Tii! (high Soprano), Go (Soprano), Scrabble (Mezzo), Ma (Baritone)
|
||||||
| instruments |
Ensemble: Bass Clarinet (Bb), French Horn, Trumpet (Bb), Bass trombone, percussion (1 player), piano/celesta (1 player), viola, cello, double bass
|
||||||
| duration |
15'
|
||||||
| world premiere |
01/14/2005
with Meik Schwalm (Ma), Hanna Dora Sturludottir (Go), Julia Henning (Tii!), Sibylle Fischer (Scrabble), director: Sven Holm, conductor: Vicente Larranaga, stage designn: Leonie von Arnim, costume: Bettina Latscha, video: Philip Kießling, Dramaturgie: Sebastian Bark, text: Tobias Dusche Hamburg (Germany), opera stabile |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
|
Work Back to overview |
Haemmerklavier XVII
(2004) Advanced Kabuki |
||||||
|
Chamber music - Piano solo also look at Musiktheater und Performance |
|||||||
| for piano solo | |||||||
| work list |
150-04-HW
|
||||||
| completed |
10/28/2004
|
||||||
| instruments |
piano solo
|
||||||
| duration |
7'
|
||||||
| world premiere |
07/02/2005
Moritz Eggert, pf. Bad Kissingen (Germany), Kissinger Sommer, "Lange Nacht der Neuen Musik", Rossini-Saal |
||||||
| special |
nearly completely theatrical, music comes second place to visual actions by the pianist
|
||||||
| dedicated |
Siegfried Mauser
|
||||||
| publication |
Sikorski, www.sikorski.de
|
||||||
| Video |
|
||||||
|
Work Back to overview |
Ticket To Ride
(2004) |
||||||
|
Orchestral works - Ensembles |
|||||||
| for accordion orchestra | |||||||
| work list |
148-04-HW
|
||||||
| completed |
10/17/2004
|
||||||
| instruments |
at least 20 accordions, incl. Bassi and Electronions
|
||||||
| duration |
14'
|
||||||
| world premiere |
06/01/2005
Nuernberger Akkordeonorchester, Stefan Hippe, conductor Fuerth (Germany), Stadthalle |
||||||
| special |
extremely subtle and detailed soundscape, one continuous crescendo
|
||||||
| dedicated |
Stefan Hippe
|
||||||
| publication |
Sikorski
|
||||||
| Video |
|
||||||
| texts |
Zug um Zug, kurzer Text zum Stück Zug um Zug [
28.04.2005
]
|
||||||
|
Work Back to overview |
solarplexus - neue dichter lieben
(2004) |
||||||
|
Stage Works - Stage music |
|||||||
|
music by moritz eggert: from "Neue Dichter Lieben": Auf welchem Fuss, Tierchen, Flugkoerper, Luft, Sonett an die schreibfaule Brieffreundin, Tote Liebe, Koitus, Schneiden und Scheiden, Sprich, Scheherazade, Ich liege neben Dir danach, In der letzten Nacht |
|||||||
| completed |
10/13/2004
|
||||||
| duration |
75'
|
||||||
| world premiere |
10/15/2004
Fabian Hemmelmann, baritone, Jori Schulze-Rempell, piano, with Alexe Limbach, Christine Stienemeyer, Christof Hemming, director: Joerg Fuerst, Samples: Markus Berger, stage design/costumes: Christina Wachendorff, Uta Heiseke, Angelika Remy Cologne (Germany), Alte Feuerwache |
||||||
|
Work Back to overview |
morphing
(2004) |
||||||
|
Chamber music - Sextets |
|||||||
| for brass quintet and accordion (bajan) | |||||||
| work list |
147-04-HW
|
||||||
| completed |
09/03/2004
|
||||||
| instruments |
2 trumpets (in Bb), horn, trombone, tuba, accordion (bajan)
|
||||||
| duration |
17'
|
||||||
| world premiere |
12/07/2005
Stockholm Brass, Elsbeth Moser, Bajan Hanover (Germany), Musikhochschule, Brass Micro Festival |
||||||
| dedicated |
Elsbeth Moser, Stockholm Brass
|
||||||
| publication |
Sikorski
|
||||||
| Video |
|
||||||
| texts |
morphing, kurzer Text zum Stück "morphing" ist ein Stück in dem mit der unerwarteten Verwandlung gespielt wird. Im Film nennt man "morphing" die visuelle Verwandlung von Objekten mittels CGI (computer generated images), eine relativ neue Technik die erst durch den Einsatz von Computern möglich wird. Aber auch in der Musi... [more] [
18.11.2005
]
|
||||||
|
Work Back to overview |
Ich habe dich gefunden
(2004) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for vocal quartet (SATB) and piano 6 hands | |||||||
| work list |
105b-04-NW
|
||||||
| completed |
08/06/2004
|
||||||
| text |
Friedrich Hoelderlin
|
||||||
| voices |
soprano, alto, tenor, bass
|
||||||
| instruments |
piano 6-hands
|
||||||
| duration |
3'
|
||||||
| world premiere |
08/12/2004
Mojca Erdmann, sopr. , Anne-Carolyn Schlueter, alto, Jan Kobow, tenor, Jochen Kupfer, bar., Susanne Giesa, Axel Bauni, Moritz Eggert, pf. Bad Reichenhall (Germany), Festival AlpenKLASSIK, Hoelderlin Liedwerkstatt, Kurhaus, Koenig-Ludwig-I.-Saal |
||||||
| dedicated |
Andrea Heuser
|
||||||
| see also |
Ich habe dich gefunden |
||||||
|
Work Back to overview |
Ich habe dich gefunden
(2004) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for vocal quartet (SATB) and piano | |||||||
| work list |
115c-04-NW
|
||||||
| completed |
08/06/2004
|
||||||
| text |
Friedrich Hoelderlin
|
||||||
| voices |
sopr., alto, ten., bass
|
||||||
| instruments |
piano
|
||||||
| duration |
3'
|
||||||
| world premiere |
08/13/2004
|
||||||
| dedicated |
Andrea Heuser
|
||||||
|
Work Back to overview |
The One Minute Piece That Took Me Ages To Do And Which Is Really Impressive
(2004) |
||||||
|
Electronic music - Hörspiele |
|||||||
| Sound collage | |||||||
| work list |
146-04-HW
|
||||||
| completed |
08/04/2004
|
||||||
| instruments |
electronic music (tape)
|
||||||
| duration |
1'
|
||||||
| world premiere |
11/07/2004
2nd annual Vox Novus concert New York (USA), UNDER St. Marks |
||||||
| special |
Composed for the 60x60 project by Vox Novus, New York
|
||||||
| texts |
The One Minute Piece....short accompanying text It should be noted that my piece for 60x60 uses only natural sounds (produced by the mouth of the composer) without any electronic tinkering or modulation. [
22.10.2004
]
The One Minute Piece...short text about the piece It should be noted that my piece for 60x60 uses only natural sounds (produced by the mouth of the composer) without any electronic tinkering or modulation. [
04.08.2004
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Papa Afrika
(2004) |
||||||
|
filma about.../ participation in Films |
|||||||
| Documentary by Otu Tetteh | |||||||
| work list |
00-04-HW
|
||||||
| completed |
08/04/2004
|
||||||
| duration |
60'
|
||||||
| world premiere |
08/04/2004
|
||||||
| special |
Contains excerpts from the concert at the Goethe-Institute Accra (Ghana) by Moritz Eggert
|
||||||
|
Work Back to overview |
Lied der Liebe
(2004) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for tenor and piano | |||||||
| work list |
145-04-HW
|
||||||
| completed |
07/26/2004
|
||||||
| text |
after a poem by Friedrrich Hoelderlin
|
||||||
| voices |
tenor
|
||||||
| instruments |
piano
|
||||||
| duration |
8'
|
||||||
| world premiere |
08/12/2004
Jan Kobow, tenor, Moritz Eggert, pf. Bad Reichenhall (Germany), Festival AlpenKLASSIK, Hoelderlin-Liedwerkstatt, Kurhaus, Koenig-Ludwig-I-Saal |
||||||
| dedicated |
Andrea Heuser
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Iron Curtain
(2004) |
||||||
|
Chamber music - Quartets |
|||||||
| for percussion quartet | |||||||
| work list |
144-04-HW
|
||||||
| completed |
06/27/2004
|
||||||
| duration |
16'
|
||||||
| world premiere |
10/02/2004
Perkussionsensemble Freiburg Dresden (Germany), Hellerau, Dresdner Tage für Zeitgenössische Muksik |
||||||
| special |
situational composition, movements of musicians, compact instrumentation
|
||||||
| dedicated |
Bernhard Wulff, Perkussionsensemble Freiburg
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Man in the Moon
(2004) |
||||||
|
Electronic music |
|||||||
| Orchestration of a music from "The Meal of Mr. Orlong" for robot orchestra | |||||||
| work list |
14b-04-HW
|
||||||
| completed |
05/30/2004
|
||||||
| instruments |
robot orchestra
|
||||||
| duration |
4'
|
||||||
| world premiere |
08/02/2004
|
||||||
| see also |
The meal of Mr. Orlong |
||||||
|
Work Back to overview |
tango vacuo (from "Dr. Booger's Scary Scheme")
(2004) |
||||||
|
Electronic music |
|||||||
| orchestration of a movement from "Dr. Booger's Scary Scheme" for robot orchestra | |||||||
| work list |
115b-04-HW
|
||||||
| completed |
05/01/2004
|
||||||
| instruments |
robot orchestra
|
||||||
| duration |
2'
|
||||||
| world premiere |
05/19/2004
Logos-Foundation, M&M Ensemble Gent (Belgium) |
||||||
|
Work Back to overview |
Tango Vacuo
(2004) |
||||||
|
Electronic music |
|||||||
| instrumentation of a Tango from "Dr. Booger's scary scheme" for robot orchestra | |||||||
| work list |
115b-04-HW
|
||||||
| completed |
03/26/2004
|
||||||
| instruments |
robot orchestra (Logos-Foundation, Gent, Belgien)
|
||||||
| duration |
2'
|
||||||
| see also |
Dr. Booger |
||||||
|
Work Back to overview |
Pro Klassik oder Pro Pop?
(2004) published as: Redundanzmaschine kontra Elfenbeinturm |
||||||
|
Texts & Essays - Articles |
|||||||
| Leitartikel für die NMZ April 2004 | |||||||
| work list |
00-04-HW
|
||||||
| completed |
03/25/2004
|
||||||
| world premiere |
03/26/2004
|
||||||
| publication |
NMZ, April 2004
|
||||||
| texts |
Pro Klassik oder Pro Pop? kompletter Artikel PRO KLASSIK ODER PRO POP? [
26.03.2004
]
|
||||||
|
Work Back to overview |
The Snail
(2004) "Ein deutsches Sing - und Tanzspiel" |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| work list |
141-04-HW
|
||||||
| completed |
03/18/2004
|
||||||
| text |
Hans Neuenfels (based on a poem by Garcia Lorca)
|
||||||
| voices |
soprano, mezzo, alto, teno, baritone, bass, 4 actors, 4 "figurants", dancers, tape
|
||||||
| instruments |
Large orchestra: 3 Fl. (3 alt. Picc.), recorder (Garklein-, Sopranino-, Soprano-, Alto-, Tenor-, Bass-), 3 Ob. (3 alt. English Horn), 3 Clar. In Bb, (3 alt. Bass clarinet in Bb), Tenor saxophone in Bb, 2 Bn., 1 Double-Bn. 4 Hn., 4 Tr. in Bb, 2 tb., 1 Bass tb., Bass tuba Hp., 2 Electric Guitars, Electric Bass, timpani, percussion (4 players) 2 Pianists (Celesta, Cembalo, Keyboard, grand piano) Accordion strings: 12.10.8.6.4. ALTERNATIVE (SMALLER) ORCHESTRATION: 2 Fl. (2 also picc.), 2 Oboes, 2 Cl. (2 also Bass-Cl.), 2 Bn. (2 also Double Bn.), - 3 Hn., 2 Tr., 2 Tb.., bass tba.. timpani, 2 perc.. hp., electric guitar, electric bass 2 pianists strings: 6.6.4.3.2. |
||||||
| duration |
2 h
|
||||||
| world premiere |
06/13/2004
with Almut Henkel (Irmgard), Marina Ivanova (Helga), Andrea Szanto (Inge), Ceri Williams (Maria), Thomas Berau (Edgar), Daniel Eberle (Florian), Alexander Heidenreich (Herbert), Tomasz Konieczny (Arthur), Xavier Moreno (Manfred), Manfred Trabant (Hemann), a.o. Chor und Orchester des Nationaltheaters Mannheim, conductor: Wolfram Koloseus (Bernhard Schneider), director: Hans Neuenfels, stage: Christof Hetzer, costumes: Elina Schnitzler Mannheim (Germany), Nationaltheater, Grosses Haus |
||||||
| dedicated |
Andrea Heuser
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Die Schnecke, einige Gedanken zur Aufführung in Luzern Einige Anmerkungen zur Neuorchestrierung der Schnecke ORCHESTER [
05.04.2004
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
puzzled
(2004) |
||||||
|
Film music |
|||||||
|
Short film by Andreas Simon, a BSB-film production, with Berry Manders, editing: Andr D Conrad, camera: Philp Flaemig, effects: Martin Gessner & Peter Renner, sound: Christiane Buchmann & Mischa Reisewitz, music: Moritz Eggert, production: Alfred Bayer & Tom Spalek, script and director: Andreas Simon music from: The Eternal Song, Croatoan II etc. |
|||||||
| work list |
00-04-HW
|
||||||
| completed |
03/15/2004
|
||||||
| duration |
9'
|
||||||
| world premiere |
03/13/2004
Frankfurt am Main (Germany), Royal-Cinema, 10 p.m. |
||||||
|
Work Back to overview |
Ein Dichter stirbt
(2004) 3 poems by Ludwig Steinherr |
||||||
|
Vocal music - Songs with piano |
|||||||
| for tenor baritone and piano | |||||||
| work list |
143-04-HW
|
||||||
| completed |
02/23/2004
|
||||||
| text |
Ludwig Steinherr
|
||||||
| voices |
tenor baritone
|
||||||
| instruments |
pf.
|
||||||
| duration |
10'
|
||||||
| world premiere |
03/08/2004
Thomas Bauer, bar., Moritz Eggert, pf. Munich (Germany), Bayerische Akademie der Schoenen Kuenste |
||||||
| special |
one single movement
|
||||||
| dedicated |
in memoriam Heinz Friedrich
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Haemmerklavier XVI
(2004) "Hellish Franz", Music for a silent movie by Jochen Kuhn |
||||||
|
Film music - Chamber music also look at Piano solo |
|||||||
| for prepared piano | |||||||
| work list |
142-04-HW
|
||||||
| completed |
01/14/2004
|
||||||
| text |
commissioned by ECLAT-Festival 2004, Stuttgart
|
||||||
| instruments |
prepared piano, film projection
|
||||||
| duration |
14'
|
||||||
| world premiere |
02/08/2004
Moritz Eggert, pf. Stuttgart (Germany), ECLAT-Festival, Theaterhaus Pragsattel |
||||||
| special |
performance elements, small additional instruments
|
||||||
| dedicated |
Hans-Peter Jahn
|
||||||
| publication |
www.sikorski.de
|
||||||
| texts |
Der Höllenfranz, Textmaterialien Materialien zu Hämmerklavier XVI: Der Höllenfranz (2003/2004), zu einem Film von Jochen Kuhn [
15.01.2004
]
Hammerklavier XVI, short text about the piece Haemmerklavier XVI: [
05.11.2006
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Coming Together
(2004) The composer Fredric Rzewski |
||||||
|
filma about.../ participation in Films |
|||||||
| Film about the composer Fredric Rzewski, by Klaus Voswinckel | |||||||
| work list |
00-04-HW
|
||||||
| completed |
01/01/2004
|
||||||
| instruments |
Moritz Eggert plays "Winnsboro Cotton Mill Blues", Interview
|
||||||
| duration |
60'
|
||||||
| world premiere |
06/25/2004
BR 3 (TV) |
||||||
|
Work Back to overview |
Symphony 2.0, version for any 4 instruments (without Kazoo)
(2003) 2nd version |
||||||
|
Chamber music - Quartets |
|||||||
| for any 4 instruments | |||||||
| work list |
121a-03-HW
|
||||||
| completed |
12/29/2003
|
||||||
| instruments |
ad libitum
|
||||||
| duration |
7'
|
||||||
| world premiere |
0
|
||||||
| special |
general effect descriptions
|
||||||
| see also |
Symphony 2.0 |
||||||
|
Work Back to overview |
Laudatio für Wilhelm Killmayer
(2003) |
||||||
|
Texts & Essays - Readings |
|||||||
| work list |
00-03-HW
|
||||||
| completed |
12/11/2003
|
||||||
| text |
Speech held at the prize ceremony of the "Musikpreis der Stadt Muenchen" for Wilhelm Killmayer (In German)
|
||||||
| movements |
1. Schmoeger 2. Heisse Nacht bei Brabinski |
||||||
| world premiere |
12/15/2003
|
||||||
| dedicated |
Wilhelm Killmayer
|
||||||
| texts |
Laudatio für Wilhelm Killmayer Laudatio für Wilhelm Killmayer, anlässlich des Münchener Musikpreises 2003 [
12.12.2003
]
|
||||||
|
Work Back to overview |
Orfeo Shows
(2004) Ballet by Ed Wubbe |
||||||
|
Stage Works - Dance theatre |
|||||||
| used music by Moritz Eggert: Haemmerklavier III, V | |||||||
| completed |
11/25/2003
|
||||||
| world premiere |
11/25/2003
Scapino-Ballett, Rotterdam Rotterdam (Netherlands), Rotterdamse Schouwburg |
||||||
|
Work Back to overview |
Ghana-Mix (Instant Composition)
(2003) |
||||||
|
Orchestral works - Graphical scores |
|||||||
| graphic realisation of Peace (see above) | |||||||
| work list |
111c-03-NW
|
||||||
| completed |
11/12/2003
|
||||||
| text |
one page A4
|
||||||
| instruments |
clarinet, flutes, drums, percussion, piano, cello, choir, audience
|
||||||
| duration |
4'
|
||||||
| world premiere |
11/13/2003
Students of the Music Department, University of Legon, Moritz Eggert, conductor Accra (Ghana), Goethe-Institute |
||||||
|
Work Back to overview |
freaks
(2003) |
||||||
|
Chamber music - Quintets |
|||||||
| for recorder quartet and percussion | |||||||
| work list |
140-03-HW
|
||||||
| completed |
08/04/2003
|
||||||
| instruments |
I soprano (2x), sopranino, tenor, ren.alto, garklein, lotos flute, crotales (b'), high horn II shell chimes, nose flute, birdnoise, squeaky duck, bass (paetzold), soprano, tenor, prepared alto, jew's harp in A III lotos flute, soprano, flexatone, ren.alto, great bass, prepared alto, jew's harp in G, balloon, sub bass IV bass (paetzold), alto, sub bass, small bell tree, prepared garklein, double bass, jew's harp in G V percussion
|
||||||
| duration |
21'
|
||||||
| world premiere |
10/25/2003
Apsara-quartet (Natalie Houtman, Inse Rasbach, Tomma Wessel, Julia Whybrow), Wim Konink, percussion Leuven (Belgium), transit-Festival, Stuk (Labozaal) |
||||||
| special |
use of small additional instruments, aulos-playing, singing and playing combinations, advanced playing techniques
|
||||||
| dedicated |
Apsara-Ensemble
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
freaks, detailed instrumentation with remarks freaks [
10.12.2003
]
Freaks, english text about the piece Freaks [
09.12.2003
]
Freaks, ursprünglicher Gedankenentwurf des Stückes Freaks [
11.12.2003
]
|
||||||
| see also |
freaks (2003/2008) |
||||||
|
Work Back to overview |
The Wild Years
(2003) piano trio no.3 |
||||||
|
Chamber music - Trios |
|||||||
| for piano trio | |||||||
| work list |
139-03-NW
|
||||||
| completed |
07/25/2003
|
||||||
| instruments |
violin, cello, piano
|
||||||
| duration |
5' 30''
|
||||||
| world premiere |
06/26/2004
Carolin Widmann, vl., Sebastian Hess, vc., Moritz Eggert, pf. Munich (Germany), "Nacht der 5 Hoefe" |
||||||
| dedicated |
Lothar Voigtlnder
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Das Ende der Traeumer
(2003) Verschlaeft die E-Musik die Zukunft der GEMA? |
||||||
|
Texts & Essays - Articles |
|||||||
| completed |
07/11/2003
|
||||||
| world premiere |
0
|
||||||
| publication |
Neue Musikzeitung, Ausgabe 9, 2003
|
||||||
| texts |
Das Ende der Träumer Das Ende der Träumer [
15.07.2003
]
|
||||||
|
Work Back to overview |
Il mistero dei Dogon
(2003) |
||||||
|
Film music |
|||||||
| Short film by Andreas Simon, commissioned by Pigini-Accordion factory, Italy | |||||||
| work list |
00-04-HW
|
||||||
| completed |
06/06/2003
|
||||||
| text |
Moritz Eggert
|
||||||
| duration |
8'
|
||||||
| world premiere |
06/06/2004
|
||||||
| special |
Script: Moritz Eggert speaker: Elsbeth Moser language: italian Music: Moritz Eggert (excerpts from The Meal of Mr.Orlong, Croatoan III) with Elsbeth Moser, Nicolas Altstaedt, Moritz Eggert u.a. |
||||||
| publication |
Promotion-DVD, Pigini, s.r.l. via Carlo Marx, 127, PO Box 64, 60022 Castelfidardo (AN), Italy, tel. 071-7820301, fax 071-7823010, www. pigini-accordions.com
|
||||||
|
Work Back to overview |
Haemmerklavier XV
(2003) Nose Dance |
||||||
|
Chamber music - Piano solo |
|||||||
| für Klavier Solo | |||||||
| work list |
139-03-HW
|
||||||
| completed |
05/23/2003
|
||||||
| instruments |
Klavier
|
||||||
| duration |
3'
|
||||||
| world premiere |
10/16/2003
Moritz Eggert, pf. Munich (Germany); Bayerische Akademie der Schoenen Kuenste |
||||||
| special |
Middle voice is played by nose or object
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Processional: Finale
(2003) |
||||||
|
Orchestral works - Large ensemble |
|||||||
| For 3 wind bands, jazz big band, brass septet, timpani, mallet instruments and church bells (optional) | |||||||
| work list |
137q-03-HW
|
||||||
| completed |
05/16/2003
|
||||||
| instruments |
Brass septet: 3 trumpets (Bb), Bass trumpet, 2 trombones, tuba; jazz big band: soprano-sax., alto-sax., 2 ten.-sax., bar.-sax., 2 tr. (Bb), 2 corn. (Bb), 3 tromb., bass-tromb.., drums, piano, keyboard, bass; wind band 1: picc., 2 fl., 1 eb-clar., 2 clar. (Bb), bass clar. (Bb), alto-sax., ten.-sax, bar.-sax., 4 hn. (F) , 4 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), 2 barytones, 2 tubas, cymbals, snare drum, great drum; wind band 2: picc., 2 fl., 2 clar. (Bb), alto-sax., ten.-sax, bar.-sax., 3 hn. (F) , 3 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), barytone, 2 tubas, cymbals, snare drum, great drum; wind band 3: 2 fl., 2 clar. (Bb), alto-sax., ten.-sax, bar.-sax., 3 hn. (Eb) , 3 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), barytone, tuba, cymbals, snare drum, great drum, timpani, mallet instruments (xylo/marimba/vibraphone ad lib.), church bells ad lib.
|
||||||
| duration |
12'
|
||||||
| world premiere |
06/19/2003
Mnozil Brass, Kernstockkapelle Poellau, Artilleriekapelle Von-der Groeben, Strassenbahnerkapelle Graz, Jazz Big Band Graz, conductor: Michael Brandtstaetter Graz (Austria), Styriarte, opening concert |
||||||
| special |
Can be performed alone or as part of the large work PROCESSIONAL
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: Poellau I
(2003) |
||||||
|
Orchestral works - Brass orchestra |
|||||||
| for wind band | |||||||
| work list |
137b-03-HW
|
||||||
| completed |
05/13/2003
|
||||||
| instruments |
picc., 2 fl., 1 eb-clar., 2 clar. (Bb), bass clar. (Bb), alto-sax., ten.-sax, bar.-sax., 4 hn. (F) , 4 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), 2 barytones, 2 tubas, cymbals, snare drum, great drum
|
||||||
| duration |
3'
|
||||||
| world premiere |
06/19/2003
Kernstockkapelle Poellau Graz (Austria), Styriarte, opening concert |
||||||
| special |
can be performed alone, or as part of the larger work PROCESSIONAL
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional
(2003) |
||||||
|
Orchestral works - Large ensemble |
|||||||
| For 3 wind bands, jazz big band, brass septet, timpani, mallet instruments and church bells (optional) | |||||||
| work list |
137-03-HW
|
||||||
| completed |
05/11/2003
|
||||||
| instruments |
Brass septet: 3 trumpets (Bb), Bass trumpet, 2 trombones, tuba; jazz big band: soprano-sax., alto-sax., 2 ten.-sax., bar.-sax., 2 tr. (Bb), 2 corn. (Bb), 3 tromb., bass-tromb.., drums, piano, keyboard, bass; wind band 1: picc., 2 fl., 1 eb-clar., 2 clar. (Bb), bass clar. (Bb), alto-sax., ten.-sax, bar.-sax., 4 hn. (F) , 4 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), 2 barytones, 2 tubas, cymbals, snare drum, great drum; wind band 2: picc., 2 fl., 2 clar. (Bb), alto-sax., ten.-sax, bar.-sax., 3 hn. (F) , 3 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), barytone, 2 tubas, cymbals, snare drum, great drum; wind band 3: 2 fl., 2 clar. (Bb), alto-sax., ten.-sax, bar.-sax., 3 hn. (Eb) , 3 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), barytone, tuba, cymbals, snare drum, great drum, timpani, mallet instruments (xylo/marimba/vibraphone ad lib.), church bells ad lib.
|
||||||
| duration |
45'
|
||||||
| world premiere |
06/19/2003
Mnozil Brass, Kernstockkapelle Poellau, Artillerkapelle Von-der Groeben, Strassenbahnerkapelle Graz, Jazz Big Band Graz, conductor: Michael Brandtstaetter Graz (Austria), Styriarte, opening concert |
||||||
| special |
Each ensemble plays independently and far apart, for example at different places in a city. The movement of the bands is part of the composition. At the end of the piece all bands converge at one place.
|
||||||
| publication |
www.sikorski.de
|
||||||
| texts |
Detaillierter Ablaufplan DETAILLIERTER ABLAUFPLAN FÜR PROCESSIONAL [
11.05.2003
]
Processional, komplette Besetzung Mnozil Brass. [
27.08.2004
]
Processional, Text zur Mannheimer Aufführung PROCESSIONAL [
28.08.2004
]
|
||||||
| see also |
Processional: Fanfares/Signals Processional: Strassenbahner II Processional: Strassenbahner III Processional: Von-der-Groeben I Processional: Von-der-Groeben II Processional: Von-der-Groeben III Processional: Passages Processional: Evocation/Accord Processional: Chords Processional: 2 Trilockes Processional: Strassenbahner I Processional: Poellau III Processional: Finale Processional: JBG I Processional: JBG II Processional: Cryptic Chorale I Processional: Cryptic Chorale II Processional: Mnozil Processional: Progression Processional: Poellau I Processional: Poellau II Processional: 2 Transfers |
||||||
|
Work Back to overview |
The last days of V.I.R.U.S. (full opera)
(2003) an infectious opera anthology by 6 composers |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| music by: Ricardo Zohn-Muldoon, Ketty Nez, Carlos Sanchez, Sandeep Bhagwati, Maxim Seloujanow, Moritz Eggert | |||||||
| work list |
00-03-HW
|
||||||
| completed |
05/10/2003
|
||||||
| text |
Text: Lia Purpura, Juan Trigos, Sandeep Bhagwati, Maxim Seloujanow, Ketty Nez, Moritz Eggert
|
||||||
| voices |
variable
|
||||||
| instruments |
flute, oboe (also cor anglais), clarinet in Bb (also bass clarinet), bassoon (also double bassoon) - horn, trumpet in Bb, Tenor/bass-trombone - percussion (1 player) - piano - strings 1.1.1.1.1
|
||||||
| duration |
1 h 10'
|
||||||
| world premiere |
06/07/2003
conductor: Ulrich Nicolai, stage director; Florentine Klepper, stage and costume design. Chalune Seiberth, visuals: Bastian Trieb With: Veronika Benning, Martin Danes, Markus Durst, Monika Lichtenegger, Sabine Lahm, Thomas Hohenberger, Puppentheater Wunderlich, Iris Julien, Reinhard M.K. Thasler, Leander Lichti, Kristina Hays, Nadine Germann, Franziska Junge, Ensemble piano possibile Munich (Germany), Reaktorhalle, 7th ADevantgarde Festival |
||||||
| special |
Mutual composition based on an idea by Moritz Eggert
|
||||||
| texts |
Interview mit Andreas Grabner anlässlich der UA in München Er gehört zu den zu den gefeierten Komponisten der jüngeren Generation: Schon während seiner Gymnasialzeit begann Moritz Eggert, Jahrgang 1965, Musikstücke für die Schulband zu schreiben. In den 80er-Jahren studierte er Komposition und Klavier in Frankfurt und München, ... [more] [
Andreas Grabner , 16.02.2004
]
|
||||||
|
Work Back to overview |
Zu Chopins "Prludes"
(2003) program notes |
||||||
|
Texts & Essays - Texts about works also look at Essays |
|||||||
| work list |
00-03-HW
|
||||||
| completed |
05/01/2003
|
||||||
| world premiere |
05/01/2003
|
||||||
| publication |
1st publication: program book Chopin-Festival, Zurich (Switzerland) 1999 2nd publication: program book "Schweizer Tonkuenstlerfest", Biel, 2002 |
||||||
| texts |
Zu Chopins "Prludes" Zu Chopins Prludes [
01.05.2003
]
|
||||||
|
Work Back to overview |
Processional: JBG II
(2003) |
||||||
|
Orchestral works - Big Band |
|||||||
| for jazz big band | |||||||
| work list |
137p-03-HW
|
||||||
| completed |
04/24/2003
|
||||||
| instruments |
soprano-sax., alto-sax., 2 ten.-sax., bar.-sax., 2 tr. (Bb), 2 corn. (Bb), 2 tromb., bass-tromb.., drums, piano, keyboard, bass
|
||||||
| duration |
5' 30''
|
||||||
| world premiere |
06/19/2003
Jazz Big Band Graz Graz (Austria), Styriarte, opening concert |
||||||
| special |
can be performed alone, or as part of the large work PROCESSIONAL
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: Cryptic Chorale II
(2003) |
||||||
|
Chamber music - Quartets |
|||||||
| for brass quartet | |||||||
| work list |
137o-03-HW
|
||||||
| completed |
04/17/2003
|
||||||
| instruments |
2 trombones, bass trumpet, tuba
|
||||||
| duration |
2'
|
||||||
| world premiere |
06/19/2003
Mnozil Brass Graz (Austria), Styriarte, opening concert |
||||||
| special |
Can be performed alone or as part of the large work PROCESSIONAL
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: JBG I
(2003) |
||||||
|
Orchestral works - Big Band |
|||||||
| for jazz big band | |||||||
| work list |
137n-03-HW
|
||||||
| completed |
04/17/2003
|
||||||
| instruments |
soprano-sax., alto-sax., 2 ten.-sax., bar.-sax., 2 tr. (Bb), 2 corn. (Bb), 2 tromb., bass-tromb.., drums, piano, keyboard, bass
|
||||||
| duration |
4'
|
||||||
| world premiere |
06/19/2003
Jazz Big Band Graz Graz (Austria), Styriarte, opening concert |
||||||
| special |
Can be performed alone, or as part of the larger work PROCESSIONAL
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
3 Versuche ueber Ursula Haeusgen, mit potentiellen Anmerkungen von Ursula Haeusgen
(2002) |
||||||
|
Texts & Essays - Essays |
|||||||
| Written for the 60th birthday of Ursula Hauesgen, language: German | |||||||
| completed |
04/14/2003
|
||||||
| world premiere |
04/14/2003
|
||||||
| texts |
3 Versuche über Ursula Haeusgen, mit potentiellen Anmerkungen von Ursula Haeusgen 3 Versuche über Ursula Haeusgen, mit potentiellen Anmerkungen von Ursula Haeusgen: [
14.04.2003
]
|
||||||
|
Work Back to overview |
Processional: Cryptic Chorale I
(2003) |
||||||
|
Chamber music - Quartets |
|||||||
| for brass quartet | |||||||
| work list |
137m-03-HW
|
||||||
| completed |
04/14/2003
|
||||||
| instruments |
2 trombones, bass trumpet, tuba
|
||||||
| duration |
1' 30''
|
||||||
| world premiere |
06/19/2003
Mnozil Brass Graz (Austria), Styriarte, opening concert |
||||||
| special |
can be performed alone or as part of the large work PROCESSIONAL
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: Progression
(2003) |
||||||
|
Orchestral works - Large ensemble |
|||||||
| for 3 wind bands, Jazz Big Band and brass quartet | |||||||
| work list |
137l-03-HW
|
||||||
| completed |
04/10/2003
|
||||||
| instruments |
Brass quartet: Bass trumpet, 2 trombones, tuba; jazz big band: soprano-sax., alto-sax., 2 ten.-sax., bar.-sax., 2 tr. (Bb), 2 corn. (Bb), 2 tromb., bass-tromb.., drums, piano, keyboard, bass; wind band 1: picc., 2 fl., 1 eb-clar., 2 clar. (Bb), bass clar. (Bb), alto-sax., ten.-sax, bar.-sax., 4 hn. (F) , 4 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), 2 barytones, 2 tubas, cymbals, snare drum, great drum; wind band 2: picc., 2 fl., 2 clar. (Bb), alto-sax., ten.-sax, bar.-sax., 3 hn. (F) , 3 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), barytone, 2 tubas, cymbals, snare drum, great drum; wind band 3: 2 fl., 2 clar. (Bb), alto-sax., ten.-sax, bar.-sax., 3 hn. (Eb) , 3 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), barytone, tuba, cymbals, snare drum, great drum
|
||||||
| duration |
3'
|
||||||
| world premiere |
06/19/2003
Mnozil Brass, Kernstockkapelle Poellau, Artillerkapelle Von-der Groeben, Strassenbahnerkapelle Graz, Jazz Big Band Graz, conductor: Michael Brandtstaetter Graz (Austria), Styriarte, opening concert |
||||||
| special |
Each ensemble plays independently and far apart, for example on different places in a city
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: Fanfares/Signals
(2003) |
||||||
|
Chamber music - Solo |
|||||||
| for trumpet solo | |||||||
| work list |
137k-03-HW
|
||||||
| completed |
04/08/2003
|
||||||
| movements |
I. I II. II III. III IV. IV IX. IX V. V VI. VI VII. VII VIII. VIII |
||||||
| instruments |
trumpet (Bb) solo
|
||||||
| duration |
11'
|
||||||
| world premiere |
06/19/2003
Mnozil Brass Graz (Austria), Styriarte, opening concert |
||||||
| special |
can be performed on it's own or as part of the larger work PROCESSIONAL
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: Von-der-Groeben III
(2003) |
||||||
|
Orchestral works - Brass orchestra |
|||||||
| for wind band | |||||||
| work list |
137j-03-HW
|
||||||
| completed |
04/05/2003
|
||||||
| instruments |
picc., 2 fl., 2 clar. (Bb), alto-sax., ten.-sax, bar.-sax., 3 hn. (F) , 3 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), barytone, 2 tubas, cymbals, snare drum, great drum
|
||||||
| duration |
4' 30''
|
||||||
| world premiere |
06/19/2003
Artilleriekapelle "Von-der-Groeben" Graz (Austria), Styriarte, opening concert |
||||||
| special |
Can be performed alone, or as part of the large work PROCESSIONAL
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: Poellau II
(2003) |
||||||
|
Orchestral works - Brass orchestra |
|||||||
| for wind band | |||||||
| work list |
137i-03-HW
|
||||||
| completed |
04/03/2003
|
||||||
| instruments |
picc., 2 fl., 1 eb-clar., 2 clar. (Bb), bass clar. (Bb), alto-sax., ten.-sax, bar.-sax., 4 hn. (F) , 4 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), 2 barytones, 2 tubas, cymbals, snare drum, great drum
|
||||||
| duration |
3'
|
||||||
| world premiere |
06/19/2003
Kernstockkapelle Poellau Graz (Austria), Styriarte, opening concert |
||||||
| special |
Can be performed alone or as part of the large work PROCESSIONAL
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: Strassenbahner I
(2003) |
||||||
|
Orchestral works - Brass orchestra |
|||||||
| for wind band | |||||||
| work list |
137h-03-HW
|
||||||
| completed |
04/01/2003
|
||||||
| instruments |
Processional: Strassenbahner III (2003) see also Large Ensembles: Processional HV 137d For wind band 4 1/2 minutes Wind band: 2 fl., 2 clar. (Bb), alto-sax., ten.-sax, bar.-sax., 3 hn. (Eb) , 3 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), barytone, tuba, cymbals, snare drum, great drum |
||||||
| duration |
3'
|
||||||
| world premiere |
06/19/2003
Strassenbahnerkapelle Graz Graz (Austria), Styriarte, opening concert |
||||||
| special |
Can be performed alone, or as part of the large work PROCESSIONAL
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: Poellau III
(2003) |
||||||
|
Orchestral works - Brass orchestra |
|||||||
| for wind band | |||||||
| work list |
137g-03-HW
|
||||||
| completed |
03/29/2003
|
||||||
| instruments |
picc., 2 fl., 1 eb-clar., 2 clar. (Bb), bass clar. (Bb), alto-sax., ten.-sax, bar.-sax., 4 hn. (F) , 4 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), 2 barytones, 2 tubas, cymbals, snare drum, great drum
|
||||||
| duration |
4' 30''
|
||||||
| world premiere |
06/19/2003
Kernstockkapelle Poellau Graz (Austria), Styriarte, opening concert |
||||||
| special |
can be performed alone, or as part of the large work PROCESSIONAL
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: Strassenbahner II
(2003) |
||||||
|
Orchestral works - Brass orchestra |
|||||||
| for wind band | |||||||
| work list |
137f-03-HW
|
||||||
| completed |
03/28/2003
|
||||||
| instruments |
2 fl., 2 clar. (Bb), alto-sax., ten.-sax, bar.-sax., 3 hn. (Eb) , 3 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), barytone, tuba, cymbals, snare drum, great drum
|
||||||
| duration |
3'
|
||||||
| world premiere |
06/19/2003
Strassenbahnerkapelle Graz Graz (Austria), Styriarte, opening concert |
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: Von-der-Groeben I
(2003) |
||||||
|
Orchestral works - Brass orchestra |
|||||||
| for wind band | |||||||
| work list |
137e-03-HW
|
||||||
| completed |
03/26/2003
|
||||||
| instruments |
picc., 2 fl., 2 clar. (Bb), alto-sax., ten.-sax, bar.-sax., 3 hn. (F) , 3 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), barytone, 2 tubas, cymbals, snare drum, great drum
|
||||||
| duration |
3'
|
||||||
| world premiere |
06/19/2003
Artilleriekapelle "Von-der-Groeben" Graz (Austria), Styriarte, opening concert |
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: Strassenbahner III
(2003) |
||||||
|
Orchestral works - Brass orchestra |
|||||||
| for wind band | |||||||
| work list |
137d-03-HW
|
||||||
| completed |
03/24/2003
|
||||||
| instruments |
2 fl., 2 clar. (Bb), alto-sax., ten.-sax, bar.-sax., 3 hn. (Eb) , 3 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), barytone, tuba, cymbals, snare drum, great drum
|
||||||
| duration |
4' 30''
|
||||||
| world premiere |
06/19/2003
Strassenbahnerkapelle Graz Graz (Austria), Styriarte, opening concert |
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
Processional: Von-der-Groeben II
(2003) |
||||||
|
Orchestral works - Brass orchestra |
|||||||
| for wind band | |||||||
| work list |
137c-03-HW
|
||||||
| completed |
03/22/2003
|
||||||
| instruments |
picc., 2 fl., 2 clar. (Bb), alto-sax., ten.-sax, bar.-sax., 3 hn. (F) , 3 tr. (Bb), 2 cornets (Bb), 2 tenor horns (Bb), barytone, 2 tubas, cymbals, snare drum, great drum
|
||||||
| duration |
3'
|
||||||
| world premiere |
06/19/2003
Artilleriekapelle "Von-der-Groeben" Graz (Austria), Styriarte, opening concert |
||||||
| special |
Can be performed alone or as part of the large work PROCESSIONAL
|
||||||
| publication |
www.sikorski.de
|
||||||
|
Work Back to overview |
Processional: Mnozil
(2003) |
||||||
|
Chamber music |
|||||||
| for brass septet | |||||||
| work list |
137a-03-HW
|
||||||
| completed |
03/17/2003
|
||||||
| instruments |
3 trumpets in Bb, bass trumpet in Bb, 2 trombones and Tuba
|
||||||
| duration |
3'
|
||||||
| world premiere |
06/19/2003
Mnozil Brass Graz (Austria), Styriarte, opening concert |
||||||
| special |
can be performed alone or as part of the large work PROCESSIONAL
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
Processional |
||||||
|
Work Back to overview |
A devolutionary opera - a drama in 540 seconds
(2003) Translation of a libretto by Ketty Nez |
||||||
|
Texts & Essays - Transcriptions |
|||||||
| From English | |||||||
| completed |
03/17/2003
|
||||||
|
Work Back to overview |
Just look
(2003) Translation of a libretto by Lia Purpura |
||||||
|
Texts & Essays - Transcriptions |
|||||||
| (from English) | |||||||
| completed |
03/17/2003
|
||||||
| world premiere |
0
|
||||||
|
Work Back to overview |
Sirius - The secret of the Dogon
(2003) Mansucript for a short film with Music Sprache: Deutsch |
||||||
|
Texts & Essays - Libretti |
|||||||
| completed |
02/17/2003
|
||||||
| text |
Moritz Eggert
|
||||||
| world premiere |
0
|
||||||
| special |
Written as a suggestion for an entry of Elsbeth Moser for the jubilee of the accordion manufacturer "Pigini"
|
||||||
| texts |
Sirius - complete script in English SIRIUS [
11.10.2004
]
Sirius - komplettes Drehbuch SIRIUS [
17.09.2004
]
|
||||||
|
Work Back to overview |
The last days of V.I.R.U.S. (Libretto)
(2003) An opera in 7 scenes in German |
||||||
|
Texts & Essays - Libretti |
|||||||
| Libretto for the short opera "The last days of V.I.R.U.S." (see stage works/short operas) | |||||||
| completed |
02/13/2003
|
||||||
| text |
Moritz Eggert
|
||||||
| texts |
The last days of VIRUS, komplettes Libretto THE LAST DAYS OF V.I.R.U.S. [
10.11.2004
]
|
||||||
| see also |
The last days of V.I.R.U.S. |
||||||
|
Work Back to overview |
The last days of V.I.R.U.S.
(2003) An opera in 7 scenes |
||||||
|
Stage Works - Short operas |
|||||||
| short opera | |||||||
| work list |
135-03-HW
|
||||||
| completed |
02/12/2003
|
||||||
| text |
Libretto: Moritz Eggert
|
||||||
| voices |
Dr. Colossus (mezzo), Dr. Kananga (baritone), The VIRUS/Dr. Psappha (tenor), Dr. Dax (actress or mezzo)
|
||||||
| instruments |
flute, oboe (also cor anglais), clarinet in Bb (also bass clarinet), bassoon (also double bassoon) - horn, trumpet in Bb, Tenor/bass-trombone - percussion (1 player) - piano - strings 1.1.1.1.1
|
||||||
| duration |
16'
|
||||||
| world premiere |
06/07/2003
conductor: Ulrich Nicolai, stage director; Florentine Klepper, stage and costume design. Chalune Seiberth, visuals: Bastian Trieb With: Veronika Benning (Dr. Mira Colossus), Martin Danes (Dr. Julian Kananga), Markus Durst (The Virus/ Dr. John Psappha), Monika Lichtenegger (Dr. Dax), Ensemble piano possibile München, Reaktorhalle, 7. ADevantgarde-Festival |
||||||
| special |
Part of the project "The last days of V.I.R.U.S.", ADEvantgarde 2003
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Multimedia |
|
||||||
| see also |
The last days of V.I.R.U.S. (Libretto) The last days of V.I.R.U.S. (full opera) |
||||||
|
Work Back to overview |
Paradies Berlin (song)
(2003) from "Paradies Berlin" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for voice and piano | |||||||
| work list |
134e-03-HW
|
||||||
| completed |
02/03/2003
|
||||||
| text |
Birgit Mueller-Wieland
|
||||||
| voices |
tenorbaritone
|
||||||
| instruments |
piano
|
||||||
| duration |
2' 30''
|
||||||
| world premiere |
06/02/2003
see "Paradies Berlin" (whole cycle) |
||||||
| see also |
Paradies Berlin (song cycle) |
||||||
|
Work Back to overview |
Paradies Berlin (song cycle)
(2002-2003) I Silvester II Berlin Mitte III Stadtgespraech IV Im Haus gegenueber V Paradies Berlin |
||||||
|
Vocal music - Songs with piano |
|||||||
| 5 songs on poems by Birgit Mueller-Wieland | |||||||
| work list |
134f-03-HW
|
||||||
| completed |
02/03/2003
|
||||||
| text |
Birgit Mueller-Wieland
|
||||||
| movements |
I. Silvester II. Berlin Mitte III. Stadtgespraech IV. Im Haus gegenueber V. Paradies Berlin |
||||||
| voices |
tenor/baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
10' 30''
|
||||||
| world premiere |
06/02/2003
Thomas Bauer, baritone, Moritz Eggert, pf. Munich (Germany), Bayerische Akademie der Schoenen Kuenste, ADevantgarde 2003, "Le Lied - mon amour" |
||||||
| special |
Beating, speaking, stomping, theatrical elements
|
||||||
| publication |
http://www.sikorski.de edition sikorski 8817
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Silvester
(2003) from "Paradies Berlin" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for voice and piano | |||||||
| work list |
134a-03-HW
|
||||||
| completed |
01/30/2003
|
||||||
| text |
Birgit Mueller-Wieland
|
||||||
| voices |
tenorbaritone
|
||||||
| instruments |
piano
|
||||||
| duration |
2' 15''
|
||||||
| world premiere |
06/02/2003
see "Paradies Berlin" (whole cycle) |
||||||
| see also |
Paradies Berlin (song cycle) |
||||||
|
Work Back to overview |
Two Songs from the "Eisprinzessin"
(2003) I Putzlied II Munde Mund |
||||||
|
Vocal music - Solo |
|||||||
| for female voice solo | |||||||
| work list |
133-03-NW
|
||||||
| completed |
01/28/2003
|
||||||
| text |
From the play "Eisprinzessin" by F.K. Waechter
|
||||||
| voices |
female voice (also singing actress)
|
||||||
| duration |
3'
|
||||||
| world premiere |
06/11/2003
Ursula Berlinghof, voice Munich (Germany), Halle 7, Room 3 |
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Im Haus gegenueber
(2003) from "Paradies Berlin" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for voice and piano | |||||||
| work list |
134d-03-HW
|
||||||
| completed |
01/20/2003
|
||||||
| text |
Birgit Mueller-Wieland
|
||||||
| voices |
tenorbaritone
|
||||||
| instruments |
piano
|
||||||
| duration |
2' 30''
|
||||||
| world premiere |
06/02/2003
see "Paradies Berlin" (gesamter Zyklus) |
||||||
| special |
theatrical actions, pianist speaks
|
||||||
| Multimedia |
|
||||||
| see also |
Paradies Berlin (song cycle) |
||||||
|
Work Back to overview |
Berlin Mitte
(2003) from "Paradies Berlin" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for voice and piano | |||||||
| work list |
134b-03-HW
|
||||||
| completed |
01/11/2003
|
||||||
| text |
Birgit Mueller-Wieland
|
||||||
| voices |
tenorbaritone
|
||||||
| instruments |
piano
|
||||||
| duration |
2'
|
||||||
| world premiere |
06/02/2003
see "Paradies Berlin" (whole cycle) |
||||||
| see also |
Paradies Berlin (song cycle) |
||||||
|
Work Back to overview |
Stadtgespraech
(2003) from "Paradies Berlin" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
134c-03-HW
|
||||||
| completed |
01/07/2003
|
||||||
| text |
Birgit Mueller-Wieland
|
||||||
| voices |
tenorbaritone
|
||||||
| instruments |
piano
|
||||||
| duration |
1'
|
||||||
| world premiere |
06/02/2003
see "Paradies Berlin" (whole cycle) |
||||||
| special |
beating, stomping, various piano effects
|
||||||
| see also |
Paradies Berlin (song cycle) |
||||||
|
Work Back to overview |
Ostinato
(2003) |
||||||
|
Chamber music - Solo |
|||||||
| für Orgel Solo (and registrant) | |||||||
| work list |
116/bII-03-NW
|
||||||
| completed |
01/03/2003
|
||||||
| instruments |
organ solo
|
||||||
| duration |
2' 30''
|
||||||
| world premiere |
08/27/2003
Michaela Aigner, organ Salzburg (Austria), Kajetanerkirche, Georg-Muffat-Orgelwettbewerb |
||||||
| special |
written for single manual organ with connected pedal
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
Haemmerklavier XIII |
||||||
|
Work Back to overview |
Killmayers Neffen
(2003) |
||||||
|
Texts & Essays - Essays |
|||||||
| Short text for Wilhelm Killmayer's 75th birthday celebration | |||||||
| work list |
00-03-HW
|
||||||
| completed |
01/01/2003
|
||||||
| world premiere |
12/22/2003
|
||||||
| publication |
Official birthday brochure, published by ADevantgarde festival Munich, 2002, for the 75th birthday of Wilhelm Killmayer
|
||||||
| texts |
Killmayers Neffen, kompletter Text Killmayers Neffen [
22.12.2003
]
|
||||||
|
Work Back to overview |
Haemmerklavier XIV
(2003) The trouble with trills |
||||||
|
Chamber music - Solo also look at Electronic music |
|||||||
| for player piano/MIDI | |||||||
| work list |
136-03-HW
|
||||||
| completed |
12/19/2002
|
||||||
| instruments |
(player) piano solo
|
||||||
| duration |
9'
|
||||||
| world premiere |
03/13/2003
--- Gent (Belgium), LOGOS-Foundation, "Man&Machine" concert |
||||||
| special |
Practically throughout: 44-part writing, all 88 keys are active most of the time
|
||||||
| publication |
http://www.vinao.com/Radio%20prog%20Children%20of%20Nan.html (this is a link to a radio show by Alejandro Vinao which contains a long excerpt of the piece) http://www.vinao.com/Radio%20prog%20Children%20of%20Nan.html |
||||||
| texts |
Haemmerklavier XIV, short english program note Hämmerklavier XIV: The trouble with trills [
10.01.2004
]
|
||||||
|
Work Back to overview |
Das ganz normale Leben
(2002) Entwurf für eine Oper In German |
||||||
|
Texts & Essays - Libretti |
|||||||
| Description of an opera | |||||||
| completed |
12/04/2002
|
||||||
| text |
Moritz Eggert
|
||||||
| world premiere |
0
|
||||||
|
Work Back to overview |
ground zero
(2002) a project by Hans Hoffer |
||||||
|
Stage Works - Stage music |
|||||||
| music: epitaph, also featuring music by Renald Deppe, Wolfgang Mitterer, Simeon Pironkoff, Balduin Sulzer, Georg Holzmann, Sarah Huber, Magdalena Moser, Nina Ortner, Anna Windisch | |||||||
| completed |
11/15/2002
|
||||||
| text |
Text: Magdalena Moser, Birgit Schoener, Waltraud Reiterer, Irene Diwiak
|
||||||
| duration |
1 h 20'
|
||||||
| world premiere |
11/15/2002
direction and stage design: Hans Hoffer, costumes: Clarisse Praun-Maylunas, lighting: Peter Michelitsch, conductor: Stephan Amschl, "Orchester des Jugendmusikfestes" Deutschlandsberg (Austria), Lassnitz-Haus, Jugendmusikfest Deutschlandsberg/ Steirischer Herbst |
||||||
| special |
an evening by and for children and youths about September 11th
|
||||||
| see also |
epitaph |
||||||
|
Work Back to overview |
The Behr-Khyrsh project
(2002) manuscript for a piece to be performed in a cinema |
||||||
|
Stage Works - Short operas |
|||||||
| Music: Behr-Khyrsh-Interludes, Nemesis (excerpts), Vermilion Sands (excerpt), Sandbox - Variations (excerpt), Auf der Suche nach dem KlaNNg (excerpt) | |||||||
| work list |
132a-02-HW
|
||||||
| completed |
10/28/2002
|
||||||
| text |
text: Moritz Eggert
|
||||||
| voices |
Actor
|
||||||
| instruments |
trumpet (Bb), guitar, percussion, violin, double bass
|
||||||
| duration |
40'
|
||||||
| world premiere |
12/05/2002
Ensemble "a rose is", Manfred H. Wenninger, speaker, Lisa Lammel, violin, Ulf Pankoke, trumpet, Christian Buck, guitar, Almut Lustig, percussion, Gregor Schwellenbach, bass, Jule Kracht, costumes, Jan Meyer, stage, Andreas Simon, film Ensemble Website Goettingen (Germany), Junges Theater, "Platzende Kometen" |
||||||
| Video |
|
||||||
| see also |
Behr-Khyrsh-Interludes Das Behr-Khyrsh-Projekt (textbook) The search for the KlaNNg Vermilion Sands Nemesis Sandbox - Variations |
||||||
|
Work Back to overview |
Behr-Khyrsh-Interludes
(2002) |
||||||
|
Chamber music - Quintets also look at Stage music |
|||||||
| for quintet | |||||||
| work list |
132b-02-NW
|
||||||
| completed |
10/28/2002
|
||||||
| movements |
I. Prlude II. Theme III. premonitions (Zukunftsahnungen) IV. alla Marcia IX. static sounds (Statische Klaenge) V. Improvisation VI. soft, with melancholy (leise, melancholisch) VII. soft, ominous (leise, draeuend) VIII. "play it again" |
||||||
| instruments |
trumpet (Bb), guitar, percussion, violin, double bass
|
||||||
| duration |
14'
|
||||||
| world premiere |
09/21/2003
Florian Zeh, tr., Anika Hutschreuther, git., Stefan J. Walter, perc., Pius Strugalla, vl., Nicholas Baldock, cb. Schweinfurt (Germany), Rathaus, Schweinfurter Kompositionswettbewerb, Preistraegerkonzert |
||||||
| special |
part of the music theatre "The Behr-Khyrsh-project"
|
||||||
| see also |
The Behr-Khyrsh project Das Behr-Khyrsh-Projekt (textbook) |
||||||
|
Work Back to overview |
XeroX
(2002) |
||||||
|
Chamber music - Duets |
|||||||
|
original version: for soprano saxophone and harp 2nd version: for flute and harp |
|||||||
| work list |
131-02-NW
|
||||||
| completed |
09/30/2002
|
||||||
| instruments |
1. soprano saxophone, harp 2. flute or harp |
||||||
| duration |
9' 30''
|
||||||
| world premiere |
04/08/2013
Camilla Hoitenga, fl., Xenia Narati, hp. Basle (Switzerland), Gare du Nord |
||||||
| dedicated |
Xenia Narati
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Eine kleine Geschichte der ADevantgarde
(2002) |
||||||
|
Texts & Essays - Essays |
|||||||
| short text about the history of ADevantgarde from 1989-2002 | |||||||
| work list |
00-03-HW
|
||||||
| completed |
08/29/2002
|
||||||
| text |
In German
|
||||||
| world premiere |
09/24/2003
press presentation ADevantgarde 2003 |
||||||
|
Work Back to overview |
epitaph
(2002) |
||||||
|
Orchestral works - Orchestra alone |
|||||||
| for 3 seperated orchestra groups and 3 conductors | |||||||
| work list |
129b-02-HW
|
||||||
| completed |
08/18/2002
|
||||||
| instruments |
fl., ob., clar. (Bb), ten.-sax., Bn. - tr., hn., tb. - percussion (1-2 players), piano - strings 3.0.0.3.3 or 9.0.0.6.6
|
||||||
| duration |
8'
|
||||||
| world premiere |
11/15/2002
Orchester des Jugendmusikfest Deutschlandsberg, Stephan Amschl, conductor Deutschlandsberg (Austria), Lassnitz-Haus, Jugendmusikfest Deutschlandsberg/ Steirischer Herbst |
||||||
| special |
The orchestra groups are placed distant from each other; conducting of the 3 conductors is not supposed to be coordinated and mostly independent; the musical material is based on Schumann's "Angel-Variation"; written for a memorial concert about 9/11 (destruction of the WTC).
|
||||||
| dedicated |
Bertold Hummel in memoriam
|
||||||
| texts |
Epitaph: Text zum Stück, ausführliche Besetzung und Aufführungshinweise Moritz Eggert: Epitaph [
14.10.2003
]
|
||||||
| see also |
Angel's theme ground zero |
||||||
|
Work Back to overview |
wide unclasp
(2002) |
||||||
|
Vocal music - Singing with instruments |
|||||||
| song cycle for female voice and jazz ensemble | |||||||
| work list |
130-02-HW
|
||||||
| completed |
08/18/2002
|
||||||
| text |
Anne Sexton (from "The awful rowing towards God") and William Shakespeare (2 short quotes)
|
||||||
| movements |
I. wide unclasp II. Anna who was mad I III. The room of my life IV. Courage IX. Locked doors V. Anna who was mad II VI. When man enters woman VII. The silence VIII. Anna who was mad III X. Rowing XI. these same thoughts XII. Anna who was mad IV |
||||||
| voices |
female voice
|
||||||
| instruments |
trumpet (Bb), electric guitar, drumset, piano, cello, bass (acoustic)
|
||||||
| duration |
1 h 10'
|
||||||
| world premiere |
10/25/2002
Celine Rudolph, voc., Steven Bernstein, tr., Gerry Hemingway, dr., Georg Breinschmid, cb., Sebastian Hess. vc., Ralph Beerkircher, git., Moritz Eggert, pf. Eltville/Erbach (Germany), Schloss Reinhartshausen, "between the lines" concert |
||||||
| special |
The whole cycle was conceived for the label "between the lines" as a "concept album"; all musicians have to partly improvise, chords and scales are mostly suggested by the author; sometimes experimental notation.
|
||||||
| dedicated |
Andrea Heuser
|
||||||
| soundcarrier |
wide unclasp |
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Pressestimmen "Moritz Eggert gehört zu den ungewöhnlichen Komponisten, die anscheinend jedes Terrain betreten können und es sich unverkrampft aneignen.()Es ist eigentlich erstaunlich, wie sicher sich die Kompositionen und Arrangements Eggerts im Bereich des Jazz ausleben. Die Haltung stimmt und me... [more] wide unclasp, kurzer Text zum StückDas Winchester-Haus ist ein sehr merkwürdiger labyrinthiner Ort in der Nähe von San Francisco: Hier lebte die Erbin der Winchester-Gewehrfabrik, die sich unter dem Fluch der durch die Winchester-Gewehre Getöten wähnte, und daher aufgrund eines Ratschlags einer Spiritistin ein Hau... [more] [
11.01.2005
]
|
||||||
| Multimedia |
|
||||||
| see also |
Anna Who Was Mad Wide Unclasp (theatrical version) |
||||||
|
Work Back to overview |
Symphony 3.0
(2002) |
||||||
|
Chamber music - Sextets |
|||||||
| for 6 or more ships horns, car horns or gas horns | |||||||
| work list |
128-02-NW
|
||||||
| completed |
07/09/2002
|
||||||
| movements |
I. leak II. wawltz |
||||||
| voices |
|
||||||
| instruments |
6 or more ships horns, car horns or gas horns
|
||||||
| duration |
6'
|
||||||
| world premiere |
07/12/2002
"The Scruncheons" St. John's (Newfoundland/Canada), Sound Symposium |
||||||
| special |
written for the "harbour symphony" series
|
||||||
| dedicated |
Paul Steffler (I) Kate Wherry (II)
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Symphony 3.0, english performance instructions Moritz Eggert [
12.10.2004
]
|
||||||
| see also |
Breaking The Waves (Open Air Performance) Symphony 3.0 (extended version) |
||||||
|
Work Back to overview |
Three Souls
(2002) I, II (Nouvelle Etude Blanche), III (Etude de Yolimba) |
||||||
|
Chamber music - Duos |
|||||||
| for violin and piano, based on "Oh wie schoen ist der Mai" from the opera "Yolimba" by Wilhelm Killmayer | |||||||
| work list |
126-02-HW
|
||||||
| completed |
06/30/2002
|
||||||
| instruments |
violin and piano
|
||||||
| duration |
8'
|
||||||
| world premiere |
11/20/2002
Gottfried Schneider, violin, Moritz Eggert, pf. München, Bayerische Akademie der Schönen Künste |
||||||
| special |
written for the 75th birthday of Wilhelm Killmayer
|
||||||
| dedicated |
Wilhelm Killmayer
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Fuer Peter Mueller
|
||||||
|
Vocal music - Voice with other instruments |
|||||||
| work list |
127-02-NW
|
||||||
| completed |
06/04/2002
|
||||||
| text |
"Fuer Peter Mueller"
|
||||||
| voices |
soprano
|
||||||
| instruments |
violin
|
||||||
| duration |
15''
|
||||||
| special |
postcard piece VI
|
||||||
| dedicated |
Peter Mller
|
||||||
|
Work Back to overview |
Angel's theme
instrumentation of a theme by Robert Schumann |
||||||
|
Transcriptions - Quintets also look at Brass quintet |
|||||||
| based on the famous "angel's theme" by Robert Schumann | |||||||
| work list |
129a-02-BE
|
||||||
| completed |
05/08/2002
|
||||||
| instruments |
wind quintet: fl., ob., clar., bn., hn.
|
||||||
| duration |
1' 45''
|
||||||
| special |
based on the famous "angel's theme" by Robert Schumann
|
||||||
| see also |
epitaph |
||||||
|
Work Back to overview |
about "there was a building"
introduction language: English |
||||||
|
Texts & Essays - Texts about works |
|||||||
| introduction | |||||||
| completed |
04/01/2002
|
||||||
| world premiere |
0
|
||||||
| see also |
There was a building (or: the 58th street broiler) |
||||||
|
Work Back to overview |
pong
(2002) |
||||||
|
Chamber music - Septets |
|||||||
| for septet | |||||||
| work list |
125-02-HW
|
||||||
| completed |
03/30/2002
|
||||||
| instruments |
fl./picc., cl. (Bb), string quartet, pf.
|
||||||
| duration |
8'
|
||||||
| world premiere |
08/29/2002
Anne-Laure Martin, Olga Pecherskaja, violin, Marie-Florence Ricard, viola, Sebastian Kraus, cello, Caroline Kocak, flute, Joris Ruehl, clarinet, Yannick Wirner, piano, Moritz Eggert, conductor Lyon (France), Conservatoire Nationale superieur Musique, Salle Varse, "Jeunesse Moderne" |
||||||
| special |
unusual setup, ping-pong effects (hocket), various special playing techniques
|
||||||
| soundcarrier |
Jeunesse Moderne |
||||||
| publication |
www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
pong, kurzer deutscher Text zum Stück PONG [
Moritz Eggert , 22.5.2009
]
pong shorter english text about the piece PONG [
26.08.2004
]
Pongm short english text about the piece PONG [
25.08.2004
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
La Risposta
(2002) for cello and bajan /accordion |
||||||
|
Chamber music - Duos |
|||||||
| for cello and bajan / accordion | |||||||
| work list |
123b-02-HW
|
||||||
| completed |
03/13/2002
|
||||||
| instruments |
cello, bajan or accordion
|
||||||
| duration |
14'
|
||||||
| world premiere |
07/06/2002
Elsbeth Moser, Bajan, Nicolas Altstaedt, cello Bebersee-Festival (Germany) |
||||||
| special |
partly free, graphic notation, thatrical actions, cello scordatura, various unusual effects
|
||||||
| dedicated |
Elsbeth Moser, Nicolas Altstaedt
|
||||||
| texts |
La Risposta, Text zum Stück LA RISPOSTA [
18.03.2004
]
|
||||||
| see also |
La Risposta |
||||||
|
Work Back to overview |
There was a building (or: the 58th street broiler)
(2002) |
||||||
|
Vocal music - Solo also look at Electronic music |
|||||||
| for singer and tape | |||||||
| work list |
124-02-HW
|
||||||
| completed |
03/2002
|
||||||
| text |
text: Ben Katchor
|
||||||
| voices |
singer solo
|
||||||
| instruments |
tape
|
||||||
| duration |
16'
|
||||||
| world premiere |
04/10/2002
Theo Bleckmann, voice New York (USA), Music at the Anthology, Angel Orensanz Foundation |
||||||
| special |
singer moves through space, description of an imaginary building
|
||||||
| dedicated |
Theo Bleckmann
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
there was a building, english text There was a building (or: the 58th Street Broiler) [
18.11.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
about "there was a building" |
||||||
|
Work Back to overview |
La Risposta
(2002) for cello and piano |
||||||
|
Chamber music - Duos |
|||||||
| for cello and piano | |||||||
| work list |
123a-02-HW
|
||||||
| completed |
02/25/2002
|
||||||
| instruments |
cello, piano
|
||||||
| duration |
14'
|
||||||
| world premiere |
11/07/2004
Nicolas Altstaedt, vc., Moritz Eggert, pf. Mannheim (Germany), Reiss-Engelhorn-Museum, Robert Haeusser 80th birthday, Vernissage |
||||||
| special |
partly free, graphic notation, thatrical actions, cello scordatura, various unusual effects
|
||||||
| dedicated |
Robert Husser
|
||||||
| publication |
Sikorski, www.sikorski.de
|
||||||
| Multimedia |
|
||||||
| see also |
La Risposta |
||||||
|
Work Back to overview |
Uebe-Rausch
(2002) in Anfaenge Erinnerungen zeitgenoessischer Komponistinnen und Komponisten an ihren fruehen Instrumentalunterricht in German |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
01/01/2002
|
||||||
| publication |
editor: Marion Saxer, wolke-Verlag, Hofheim, ISBN 3-936000-08-5 |
||||||
| texts |
Beitrag von Moritz Eggert (Ausschnitte) Biographische Notizen zum Klavierunterricht von Moritz Eggert [
29.04.2003
]
|
||||||
|
Work Back to overview |
"aural corridors"
(2002) |
||||||
|
Stage Works - Dance theatre |
|||||||
| theatrical concert with the following music: L'ide fixe, heute (version for 6 speakers), Sonett an die schreibfaule Brieffreundin (Bar.), Liebeserklaerung (Mezzo), Flugkoerper (Bar.), Luft (Mezzo), herz vers sagen (Bar.), In der letzten Nacht (Mezzo), Rondeau Allemagne (Bar./Mezzo), Fast Forward , Luftkuesse, Haemmerklavier III, Haemmerklavier IX, Boehmische Hymne | |||||||
| photo |
|
||||||
| completed |
2002
|
||||||
| voices |
mezzo, baritone, 2 dancers
|
||||||
| instruments |
piano, cello
|
||||||
| duration |
1 h 15'
|
||||||
| world premiere |
02/08/2002
with Desire Petitpierre (director, concept, choreography, dancer, costumes), Julia Wirth (dancer), Liat Himmelheber (mezzo), Yaron Windmueller (baritone), Sebastian Hess (vc.), Moritz Eggert (pf.), Roger Staub (stage design) Basel (Switzerland), Theater Skala |
||||||
| scores |
Schott ED 8622 http://www.schott-musik.de |
||||||
| see also |
idee fixe Bohemian Hymn Haemmerklavier III Kisses in the air Fast Forward Rondeau Allemagne In der letzten Nacht herz vers sagen Luft flugkoerper Liebeserklaerung Sonett an die schreibfaule Brieffreundin heute Haemmerklavier IX |
||||||
|
Work Back to overview |
organ
(2002) |
||||||
|
Chamber music - Solo |
|||||||
| for organ solo | |||||||
| work list |
122-01-HW
|
||||||
| completed |
12/21/2001
|
||||||
| instruments |
organ
|
||||||
| duration |
12'
|
||||||
| world premiere |
11/09/2002
Joerg Abbing, organ Saarbruecken (Germany), Electricity-Festival, Johanneskirche |
||||||
| special |
weights on keys, rhythmical playing of registers
|
||||||
| dedicated |
Jrg Abbing
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Symphony 2.0
(2002) original version |
||||||
|
Chamber music - Quartets |
|||||||
| for 4 kazoos, solo, doubled or in combination with any instrument | |||||||
| work list |
121-01-NW
|
||||||
| completed |
12/19/2001
|
||||||
| text |
Text: ---
|
||||||
| instruments |
4 kazoos solo, doubled, or in combination with any instrument
|
||||||
| duration |
7'
|
||||||
| world premiere |
01/13/2002
Stefan Eblenkamp, Markus Verna, Anno Kesting (vibraphone/Kazoo), Moritz Eggert (Kazoo/conductor) Nuremberg (Germany), Neues Museum, Vortragssaal |
||||||
| special |
blowing into water glasses at one point
|
||||||
| publication |
http://wwww.sikorski.de
|
||||||
| texts |
symphony 2.0, short english text about the piece Symphony 2.0 [
18.10.2004
]
|
||||||
| see also |
Symphony 2.0, version for any 4 instruments (without Kazoo) |
||||||
|
Work Back to overview |
Haemmerklavier XIII
(2002) highway 61 |
||||||
|
Chamber music - Solo also look at Piano solo |
|||||||
| for piano, kazoo and mouth organ (1 player) | |||||||
| work list |
120-01-HW
|
||||||
| completed |
11/28/2001
|
||||||
| instruments |
piano, kazoo, mouth organ (1 player)
|
||||||
| duration |
16'
|
||||||
| world premiere |
04/14/2002
Marcel Worms, piano Mexico city (Mexico) Centro Nacional de Las Artes |
||||||
| special |
additional instruments Kazoo and harmonica (played by the pianist), frisbee and bottleneck on strings, slight preparation, singing, stomping, actions
|
||||||
| dedicated |
Marcel Worms
|
||||||
| publication |
Schott, ED 9520
|
||||||
| texts |
highway 61, english text of original blues
[
traditional , 16.01.2004
]
highway 61, english translation of performance notes Translation: [
12.01.2004
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Riff
(2002) |
||||||
|
Chamber music - Duos |
|||||||
| for 2 electric guitars with effects | |||||||
| work list |
119-01-HW
|
||||||
| completed |
11/03/2001
|
||||||
| instruments |
2 electric guitars
|
||||||
| duration |
24'
|
||||||
| world premiere |
03/17/2002
Duo shraeng (Ralph Beerkircher, Frank Wingold) Nuremberg (Germany), Neues Museum, Vortragssaal |
||||||
| special |
uses several effects, including them in the compositional structure (especially samples)
|
||||||
| dedicated |
Ralph Beerkircher, Frank Wingold
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Riff, Text zum Stück RIFF [
01.09.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
Riffing |
||||||
|
Work Back to overview |
lullaby (for Nicola)
|
||||||
|
Chamber music - Ensembles also look at Quartets |
|||||||
| for string quartet | |||||||
| work list |
118-01-NW
|
||||||
| completed |
10/2001
|
||||||
| instruments |
string quartet, Glockenspiel (perc.)
|
||||||
| duration |
45''
|
||||||
| special |
postcard piece II
|
||||||
| dedicated |
Nicola Kremer
|
||||||
|
Work Back to overview |
Haemmerklavier XIII
(2002) 2 Ostinati: ostinato 12.8.2001, ostinato 5.9.2001 |
||||||
|
Chamber music - Piano solo |
|||||||
| for piano, toy piano or celesta | |||||||
| work list |
116a-01-HW
|
||||||
| completed |
09/05/2001
|
||||||
| movements |
I. ostinato 5.9.2001 II. ostinato 12.8.2001 |
||||||
| instruments |
piano or celesta solo
|
||||||
| duration |
6'
|
||||||
| world premiere |
09/20/2002
Moritz Eggert, pf./celesta Biel (Switzerland), Tonkuenstlerfest, Salle de Peuple (ostinato 12.8.2001)/ Gent (Belgien) (ostinato 5.9.2001), Logos-Tetraeder, pian-OH Festival, 6/4/2003 |
||||||
| special |
formerly postcard piece IV and V
|
||||||
| publication |
http://www.sikorski.de also published in "Muenchner Klavierbuch - Neue Klaviermusik fuer den Unterricht" Vogt&Fritz, VF 755 |
||||||
| texts |
Hämmerklavier XIII: short text about the piece Hämmerklavier XIII: 2 Ostinati [
Haemmerklavier XIII: short text about the piece , 25.04.2003
]
|
||||||
| see also |
Ostinato |
||||||
|
Work Back to overview |
streaming
|
||||||
|
Vocal music - Vocal ensemble |
|||||||
| for vocal quartet | |||||||
| work list |
117-01-HW
|
||||||
| completed |
08/19/2001
|
||||||
| text |
text: vocalises
|
||||||
| voices |
2 tenors, 2 baritones
|
||||||
| duration |
8'
|
||||||
| special |
many mouth noises, "harmonic" singing, experimental notation
|
||||||
| dedicated |
four-hire-Vokalquartett
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
streaming, deutsch/englischer Text zum Stück streaming [
28.09.2004
]
streaming, english translation of performance instructions Translations for streaming (Moritz Eggert) [
21.09.2004
]
|
||||||
|
Work Back to overview |
Dr. Booger
(2002) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| Oper für Kinder | |||||||
| photo |
|
||||||
| work list |
115-01-HW
|
||||||
| completed |
08/2001
|
||||||
| text |
Text: Andrea Heuser
|
||||||
| voices |
High boy's voice, girl soprano, young baritone, young mezzo, adult baritone, adult actress, lower boy's voice, lower girl's voice, small choir of youths, young actor, 3-part children's choir, "noise"-choir
|
||||||
| instruments |
Orchestra (children and youths): recorder quintet (sopranino, soprano, alto, tenor, bass), 2 Fl., Ob., Clar. (B), saxophone quartet (soprano, alto, tenor, bass), bass cl., Bsn. - 2 Tr. (in Bb), Hn., ten.-tb. - tba. - timpani - percussion (3 players), sound orchestra (min. 4 players) - 2 electr. Guit., electric bass, drumset, keyboards (organ), celesta, cembalo, piano - strings: 6.6.4.3.2 (or more)
|
||||||
| duration |
1 h 30'
|
||||||
| world premiere |
06/14/2002
conductor: Roland Boeer, director: Aurelia Eggers, stage design: Marion Menzinger, costumes: Heike Ruppmann, Dramaturgie: Deborah Einspieler Ab Schab: Manuel Zschunke , Ola Obelli: Jane Droste, father: Malte Dahme , mother: Indu Rani Sinha , padlock: Anne Schellhorn, collector of garden gnomes: David Jakovljevic, cello solo: Anna Lutz-Bachmann, improvisation: Anna Hanson, the composer Eggert/Dr. Snot: Martin Busen, Herr Hauser/Anton: Stephanie Theiß, Fritz : Helga Matzel / Gerhard Jaekel choir and orchestra: pupils of the Lessing-Gymnasium, Frankfurt am Main |
||||||
| special |
is easily realized, performable and playable by children and youths, modern and contemporary story (no fairy tale), room for improvisation and composition from the participating children
|
||||||
| scores |
Schott http://www.schott-musik.de |
||||||
| publication |
Schott
|
||||||
| Video |
|
||||||
| texts |
Pressestimmen "Gewiss hat Eggerts Musik ein Pionierstück wie Henzes Pollicino im Hinterkopf, aber in ihrer Beweglichkeit, Unbefangenheit und Drastik trifft sie sich besonders gut mit einer von viel Heterogenem berührten Wahrnehmung. Von besserwisserisch Altmeisterlichem hält er sich geschickt fern,... [more] Interview mit Helmut Peters über "Dr. Popel" für Welt am SonntagFragen an Moritz Eggert: [
Moritz Eggert, Helmut Peters ]
Dr. Popels fiese Falle, detaillierte Besetzung Dr. Popels fiese Falle [
13.09.2003
]
Dr. Popels fiese Falle, komplettes Libretto Dr. Popels fiese Falle [
Andrea Heuser , 11.09.2003
]
Dr. Popels fiese Falle, kurzer Text zum Stück zu Dr. Popels fiese Falle [
27.08.2003
]
Interview des Komponisten mit zwei Schülern aus dem Lessing-Gymnasium Liebe Emi und Sibel, [
13.02.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
Tango Vacuo Dr. Booger Suite |
||||||
|
Work Back to overview |
KlaNNgggeläut
(2001) |
||||||
|
Chamber music - Graphical scores |
|||||||
| for any number of performers | |||||||
| work list |
111b-01-NW
|
||||||
| completed |
06/2001
|
||||||
| instruments |
any
|
||||||
| world premiere |
06/23/2001
FM Einheit, percussion, Sebastian Hess, Vc. Munich (Germany), tube, 6th A*Devantgarde festival |
||||||
| special |
"von Atanasio Khyrsh"
|
||||||
| see also |
Variations IV.XX |
||||||
|
Work Back to overview |
peace
(2001) |
||||||
|
Chamber music - Graphical scores |
|||||||
| for any number of performers | |||||||
| work list |
111a-01-NW
|
||||||
| completed |
06/2001
|
||||||
| instruments |
any
|
||||||
| world premiere |
06/23/2001
FM Einheit, percussion, Sebastian Hess, Vc. Munich (Germany), tube, 6th A*Devantgarde festival |
||||||
| see also |
Variations IV.XX |
||||||
|
Work Back to overview |
ausklang
(2001) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
110-01-HW
|
||||||
| completed |
05/05/2001
|
||||||
| text |
text: Albert Ostermaier
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
5'
|
||||||
| world premiere |
06/25/2001
Thomas Berau, Baritone, Moritz Eggert, pf. Munich (Germany), Bayerische Akademie der Schoenen Kuenste |
||||||
| special |
singer strokes low bass strings of piano
|
||||||
| soundcarrier |
Neue Dichter Lieben (Munich Edition) |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Ode to Stefan (longplay version)
version for band and background singers |
||||||
|
Vocal music - Songs with instruments |
|||||||
| for 3 tenors and band | |||||||
| work list |
109b-01-NW
|
||||||
| completed |
04/2001
|
||||||
| text |
text: Moritz Eggert
|
||||||
| voices |
3 tenors
|
||||||
| instruments |
string quartet, background choir (3-part), 2 Trumpets, 2 Tenor-Saxophones, 1 Baritone-Sax., piano, 2 E-Guitars, E-Bass, Drumset
|
||||||
| duration |
4'
|
||||||
| special |
pop parody
|
||||||
| see also |
Ode to Stefan |
||||||
|
Work Back to overview |
Der Mythos von der ungeliebten Neuen Musik
language: German |
||||||
|
Texts & Essays - Articles |
|||||||
| article | |||||||
| completed |
04/2001
|
||||||
| world premiere |
0
|
||||||
| publication |
NMZ 5/01
|
||||||
|
Work Back to overview |
Ode to Stefan
(2001) original version |
||||||
|
Vocal music - Songs with instruments |
|||||||
| for 3 tenors and 3 ukuleles | |||||||
| work list |
109a-01-NW
|
||||||
| completed |
02/22/2001
|
||||||
| text |
text: Eggert
|
||||||
| voices |
3 tenors
|
||||||
| instruments |
3 ukuleles
|
||||||
| duration |
1' 30''
|
||||||
| world premiere |
06/00/2001
Die Jungen Tenoere TV Total, Pro 7 (TV) |
||||||
| special |
pop parody
|
||||||
| see also |
Ode to Stefan (longplay version) |
||||||
|
Work Back to overview |
Number Nine IV
(2001) Scapa Flow |
||||||
|
Orchestral works - Orchestra alone |
|||||||
| for orchestra | |||||||
| work list |
108-01-HW
|
||||||
| completed |
02/21/2001
|
||||||
| instruments |
orchestra: 1 Piccolofl., 2 Fl., 2 Ob., English Horn, 3 Clar. (3. +Bassclarinet), 2 Bn., Double-Bn. - 4 Hn., 4 Tr. (in Bb), 2 Tenor-tb.., 2 Bass-tb., 1 Bass-Tuba - Timpani - percussion (3 players) - strings 10.10.8.6.4
|
||||||
| duration |
17'
|
||||||
| world premiere |
06/30/2001
Gustav-Mahler-Orchester, Prag, Manfred Honeck, cond. Wolfegg (Germany), Internationale Wolfegger Konzerte, Rittersaal |
||||||
| special |
special: use of distant orchestra (brass) ad libitum
|
||||||
| texts |
SCAPA FLOW [
25.02.2001
]
SCAPA FLOW [
2001-02-25
]
Number Nine IV, detaillierte Besetzung deutsch Moritz Eggert [
24.08.2004
]
Number Nine IV: detailed instrumentation in English Moritz Eggert [
24.08.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
Scapa Flow (Number Nine IV) |
||||||
|
Work Back to overview |
heute
(2002, changed 2001) Reading of a text by Ingeborg Bachmann Version 1: 6 speakers |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
| for 6 reading voices | |||||||
| work list |
77b-01-BE
|
||||||
| completed |
2001
|
||||||
| text |
text: Ingeborg Bachmann (from "Malina")
|
||||||
| voices |
6 speakers
|
||||||
| duration |
8'
|
||||||
| world premiere |
02/08/2002
Version 1: Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Dörthe Stöß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor Version 2:Desire Petitpierre, Julia Wirth, Liat Himmelheber, Yaron Windmueller, Sebastian Hess, Moritz Eggert Version 1: Darmstadt (Germany), Staatstheater, Version 2: Basel (Schweiz), Theater Skala |
||||||
| special |
musical score for recitation, polyphonic speaking, rhythmical writing actions
|
||||||
| see also |
now - I need now "aural corridors" heute |
||||||
|
Work Back to overview |
Rueckwaerts in die Zukunft
language: German |
||||||
|
Texts & Essays - Readings |
|||||||
| lecture | |||||||
| completed |
2001
|
||||||
| texts |
Rückwärts in die Zukunft, kompletter Text des Vortrags Rückwärts in die Zukunft [
02.09.2004
]
|
||||||
|
Work Back to overview |
senza perturbazione
|
||||||
|
Chamber music - Trios |
|||||||
| for Garklein, clarinet and trombone | |||||||
| work list |
112-01-NW
|
||||||
| completed |
2001
|
||||||
| instruments |
Garklein, clarinet (Bb), bass trombone
|
||||||
| duration |
30''
|
||||||
| special |
postcard piece I
|
||||||
| dedicated |
Winrich Hopp
|
||||||
|
Work Back to overview |
Vexations II
|
||||||
|
Chamber music - Duos |
|||||||
| for 2 pianists | |||||||
| work list |
113-01-NW
|
||||||
| completed |
2001
|
||||||
| instruments |
2 pianos
|
||||||
| duration |
2'
|
||||||
| world premiere |
02/25/2008
La Forge Trio Manitoba (CA), Brandon University, Lorne Watson Recital Hall |
||||||
| special |
postcard piece III, theatrical elements
|
||||||
| dedicated |
Eberhard Kloke
|
||||||
| publication |
www.sikorski.de
|
||||||
| texts |
vexations II english translations VEXATIONS II english translations: [
05.04.2004
]
|
||||||
|
Work Back to overview |
opera history
|
||||||
|
Vocal music - Songs with piano |
|||||||
| for soprano, tenor, baritone and piano | |||||||
| work list |
114-01-NW
|
||||||
| completed |
2001
|
||||||
| text |
text: Moritz Eggert
|
||||||
| voices |
soprano, tenor, baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
1'
|
||||||
| world premiere |
09/01/2015
Julia Chalfin, Tom Smith, Moritz Eggert Munich (Germany), Heppel&Ettlich |
||||||
| special |
postcard piece VI
|
||||||
| dedicated |
Peter Jonas
|
||||||
|
Work Back to overview |
Melody 1.0
(2001) version for clarinet, cello and typewriter |
||||||
|
Chamber music - Trios |
|||||||
| for clarinet, cello and typewriter | |||||||
| work list |
85e-01-BE
|
||||||
| completed |
2001
|
||||||
| instruments |
clarinet, cello, typewriter
|
||||||
| duration |
4'
|
||||||
| world premiere |
06/16/2001
Joerg Widmann, clarinet, Sebastian Hess, Vc., Moritz Eggert, Pf. Holzhausen (Germany), Reithalle Gutried, Holzhausener Musiktage |
||||||
| special |
basis for "Number Nine II: Melody 1.0"
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
melody 1.0 short english text MELODY 1.0 [
22.03.2004
]
|
||||||
| see also |
Melody 1.0 Melody 1.0 Melody 1.0 Number Nine II |
||||||
|
Work Back to overview |
Agur's saying
(2001) 2nd version |
||||||
|
Vocal music - Singing with instruments |
|||||||
| for soprano and cello | |||||||
| work list |
53b-01-BE
|
||||||
| completed |
2001
|
||||||
| text |
text: Liber Providentium
|
||||||
| voices |
soprano
|
||||||
| instruments |
cello
|
||||||
| duration |
5'
|
||||||
| world premiere |
06/09/2001
Naomi Grundke, soprano, Judith Schimanowski, cello Saarbruecken (Germany), Musikhochschule |
||||||
| dedicated |
Detlev Glanert
|
||||||
| see also |
Agur's saying |
||||||
|
Work Back to overview |
Variations IV.XX
(2001) |
||||||
|
Stage Works - Musiktheater und Performance also look at Electronic music |
|||||||
| Sketch for an Internet composition with any number of participants | |||||||
| work list |
107-00-HW
|
||||||
| completed |
12/17/2000
|
||||||
| voices |
ad libitum
|
||||||
| instruments |
ad libitum
|
||||||
| duration |
2 h
|
||||||
| world premiere |
06/23/2001
FM Einheit, percussion, Sebastian Hess, Vc., Andreas Heck, internet realization, Moritz Eggert, director Munich (Germany), tube |
||||||
| special |
based upon John Cage's "Variations IV"
|
||||||
| Video |
|
||||||
| texts |
Artikel aus der NMZ über die UA in München Cage im Cyber-Quirl: Internet in der tube [
Martin Hufner , 26.08.2004
]
Variations IV.XX, detaillierter Ablaufplan VARIATIONS IV.01 [
10.12.2004
]
Variations IV.XX, technische Liste VARIATION IV.XX [
07.12.2004
]
Variations IV.XX, Text für ADEvantgarde Programmheft VARIATIONS IV.01 [
09.12.2004
]
|
||||||
| see also |
peace KlaNNgggeläut |
||||||
|
Work Back to overview |
Das Behr-Khyrsh-Projekt (textbook)
language: German |
||||||
|
Texts & Essays - Libretti |
|||||||
| textbook of the music theatre piece | |||||||
| completed |
12/2000
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Einführungstext zu "Das Behr-Khyrsh-Projekt" DAS BEHR-KHYRSH-PROJEKT [
07.07.2003
]
|
||||||
| see also |
Behr-Khyrsh-Interludes The Behr-Khyrsh project |
||||||
|
Work Back to overview |
Narcissus
(2001) |
||||||
|
Chamber music - Duos |
|||||||
| for soprano recorder and percussion | |||||||
| work list |
106a-00-HW
|
||||||
| completed |
11/15/2000
|
||||||
| instruments |
soprano recorder, percussion
|
||||||
| duration |
12'
|
||||||
| world premiere |
05/08/2001
Petra de Gans, recorder, Thomas Meixner, percussion Siegen (Germany) , musica viva, Rudolf-Steiner-Schule |
||||||
| special |
role-exchange at the end of the piece, partly unusual percussion instruments (bottles etc.)
|
||||||
| dedicated |
Petra de Gans und Thomas Meixner
|
||||||
| scores |
Schott OFB 199 http://www.schott-musik.de |
||||||
| texts |
NARZISS ...ist der schöne Sohn der Flussgottes Kephisos, der unglücklich ist, da er in sein eigenes Spiegelbild, das er im Wasser erblickt hat, verliebt ist. Ovid führt die Legende in seinen "Metamorphosen" weiter aus: Da Narziss die Liebe zur Nymphe Echo (die wiederum dazu verdammt ist, sich... [more] [
16.11.2000
]
Narziss, Spielanweisungen NARZISS (2000) [
10.04.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
Narcissus |
||||||
|
Work Back to overview |
Ich habe dich gefunden
(2000) |
||||||
|
Vocal music - Chorals |
|||||||
| chorale | |||||||
| work list |
105-00-NW
|
||||||
| completed |
08/01/2000
|
||||||
| text |
text: Hoelderlin
|
||||||
| voices |
choir
|
||||||
| instruments |
organ and piano or harmonium
|
||||||
| duration |
3'
|
||||||
| world premiere |
09/02/2000
wedding guests, Martin Zehn, organ Ahrenshoop (Germany), wedding of Andrea Heuser and Moritz Eggert |
||||||
| special |
wedding chorale for Andrea Heuser and Moritz Eggert
|
||||||
| dedicated |
Andrea Heuser
|
||||||
| see also |
Ich habe dich gefunden |
||||||
|
Work Back to overview |
plakativ
addendum to "Neue Dichter Lieben" für mittlere Stimme und Klavier |
||||||
|
Vocal music - Songs with piano |
|||||||
| Lied nach einer Kritik von Ludolf Baucke | |||||||
| work list |
96v-00-HW
|
||||||
| completed |
07/2000
|
||||||
| text |
text: Ludolf Baucke
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
1'
|
||||||
| world premiere |
04/15/2005
Peter Schoene, bar., Moritz Eggert, pf. Berlin (Germany) , Akademie der Künste, Tagung "KünstlerKritiker" |
||||||
| special |
performance elements
|
||||||
| dedicated |
Ludolf Baucke
|
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Publication in Blatt/Blad (art magazine, Germany), ISSN 1431-3537 Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/ |
||||||
| see also |
Neue Dichter Lieben Produktion und Kritik |
||||||
|
Work Back to overview |
Goldberg plays
(2000) |
||||||
|
Orchestral works - Concerts |
|||||||
| for piano and esemble | |||||||
| work list |
104-00-HW
|
||||||
| completed |
05/29/2000
|
||||||
| instruments |
orchestration: 2 Fl. (also picc.), Ob., Clar., Ten.-Sax, Bn. - Hn., 2 Tpt., Tbn., Tb. - Percussion (1 player) - E-Guit. - strings 1.1.1.1.1. (or tripled)
|
||||||
| duration |
35'
|
||||||
| world premiere |
07/29/2000
Camerata Freden, Solo piano and conductor: Moritz Eggert Freden (Germany), Fredener Musiktage, Zehntscheune |
||||||
| special |
can be conducted by the pianist, 30 variations upon the 30 Goldberg-variations by Bach
|
||||||
| publication |
www.sikorski.de
|
||||||
| texts |
Goldberg plays, english introduction, orchestration, performance notes Goldberg plays [
18.12.2003
]
Goldberg spielt, Schlagzeugauflistung Schlagzeug (1 Spieler): [
23.12.2003
]
Goldberg spielt, Vorwort mit Einführungstext und Satzangaben plus Besetzung Goldberg spielt [
17.12.2003
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Croatoan III
(2000) Perpetuum mobile |
||||||
|
Chamber music - Duos |
|||||||
| for great drum and string quartet | |||||||
| work list |
103-00-HW
|
||||||
| completed |
05/13/2000
|
||||||
| instruments |
great drum, string quartet
|
||||||
| duration |
10'
|
||||||
| world premiere |
07/07/2000
Peter Sadlo, great drum, Vogler-quartet Hanover (Expo 2000/ Germany), German pavillon |
||||||
| special |
advanced great drum notation, various effects
|
||||||
| dedicated |
Peter Sadlo und das Vogler-Quartett
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Croatoan III: short text about the piece CROATOAN [
04.05.2003
]
Kurzer Text zu allen "Croatoan"-Stücken CROATOAN [
09.05.2003
]
|
||||||
| Multimedia |
|
||||||
| see also |
Croatoan I Croatoan II |
||||||
|
Work Back to overview |
The Outsider (semi-theatrical version)
(2000) version for voice and ensemble |
||||||
|
Stage Works - Short operas |
|||||||
| mobile melodrama | |||||||
| work list |
86b-00-BE
|
||||||
| completed |
04/26/2000
|
||||||
| text |
based on the short story "The Outsider" by H. P. Lovecraft
|
||||||
| voices |
female voice
|
||||||
| instruments |
Fl.(+picc.), Ob., Clar.(+Small Clar. in Ab or Eb-), Tb., Perc. (1 player), E-Guit. Acc., Vl., Vla., Vc., Cb.,
|
||||||
| duration |
30'
|
||||||
| world premiere |
07/07/2000
Ensemble United, Berlin, Annina Papazian/Liat Himmelheber, voice/recitation, Eberhard Kloke, conductor Vockerode (Germany), Kraftwerk, "In den Stunden des Neumondes" |
||||||
| special |
detailed theatrical concept with movements of musicians and singer, various effects
|
||||||
| dedicated |
Eberhard Kloke
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Der Andere (ausführlicher Text zum Stück) Der Andere [
23.07.2003
]
detaillierte Besetzung "Der Andere" DER ANDERE [
19.07.2003
]
|
||||||
| Multimedia |
|
||||||
| see also |
The Outsider (original version) |
||||||
|
Work Back to overview |
In the sandbox
(2000) |
||||||
|
Stage Works - Dance theatre |
|||||||
| dance theatre by Brigitta Trommler. contains the following, seperately listed works: Bad Attitude: Bad Vibes, Bad Attitude, Croatoan II: Im Sandkasten, Breathless, the meal of Mr. Orlong: Mondmann/Die Buehnenarbeiter treten auf/Die Nacht, Sandbox-variations, Haemmerklavier VII: Secret Desires, A house with 7 rooms: The room with the locked door | |||||||
| completed |
03/11/2000
|
||||||
| voices |
mixed ensemble (dancers/actors)
|
||||||
| instruments |
Musik vom Band
|
||||||
| duration |
1 h 30'
|
||||||
| world premiere |
03/11/2000
stage design: Barbara Dallendorfer, costumes: Andrea Spanier, musical assistant: Hee-Seon Jin, with Barbara Sternberger, Brigitte Cuvelier, Vera Bilbija, Giuseppe und Michele de Filipis, Octavio Campos, Thomas Langkau, Mauricio Motta, Guido Markowitz, Sabine Lindlar, pre-produced music: members of the "Orchester des Staatstheaters Darmstadt", conductor: Moritz Eggert Darmstadt (Germany), Staatstheater |
||||||
| soundcarrier |
Ausser Atem Bridges into the future |
||||||
| scores |
Schott ED 9137 Schott OFB 192 http://www.schott-musik.de |
||||||
| texts |
Im Sandkasten, Skizzen zum musikalischen Konzept KONZEPT FÜR MUSIK IM SANDKASTEN [
14.09.2004
]
|
||||||
| see also |
Bad Attitude Croatoan II Breathless The meal of Mr. Orlong Sandbox - Variations Haemmerklavier VII A house with seven rooms Schhhhh ... |
||||||
|
Work Back to overview |
Neue Dichter Lieben
(2000) song cycle |
||||||
|
Vocal music - Songs with piano |
|||||||
| for medium voice and piano | |||||||
| work list |
96t-00-HW
|
||||||
| completed |
03/01/2000
|
||||||
| text |
text: Voswinckel, Schmitter, Heuser, Kroetz, Hensel, Krausser, Hahn, Kempker, Ostermaier, Krechel, Wagener, Gernhardt, Borowiak, Haufs, Asmodi, Kolbe, Kirsch, Gruenbein, Heckmann, Koehler
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
55'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| dedicated |
Yaron Windmller
|
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/de/ |
||||||
| texts |
Projektbeschreibung "Neue Dichter Lieben" Neue Dichter Lieben [
16.08.2004
]
Rezension der "Dichter Lieben" von Claus Woschenko Moritz Eggert: Neue Dichter lieben. [
30.05.2006
]
|
||||||
| see also |
herz vers sagen Liebeserklaerung Stille Oeynfassung Schuldig Sprich Sheherazade Ich liege neben dir danach Don Juan kommt am Vormittag In der letzten Nacht Rondeau Allemagne Verschmaehte Liebe tierchen Alba Wer mit wem plakativ Tote Liebe Sonett an die schreibfaule Brieffreundin Auf welchem Fuß Neues Maerchen flugkoerper Luft Koitus Schneiden und Scheiden 6 Songs from Neue Dichter Lieben |
||||||
|
Work Back to overview |
Croatoan I
(2000) angelic voices |
||||||
|
Chamber music - Ensembles |
|||||||
| for glockenspiel and string quartet | |||||||
| work list |
102-00-HW
|
||||||
| completed |
03/01/2000
|
||||||
| instruments |
string quartet, Glockenspiel (perc.)
|
||||||
| duration |
8'
|
||||||
| world premiere |
07/07/2000
Peter Sadlo, Glockenspiel, Vogler-quartet Hanover (Expo 2000/ Germany), German pavillon |
||||||
| special |
Various advanced playing techniques, ping-pong balls/metal balls on Glockenspiel, etc.
|
||||||
| dedicated |
Peter Sadlo und das Vogler-Quartett
|
||||||
| soundcarrier |
Contemporanea 2000 (Quarta Rassegna di "Nuova Musica" Bridges into the future |
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
CROATOAN I: english translation of score notes MORITZ EGGERT [
08.05.2003
]
Kurzer Text zu allen "Croatoan"-Stücken CROATOAN [
09.05.2003
]
short text for all the "Croatoan" pieces CROATOAN [
08.05.2003
]
|
||||||
| Multimedia |
|
||||||
| see also |
Croatoan III Croatoan II |
||||||
|
Work Back to overview |
Verschmaehte Liebe
(2000) addendum to "Neue Dichter Lieben" für mittlere Stimme und Klavier |
||||||
|
Vocal music - Songs with piano |
|||||||
| for medium voice and piano | |||||||
| work list |
96u-00-HW
|
||||||
| completed |
03/2000
|
||||||
| text |
text: Thomas Kling
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
1'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| see also |
Neue Dichter Lieben |
||||||
|
Work Back to overview |
Sprich Sheherazade
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Herbert Asmodi | |||||||
| work list |
96s-00-HW
|
||||||
| completed |
02/17/2000
|
||||||
| text |
text: Herbert Asmodi
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
3'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
Sprich Scheherazade, Liedtext Herbert Asmodi [
Herbert Asmodi , 21.08.2003
]
|
||||||
| see also |
Neue Dichter Lieben 6 Songs from Neue Dichter Lieben |
||||||
|
Work Back to overview |
In der letzten Nacht
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Herbert Heckmann | |||||||
| work list |
96r-00-HW
|
||||||
| completed |
02/17/2000
|
||||||
| text |
text: Herbert Heckmann
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
2'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
In der letzten Nacht, english translation Last night [
Herbert Heckmann , 26.08.2003
]
In der letzten Nacht, Liedtext Herbert Heckmann [
Herbert Heckmann , 23.08.2003
]
|
||||||
| see also |
"aural corridors" Neue Dichter Lieben |
||||||
|
Work Back to overview |
Schuldig
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Sybil Wagener | |||||||
| work list |
96q-00-HW
|
||||||
| completed |
02/16/2000
|
||||||
| text |
text: Sybil Wagener
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
1'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
schuldig, Liedtext Sybil Wagener [
Sybil Wagener , 20.08.2003
]
|
||||||
| see also |
Neue Dichter Lieben |
||||||
|
Work Back to overview |
Ich liege neben dir danach
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Uwe Kolbe | |||||||
| work list |
96p-00-HW
|
||||||
| completed |
02/15/2000
|
||||||
| text |
text: Uwe Kolbe
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
2'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
Ich liege neben dir danach, Liedtext Uwe Kolbe [
Uwe Kolbe , 22.08.2003
]
|
||||||
| see also |
Neue Dichter Lieben |
||||||
|
Work Back to overview |
Stille Oeynfassung
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Birgit Kempker | |||||||
| work list |
96o-00-HW
|
||||||
| completed |
02/10/2000
|
||||||
| text |
text: Birgit Kempker
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
3'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
Stilly Oeynfassung, Gedichttext Birgit Kempker [
Birgit Kempker , 14.08.2003
]
|
||||||
| see also |
Neue Dichter Lieben |
||||||
|
Work Back to overview |
tierchen
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Elke Schmitter | |||||||
| work list |
96n-00-HW
|
||||||
| completed |
01/31/2000
|
||||||
| text |
text: Elke Schmitter
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
1'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
tierchen Liedtext Elke Schmitter [
Elke Schmitter , 08.08.2003
]
tierchen, english translation Little beast [
Elke Schmitter , 25.08.2003
]
|
||||||
| see also |
Neue Dichter Lieben 6 Songs from Neue Dichter Lieben |
||||||
|
Work Back to overview |
Rondeau Allemagne
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Barbara Koehler | |||||||
| work list |
96m-00-HW
|
||||||
| completed |
01/28/2000
|
||||||
| text |
text: Barbara Koehler
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
4'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
Rondeau Allemagne, Liedtext
[
Barbara Köhler , 23.08.2003
]
|
||||||
| see also |
"aural corridors" |
||||||
|
Work Back to overview |
Liebeserklaerung
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Franz Xaver Kroetz | |||||||
| work list |
96l-00-HW
|
||||||
| completed |
01/25/2000
|
||||||
| text |
text: Franz Xaver Kroetz
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
2'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben Music in Germany 1950-2000 |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
Liebeserklärung, Liedtext Franz Xaver Kroetz [
Franz Xaver Kroetz , 13.08.2003
]
|
||||||
| see also |
"aural corridors" Neue Dichter Lieben 6 Songs from Neue Dichter Lieben |
||||||
|
Work Back to overview |
Alba
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Durs Gruenbein | |||||||
| work list |
96k-00-HW
|
||||||
| completed |
01/20/2000
|
||||||
| text |
text: Durs Gruenbein
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
4'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
Alba, Liedtext Durs Grünbein [
Durs Grünbein , 22.08.2003
]
|
||||||
| Multimedia |
|
||||||
| see also |
Neue Dichter Lieben |
||||||
|
Work Back to overview |
Don Juan kommt am Vormittag
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Sarah Kirsch | |||||||
| work list |
96j-00-HW
|
||||||
| completed |
01/17/2000
|
||||||
| text |
text: Sarah Kirsch
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
3'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| texts |
Don Juan kommt am Vormittag, Liedtext Sarah Kirsch [
Sarah Kirsch , 22.08.2003
]
|
||||||
| see also |
Neue Dichter Lieben 6 Songs from Neue Dichter Lieben |
||||||
|
Work Back to overview |
Koitus
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Ursula Krechel | |||||||
| work list |
96i-00-HW
|
||||||
| completed |
01/11/2000
|
||||||
| text |
text: Ursula Krechel
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
3'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| special |
frisbee on strings |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
Koitus, Gedichttext Ursula Krechel [
Ursula Krechel , 20.08.2003
]
|
||||||
| see also |
Neue Dichter Lieben |
||||||
|
Work Back to overview |
Schneiden und Scheiden
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Robert Gernhardt | |||||||
| work list |
96h-00-HW
|
||||||
| completed |
01/05/2000
|
||||||
| text |
text: Robert Gernhardt
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
2'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
Schneiden und Scheiden, Liedtext Robert Gernhardt [
Robert Gernhardt , 20.08.2003
]
|
||||||
| see also |
Neue Dichter Lieben |
||||||
|
Work Back to overview |
Sandbox - Variations
(2000) Klangcollagen für das Tanztheater "Im Sandkasten" von Birgitta Trommler |
||||||
|
Electronic music |
|||||||
| sound collages for the piece "In the sandbox" by Birgitta Trommler | |||||||
| work list |
101-00-NW
|
||||||
| completed |
2000
|
||||||
| instruments |
tape
|
||||||
| duration |
18'
|
||||||
| world premiere |
03/11/2000
Darmstadt (Germany), Staatstheater |
||||||
| texts |
Sandbox-Variations, kurzer Text über das Stück SANDBOX VARIATIONS [
03.09.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
In the sandbox The search for the KlaNNg |
||||||
|
Work Back to overview |
Luft
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Klaus Hensel | |||||||
| work list |
96g-99-HW
|
||||||
| completed |
12/21/1999
|
||||||
| text |
text: Klaus Hensel
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
3'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| special |
long "Aeolian-Harp" passage inside the piano
|
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
Luft, Liedtext Klaus Hensel [
Klaus Hensel , 13.08.2003
]
|
||||||
| see also |
"aural corridors" Neue Dichter Lieben |
||||||
|
Work Back to overview |
Wer mit wem
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Simone Borowiak | |||||||
| work list |
96f-99-HW
|
||||||
| completed |
12/18/1999
|
||||||
| text |
text: Simone Borowiak
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
2'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
wer mit wem, Liedtext Simone Borowiak [
Simone Borowiak , 21.08.2003
]
|
||||||
| see also |
Neue Dichter Lieben |
||||||
|
Work Back to overview |
flugkoerper
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Andrea Heuser | |||||||
| work list |
96e-99-HW
|
||||||
| completed |
12/13/1999
|
||||||
| text |
text: Andrea Heuser |
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
4'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| special |
moaning, panting |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| scores |
Gstebuch Schumannfest 2004, Herausgeber: Robert Schumann-Gesellschaft e.V., Bilker Strasse 15, 40213 Dsseldorf http://www.schott-musik.de |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
flugkörper liedtext Andrea Heuser [
Andrea Heuser , 08.08.2003
]
Flugkörper, englische Übersetzung des Gedichtes English Translation of flugkörper [
08.12.2003
]
|
||||||
| see also |
"aural corridors" Neue Dichter Lieben 6 Songs from Neue Dichter Lieben |
||||||
|
Work Back to overview |
Neues Maerchen
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Rolf Haufs | |||||||
| work list |
96d-99-HW
|
||||||
| completed |
12/07/1999
|
||||||
| text |
text: Rolf Haufs
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
3'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
Neues Märchen, english translation New fairy tale [
Rolf Haufs , 26.08.2003
]
Neues Märchen, Liedtext 14. [
Rolf Haufs , 21.08.2003
]
|
||||||
| see also |
Neue Dichter Lieben 6 Songs from Neue Dichter Lieben |
||||||
|
Work Back to overview |
Vermilion Sands
(2000) für einen Gitarristen und 2 Gitarren |
||||||
|
Chamber music - Solo |
|||||||
| für einen Gitarristen und 2 Gitarren | |||||||
| work list |
100-99-HW
|
||||||
| completed |
11/30/1999
|
||||||
| instruments |
guitar (2 guitars played by 1 player)
|
||||||
| duration |
16'
|
||||||
| world premiere |
02/27/2000
Stephan Stiens, guitars Munich (Germany), Musikhochschule, Grosser Saal |
||||||
| special |
scordatura, many special effects, is played partly on 2 guitars simultaneously
|
||||||
| dedicated |
Stephan Stiens
|
||||||
| publication |
Vogt & Fritz, VF 533
|
||||||
| Video |
|
||||||
| texts |
Link zu einem Video einer Aufführung von "Vermilion Sands" http://www.stephan-stiens.de/Images/Filmausschnitt_Eggert.htm [
Link to a video of a performance of "Vermilion Sands" , 18.10.2004
]
Vermilion Sands Der Titel meines Stückes bezieht sich auf die gleichnamige Sammlung von Erzählungen (Deutscher Titel: Die Tausend Träume von Stellavista, Suhrkamp) des englischen Autors J.G. Ballard. [
03.03.2003
]
Vermilion Sands The title of my piece refers to the story collection by the english author J.G. Ballard of the same name (also published as The 1000 dreams of Stellavista). [
03.03.2003
]
Vermilion Sands, English Translations of performance notes VERMILION SANDS [
18.12.2004
]
Vermilion Sands, technische Erläuterungen VERMILION SANDS [
16.12.2004
]
|
||||||
|
Work Back to overview |
Schhhhh ...
(2000) |
||||||
|
Vocal music - Vocal ensemble |
|||||||
| for 6 or more performers | |||||||
| work list |
99-99-NW
|
||||||
| completed |
11/23/1999
|
||||||
| voices |
6 or more performers (no singing, only mouth noises)
|
||||||
| duration |
5'
|
||||||
| world premiere |
03/11/2000
Barbara Sternberger, Brigitte Cuvelier, Vera Bilbija, Giuseppe and Michele de Filipis, Octavio Campos, Thomas Langkau, Mauricio Motta, Guido Markowitz, Sabine Lindlar Darmstadt (Germany), Staatstheater, Kleines Haus |
||||||
| special |
uses only mouth noises
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Schhh...english translations of performance notes Schhhhhhhh..... [
15.09.2004
]
Schhhh...Aufführungshinweise Schhhhhhhhh....... [
16.09.2004
]
|
||||||
| see also |
In the sandbox |
||||||
|
Work Back to overview |
The search for the KlaNNg
(2001) Atanasio Khyrsh and the music of the future |
||||||
|
Stage Works - Hörspiele |
|||||||
| Contains new sound collages and original music, also excerpts from the following pieces: The eternal song, (version for strings), Haemmerklavier II, III, X, The meal of Mr. Orlong, Nemesis, Number Nine III, Sandbox-Variations, Loud and fearless, Adagio - An Answered Question, Breathless, Stardog, Symphonie 1.0, home sweet home (old version) | |||||||
| work list |
98-99-HW
|
||||||
| completed |
10/28/1999
|
||||||
| text |
based on a manuscript by Moritz Eggert
|
||||||
| voices |
7 Sprecher
|
||||||
| instruments |
Musik, Klangcollagen
|
||||||
| duration |
1 h 35'
|
||||||
| world premiere |
03/07/2001
Ulrike Arnold, Michael Quast, Dinah Schuebel, Peter Pruchniewitz, Moritz Eggert HR 2 (Hessian Radio, Germany) |
||||||
| special |
can also be performed live, with 4 speakers, piano (ad lib.) and tape
|
||||||
| dedicated |
Andrea Heuser
|
||||||
| texts |
Auf der Suche nach dem KlaNNg, erster Entwurf für eine Bühnenversion MORITZ EGGERT [
23.02.2004
]
Auf der Suche nach dem KlaNNg, expos for an international radio version THE SEARCH FOR KLANNG Atanasio Khyrsh and the music of the future [
04.03.2004
]
|
||||||
| see also |
The eternal song Auf der Suche nach dem Klanng (textbook) Home sweet home (old version) Symphony 1.0 Star dog Breathless Adagio - An Answered Question Loud and fearless Sandbox - Variations Number Nine III Nemesis The meal of Mr. Orlong Haemmerklavier IX Haemmerklavier III Haemmerklavier II The Behr-Khyrsh project |
||||||
|
Work Back to overview |
Sonett an die schreibfaule Brieffreundin
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Helmut Krausser | |||||||
| work list |
96c-99-HW
|
||||||
| completed |
10/09/1999
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
2'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
Sonett an... Text zum Lied Helmut Krausser [
Helmut Krausser , 13.08.2003
]
|
||||||
| see also |
"aural corridors" Neue Dichter Lieben |
||||||
|
Work Back to overview |
deep snow day
(2000) version for baritone and piano |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Albert Ostermaier | |||||||
| work list |
97b-99-HW
|
||||||
| completed |
10/06/1999
|
||||||
| text |
Albert Ostermaier
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
7'
|
||||||
| world premiere |
06/30/2000
Thomas Berau. bar., Moritz Eggert, pf. Landsberg (Germany), Stadttheater, "Lyrik am Lech" |
||||||
| special |
simple preparation, some contemporary playing techniques
|
||||||
| see also |
deep snow day |
||||||
|
Work Back to overview |
deep snow day
(1999) original version |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Albert Ostermaier | |||||||
| work list |
97a-99-HW
|
||||||
| completed |
10/06/1999
|
||||||
| text |
text: Albert Ostermaier
|
||||||
| voices |
tenor
|
||||||
| instruments |
piano
|
||||||
| duration |
7'
|
||||||
| world premiere |
12/05/1999
Sejongju Oh, ten., Moritz Eggert, pf. Ludwigslust (Germany), Rathaus, "Stimmen im Winter" |
||||||
| special |
simple preparation, some contemporary playing techniques
|
||||||
| see also |
deep snow day |
||||||
|
Work Back to overview |
Tote Liebe
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Ulla Hahn | |||||||
| work list |
96b-99-HW
|
||||||
| completed |
10/02/1999
|
||||||
| text |
text: Ulla Hahn
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
2'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
Tote Liebe, english translation Dead Love [
Ulla Hahn , 25.08.2003
]
Tote Liebe, Gedichttext Ulla Hahn [
Ulla Hahn , 14.08.2003
]
|
||||||
| see also |
Neue Dichter Lieben |
||||||
|
Work Back to overview |
Auf welchem Fuß
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Klaus Voswinckel | |||||||
| work list |
96a-99-HW
|
||||||
| completed |
10/01/1999
|
||||||
| text |
text: Klaus Voswinckel
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
3'
|
||||||
| world premiere |
08/20/2000
Yaron Windmueller, bar., Moritz Eggert, pf. Hanover (Germany), Expo 2000, Deutscher Pavillon |
||||||
| soundcarrier |
Neue Dichter Lieben |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
Auf welchem Fuss Liedtext Klaus Voswinckel [
Klaus Voswinckel , 08.08.2003
]
Auf welchem Fuss, english translation On whatever foot [
Klaus Voswinckel , 25.08.2003
]
|
||||||
| see also |
Neue Dichter Lieben |
||||||
|
Work Back to overview |
Croatoan II
(1999) In the sandbox |
||||||
|
Chamber music - Ensembles |
|||||||
| for string quartet and percussion | |||||||
| work list |
95-99-HW
|
||||||
| completed |
08/30/1999
|
||||||
| instruments |
percussion and string quartet
|
||||||
| duration |
12'
|
||||||
| world premiere |
11/23/1999
Peter Sadlo, perc., Vogler-quartet Munich (Germany), Festival provocazione, Reithalle |
||||||
| special |
percussionist exclusively plays "small instruments" like table-bell, bongos and castagnettes, various modern playing techniques, stomping and shuffling
|
||||||
| dedicated |
Peter Sadlo und das Vogler-Quartett
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
short text for all the "Croatoan" pieces CROATOAN [
08.05.2003
]
"Croatoan II" Detaillierte Besetzungsangaben Moritz Eggert [
"Croatoan II" detailed instruments description (German/English) , 02.05.2003
]
"Croatoan II" Text zum Stück Im Jahre 1587 gründeten 114 englische Kolonisten unter ihrem Anführer John White eine Kolonie auf Roanoake Island, an der Ostküste Amerikas, im heutigen Staate Carolina. Sie gehörten zu den ersten englischen Siedlern der Neuen Welt. Kurz nach ihrer Ankunft wurde Virginia, die Enk... [more] [
30.08.1999
]
|
||||||
| Multimedia |
|
||||||
| see also |
In the sandbox Croatoan I Croatoan III |
||||||
|
Work Back to overview |
Continuum
(2000) |
||||||
|
Chamber music - Duos |
|||||||
| for cello and piano | |||||||
| work list |
94-99-NW
|
||||||
| completed |
08/11/1999
|
||||||
| instruments |
cello and piano
|
||||||
| duration |
6'
|
||||||
| world premiere |
07/01/2000
Sebastian Hess, Vc., Moritz Eggert, Pf. Bad Kissingen (Germany), Kissinger Sommer, Rossini-Saal, "Nacht der Neuen Musik" |
||||||
| special |
the cello bow never leaves the strings
|
||||||
| dedicated |
Sebastian und Kate Hess
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
The gift from eternity
(1999) madrigal |
||||||
|
Vocal music - Vocal ensemble |
|||||||
| for vocal quartet and "soundist" | |||||||
| work list |
93-99-HW
|
||||||
| completed |
07/07/1999
|
||||||
| text |
excerpts from the lecture "Time" by Jorge Luis Borges (German translation)
|
||||||
| voices |
soprano, alto, tenor, bass
|
||||||
| duration |
8'
|
||||||
| world premiere |
11/19/1999
Hanna Sturludottir, sopr., Liat Himmelheber, alto, Markus Ullmann, ten., Yaron Windmüller, bass, Moritz Eggert, cond. Saarbruecken (Germany), Funkhaus Halberg |
||||||
| special |
madrigal, the "soundist"conducts and plays small additional instruments, the piece is performed sitting at a large table
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
"Das Geschenk der Ewigkeit", kurzer Text zum Stück Moritz Eggert [
09.07.2003
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
The Sleeper Wakes
(2000) |
||||||
|
Vocal music - Vocal ensemble |
|||||||
| for vocal octet | |||||||
| work list |
92-99-HW
|
||||||
| completed |
05/25/1999
|
||||||
| text |
text: vocalises
|
||||||
| voices |
2 sopranos, 2altos, 2 tenors, 2 basses
|
||||||
| duration |
8'
|
||||||
| world premiere |
07/25/2000
The Swingle Singers Amsterdam (Netherlands), Concertgebouw |
||||||
| special |
commission by the "Swingle Singers" for the project "Bach 2000", based on "Sleepers Wake" by J.S.Bach
|
||||||
| dedicated |
Swingle Singers
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
The Sleeper Wakes, short english text about the piece The Sleeper Wakes [
17.11.2004
]
|
||||||
|
Work Back to overview |
Internet-Symphony
(2000) |
||||||
|
Orchestral works - Orchestra alone |
|||||||
| for orchestra | |||||||
| work list |
91a-99-NW
|
||||||
| completed |
04/1999
|
||||||
| movements |
I. II. III. |
||||||
| instruments |
orchestra: 3 Fl. (3.+picc.), 2 Ob., 1 Clar.(Bb and Eb ad lib.), 1 Bass-Clar. (Clar. In Bb ad lib.), 2 Bn., Double-Bn. - 4 Hn, 2 Tr., 3 Tb. - 1 Timp.,3 Perc. - strings 10.8.6.5.4
|
||||||
| duration |
20'
|
||||||
| world premiere |
01/01/2000
Hofer Symphoniker, Howard Golden, cond. Hof (Germany), Freiheitshalle, new year's concert |
||||||
| special |
Collaboration with composers Harald Genzmer, Bertold Hummel and Roland Leistner-Mayer, parts of this piece were later integrated into "Number Nine" I and V
|
||||||
| texts |
Erklärung zur Internetsymphonie, 17.1.2000 ÖFFENTLICHE MITTEILUNG VON MORITZ EGGERT [
22.04.2003
]
kurzes Interview über die Entstehung der Internetsymphonie (1999) 1. Wie entstand die Idee zur Internet-Symphonie. Wer kam als erster auf den Gedanken? [
17.04.2003
]
some random thoughts about art and internet Some disconnected thoughts and opinions: [
12.02.2004
]
|
||||||
| see also |
Number Nine I Number Nine V: Fragment/Zapping |
||||||
|
Work Back to overview |
Fast Forward
(1999) |
||||||
|
Chamber music - Duos |
|||||||
| for cello and piano | |||||||
| work list |
90-99-HW
|
||||||
| completed |
01/21/1999
|
||||||
| instruments |
cello and piano
|
||||||
| duration |
6'
|
||||||
| world premiere |
05/02/1999
Nicolas Altstaedt, Vc., Christoph Altstaedt, Pf. Duesseldorf (Germany), Tonhalle, prize winner concert "Jugend musiziert" |
||||||
| special |
playing inside the piano, various effects on the cello
|
||||||
| dedicated |
Nicolas und Christoph Altstaedt
|
||||||
| publication |
Sikorski, www.sikorski.de
|
||||||
| texts |
Fast Forward, english translation of effect descriptions FAST FORWARD [
27.11.2003
]
Fast Forward, kurzer Text zum Stück FAST FORWARD [
28.11.2003
]
|
||||||
| see also |
"aural corridors" |
||||||
|
Work Back to overview |
Ein Gespenst geht um in Muenchen
(1999) |
||||||
|
Texts & Essays - Essays |
|||||||
| short text about New Music in Munich | |||||||
| work list |
00-03-HW
|
||||||
| completed |
01/03/1999
|
||||||
| publication |
unpublished
|
||||||
| texts |
Ein Gespenst geht um in München, kompletter Text Ein Gespenst geht um in München [
Ein Gespenst geht um in Muenchen, complete text , 23.09.2003
]
|
||||||
|
Work Back to overview |
Number Nine V: Fragment/Zapping
|
||||||
|
Orchestral works - Orchestra alone |
|||||||
| for orchestra | |||||||
| work list |
91b-99-HW
|
||||||
| completed |
1999
|
||||||
| movements |
I. Fragment II. Zapping |
||||||
| instruments |
orchestra: 3 Fl. (3.+picc.), 2 Ob., 1 Clar.(Bb and Eb ad lib.), 1 Bass-Clar. (Clar. In Bb ad lib.), 2 Bn., Double-Bn. - 4 Hn, 2 Tr., 3 Tb. - 1 Timp.,3 Perc. - strings 10.8.6.5.4
|
||||||
| duration |
9'
|
||||||
| world premiere |
06/07/2006
Brandenburger Symphoniker, Michael Helmrath, conductor Brandenburg (Germany) |
||||||
| publication |
Sikorski, www.sikorski.de
|
||||||
| texts |
Number Nine V, short text about the piece Number Nine V: Fragment/Zapping [
19.08.2004
]
Number Nine V: detaillierte Orchesterbesetzung Number Nine [
20.08.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
The Trap Internet-Symphony |
||||||
|
Work Back to overview |
Zu "Ein Besuch im Bergwerk"
introduction language: German |
||||||
|
Texts & Essays - Texts about works |
|||||||
| introduction | |||||||
| completed |
1999
|
||||||
| world premiere |
0
|
||||||
| texts |
Zu: "Ein Besuch im Bergwerk" Ein Besuch im Bergwerk [
17.09.2003
]
|
||||||
| see also |
A visit to the mines Milennium Shuffle Millennium Dance Shuffle |
||||||
|
Work Back to overview |
Auf der Suche nach dem Klanng (textbook)
language: German |
||||||
|
Texts & Essays - Libretti |
|||||||
| textbook of the radio play | |||||||
| completed |
1999
|
||||||
| texts |
Auf der Suche nach dem KlaNNg, letzte Version des Textbuches DIE SUCHE NACH DEM KLANNG Atanasio Khyrsh und die Musik der Zukunft [
27.07.2006
]
|
||||||
| see also |
The search for the KlaNNg |
||||||
|
Work Back to overview |
The Trap
(1999) |
||||||
|
Stage Works - Stage music also look at Dance theatre |
|||||||
|
Musiktheater von Laterna Magika, Prag. Beinhaltet folgende, einzelne aufgelistete Werke: Hämmerklavier III: One Man band, Lunu, Hämmerklavier IX: Jerusalem, Number Nine I: Incommunicado, Number Nine II: Melodie 1.0, Number Nine III: Millennium Dance, Number Nine V: Fragment/Zapping, Ein Haus mit 7 Zimmern: Die Bibliothek/Die Liebeskammer/Der Raum mit der verschlossenen Tür, Paul und Virginie: Paul und Virginie/Das Abendessen, Adagio-an answered question, Das Mahl des Herrn Orlong: Mondmann, Ouvertüre, Skelter, sowie div. Originalmusik |
|||||||
| photo |
|
||||||
| completed |
1999
|
||||||
| text |
Libretto: Milena Honzikowa
|
||||||
| voices |
mixed ensemble (dancers)
|
||||||
| instruments |
Musik vom Band
|
||||||
| duration |
1 h 20'
|
||||||
| world premiere |
09/17/1999
director/stage design: Josef Svoboda, Libretto: Milena Honzikova, Choreographer: Igor Holovac, camera: Antonin Weiser, costumes: Sarka Hejnova, pre-produced music Philharmonic Orchestra Prague, conductor: Mario Klemens, Art-Core - Saxophone quartet, Sebastian Hess, Vc., Moritz Eggert, pf. Prague (CZ), Laterna Magika |
||||||
| soundcarrier |
Lunu |
||||||
| scores |
Schott ED 9137 Schott ED 8265 http://www.schott-musik.de |
||||||
| see also |
Haemmerklavier III The meal of Mr. Orlong Adagio - An Answered Question Paul and Virginie A house with seven rooms Number Nine V: Fragment/Zapping Number Nine III Number Nine II Number Nine I Haemmerklavier IX Lunu Skelter |
||||||
|
Work Back to overview |
A visit to the mines
(1999) |
||||||
|
Stage Works - Stage music also look at Ballet |
|||||||
| part of the ballet "percussiv" by Daniela Kurz, contains Millennium Shuffle, Millennium Dance Shuffle, Number Nine I: Incommunicado, Number Nine II: Melody 1.0, Number Nine III: Millennium Dance | |||||||
| completed |
1999
|
||||||
| text |
based on a text by Franz Kafka
|
||||||
| voices |
mixed ballet ensemble
|
||||||
| instruments |
3 Fl. (3.+picc.), 2 Ob., 2 Clar.(Bb), 2 Bn., Double-Bn. - 4 Hn, 2 Tr., 3 Tb. - 1 Timp.,3 Perc. - strings 10.8.6.5.4
|
||||||
| duration |
35'
|
||||||
| world premiere |
03/27/1999
with Guido Wallner, Ruth-Marie Hyprath, Sophatai Kanthatham, Wubkje Kuindersma, Alexandra Milne, Tom Baert, Yuki Mori, Adam Ster, Jessica Billeter, Dagmar Bock, Maria Nitsche, Brit Rodemund, Ivo Baertsch, Christian Maier, Luca Marazia, Philharmonisches Orchester Nuernberg, Christian Reuter, cond., Stefan Morgenstern, stage design Nuremberg (Germany), opera house |
||||||
| soundcarrier |
Porträt-CD Moritz Eggert |
||||||
| see also |
Milennium Shuffle Millennium Dance Shuffle Number Nine I Number Nine II Number Nine III Zu "Ein Besuch im Bergwerk" |
||||||
|
Work Back to overview |
Number Nine III
Millennium Dance |
||||||
|
Orchestral works - Orchestra alone |
|||||||
| for orchestra | |||||||
| work list |
89c-98-BE
|
||||||
| completed |
12/21/1998
|
||||||
| instruments |
orchestra: 3 Fl. (3.+picc.), 2 Ob., 1 Clar.(Bb and Eb ad lib.), 1 Bass-Clar. (Clar. In Bb ad lib.), 2 Bn., Double-Bn. - 4 Hn, 2 Tr., 3 Tb. - 1 Timp.,3 Perc. - strings 10.8.6.5.4
|
||||||
| duration |
16'
|
||||||
| special |
part of the ballet "percussiv" (see "stage works"), orchestration of the piece "Milennium Dance" (piano 4 hands)
|
||||||
| soundcarrier |
Porträt-CD Moritz Eggert |
||||||
| publication |
www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
III. Millenium Dance ist ein durchgehend schnelles Stück, in dem ein äußerst ironischer Blick auf unser schnelles Jahrhundert geworfen wird (und in dem sich viele heroisch beginnende Gesten auf jämmerliche oder merkwürdige Art transformieren). [
23.12.1998
]
Ausschnitte aus den lezten Worten von "Dutch Schultz" (Inspiration für "Number Nine III") 24.Oktober, 1935 [
18.08.2004
]
millennium dance short english text No! No! There are only 10 of us and there are 10.000.000 fighting somewhere in front of you, so get your onoins up and we will throw up the truce flag (The last words of Dutch Schultz) [
06.04.2004
]
Number Nine I-III, detaillierte Orchesterbesetzung englisch Number Nine [
23.08.2004
]
Number Nine I-III, genereller Text Number Nine [
08.04.2004
]
Number Nine III Schlagzeugauflistung Schlagzeug I: Glockenspiel, Snare-Drum I, Stand-Tom (*), Ratsche, 2 hohe Kastagnetten (auf Ständer montiert), 2 tiefere Kastagnetten (auf Ständer montiert), Sandpapierblöcke, Marimbaphon, Tam-Tam [
17.08.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
The search for the KlaNNg A visit to the mines The Trap Aboriginal / Millennium Dance |
||||||
|
Work Back to overview |
Number Nine II
Melodie 1.0 |
||||||
|
Orchestral works - Orchestra alone |
|||||||
| for orchestra | |||||||
| work list |
85d-98-BE
|
||||||
| completed |
11/28/1998
|
||||||
| instruments |
orchestra: 3 Fl. (3.+picc.), 2 Ob., 1 Clar.(Bb and Eb ad lib.), 1 Bass-Clar. (Clar. In Bb ad lib.), 2 Bn., Double-Bn. - 4 Hn, 2 Tr., 3 Tb. - 1 Timp.,3 Perc. - strings 10.8.6.5.4
|
||||||
| duration |
5'
|
||||||
| special |
part of the ballet "percussiv" (see "stage works"), orchestration of "Melody 1.0" (chamber music)
|
||||||
| soundcarrier |
Porträt-CD Moritz Eggert |
||||||
| publication |
www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Number Nine I-III, detaillierte Orchesterbesetzung englisch Number Nine [
23.08.2004
]
Number Nine I-III, genereller Text Number Nine [
23.12.1998
]
Number Nine II Schlagzeugauflistung Schlagzeug I: Glockenspiel, Snare-Drum I, Stand-Tom (*), Ratsche, 2 hohe Kastagnetten (auf Ständer montiert), 2 tiefere Kastagnetten (auf Ständer montiert), Sandpapierblöcke, Marimbaphon, Tam-Tam [
17.08.2004
]
|
||||||
| see also |
A visit to the mines The Trap Melody 1.0 Melody 1.0 Melody 1.0 Melody 1.0 |
||||||
|
Work Back to overview |
Millennium Dance Shuffle
(1999) Variante zu "Number Nine III: Millennium Dance" |
||||||
|
Stage Works - Dance theatre |
|||||||
| for 5 or more amplified dancers with orchestra | |||||||
| work list |
89b-98-BE
|
||||||
| completed |
10/26/1998
|
||||||
| voices |
5 or more amplified dancers with orchestra
|
||||||
| instruments |
3 Fl. (3.+picc.), 2 Ob., 2 Clar.(Bb and Eb), 2 Bn., Double-Bn. - 4 Hn, 2 Tr., 3 Tb. - 1 Timp.,3 Perc. - strings 10.8.6.5.4
|
||||||
| duration |
3'
|
||||||
| world premiere |
03/27/1999
Guido Wallner, Ruth-Marie Hyprath, Sophatai Kanthatham, Wubkje Kuindersma, Alexandra Milne, Tom Baert, Yuki Mori, Adam Ster, Jessica Billeter, Dagmar Bock, Maria Nitsche, Brit Rodemund, Ivo Baertsch, Christian Maier, Luca Marazia, Philharmonisches Orchester Nuernberg, Christian Reuter, cond. Nuremberg (Germany), opera house |
||||||
| special |
In this variant of the final part of the orchestral piece "Millennium Dance" rhythmical actions by the dancers are accompanied by the orchestra.
|
||||||
| texts |
Millennium Dance Shuffle Aufführungshinweise Millennium Dance Shuffle [
23.03.2004
]
|
||||||
| see also |
Aboriginal / Millennium Dance A visit to the mines Zu "Ein Besuch im Bergwerk" |
||||||
|
Work Back to overview |
Aboriginal / Millennium Dance
(1998) |
||||||
|
Chamber music - Duos |
|||||||
| for 2 singing and beating pianists | |||||||
| work list |
89a-98-HW
|
||||||
| completed |
10/24/1998
|
||||||
| instruments |
piano 4 hands
|
||||||
| duration |
22'
|
||||||
| world premiere |
11/21/1998
Sigi Mauser, Moritz Eggert, pno. Munich (Germany), "Killmayer-Nacht", Bavarian Radio |
||||||
| special |
knocking, singing, 2nd movement was the basis for "Number Nine III: Millennium Dance", movements can also be performed alone
|
||||||
| dedicated |
Klaus Voswinckel (Aboriginal), Sigi Mauser (Millennium Dance)
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
millennium dance short english text No! No! There are only 10 of us and there are 10.000.000 fighting somewhere in front of you, so get your onions up and we will throw up the truce flag (The last words of Dutch Schultz) [
06.04.2004
]
zu: "Aboriginal/ Millennium Dance" ABORIGINAL/MILLENNIUM DANCE [
16.04.2003
]
|
||||||
| Multimedia |
|
||||||
| see also |
Milennium Shuffle Millennium Dance Shuffle Number Nine III |
||||||
|
Work Back to overview |
Milennium Shuffle
(1999) |
||||||
|
Stage Works - Dance theatre |
|||||||
| for 5 or more dancers with headphones | |||||||
| work list |
88-98-NW
|
||||||
| completed |
10/21/1998
|
||||||
| voices |
5 or more dancers with headphones
|
||||||
| instruments |
5 oder mehr Tänzer mit Kopfhörern
|
||||||
| duration |
5'
|
||||||
| world premiere |
03/27/1999
Guido Wallner, Ruth-Marie Hyprath, Sophatai Kanthatham, Wubkje Kuindersma, Alexandra Milne, Tom Baert, Yuki Mori, Adam Ster, Jessica Billeter, Dagmar Bock, Maria Nitsche, Brit Rodemund, Ivo Baertsch, Christian Maier, Luca Marazia Nuremberg (Germany), opera house |
||||||
| special |
music consists of percussive sounds created by the movements of the dancers; performance elements; the rhythm is provided by a cue-track through headphones, audible only for the dancers
|
||||||
| texts |
Pressestimmen der Münchner Komponist Moritz Eggert hat extra für Nürnberg eine faszinierende, vielfarbige Klangwelt arrangiert, die in ihrer rhythmisch-instrumentalen Raffinesse ein weitaus größeres Ideenpotential hätte freisetzen können. Eggerts hervorragend proportionierte ... [more] [
MRZ/APRIL 1999
]
Millennium Shuffle Aufführungshinweise Millennium Shuffle [
24.03.2004
]
|
||||||
| see also |
A visit to the mines Zu "Ein Besuch im Bergwerk" |
||||||
|
Work Back to overview |
Number Nine I
(1998) Incommunicado |
||||||
|
Orchestral works - Orchestra alone |
|||||||
| for orchestra | |||||||
| work list |
87-98-HW
|
||||||
| completed |
10/1998
|
||||||
| instruments |
orchestra: 3 Fl. (3.+picc.), 2 Ob., 1 Clar.(Bb and Eb ad lib.), 1 Bass-Clar. (Clar. In Bb ad lib.), 2 Bn., Double-Bn. - 4 Hn, 2 Tr., 3 Tb. - 1 Timp.,3 Perc. - strings 10.8.6.5.4
|
||||||
| duration |
5'
|
||||||
| special |
part of the ballet "percussiv" (see "stage works")
|
||||||
| soundcarrier |
Porträt-CD Moritz Eggert |
||||||
| publication |
www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Number Nine I Schlagzeugauflistung Schlagzeug I: Glockenspiel, Snare-Drum I, Stand-Tom (*), Ratsche, 2 hohe Kastagnetten (auf Ständer montiert), 2 tiefere Kastagnetten (auf Ständer montiert), Sandpapierblöcke, Marimbaphon, Tam-Tam [
17.08.2004
]
Number Nine I-III genereller Text Number Nine [
23.12.1998
]
Number Nine I-III, detaillierte Orchesterbesetzung englisch Number Nine [
23.08.2004
]
|
||||||
| see also |
A visit to the mines The Trap Internet-Symphony |
||||||
|
Work Back to overview |
The Outsider (original version)
(1998) original version |
||||||
|
Vocal music - Melodramas |
|||||||
| melodrama based on H.P. Lovecraft | |||||||
| work list |
86a-98-HW
|
||||||
| completed |
09/27/1998
|
||||||
| text |
after the shortstory "The outsider" by H.P. Lovecraft, German translation by Moritz Eggert
|
||||||
| voices |
voice
|
||||||
| instruments |
piano
|
||||||
| duration |
30'
|
||||||
| world premiere |
11/03/1998
Salome Kammer, Stimme, Moritz Eggert, Klavier Munich (Germany), Bayerische Akademie der Schoenen Kuenste |
||||||
| special |
besondere Spieltechniken im Klavier, Verwendung von Zusatzinstrumenten (Gummischlauch), Besondere Notation für Stimme
|
||||||
| dedicated |
Salome Kammer
|
||||||
| texts |
The Outsider, english text about the piece The Outsider [
15.11.2004
]
The Outsider, original text
[
H.P. Lovecraft , 12.11.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
The Outsider (semi-theatrical version) |
||||||
|
Work Back to overview |
Melody 1.0
version for vibraphone and typewriter |
||||||
|
Chamber music - Duos |
|||||||
| for vibraphone and typewriter | |||||||
| work list |
85c-98-BE
|
||||||
| completed |
09/18/1998
|
||||||
| instruments |
vibraphone and typewriter
|
||||||
| duration |
4'
|
||||||
| special |
basis for "Number Nine II: Melody 1.0"
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
melody 1.0 short english text MELODY 1.0 [
22.03.2004
]
|
||||||
| see also |
Melody 1.0 Melody 1.0 Number Nine II Melody 1.0 |
||||||
|
Work Back to overview |
Melody 1.0
(1998) |
||||||
|
Chamber music - Trios |
|||||||
| for violin, cello and typewriter | |||||||
| work list |
85a-98-NW
|
||||||
| completed |
08/28/1998
|
||||||
| instruments |
violin, cello, typewriter
|
||||||
| duration |
4'
|
||||||
| world premiere |
08/23/1998
Muriel Cantoreggi, vl. Sebastian Hes, vc., Moritz Eggert, typewriter Schloss Elmau (Germany), Grosser Saal |
||||||
| special |
basis for "Number Nine II: Melody 1.0"
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
This piece is the only one of my pieces which exists in three different versions ... and a fourth one is still to come! [
14.10.1998
]
|
||||||
| see also |
Melody 1.0 Melody 1.0 Number Nine II Melody 1.0 |
||||||
|
Work Back to overview |
Nemesis
(1998) |
||||||
|
Chamber music - Solo |
|||||||
| for drumset solo | |||||||
| work list |
84-98-HW
|
||||||
| completed |
08/27/1998
|
||||||
| instruments |
23-part rock drumset
|
||||||
| duration |
16'
|
||||||
| world premiere |
11/18/1998
Richard Moore, perc. Toronto (Canada), Music Gallery |
||||||
| special |
geschrieben für 23-teiliges Rockschlagzeug
|
||||||
| dedicated |
Richard Moore
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
The drumset is quite rarely used in contemporary composition. It still seems to be deeply rooted in popular music, and is mostly identified with the various forms of rock music. [
13.08.1998
]
Nemesis, kurzer deutscher Text zum Stück NEMESIS [
05.08.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
The search for the KlaNNg |
||||||
|
Work Back to overview |
herz vers sagen
(2000) from: "Neue Dichter Lieben" |
||||||
|
Vocal music - Songs with piano |
|||||||
| song after a poem by Albert Ostermaier | |||||||
| work list |
83-98-HW
|
||||||
| completed |
07/02/1998
|
||||||
| text |
text: Albert Ostermaier
|
||||||
| voices |
medium voice
|
||||||
| instruments |
piano
|
||||||
| duration |
3'
|
||||||
| world premiere |
06/30/2000
Thomas Berau, bar., Moritz Eggert, pf. Landsberg (Germany), Stadttheater, "Lyrik am Lech" |
||||||
| special |
knocking sounds, screaming
|
||||||
| soundcarrier |
Neue Dichter Lieben Music in Germany 1950-2000 |
||||||
| publication |
Edition Sikorski, Exempla nova, 8537 http://www.sikorski.de/
|
||||||
| Video |
|
||||||
| texts |
herz vers sagen, Gedichttext Albert Ostermaier [
Albert Ostermeier , 14.08.2003
]
|
||||||
| see also |
"aural corridors" Neue Dichter Lieben |
||||||
|
Work Back to overview |
machen
(1990) from: "Krausseriana" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
82i-98-HW
|
||||||
| completed |
06/28/1998
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
2'
|
||||||
| world premiere |
05/30/1990
Thomas Berau, Baritone, Moritz Eggert, pf. Mannheim (Germany), Nationaltheater |
||||||
| dedicated |
Thomas Berau
|
||||||
| see also |
Krausseriana |
||||||
|
Work Back to overview |
machen
(1990) from: "Krausseriana" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
82e-98-HW
|
||||||
| completed |
06/28/1998
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
1'
|
||||||
| world premiere |
05/30/1990
Thomas Berau, Baritone, Moritz Eggert, pf. Mannheim (Germany), Nationaltheater |
||||||
| dedicated |
Thomas Berau
|
||||||
| see also |
Krausseriana |
||||||
|
Work Back to overview |
karg
(1990) from: "Krausseriana" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
82a-98-HW
|
||||||
| completed |
06/28/1998
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
1'
|
||||||
| world premiere |
05/30/1990
Thomas Berau, Baritone, Moritz Eggert, pf. Mannheim (Germany), Nationaltheater |
||||||
| special |
beating on piano frame
|
||||||
| dedicated |
Thomas Berau
|
||||||
| see also |
Krausseriana |
||||||
|
Work Back to overview |
machen
(1990) from: "Krausseriana" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
82h-98-HW
|
||||||
| completed |
06/28/1998
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
1'
|
||||||
| world premiere |
05/30/1990
Thomas Berau, Baritone, Moritz Eggert, pf. Mannheim (Germany), Nationaltheater |
||||||
| dedicated |
Thomas Berau
|
||||||
| see also |
Krausseriana |
||||||
|
Work Back to overview |
machen
(1990) from: "Krausseriana" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
82f-98-HW
|
||||||
| completed |
06/28/1998
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
2'
|
||||||
| world premiere |
05/30/1990
Thomas Berau, Baritone, Moritz Eggert, pf. Mannheim (Germany), Nationaltheater |
||||||
| dedicated |
Thomas Berau
|
||||||
| see also |
Krausseriana |
||||||
|
Work Back to overview |
machen
(1990) from: "Krausseriana" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
82j-98-HW
|
||||||
| completed |
06/28/1998
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
2'
|
||||||
| world premiere |
05/30/1990
Thomas Berau, Baritone, Moritz Eggert, pf. Mannheim (Germany), Nationaltheater |
||||||
| dedicated |
Thomas Berau
|
||||||
| see also |
Krausseriana |
||||||
|
Work Back to overview |
machen
(1990) from: "Krausseriana" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
82g-98-HW
|
||||||
| completed |
06/28/1998
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
1'
|
||||||
| world premiere |
05/30/1990
Thomas Berau, Baritone, Moritz Eggert, pf. Mannheim (Germany), Nationaltheater |
||||||
| dedicated |
Thomas Berau
|
||||||
| see also |
Krausseriana |
||||||
|
Work Back to overview |
machen
(1990) from: "Krausseriana" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
82d-98-HW
|
||||||
| completed |
06/28/1998
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
1'
|
||||||
| world premiere |
05/30/1990
Thomas Berau, Baritone, Moritz Eggert, pf. Mannheim (Germany), Nationaltheater |
||||||
| dedicated |
Thomas Berau
|
||||||
| see also |
Krausseriana |
||||||
|
Work Back to overview |
huegelkuppen
(1990) from: "Krausseriana" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
82b-98-HW
|
||||||
| completed |
06/28/1998
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
1' 30''
|
||||||
| world premiere |
05/30/1990
Thomas Berau, Baritone, Moritz Eggert, pf. Mannheim (Germany), Nationaltheater |
||||||
| dedicated |
Thomas Berau
|
||||||
| see also |
Krausseriana |
||||||
|
Work Back to overview |
Krausseriana
(1998) 12 songs after poems by Helmut Krausser |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
82l-98-HW
|
||||||
| completed |
06/28/1998
|
||||||
| text |
text: Helmut Krausser
|
||||||
| movements |
Cembalomusik huegelkuppen karg komm strandlesen machen nur huegel? Poem Schatten stilleben tiger Wespenhonig Wurm am Wundenrand |
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
18'
|
||||||
| world premiere |
05/30/1999
Thomas Berau, Bariton, Moritz Eggert, pf. Mannheim (Germany), Nationaltheater |
||||||
| special |
plucked strings, pedaling effects
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Krausseriana, komplette Gedichttexte I [
Krausser, Helmut , 16.03.2004
]
|
||||||
| see also |
Poem machen machen machen machen machen machen machen machen huegelkuppen karg machen |
||||||
|
Work Back to overview |
machen
(1990) from: "Krausseriana" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
82k-98-HW
|
||||||
| completed |
06/28/1998
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
3'
|
||||||
| world premiere |
05/30/1990
Thomas Berau, Baritone, Moritz Eggert, pf. Mannheim (Germany), Nationaltheater |
||||||
| special |
plucked strings inside piano
|
||||||
| dedicated |
Thomas Berau
|
||||||
| see also |
Krausseriana |
||||||
|
Work Back to overview |
machen
(1990) from: "Krausseriana" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
82c-98-HW
|
||||||
| completed |
06/28/1998
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
1'
|
||||||
| world premiere |
05/30/1990
Thomas Berau, Baritone, Moritz Eggert, pf. Mannheim (Germany), Nationaltheater |
||||||
| dedicated |
Thomas Berau
|
||||||
| see also |
Krausseriana |
||||||
|
Work Back to overview |
Sea/desert
(1998) |
||||||
|
Chamber music - Ensembles |
|||||||
| for 2 pianists and 2 percussionists | |||||||
| work list |
80-98-HW
|
||||||
| completed |
01/10/1998
|
||||||
| movements |
I. See II. Desert |
||||||
| instruments |
2 percussionists, 2 pianists (piano 4-handed)
|
||||||
| duration |
14'
|
||||||
| world premiere |
04/30/1998
Marta Klimasara, Jürgen Spitschka, perc., Siegfried Mauser, Moritz Eggert, pf. Munich (Germany), Biennale, Weltmusiknacht, Carl-Orff-Saal |
||||||
| special |
1st movement: two percussionists play 1 vibraphone, two pianists play 1 piano 2nd movement: the two pianists perform various rhythmic actions inside 1 piano, rhythmic model of the 2nd movement equals the piece "fleeting encounter"
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
mehr meer bitte, bitte mehr meer (Ingeborg Bachmann) Diese beiden Stücke beschäftigen sich mehr mit einer imaginären Fremde, als mit konkretem exotischen Material. "Meer" ist ein kontinuierlicher "stream of consciousness". Die Musik befindet sich st&... [more] Erläuterungen zu "Wüste" Wüste [
17.01.2005
]
|
||||||
| Multimedia |
|
||||||
| see also |
now - I need now Fleeting Encounter |
||||||
|
Work Back to overview |
One Man Band
(1998) the composer Moritz Eggert |
||||||
|
filma about.../ participation in Films |
|||||||
| film by Klaus Voswinckel | |||||||
| work list |
00-04-HW
|
||||||
| completed |
01/01/1998
|
||||||
| text |
Film portrait with many excerpts from Moritz Eggert's work
|
||||||
| duration |
60'
|
||||||
| world premiere |
04/24/1998
BR 3 (TV) |
||||||
|
Work Back to overview |
About the music of Wolfgang Fortner
(1998) |
||||||
|
Texts & Essays - Essays |
|||||||
| work list |
00-04-HW
|
||||||
| completed |
01/01/1998
|
||||||
| text |
German, English, French
|
||||||
| world premiere |
08/02/2004
|
||||||
| publication |
CD booklet Wolfgang Fortner, Wergo WER 6624-2
|
||||||
|
Work Back to overview |
Melody 1.0
version for clarinet, piano and typewriter |
||||||
|
Chamber music - Trios |
|||||||
| for clarinet, piano and typewriter | |||||||
| work list |
85b-98-BE
|
||||||
| completed |
1998
|
||||||
| instruments |
clarinet, piano, typewriter
|
||||||
| duration |
4'
|
||||||
| special |
basis for "Number Nine II: Melody 1.0"
|
||||||
| dedicated |
Nicola und Andreas Schindhelm
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
melodie 1.0 short english text MELODY 1.0 [
22.03.2004
]
|
||||||
| see also |
Melody 1.0 Melody 1.0 Number Nine II Melody 1.0 |
||||||
|
Work Back to overview |
Haemmerklavier XI
(1998) What if 1 composer from 1 country wrote 60 pieces under a second for solo piano |
||||||
|
Chamber music - Piano solo also look at Musiktheater und Performance |
|||||||
| for piano solo | |||||||
| work list |
81-98-HW
|
||||||
| completed |
1998
|
||||||
| instruments |
piano solo
|
||||||
| duration |
1'
|
||||||
| world premiere |
02/11/1998
Guy Livingston, pf. Cape Town (South Africa) |
||||||
| special |
60 single pieces each lasting one second, played quickly in a row, mouth-siren and moo-box needed
|
||||||
| dedicated |
Guy Livingston
|
||||||
| soundcarrier |
das ist taktlos Don't panic! |
||||||
| scores |
Schott ED 9137 http://www.schott-musik.de |
||||||
| texts |
Hämmerklavier Xi, Einleitungstext Moritz Eggert [
30.12.2003
]
|
||||||
|
Work Back to overview |
Encore
(1998) overture for "home sweet home" (new version) |
||||||
|
Electronic music |
|||||||
| für Tape | |||||||
| work list |
79b-98-HW
|
||||||
| completed |
1998
|
||||||
| instruments |
tape
|
||||||
| duration |
6'
|
||||||
| world premiere |
04/22/1998
Mannheim (Germany), "Schnawwl" (Nationaltheater) |
||||||
| texts |
This sound collage was originally part of my chamber opera "Wir sind Daheim"(We are at home). The opera is the story of three people (two men and a woman) finding shelter in some kind of underground bunker controlled by a mysterious "housekeeper". Outside some kind of catastrophe has taken place, bu... [more] [
22.07.1998
]
Encore, short text about the piece Encore [
08.10.2003
]
|
||||||
| see also |
Home sweet home (new version) Breaking The Waves - Call |
||||||
|
Work Back to overview |
Home sweet home (new version)
(1998) "Ein Versatzstueck" |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| Kammeroper | |||||||
| photo |
|
||||||
| work list |
79a-97-HW
|
||||||
| completed |
12/27/1997
|
||||||
| text |
Text: Helmut Krausser, nach einer Idee von Moritz Eggert
|
||||||
| voices |
Soprano, Tenor, Baritone, actor
|
||||||
| instruments |
E-Vl., E-Guit., Drumset, Acc., MIDI-Keyb., E-Bass
|
||||||
| duration |
1 h
|
||||||
| world premiere |
04/22/1998
director: Frank Hoffmann, stage design/costumes: Jean Flammang, choreographer: Rosemary Neri, Dramaturgie: Christian Carlstedt, with Mariette Lenz (Soprano), Hannelore Bode (housekeeper), Oskar Puergstaller (Tenor), Thomas Berau (Baritone), Robert Stemmle (the new Baritone), musicians: Andreas Kurth (E-Violin), David Heintz (electr. Guit.), Johannes Schaedlich (electr. bass), Viktor Janzer (accordeon), Ruediger Mayer (drums), Philippe Vandr (Keyboard), conductor: Wolfram Koloseus Mannheim (Germany), "Schnawwl" (Nationaltheater) |
||||||
| special |
various modern playing and singing techniques, tape ("Encore")
|
||||||
| texts |
Pressestimmen ""Wir sind daheim" entpuppt sich nicht nur als bitteres Lust-Spiel über einen merkwürdigen Urknall zwischen drei Personen, sondern auch als Parabel über die Oper an sich und deren Klischees, in denen wir uns so "daheim" fühlen. Eggert lässt den Gesang sehr kunstreich geset... [more] Casa Dolce Casa (il libretto in italiano, traduzione: Rosalba LoDuca)CASA DOLCE CASA [
12.01.2005
]
Wir sind daheim, Vorbemerkungen in der Partitur
[
13.01.2005
]
"Wir sind daheim" kurzer Text zum Stück Wir sind daheim [
29.04.2003
]
|
||||||
| Multimedia |
|
||||||
| see also |
Home sweet home (old version) Encore |
||||||
|
Work Back to overview |
Skelter
|
||||||
|
Chamber music - Ensembles |
|||||||
| for saxophone quartet | |||||||
| work list |
78-97-HW
|
||||||
| completed |
11/14/1997
|
||||||
| instruments |
saxophone quartet (2 alto, 2 baritone)
|
||||||
| duration |
9'
|
||||||
| special |
refers to "Helter Skelter" by the Beatles , some multiphonics
|
||||||
| dedicated |
art-core-sax-Quartett
|
||||||
| soundcarrier |
Porträt-CD Moritz Eggert |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Erinnerte Musik ist anders als gehörte Musik: manchmal dehnen sich einzelne Passagen im Geiste zu einer endlosen Klangcollage, manchmal schrumpfen sie auch zu einem allgemeinen "Sound" zusammen. [
02.06.1998
]
Skelter, short english text about the piece Skelter [
20.09.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
The Trap now - I need now |
||||||
|
Work Back to overview |
heute
(1997) Reading of a text by Ingeborg Bachmann Version 1: 9 speakers |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
| for 9 reading voices | |||||||
| work list |
77a-97-HW
|
||||||
| completed |
09/15/1997
|
||||||
| text |
text: Ingeborg Bachmann (from "Malina")
|
||||||
| voices |
9 speakers
|
||||||
| duration |
8'
|
||||||
| world premiere |
02/28/1997
Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor Darmstadt (Germany), Staatstheater |
||||||
| special |
musical score for recitation, polyphonic speaking, rhythmical writing actions
|
||||||
| see also |
heute now - I need now "aural corridors" |
||||||
|
Work Back to overview |
Bohemian Hymn
(1997) |
||||||
|
Vocal music - Vocal ensemble also look at Choir music for vocal ensemble |
|||||||
| for gurgling voices | |||||||
| work list |
76-97-NW
|
||||||
| completed |
09/04/1997
|
||||||
| text |
text: vocalises
|
||||||
| voices |
solo voice and tutti voices (any number of performers)
|
||||||
| duration |
3'
|
||||||
| world premiere |
11/29/1997
Valentine Deschenaux, Siegfried Mauser, Moritz Eggert, voice Munich (Germany), Haus der Kunst, "Amerikanische Nacht" |
||||||
| special |
sung while gurgling with water
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
"aural corridors" |
||||||
|
Work Back to overview |
Kisses in the air
(1997) |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
| for 6 or more performers | |||||||
| work list |
75-97-NW
|
||||||
| completed |
07/18/1997
|
||||||
| voices |
6 or more performers
|
||||||
| duration |
2'
|
||||||
| world premiere |
02/28/1997
Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor Darmstadt (Germany), Staatstheater |
||||||
| special |
the music is created by the dancer's movements; mouth percussion, theatrical elements
|
||||||
| texts |
kisses in the air, english translations of performance instructions LUFTKÜSSE [
20.03.2004
]
|
||||||
| see also |
now - I need now "aural corridors" Breaking The Waves (Open Air Performance) |
||||||
|
Work Back to overview |
Das Ewig Weibliche zieht mich hinan
(1997) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for tenor and piano | |||||||
| work list |
74-97-HW
|
||||||
| completed |
07/14/1997
|
||||||
| text |
text: one line from Goethe
|
||||||
| voices |
tenor
|
||||||
| instruments |
piano
|
||||||
| duration |
6'
|
||||||
| world premiere |
10/14/1997
Leonardo de Lisi, Ten., Vito Maggiolino, pf. Rom (Italy), Goethe-Institute |
||||||
| special |
pizzicato on tuning screws
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Symphony 1.0
(1997) |
||||||
|
Orchestral works - Chamber orchestra also look at Musiktheater und Performance |
|||||||
| for 12 or more typewriters | |||||||
| work list |
73-97-HW
|
||||||
| completed |
06/15/1997
|
||||||
| movements |
I. Introduction and Allegro II. Aria |
||||||
| instruments |
4 solo, 8 or more tutti typewriters
|
||||||
| duration |
10'
|
||||||
| world premiere |
11/29/1997
Julia Schoelzel, Siegfried Mauser, Moritz Eggert, solo typewriters Munich (Germany), Haus der Kunst, "American Night" |
||||||
| special |
performance-elements, "Concerto Grosso
|
||||||
| publication |
www.sikorski.de
|
||||||
| texts |
Symphony 1.0, short text about the piece Symphony 1.0 [
16.06.2003
]
symphony 1.0, translation of performance notes Symphonie 1.0 [
29.09.2004
]
Text from the american premiere of "Symphony 1.0" Moritz Eggert [
Jane Jaffe , 08.07.2003
]
|
||||||
| Multimedia |
|
||||||
| see also |
The search for the KlaNNg |
||||||
|
Work Back to overview |
Et in Arcadia Ego
(1997) Streichquartett Nr. 2 |
||||||
|
Chamber music - Quartets also look at Ensembles |
|||||||
| for string quartet | |||||||
| work list |
72-97-HW
|
||||||
| completed |
05/14/1997
|
||||||
| instruments |
string quartet
|
||||||
| duration |
16'
|
||||||
| world premiere |
07/19/1997
Farandole-quartet Pescocostanzo (Italy), "Moto Perpetuo"-Festival, Auditorium Comunale S. Nicola |
||||||
| special |
re-tuning, knocking sounds (both at the end of the piece)
|
||||||
| dedicated |
Peter Ruzicka
|
||||||
| soundcarrier |
Et in Arcadia Ego |
||||||
| publication |
www.sikorski.de
|
||||||
| texts |
... "und in Arkadien ich" ist ein Satz der einem oft beim Studium von Renaissance-Gemälden ins Auge fällt. In der symbolgeladenen Kunstsprache dieser Epoche wurde dieser Satz als eine Art "memento mori" gebraucht, also "auch in Arkadien existiere ich (der Tod)". Eine der berühmtesten ... [more] [
05.07.1997 (dt. bersetzung 02.02.1999)
]
Et in Arcadia Ego short english text Et in Arcadia Ego [
21.10.2003
]
|
||||||
| see also |
now - I need now |
||||||
|
Work Back to overview |
Avec ma main brule
(1997) |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
| for 8 dancers and reciter (plays instrument ad lib.) | |||||||
| work list |
70-97-HW
|
||||||
| completed |
03/11/1997
|
||||||
| text |
Short excerpt from "Malina", Ingeborg Bachmann
|
||||||
| voices |
1 Rezitator/in (spielt beliebiges Instrument)
|
||||||
| instruments |
8 dancers and recitation (reciter plays any instrument ad lib.)
|
||||||
| duration |
12'
|
||||||
| world premiere |
02/28/1997
Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor, musician: Martina Bittner Darmstadt (Germany), Staatstheater |
||||||
| special |
the music is created by the dancer's movements; mouth percussion, theatrical elements
|
||||||
| texts |
English translation of performance notes Avec ma main brule [
24.04.2003
]
|
||||||
| see also |
now - I need now |
||||||
|
Work Back to overview |
Buechner-Portraet
(1997) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
69-97-HW
|
||||||
| completed |
03/10/1997
|
||||||
| text |
text: Buechner, contemporary sources
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
18'
|
||||||
| world premiere |
09/20/1997
Johannes M. Kösters, Bar., Moritz Eggert, pf. Berlin (Germany), Philharmonie, Berliner Festwochen |
||||||
| special |
percussive effects with piano lid, glissandi with frisbee, pianist is speaking
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Was kann man von Büchner vertonen, was nicht schon hundertmal vertont worden ist? Wie kann man Büchner gerecht werden, ohne die gängigen Klischees vom empfindlichen Rebell, vom James Dean der klassischen Literatur zu bemühen? [
12.07.1997
]
|
||||||
|
Work Back to overview |
Tableau
(1997) |
||||||
|
Chamber music - Duos |
|||||||
| for clarinet and piano (with melodica) | |||||||
| work list |
68-97-HW
|
||||||
| completed |
01/09/1997
|
||||||
| instruments |
clarinet and piano (with melodica)
|
||||||
| duration |
10'
|
||||||
| world premiere |
04/10/1997
Joerg Widmann, clarinet, Moritz Eggert, pf. Munich (Germany), Siemens-Preis, Cuvillis-Theater |
||||||
| special |
many theatrical elements, pianist and clarinetist move while playing, piano lid has to be removed completely, playing under and in the piano
|
||||||
| dedicated |
Jrg Widmann
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
Duo Luxa in Chengdu:
|
||||||
| texts |
I always liked the contradictory title of Lachenmann's chamber orchestra piece "Mouvement (vor der Erstarrung)" ("vor der Erstarrung" is difficult to translate in English - the most similar translation would be "before freezing"). Tableau [
19.10.2004
]
Tableau, short text about the piece Tableau [
21.10.2004
]
|
||||||
|
Work Back to overview |
Zum Jubilaeum des Neuen Theaters Muenchen
(1997) |
||||||
|
Texts & Essays - Essays |
|||||||
| completed |
01/01/1997
|
||||||
| world premiere |
01/18/2005
|
||||||
| publication |
anniversary publications of the NT (Neues Theater)
|
||||||
| texts |
Zum Jubiläum...kompletter Text Zum Jubiläum... [
18.01.2005
]
|
||||||
|
Work Back to overview |
now - I need now
(1997) |
||||||
|
Stage Works - Dance theatre |
|||||||
| music: Et in Arcadio Ego, Kisses in the air, Sea/Desert, Bohemian Hymn, Avec ma main brule, Symphony 1.0, Fleeting Encounter, Adagio, Heute, Skelter | |||||||
| completed |
1997
|
||||||
| text |
based on the life and works of Ingeborg Bachmann
|
||||||
| voices |
mixed ensemble (dancers, actors)
|
||||||
| instruments |
2 pianists, 2 percussionists
|
||||||
| duration |
1 h 30'
|
||||||
| world premiere |
02/28/1997
director/choreography: Birgitta Trommler, stage design: Gudrun Schretzmeier, with Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor, musicians: Martina Bittner, Arne Willimczik (pf.), Wolfgang Umber, Edgar Pritsch (perc.), conductor of the pre-produced recordings: Moritz Eggert, Art Core Sax-Saxophonquartett, Orchester des Staatstheater Darmstadt Darmstadt (Germany), Staatstheater |
||||||
| soundcarrier |
Porträt-CD Moritz Eggert |
||||||
| texts |
PRESSESTIMMEN "Vom Band spielen dazu ein Streichquartett, ein Saxophonquartett, ein Streicherensemble des Darmstädter Staatsorchesters. Sie schildern die Seelenzustände plastisch, mal in sanften Melodien, mal in chaotischen Dissonanzen, mal in minimalistischen Veränderungen. Von der depressiven Ver... [more] [
Mrz 1998
]
Interview anlässlich der UA von "Gegenwart - Ich brauche Gegenwart" Fragen zu Musiktheater an Moritz Eggert [
nach Fragen von Laura Berman , 10.07.2003
]
|
||||||
| see also |
Avec ma main brule Fleeting Encounter heute Kisses in the air Adagio - An Answered Question Skelter Symphony 1.0 Et in Arcadia Ego Sea/desert |
||||||
|
Work Back to overview |
Fleeting Encounter
(1997) |
||||||
|
Stage Works - Dance theatre |
|||||||
| for 8 or more dancers | |||||||
| work list |
71-97-NW
|
||||||
| completed |
1997
|
||||||
| voices |
8 or more dancers
|
||||||
| duration |
6'
|
||||||
| world premiere |
02/28/1997
Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor Darmstadt (Germany), Staatstheater |
||||||
| special |
the music is created by the dancer's movements; mouth percussion, theatrical elements
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Fleeting Encounter, translations of remarks in the score Flüchtige Begegnung (Fleeting Encounter) [
01.12.2003
]
|
||||||
| see also |
now - I need now Sea/desert |
||||||
|
Work Back to overview |
Lunu (versione italiana del libretto)
language: German |
||||||
|
Texts & Essays - Libretti |
|||||||
| textbook, Italian translation of "Lunu" (translated by Martina Kirchner and Marina Di Lieto) | |||||||
| completed |
1997
|
||||||
| publication |
CD booklet Villa Massimo 9701
|
||||||
| see also |
Lunu Lunu |
||||||
|
Work Back to overview |
Bright Nights (original version, reworked version)
(1997) The reworked version from 2006 has some cuts, the interval is at another position, apart of that it |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| large opera | |||||||
| photo |
|
||||||
| work list |
66c/66d-96-HW
|
||||||
| completed |
11/16/1996
|
||||||
| text |
text: Helmut Krausser,based on excerpts from the novel "mysteries" by Knut Hamsun
|
||||||
| voices |
Min. 10 singers (some of them casted in more than one role), 2 actors
|
||||||
| instruments |
1 Rec. (Garklein-, Discant-, Soprano-, Alto-, Tenor-, Bass-), Clar. (B), Ten.-Sax, Bass-Clar., Bn./Contrabn. - picc.Tr., Tr., Euph., Tb., Tba. - Percussion (2 players), Mouth Percussion (1 player) - Solo-Vl., Solo-Vla., Solo-Vc., E-Guit., E-Bass - Acc., Pf./Harmonium, MIDI-Keyb. (2 players) - strings 3.0.3.3.3
|
||||||
| duration |
2 h
|
||||||
| world premiere |
04/08/1997
director: Tilman Knabe, stage design: Alfred Peter, costumes: Kathrin Maurer, lighting: Michael Bauer, with Martina Koppelstetter (Dagny), Wolfgang Wirsching (Nagel/goldsmith/executioner), Charles Maxwell (Aziz/thief), Anne Salvan (Aziza), Claes H. Ahnsjoe (father/Sultan), Päivi Elina (mysterious woman/witch I), Irmgard Vilsmaier (servant I/crowd), Anne Pellekoorne (servant II/witch III), Simone Schneider (singer/crowd), Ruediger Trebes (painter/soldier/crowd), Helena Jungwirth (witch II/crowd), Hans Wilbrink (Imam), Gundula Köster (Dagny/when speaking), Peter Pruchniewitz (Nagel/when speaking ), Monika Manz/ Buelent Kullukcu (guards/doctors/exectutioner's assistants, silent roles), Bayerisches Staatsorchester, conductor: Peter Hirsch Munich (Germany), 5th Munich Biennale, Prinzregententheater |
||||||
| special |
amplified mouth percussion, various amplified instruments, use of MIDI-samples, spoken text
|
||||||
| dedicated |
"der lieben Muse"
|
||||||
| soundcarrier |
Porträt-CD Moritz Eggert Irrenoffensive |
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
So einfach es klingt: Ich wollte eine Oper schreiben, die mit dem Hörer und Zuschauer spricht, die ihm etwas über sich und über die menschliche Phantasie an sich erzählt. [
19.11.1997
]
|
||||||
| see also |
Song Angels/Signs/Journey Bright Nights (Hagen version) |
||||||
|
Work Back to overview |
Angels/Signs/Journey
(1996) 3 orchestral interludes from "Bright Nights" |
||||||
|
Orchestral works - Large ensemble |
|||||||
| for orchestra | |||||||
| work list |
66b-96-BE
|
||||||
| completed |
11/02/1996
|
||||||
| instruments |
Orchestra: Rec. (Garklein-, Discant-, Soprano-, Alto-, Tenor-, Bass-), Clar. (B), Ten.-Sax, Bass-Clar., Bn./Contrabn. - picc.Tr., Tr., Euph., Tb., Tba. - Percussion (2 players), Mouth Percussion (1 player) - Solo-Vl., Solo-Vla., Solo-Vc., E-Guit., E-Bass - Acc., Pf./Harmonium, MIDI-Keyb. (2 players) - strings 3.0.3.3.3
|
||||||
| duration |
13'
|
||||||
| world premiere |
0
|
||||||
| special |
amplified mouth percussion, various amplified instruments, use of MIDI-samples
|
||||||
| see also |
Bright Nights (original version, reworked version) |
||||||
|
Work Back to overview |
Querverbindungen
(1996) Art project by Oliver Kraehenbuehl, painter, Jan Erik Hauber, photographer, Moritz Eggert, music |
||||||
|
Building Art - more than one genre |
|||||||
| completed |
09/07/1996
|
||||||
| duration |
1 h
|
||||||
| world premiere |
09/07/1996
Moritz Eggert, pf. Winterthur (Switzerland), Kunstraum KK11 |
||||||
| special |
contains first publishing of the CD "Haemmerklavier", later published by Wergo
|
||||||
| soundcarrier |
Don't panic! |
||||||
| scores |
Schott ED 9137 Schott ED 8622 ISBN 3-9520385-4-7, Remise Verlag, Winterthur/ Pro Litteris ISBN 3-9520385-5-5 (vorz), Remise Verlag, Winterthur/ Pro Litteris http://www.schott-musik.de |
||||||
| see also |
Haemmerklavier I Haemmerklavier X: Mouth Organ Haemmerklavier IX Haemmerklavier VIII Haemmerklavier VII Haemmerklavier VI Haemmerklavier V Haemmerklavier IV Haemmerklavier III Haemmerklavier II Faxdialoge |
||||||
|
Work Back to overview |
Poem
(1999) from: "Krausseriana" |
||||||
|
Vocal music - Songs with piano |
|||||||
| for baritone and piano | |||||||
| work list |
67-96-HW
|
||||||
| completed |
07/08/1996
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
baritone
|
||||||
| instruments |
piano
|
||||||
| duration |
1' 30''
|
||||||
| world premiere |
05/30/1999
Thomas Berau, Baritone, Moritz Eggert, pf. Mannheim (Germany), Nationaltheater |
||||||
| dedicated |
Thomas Berau
|
||||||
| Video |
|
||||||
| see also |
Krausseriana |
||||||
|
Work Back to overview |
Haemmerklavier
(1996) |
||||||
|
Stage Works - Dance theatre |
|||||||
| choreography by Lucinda Childs, based on "Haemmerklavier VII" | |||||||
| completed |
03/19/1996
|
||||||
| instruments |
male and female dancer, piano solo
|
||||||
| duration |
7'
|
||||||
| world premiere |
03/19/1996
with Anna Villadolid, Norbert Graf (dancers), Moritz Eggert (pf.) Munich (Germany), Bavarian State Opera |
||||||
| soundcarrier |
Haemmerklavier I-X Don't panic! |
||||||
| scores |
Schott ED 9137 http://www.schott-musik.de |
||||||
| see also |
Haemmerklavier VII |
||||||
|
Work Back to overview |
Song
(1996) from "Bright Nights" version for voice and small ensemble |
||||||
|
Vocal music - Singing with instruments |
|||||||
| version for voice and small ensemble of an aria from the opera "Bright Nights" | |||||||
| work list |
66a-96-HW
|
||||||
| completed |
03/10/1996
|
||||||
| text |
text: vocalises
|
||||||
| voices |
soprano
|
||||||
| instruments |
Soprano-Sax., Ten.-Sax, Double-Bn.., Acc., Pf., Synthesizer, Vc.
|
||||||
| duration |
5'
|
||||||
| world premiere |
04/18/1996
Eric deClercq, cond., Jenny Haisma, soprano, Newt Hinton Ensemble Rotterdam (Niederlande), Zaal de Unie |
||||||
| soundcarrier |
Porträt-CD Moritz Eggert |
||||||
| see also |
Bright Nights (original version, reworked version) |
||||||
|
Work Back to overview |
Faxdialoge
language: German |
||||||
|
Texts & Essays - Articles |
|||||||
| interview | |||||||
| completed |
1996
|
||||||
| publication |
Querverbindungen (art project) Remise Verlag, Winterthur/ Pro Litteris
|
||||||
| see also |
Querverbindungen |
||||||
|
Work Back to overview |
Weird Actions
(1996) |
||||||
|
Stage Works - Dance theatre |
|||||||
| Musik: Hämmerklavier II, III, IV, VII, IX | |||||||
| completed |
1996
|
||||||
| voices |
mixed ensemble (dancers)
|
||||||
| instruments |
piano
|
||||||
| duration |
40'
|
||||||
| world premiere |
08/14/1996
stage: Birgit Ehrlicher, light design: Charles Balfour, with: Lucy Bethune, Kerry Chappell, Paul Clayden, Sarah Fahie, Betsy Gregory, Hanne Lilleheim, Lizie Saunderson, Paula Vacarey (dancers), Moritz Eggert, pf. London (GB), Back Hill Studios |
||||||
| soundcarrier |
Haemmerklavier I-X Don't panic! |
||||||
| scores |
Schott ED 9137 Schott ED 8265 http://www.schott-musik.de |
||||||
| see also |
Haemmerklavier II Haemmerklavier III Haemmerklavier IV Haemmerklavier VII Haemmerklavier IX |
||||||
|
Work Back to overview |
Die Kriegsirre
(2001) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for mezzo and piano | |||||||
| work list |
65-95-HW
|
||||||
| completed |
10/07/1995
|
||||||
| text |
text: Helmut Krausser
|
||||||
| voices |
mezzo
|
||||||
| instruments |
piano
|
||||||
| duration |
5' 30''
|
||||||
| world premiere |
06/09/2001
Nathalie Senf, mezzo, Lutz Gillmann, pf. Saarbruecken (Germany), Musikhochschule |
||||||
| dedicated |
Martina Koppelstetter
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
ursprünglicher Liedtext Andreas Ammer [
Andreas Ammer , 17.04.2003
]
|
||||||
|
Work Back to overview |
Haemmerklavier X: Mouth Organ
(1995) Mouth Organ |
||||||
|
Chamber music - Piano solo |
|||||||
| for performer solo | |||||||
| work list |
64-95-HW
|
||||||
| completed |
09/10/1995
|
||||||
| text |
Love poem from "Arabian Nights", translated by Enno Littmann
|
||||||
| instruments |
performer/piano solo
|
||||||
| duration |
9'
|
||||||
| world premiere |
09/23/1995
Moritz Eggert, voice Starnberg (Germany), Seenmusik-Festival, Schlossberghalle |
||||||
| special |
no instrument of any kind is needed - all the music is produced with the mouth only, amplification needed in larger halls, spoken text passages
|
||||||
| dedicated |
Helmut Lachenmann
|
||||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||||
| Video |
|
||||||
| texts |
Dieses Stück wird gänzlich (und ohne elektronische Unterstützung) mit dem Mund produziert. Hämmerklavier X Mouth Organ [
15.09.2003
]
Mouth Organ, English translation of performance notes Hämmerklavier X Mouth Organ [
13.01.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
Querverbindungen |
||||||
|
Work Back to overview |
A young composer on Orff's 100th birthday: Orff still exists
language: English |
||||||
|
Texts & Essays - Essays |
|||||||
| English translation of: "Es ist gut, daß es Carl Orff gibt" | |||||||
| completed |
06/1995
|
||||||
| world premiere |
0
|
||||||
| publication |
published in "German News" (monthly magazine for the embassy, New Delhi), Vol.XXXVI, Sept. 1995
|
||||||
| see also |
Es ist gut, daß es Carl Orff gibt |
||||||
|
Work Back to overview |
Es ist gut, daß es Carl Orff gibt
language: German |
||||||
|
Texts & Essays - Essays |
|||||||
| article | |||||||
| completed |
06/1995
|
||||||
| publication |
Sueddeutsche Zeitung 7/10/1005
|
||||||
| see also |
A young composer on Orff's 100th birthday: Orff still exists |
||||||
|
Work Back to overview |
Haemmerklavier VIII
(1995) Underground |
||||||
|
Chamber music - Piano solo |
|||||||
| for piano solo | |||||||
| photo |
|
||||||
| work list |
62-95-HW
|
||||||
| completed |
05/24/1995
|
||||||
| instruments |
piano solo
|
||||||
| duration |
8'
|
||||||
| world premiere |
06/10/1995
Moritz Eggert, pf. Munich (Germany), A*Devantgarde, Neues Theater |
||||||
| special |
Use of sirens fastened under the piano, middle pedal, playing while half sitting under the piano, performance elements
|
||||||
| dedicated |
Wolfgang Rihm
|
||||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||||
| scores |
Schott ED 9137 http://www.schott-musik.de |
||||||
| texts |
Dieses Stück, eine sture Akkordetüde, die Hämmerklavier II nicht unähnlich ist, erfährt eine Art Bedrohung oder Störung von unten. Unter dem Flügel sind Sirenen angebracht, die mit der jeweils beim Spielen freien Hand ein- und ausgeschaltet werden. Am Schluß ... [more] Hämmerklavier VIII, english translations of performance notesHämmerklavier VIII Underground [
06.12.2004
]
|
||||||
| see also |
Querverbindungen |
||||||
|
Work Back to overview |
Haemmerklavier IX
(1995) Jerusalem |
||||||
|
Chamber music - Piano solo also look at Musiktheater und Performance |
|||||||
| for piano solo | |||||||
| photo |
|
||||||
| work list |
61-95-HW
|
||||||
| completed |
05/16/1995
|
||||||
| instruments |
piano solo
|
||||||
| duration |
8'
|
||||||
| world premiere |
06/10/1995
Moritz Eggert, pf. Munich (Germany), A*Devantgarde, Neues Theater |
||||||
| special |
pianist moves around the (grand-)piano (the lid has to be removed completely) and performs various actions, additional materials: sound metals, Blue-Tac, plastic disks, brush, pedal has to be fastened, performance elements
|
||||||
| dedicated |
Claus K�hnl
|
||||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||||
| scores |
Schott ED 9137 http://www.schott-musik.de |
||||||
| Video |
|
||||||
| texts |
In dem Gesellschaftsspiel "Die Reise nach Jerusalem" werden die Sitzmöglichkeiten der Spieler nach und nach reduziert (und damit die Spieler selber). IX Jerusalem [
17.02.2004
]
|
||||||
| see also |
"aural corridors" Querverbindungen The search for the KlaNNg The Trap Weird Actions |
||||||
|
Work Back to overview |
Bad Attitude
(1995) |
||||||
|
Chamber music - Duos |
|||||||
| for cello and piano (with melodica and kazoo) | |||||||
| photo |
|
||||||
| work list |
60-95-HW
|
||||||
| completed |
03/15/1995
|
||||||
| movements |
I. Bad Vibes II. Bad Taste III. Bad Attitude |
||||||
| instruments |
cello and piano (with melodica and kazoo)
|
||||||
| duration |
12'
|
||||||
| world premiere |
04/16/1995
Sebastian Hess, cello, Moritz Eggert, pf. Salzburg (Austria), Salzburger Osterfestspiele, Mozarteum |
||||||
| special |
additional soprano-melodica and kazoo for the pianist, stomping, knocking, various advanced playing techniques, cellist sings one note
|
||||||
| dedicated |
Sebastian Hess
|
||||||
| soundcarrier |
Porträt-CD Moritz Eggert WERGO collection 2 |
||||||
| publication |
Sikorski, www.sikorski.de
|
||||||
| texts |
Dieses Stück hat viele ästhetische Parallelen zu meinem "Hämmerklavier" - Zyklus für Solo-Klavier, den ich kurz zuvor beendet hatte - auch hier geht es um die Umsetzung von Intensität. Mehr als in anderen meiner Stücke aber wird hier Übertriebenes, Triviales oder A... [more] Bad Attitude - Kurzer Text zum StückBAD ATTITUDE [
27.04.2003
]
|
||||||
| Multimedia |
|
||||||
| see also |
In the sandbox |
||||||
|
Work Back to overview |
Haemmerklavier VII
(1995) Secret desires |
||||||
|
Chamber music - Piano solo |
|||||||
| for piano solo | |||||||
| work list |
59-95-HW
|
||||||
| completed |
02/11/1995
|
||||||
| instruments |
piano solo
|
||||||
| duration |
8'
|
||||||
| world premiere |
03/28/1995
Moritz Eggert, pf. Paris, Cit des Arts |
||||||
| special |
playing of additional notes with eraser in mouth
|
||||||
| dedicated |
Louis Andriessen
|
||||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||||
| scores |
Schott ED 9137 http://www.schott-musik.de |
||||||
| Video |
|
||||||
| texts |
Das "Geheime Verlangen" dieses Stückes ist eine kurze Melodie die zweimal im Stück vorkommt: zum erstenmal, fast unbemerkt, am Anfang des Stückes; zum zweitenmal am Ende, wobei ein mit dem Mund gehaltener Radiergummi zum Spielen dieser Melodie benutzt werden muß (denn die restli... [more] |
||||||
| see also |
Querverbindungen Haemmerklavier In the sandbox Weird Actions |
||||||
|
Work Back to overview |
Requiem (Hans Werner Henze)
Transcription of three movements by Hans Werner Henze 1st version: trumpet and piano |
||||||
|
Transcriptions - Chamber music |
|||||||
| Transcription of three movements, "Sanctus", "Rex tremendae", "Lacrimosa" from Hans Werner Henze's "Requiem - 9 geistliche Konzerte" | |||||||
| work list |
63a-95-BE
|
||||||
| completed |
1995
|
||||||
| instruments |
trumpet and piano
|
||||||
| duration |
15'
|
||||||
| world premiere |
0
|
||||||
| publication |
Schott ED 8548
|
||||||
| see also |
Requiem (Hans Werner Henze) |
||||||
|
Work Back to overview |
"Tanzende Faune" und "Des Turmes Auferstehung" - zwei "verbotene" Fruehwerke Carl Orffs
(1995) language: German |
||||||
|
Texts & Essays - Articles |
|||||||
| analysis | |||||||
| completed |
1995
|
||||||
| publication |
program book Munich Philharmonic orchestra, "Orff 100 years"
|
||||||
|
Work Back to overview |
Requiem (Hans Werner Henze)
Transcription of three movements from Henze's "Requiem" 2nd version: trumpet and organ |
||||||
|
Transcriptions - Chamber music also look at Duos |
|||||||
| Transcription of three movements, "Sanctus", "Rex tremendae", "Lacrimosa" from Hans Werner Henze's "Requiem - 9 geistliche Konzerte" | |||||||
| work list |
63b-95-BE
|
||||||
| completed |
1995
|
||||||
| instruments |
trumpet and organ
|
||||||
| duration |
15'
|
||||||
| see also |
Requiem (Hans Werner Henze) |
||||||
|
Work Back to overview |
Adagio - An Answered Question
(1994) |
||||||
|
Orchestral works - Large ensemble |
|||||||
| for strings | |||||||
| work list |
58-94-HW
|
||||||
| completed |
12/31/1994
|
||||||
| instruments |
32 solo strings (8.8.6.6.4)
|
||||||
| duration |
18'
|
||||||
| world premiere |
06/26/1996
Bamberger Symphoniker, Horst Stein, cond. Bad Kissingen (Germany), Kissinger Sommer, Grosser Saal |
||||||
| dedicated |
Herbert Heckmann
|
||||||
| publication |
www.sikorski.de
|
||||||
| Multimedia |
|
||||||
| see also |
The search for the KlaNNg The Trap now - I need now Adagio - An Answered Question (version for chamber string orchestra) |
||||||
|
Work Back to overview |
Breathless
(1995) |
||||||
|
Chamber music - Solo |
|||||||
| for 4 recorders and 1 player | |||||||
| work list |
57-94-HW
|
||||||
| completed |
11/13/1994
|
||||||
| instruments |
1 soprano-, 2 alto-, 1 renaissance-alto recorder
|
||||||
| duration |
8'
|
||||||
| world premiere |
10/22/1995
Naomi Graham, recorders London (GB), Moeck-recorder-competition finals, Royal college of music |
||||||
| special |
two recorders are played at the same time throughout most of the piece, various modern playing techniques
|
||||||
| dedicated |
Naomi Graham
|
||||||
| soundcarrier |
Ausser Atem Porträt-CD Moritz Eggert Blockflute Short Cuts Peripheries |
||||||
| scores |
Schott OFB 1920 http://www.schott-musik.de |
||||||
| Video |
|
||||||
| texts |
short text about the piece in English BREATHLESS [
Moritz Eggert , 24.04.2016
]
The possibility of having one performer play two recorders at the same time has always held a fascination for me. Not only did I feel that this technique had not been fully explored - I was also drawn to the intensity that a playing technique like this automatically demands by a performer(especially... [more] [
1994/95
]
Ausser Atem - kurzer Text zum Stück AUSSER ATEM [
23.04.2003
]
|
||||||
| see also |
The search for the KlaNNg In the sandbox |
||||||
|
Work Back to overview |
Haemmerklavier VI
(1994) Variations upon Teba Ini Leh |
||||||
|
Chamber music - Piano solo |
|||||||
| for singing pianist | |||||||
| work list |
56-94-HW
|
||||||
| completed |
10/26/1994
|
||||||
| instruments |
piano solo
|
||||||
| duration |
14'
|
||||||
| world premiere |
11/08/1994
Moritz Eggert, pf. Munich (Germany), Gasteig, "Klangspuren", Carl-Orff-Saal |
||||||
| special |
singing, stomping, middle pedal, whistling, beating on the wooden frame, various modern playing techniques
|
||||||
| dedicated |
Raymund Havenith
|
||||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||||
| scores |
Schott ED 8622 http://www.schott-musik.de |
||||||
| texts |
Dieses Stück ist eines der längsten des "Hämmerklavier"-Zyklus und basiert auf einer Melodie der berühmten arabischen Sängerin Oum Kalsoum. Der Gesangspart, vom Pianisten während des Spiels auszuführen, ist ein wesentlicher Bestandteil der Komposition, ebenso eine ... [more] Haemmerklavier VI, short english textOum Kalsoum ist considered to be the singer of arabian music. She became famous in the 30s of the last century, and her famous singing style is imitated up to the finest embellishments by young singers until today. [
07.01.2004
]
|
||||||
| see also |
Querverbindungen |
||||||
|
Work Back to overview |
Mystic page
(2001) |
||||||
|
Chamber music - Solo |
|||||||
| for harp solo | |||||||
| work list |
54-94-NW
|
||||||
| completed |
09/20/1994
|
||||||
| instruments |
harp solo
|
||||||
| duration |
1' 30''
|
||||||
| world premiere |
11/03/2001
Marlis Neumann, harp Gauting (Germany), Gautinger Schlosskonzerte |
||||||
| dedicated |
Marlis Neumann
|
||||||
|
Work Back to overview |
Agur's saying
(1994) original version |
||||||
|
Vocal music - Singing with instruments |
|||||||
| written for the collaborative work "Agur's sayings" | |||||||
| work list |
53a-94-HW
|
||||||
| completed |
08/05/1994
|
||||||
| text |
text: Liber Providentium
|
||||||
| voices |
low alto
|
||||||
| instruments |
trombone
|
||||||
| duration |
5'
|
||||||
| world premiere |
19940000
Doris Huber, Alt, Mike Svoboda, Posaune Munich (Germany), Neues Theater |
||||||
| dedicated |
Detlev Glanert
|
||||||
| see also |
Agur's saying |
||||||
|
Work Back to overview |
Haemmerklavier V
(1994) study in fall |
||||||
|
Chamber music - Piano solo |
|||||||
| for piano solo | |||||||
| work list |
52-94-HW
|
||||||
| completed |
07/18/1994
|
||||||
| instruments |
piano solo
|
||||||
| duration |
5'
|
||||||
| world premiere |
07/29/1994
Moritz Eggert, pf. Montepulciano (Italy), Cantiere d'Arte, chiostro della fortezza |
||||||
| special |
rhythmical moaning
|
||||||
| dedicated |
David Lang
|
||||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||||
| scores |
Schott ED 8622 http://www.schott-musik.de |
||||||
| texts |
Ein prozesshaftes Stück, auf einer einfachen (Quintfall)sequenz beruhend. Akkorde fallen langsam ins untere Register, dabei schneller werdend und sich in Einzeltöne auflösend. Jedesmal wenn ein Ton nicht mehr spielbar ist (d.h. sich sozusagen über den linken, tiefen Tastenrand be... [more] Analyse des Stückes "Fallstudie" von Moritz EggertANALYSE des STÜCKES FALLSTUDIE von MORITZ EGGERT [
Markus Neuwirth , 20.11.2003
]
|
||||||
| Multimedia |
|
||||||
| see also |
Querverbindungen Titus - Fall of Rome |
||||||
|
Work Back to overview |
Haemmerklavier IV
(1995) 2 miniatures: Omaggio/Silberberg-variation |
||||||
|
Chamber music - Piano solo |
|||||||
| for piano solo | |||||||
| work list |
51-94-HW
|
||||||
| completed |
06/29/1994
|
||||||
| movements |
I. Omaggio II. Silberberg-Variation |
||||||
| instruments |
piano solo
|
||||||
| duration |
6'
|
||||||
| world premiere |
08/17/1995
Moritz Eggert, pf. Guanajuato (Mexico), Teatro Juarez, El callejon del Ruido |
||||||
| dedicated |
Hans Werner Henze
|
||||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||||
| scores |
Schott ED 8622 Emonts Schott's 20th Century Piano Classics (Schott ED 9565) http://www.schott-musik.de |
||||||
| texts |
Zwei wenig verschlüsselte Hommagen, die erste an Stravinsky, die zweite, eine Art alternative Goldberg-Variation, an Bach. Trotzdem auch "Hämmerklavier": Intensität durch Reduktion. |
||||||
| Multimedia |
|
||||||
| see also |
Querverbindungen Titus - Fall of Rome Weird Actions |
||||||
|
Work Back to overview |
Winter songs
shortened version for different voices |
||||||
|
Vocal music - Vocal ensemble |
|||||||
| for male vocal quartet | |||||||
| work list |
13b-94-BE
|
||||||
| completed |
05/29/1994
|
||||||
| text |
text: vocalises
|
||||||
| voices |
countertenor, 2 tenors, Bass
|
||||||
| duration |
11'
|
||||||
| dedicated |
Wilhelm Killmayer
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
Winter songs |
||||||
|
Work Back to overview |
Sanctus
(1994) |
||||||
|
Chamber music - Duos |
|||||||
| for trombone and organ | |||||||
| work list |
50-94-HW
|
||||||
| completed |
05/21/1994
|
||||||
| instruments |
trombone and organ
|
||||||
| duration |
13'
|
||||||
| world premiere |
09/16/1994
Abby Conant, tb., Klemens Schnorr, org. Erfurt (Germany), Dom |
||||||
| special |
cluster effects with wooden boards on bass pedals, registration effects (mechanical organ)
|
||||||
| dedicated |
Abby Conant
|
||||||
| publication |
Sikorski
|
||||||
| texts |
Sanctus, kurzer Text zum Stück Sanctus [
Moritz Eggert , 24.03.2014
]
|
||||||
| see also |
Sanctus (2nd version) |
||||||
|
Work Back to overview |
Haemmerklavier III
(1994) One Man Band |
||||||
|
Chamber music - Piano solo |
|||||||
| for piano solo | |||||||
| photo |
|
||||||
| work list |
49-94-HW
|
||||||
| completed |
04/28/1994
|
||||||
| instruments |
piano solo
|
||||||
| duration |
4'
|
||||||
| world premiere |
05/08/1994
Moritz Eggert, pf. Munich (Germany), Gasteig, 4th Munich Biennale, Kleiner Konzertsaal |
||||||
| special |
stomping, beating on the wooden frame and lid, playing with chin, singing/whistling, playing inside the piano, playing with left foot
|
||||||
| dedicated |
George Crumb
|
||||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||||
| scores |
Schott ED 8622 http://www.schott-musik.de |
||||||
| Video |
|
||||||
| texts |
Kurzer Text zum Stück In der neuen Musik werden "Effekte" (d.h. besondere Spieltechniken wie das Anzupfen einer Seite im Inneren des Flügels) oft in einer gewissen Vereinzelung vorgeführt. Im diesen Stück sind die "Effekte" aber das bestimmende Element, d.h. die Komposition wird in eine (auch selbstparodie... [more] [
Short Text about the piece , 1.1.1996
]
|
||||||
| Multimedia |
|
||||||
| see also |
"aural corridors" Querverbindungen The search for the KlaNNg The Trap Titus - Fall of Rome Weird Actions |
||||||
|
Work Back to overview |
Haemmerklavier II
(1994) upon the first 3 notes of "Lulu" |
||||||
|
Chamber music - Piano solo |
|||||||
| for piano solo | |||||||
| work list |
48a-94-HW
|
||||||
| completed |
04/04/1994
|
||||||
| instruments |
piano solo
|
||||||
| duration |
5'
|
||||||
| world premiere |
04/21/1994
Moritz Eggert, pf. Munich (Germany), Orff-Zentrum |
||||||
| dedicated |
Robert Saxton
|
||||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||||
| scores |
Schott ED 8622 http://www.schott-musik.de |
||||||
| texts |
In England lernt man, daß die gesamte Musik der Wiener Schule sich an den ersten 4 Tönen von Alban Bergs "Lulu" erklären lässt. Ich nahm mir vor, mit diesen Tönen eigene Welten zu bauen. In diesem Stück, einer Art Akkordetüde, sind die Pausen zwischen den Klä... [more] |
||||||
| Multimedia |
|
||||||
| see also |
Querverbindungen The search for the KlaNNg Titus - Fall of Rome Weird Actions |
||||||
|
Work Back to overview |
Haemmerklavier I
(1994) Into the open |
||||||
|
Chamber music - Piano solo |
|||||||
| for piano solo | |||||||
| work list |
47-94-HW
|
||||||
| completed |
03/25/1994
|
||||||
| instruments |
piano solo
|
||||||
| duration |
7'
|
||||||
| world premiere |
03/25/1994
Moritz Eggert, pf. Guanajuato (Mexico), Teatro Juarez, El callejon del Ruido |
||||||
| special |
short section uses beating on the wooden frame
|
||||||
| dedicated |
Wilhelm Killmayer
|
||||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||||
| scores |
Schott ED 8622 http://www.schott-musik.de |
||||||
| texts |
Hämmerklavier Hämmerklavier ist ein abendfüllend angelegter Zyklus für Klavier solo, der - mit Ausnahme der 1.Miniatur von Hämmerklavier IV - in den Jahren 1994 und 1995 entstand. |
||||||
| Multimedia |
|
||||||
| see also |
Querverbindungen |
||||||
|
Work Back to overview |
Titus - Fall of Rome
(1994) |
||||||
|
Stage Works - Stage music |
|||||||
| Musik: Hämmerklavier II, III, IV, V, Wende Dich zu mir/Vom Schiff weg... | |||||||
| completed |
1994
|
||||||
| text |
text: Heiner Mueller, William Shakespeare
|
||||||
| voices |
mixed ensemble (actors), soprano
|
||||||
| instruments |
piano
|
||||||
| duration |
2 h 45'
|
||||||
| world premiere |
09/23/1994
director: Tilman Knabe, stage design: Alfred Peter, costumes: B. Lohrer, with Claude-Oliver Rudolph, Peter Pruchniewitz, Moritz Eggert, Ralf Weikinger, Joost Siedhoff, Siegfried Wittig, Gerlinde Saemann, Saskia Leder, Daniel Enzweiler, Stephan Lewetz, Karin Boyd, Reinhold Wichmann, Gerd Lohmeyer, Wilfried Hochholdinger Munich (Germany), Prinzregententheater |
||||||
| soundcarrier |
Haemmerklavier I-X Don't panic! |
||||||
| scores |
Schott ED 8265 http://www.schott-musik.de |
||||||
| see also |
Haemmerklavier II Haemmerklavier III Haemmerklavier IV Haemmerklavier V Wende dich zu mir / Vom Schiff weg ... |
||||||
|
Work Back to overview |
Wende dich zu mir / Vom Schiff weg ...
(2000) |
||||||
|
Vocal music - Solo |
|||||||
| for solo voice | |||||||
| work list |
55-94-NW
|
||||||
| completed |
1994
|
||||||
| text |
text: Heiner Mueller, Bible
|
||||||
| movements |
Vom Schiff weg... Wende dich zu mir |
||||||
| voices |
voice solo
|
||||||
| duration |
5'
|
||||||
| world premiere |
07/08/2000
Thomas Berau, Baritone Landsberg (Germany), Stadttheater, "Lyrik am Lech" |
||||||
| special |
written for the play "Titus - Fall of Rome" by Heiner Müller
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
Titus - Fall of Rome Breaking The Waves (Open Air Performance) |
||||||
|
Work Back to overview |
Vexations - an analysis of procedures
language: English |
||||||
|
Texts & Essays - Texts about works |
|||||||
| analysis | |||||||
| completed |
1994
|
||||||
| see also |
Vexations |
||||||
|
Work Back to overview |
Consolations
(1993, changed 2016) |
||||||
|
Chamber music - Solo |
|||||||
|
Version 1: for viola solo (original version) HV 46a Version 2: reworked version for viola or electric viola solo HV 46b |
|||||||
| work list |
46ab-93-HW
|
||||||
| completed |
09/22/1993
|
||||||
| instruments |
viola solo
|
||||||
| duration |
7'
|
||||||
| world premiere |
03/19/2017
Gunther Pretzel, viola reworked version: Andreas Ticozzi Munich (Germany), Gasteig, Black Box Munich (Germany), Johannissaal/Nymphenburg |
||||||
| special |
bow is sometimes played under the strings, whistling (only in original version)
|
||||||
| dedicated |
Gunther Pretzel
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Consolations, Text zum Stück Im Sommer 1993, während der Arbeit an dem sehr komplexen und durchstrukturierten Orchesterwerk "Vexations" (ungefähr: "Quälereien" oder "Kränkungen") tröstete ich mich in müden Stunden mit dem Gedanken an mein nächstes Stück, das ganz intim und einfach sein so... [more] [
Moritz Eggert , 14.06.1995
]
|
||||||
|
Work Back to overview |
Squared
|
||||||
|
Chamber music - Ensembles also look at Octets |
|||||||
| for octet | |||||||
| work list |
44-93-NW
|
||||||
| completed |
08/15/1993
|
||||||
| instruments |
Fl., Ob., Trump. (in C), Tb., Hp., Pf., Vc., Cb.
|
||||||
| duration |
5'
|
||||||
| special |
some "Aeolic Harp" - passages inside the piano; chord structure also used in "Vexations" (see "orchestra music")
|
||||||
| see also |
Vexations |
||||||
|
Work Back to overview |
Vexations
(1993) |
||||||
|
Orchestral works - Chamber orchestra |
|||||||
| for chamber orchestra | |||||||
| work list |
45-93-HW
|
||||||
| completed |
08/08/1993
|
||||||
| instruments |
Chamber orchestra: Fl./picc., Ob., Clar. (Bb), Bn. - Tr. (B), Tb., Tba. - percussion (1 player) - piano/Synthesizer (1 player) - strings 4.0.2.2.1
|
||||||
| duration |
18'
|
||||||
| world premiere |
08/22/1993
TMC-fellows, Brad Lubman, cond. Tanglewood (USA), Tanglewood Music Center |
||||||
| publication |
parts and score available for hire at Sikorski http://www.sikorski.de/de/ |
||||||
| texts |
Vexations, deutscher Text zum Stück Vexations [
17.12.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
Squared Vexations - an analysis of procedures |
||||||
|
Work Back to overview |
In the box
(1993) version for three trumpets |
||||||
|
Chamber music - Trios |
|||||||
| for three trumpets | |||||||
| work list |
40b-93-BE
|
||||||
| completed |
05/13/1993
|
||||||
| instruments |
three trumpets
|
||||||
| duration |
7'
|
||||||
| world premiere |
07/07/1993
brass workshop London (GB), Guildhall school |
||||||
| special |
trumpets are tuned in quarter tones
|
||||||
| see also |
In the box |
||||||
|
Work Back to overview |
Fanfarerafnaf
(1993) |
||||||
|
Chamber music - Ensembles also look at Quintets |
|||||||
| for brass quintet | |||||||
| work list |
43-93-NW
|
||||||
| completed |
05/05/1993
|
||||||
| instruments |
brass quintet: 2 trumpets, horn, trombone, tuba
|
||||||
| duration |
1' 45''
|
||||||
| world premiere |
07/07/1993
brass workshop London (GB), Guildhall school |
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
short text about the piece "Fanfarerafnaf" FANFARERAFNAF [
24.11.2003
]
|
||||||
|
Work Back to overview |
Ist Kultur unnuetz?
language: German |
||||||
|
Texts & Essays - Essays |
|||||||
| essay | |||||||
| completed |
04/1993
|
||||||
| publication |
ADEvantgarde, 2nd festival, catalogue
|
||||||
|
Work Back to overview |
sky is retreating
(1993) music for a choreography |
||||||
|
Chamber music - Ensembles also look at Quintets |
|||||||
| for five players | |||||||
| work list |
42-93-HW
|
||||||
| completed |
03/06/1993
|
||||||
| instruments |
flute, clar., vn., vc., pf.
|
||||||
| duration |
6'
|
||||||
| world premiere |
05/25/1993
choreography: Ursula Hegglin, dancers: Deborah Peacock, Maurizio Patti, Guildhall School ensemble (from tape) London (GB), London contemporary dance |
||||||
| dedicated |
Wilhelm Killmayer
|
||||||
|
Work Back to overview |
One Shot
(1993) |
||||||
|
Chamber music - Quintets also look at Brass quintet |
|||||||
| for wind quintet | |||||||
| work list |
41-93-NW
|
||||||
| completed |
02/22/1993
|
||||||
| instruments |
wind quintet: fl., ob., clar., bn., hn.
|
||||||
| duration |
1' 30''
|
||||||
| world premiere |
07/08/1993
Gareth davies, fl., Derren Coles, cl., James Beatty, Ob., Robert Dulson, bn., Clare Hutchins, Hn. London (GB), Guildhall school |
||||||
|
Work Back to overview |
In the box
(1996, changed 2001, 2016) original version for triple trumpet |
||||||
|
Chamber music - Solo |
|||||||
|
a) original version: for triple trumpet solo (1993/2001) HV 40a b) Version für trumpet solo (2016) HV 40b |
|||||||
| work list |
40a-93-HW
|
||||||
| completed |
02/15/1993
|
||||||
| instruments |
triple trumpet solo
|
||||||
| duration |
7'
|
||||||
| world premiere |
03/10/1996
Malte Burba, triple trumpet London (GB), Guildhall school |
||||||
| special |
unusual trumpet construction, artificial prolongation of the trumpet with a garden hose, "remote playing" through a metal box
|
||||||
| dedicated |
Malte Burba
|
||||||
| texts |
In The Box, short text about the piece In the Box [
Moritz Eggert , 11.4.2010
]
|
||||||
| see also |
In the box |
||||||
|
Work Back to overview |
Little Hideaways
(1993) string quartet no. 1 |
||||||
|
Chamber music - Quartets |
|||||||
| for string quartet | |||||||
| work list |
39-93-HW
|
||||||
| completed |
01/20/1993
|
||||||
| movements |
1. There... 2. ...and back again 3. in 4. inside 5. emerging 6. away 7. out |
||||||
| instruments |
string quartet
|
||||||
| duration |
17'
|
||||||
| world premiere |
07/08/1993
Rosamunde quartet Munich (Germany), Akademie der Wissenschaften |
||||||
| special |
advanced playing techniques (playing behind the fingers) in first and second movement
|
||||||
| soundcarrier |
Concours Molinari 2001-2002 |
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Alle 7 Abschnitte dieses Stücks (die ohne Pause ineinander übergehen) basieren auf einer einzigen melodischen Linie, zu hören in den ersten zwei Takten. [
24.02.1994 (rev. 02.10.1998)
]
Little Hideaways, english text LITTLE HIDEAWAYS [
05.03.2004
]
Little Hideaways, same text but shortened LITTLE HIDEAWAYS [
15.03.2004
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Noah (Libretto)
language: German |
||||||
|
Texts & Essays - Libretti |
|||||||
| libretto | |||||||
| completed |
1993
|
||||||
| world premiere |
0
|
||||||
|
Work Back to overview |
Lunu
(1992) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| abstract opera | |||||||
| photo |
|
||||||
| work list |
36a-92-HW
|
||||||
| completed |
10/15/1992
|
||||||
| text |
text: Moritz Eggert
|
||||||
| voices |
7 singers, 2 actors
|
||||||
| instruments |
Fl./picc., Ob., Clar. (B), Bn. - Tr., Hn., Tb., Tba. - Percussion (2 players) - E-Guit., Hp. - Pf./Harmonium/Cemb. (1 player), Midi-Keyb. - strings 1.1.2.2.2
|
||||||
| duration |
1 h 15'
|
||||||
| world premiere |
12/11/1992
director: Tilman Knabe, design: Alfred Peter, costumes: Kathrin Maurer, Muenchener Bachsolisten, cond.: Jobst Liebrecht, with Stefanie Frueh (Lunu), Rita Kapfhammer (Feme), Martina Sauer (Aesaehoek), Christian Gerhaher (Jiri), Bernhard Hirtreiter (Pada), Tobias Schlierf (Uebuew), Alfred Reiter (Goto), Uli Zentner und Peter Pruchniewitz (Loele und Shuze) Munich (Germany), Theater in der Halle 50 |
||||||
| special |
various contemporary playing and singing techniques, use of samples
|
||||||
| soundcarrier |
Lunu |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Multimedia |
|
||||||
| see also |
idee fixe idee fixe (Celloversion) The Trap Lunu Lunu (versione italiana del libretto) |
||||||
|
Work Back to overview |
Seraphim
(1992) |
||||||
|
Chamber music - Ensembles also look at Quartets |
|||||||
| for trombone quartet | |||||||
| work list |
38-92-HW
|
||||||
| completed |
06/21/1992
|
||||||
| instruments |
trombone quartet
|
||||||
| duration |
11'
|
||||||
| world premiere |
07/19/1992
Prisma-quartet Montepulciano (Italy), Cantiere d'Arte, San Fancesco |
||||||
| special |
trombonists play in a square around the audience, quadrophonic effects, various advanced playing techniques
|
||||||
| dedicated |
Abby Conant und "Prisma"
|
||||||
| publication |
www.sikorski.de
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
idee fixe
Version 1 für Viola |
||||||
|
Chamber music - Solo |
|||||||
| for viola solo | |||||||
| work list |
36c-92-BE
|
||||||
| completed |
05/10/1992
|
||||||
| instruments |
viola solo
|
||||||
| duration |
6'
|
||||||
| world premiere |
12/16/2003
Nils Moenkemeyer, vla. Munich (Germany), Siemens-Rotunde |
||||||
| special |
partly approximate notation, performance elements
|
||||||
| see also |
idee fixe (Celloversion) Lunu "aural corridors" |
||||||
|
Work Back to overview |
idee fixe (Celloversion)
(1993) Version 2 für Cello |
||||||
|
Chamber music - Solo |
|||||||
| for cello solo | |||||||
| work list |
36b-92-BE
|
||||||
| completed |
05/10/1992
|
||||||
| instruments |
Cello Solo
|
||||||
| duration |
6'
|
||||||
| world premiere |
02/05/1993
Laura McPheeters, vc. London (GB), Guildhall school |
||||||
| special |
partly approximate notation, performance elements
|
||||||
| Video |
|
||||||
| see also |
idee fixe Lunu |
||||||
|
Work Back to overview |
Pulcinella disperato
(1994) Fantasia per pianoforte |
||||||
|
Transcriptions - Chamber music also look at Piano solo |
|||||||
| Fantasia the ballet "Pulcinella Disperato" by Hans Werner Henze | |||||||
| work list |
37-92-BE
|
||||||
| completed |
1992
|
||||||
| instruments |
piano solo
|
||||||
| duration |
11'
|
||||||
| world premiere |
05/08/1994
Moritz Eggert, pf. Munich (Germany), Gasteig, Kleiner Konzertsaal, 4th Muenchener Biennale |
||||||
| scores |
Schott ED 8265 http://www.schott-musik.de |
||||||
|
Work Back to overview |
Lunu
language: German |
||||||
|
Texts & Essays - Libretti |
|||||||
| textbook | |||||||
| completed |
1992
|
||||||
| publication |
CD booklet Villa Massimo 9701
|
||||||
| see also |
Lunu Lunu (versione italiana del libretto) |
||||||
|
Work Back to overview |
The raven nevermore overture
(1991) |
||||||
|
Orchestral works - Chamber orchestra |
|||||||
| for chamber orchestra | |||||||
| work list |
31-91-HW
|
||||||
| completed |
04/16/1991
|
||||||
| instruments |
Chamber orchestra: Fl./picc., Ob., Bn. - Percussion (1 player), strings 4.4.2.2.1
|
||||||
| duration |
13'
|
||||||
| world premiere |
06/05/1991
Junges Philharmonisches Orchester Stuttgart, conductor: Manfred Schreier Munich, Carl-Orff-Saal (Gasteig), 1st ADEvantgarde-Festival |
||||||
| special |
some extraordinary percussion, advanced playing techniques
|
||||||
| dedicated |
Sandeep Bhagwati
|
||||||
| publication |
www.sikorski.de
|
||||||
| texts |
Der Rabe Nimmermehr OUvertüre, detaillierte Schlagzeugbesetzung Der Rabe Nimmermehr Ouvertüre [
29.07.2006
]
|
||||||
|
Work Back to overview |
Celephais
(1992) |
||||||
|
Vocal music - Music for choir |
|||||||
| for 12-part mixed choir | |||||||
| work list |
30-91-HW
|
||||||
| completed |
03/22/1991
|
||||||
| text |
text: vocalises
|
||||||
| voices |
12-part mixed choir
|
||||||
| duration |
17'
|
||||||
| world premiere |
01/16/1992
via-nova-chor, Kurt Suttner, cond. Munich (Germany), Bayerische Akademie der Schoenen Kuenste |
||||||
| special |
some advanced techniques and effects
|
||||||
| dedicated |
Wilhelm Killmayer
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
A house with seven rooms
(1991) |
||||||
|
Chamber music - Duos |
|||||||
| for cello and piano | |||||||
| work list |
29-91-HW
|
||||||
| completed |
01/10/1991
|
||||||
| movements |
I. The children's room II. The library III. The music room IV. The room of mirrors V. The chamber of love VI. The dying room VII. The room with the locked door |
||||||
| instruments |
cello, piano
|
||||||
| duration |
24'
|
||||||
| world premiere |
02/03/1991
Anja Lechner, vc., Moritz Eggert, pf. Munich (Germany), Musikhochschule, Grosser Saal |
||||||
| special |
all pieces can be performed out of context, some advanced playing techniques
|
||||||
| dedicated |
Anja Lechner
|
||||||
| see also |
The Trap In the sandbox |
||||||
|
Work Back to overview |
Sind Komponisten unnuetz?
language: German |
||||||
|
Texts & Essays - Essays |
|||||||
| essay | |||||||
| completed |
1991
|
||||||
| publication |
program book 1st ADEvantgarde Festival, Munich
|
||||||
|
Work Back to overview |
Magical dances and rituals
(1992) 2nd version for viola solo |
||||||
|
Chamber music - Solo |
|||||||
| for viola solo | |||||||
| work list |
6b-91-BE
|
||||||
| completed |
1991
|
||||||
| movements |
I. Ritual II. Morning Song III. Great Dance IV. Dirge V. Evening Song |
||||||
| instruments |
viola solo
|
||||||
| duration |
8'
|
||||||
| world premiere |
07/17/1992
Gunter Pretzel, vla. Munich (Germany), Freies Musikzentrum |
||||||
| dedicated |
Patrick Sepec
|
||||||
| see also |
Magical dances and rituals |
||||||
|
Work Back to overview |
Wir sind daheim (old Version/Libretto)
language: German |
||||||
|
Texts & Essays - Libretti |
|||||||
| libretto for a collaborative opera | |||||||
| completed |
1991
|
||||||
| see also |
Home sweet home (old version) |
||||||
|
Work Back to overview |
Etude de Solitude
(1991) |
||||||
|
Chamber music - Solo also look at Graphical scores |
|||||||
| for violin solo | |||||||
| work list |
33-91-NW
|
||||||
| completed |
1991
|
||||||
| instruments |
for violin solo
|
||||||
| duration |
6'
|
||||||
| world premiere |
0
|
||||||
| dedicated |
Kathrin Maurer
|
||||||
|
Work Back to overview |
Home sweet home (old version)
(1991) Alte Fassung |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| chamber opera "von Atanasio Khyrsh, 1965", written together with Peter Frey, Axel Singer, Markus Schmitt und Sandeep Bhagwati | |||||||
| photo |
|
||||||
| work list |
34-91-NW
|
||||||
| completed |
1991
|
||||||
| text |
text: Moritz Eggert, together with Peter Frey, Axel Singer, Markus Schmitt, Sandeep Bhagwati
|
||||||
| voices |
4 singers (Sop., Alto, Ten., Bass)
|
||||||
| instruments |
Clar. (B), Tr., Vc., percussion (1 player), Pf./Synthesizer (1 player)
|
||||||
| duration |
55'
|
||||||
| world premiere |
06/08/1991
director: Tanja Gronde, conductor: Jobst Liebrecht, with Dietrich Henschel (Bariton), Bernhard Hirtreiter (Tenor) and others Munich (Germany), Musikhochschule, 1st A*Devantgarde-Festival |
||||||
| special |
various contemporary playing techniques, tape
|
||||||
| see also |
The search for the KlaNNg Wir sind daheim (old Version/Libretto) Home sweet home (new version) |
||||||
|
Work Back to overview |
The king of the squirrels changes the tree
(1991) |
||||||
|
Chamber music - Trios |
|||||||
| "musique d'ameublement" (new dining music) | |||||||
| work list |
32-91-NW
|
||||||
| completed |
1991
|
||||||
| instruments |
clarinet, violin, piano
|
||||||
| duration |
2'
|
||||||
| world premiere |
06/08/1991
Carolin Widmann, vl., Joerg Widmann, clar., ?, piano Munich (Germany), Stadtmuseum, Stadtcaf |
||||||
| special |
Neue Tafelmusik
|
||||||
|
Work Back to overview |
4th Etude from op.2 (Prokofieff)
|
||||||
|
Transcriptions - Orchestra alone |
|||||||
| Transcription of an Etude by Sergeij Prokoffieff | |||||||
| work list |
28-99-BE
|
||||||
| completed |
07/03/1990
|
||||||
| instruments |
Large orchestra: picc.-Fl., 2 Fl., 2 Ob., 2 clar., cor angl., 2 Bn. - 3 Tr., 4 Hn., 3 trb., Tb. - 3 perc., hp., Pf. - strings
|
||||||
| duration |
4'
|
||||||
|
Work Back to overview |
Fugue II
(1990) |
||||||
|
Chamber music - Piano solo |
|||||||
| work list |
27-90-NW
|
||||||
| completed |
07/1990
|
||||||
| instruments |
piano or cembalo or organ or harmonium
|
||||||
| duration |
5'
|
||||||
| world premiere |
0
|
||||||
|
Work Back to overview |
scene from Paul and Virginie
(1990) |
||||||
|
Chamber music - Piano solo also look at Operas/ music theatre |
|||||||
| a scene from "Paul & Virginie" for piano solo | |||||||
| work list |
22b-90-BE
|
||||||
| completed |
03/08/1990
|
||||||
| instruments |
piano solo
|
||||||
| duration |
7'
|
||||||
| world premiere |
05/10/1990
Moritz Eggert, pf. Munich (Germany), Musikhochschule, Grosser Saal |
||||||
| soundcarrier |
Klavier Musik Utopien |
||||||
| see also |
Paul and Virginie |
||||||
|
Work Back to overview |
Warum "Paul und Virginie?"
language: German |
||||||
|
Texts & Essays - Texts about works |
|||||||
| introduction | |||||||
| completed |
1990
|
||||||
| publication |
catalogue 2nd Munich Biennale
|
||||||
| see also |
Paul and Virginie |
||||||
|
Work Back to overview |
Loud and fearless
(1990) |
||||||
|
Chamber music - Piano solo |
|||||||
| by "Atanasio Khyrsh" (written together with Sandeep Bhagwati), for piano solo with assistants | |||||||
| work list |
26-90-NW
|
||||||
| completed |
1990
|
||||||
| voices |
singing assistants ad lib.
|
||||||
| instruments |
piano solo, assistants playing any instrument
|
||||||
| duration |
13'
|
||||||
| world premiere |
11/22/1990
Moritz Eggert, pf., Hardy Wenzel, Vla., Lutz Landwehr, Sandeep Bhagwati, Peter Frey, voice, Jelka Weber, assistant Munich (Germany), A*Devantgarde, Gasteig, Black Box |
||||||
| special |
Improvised Passages, use of unusual extra instruments (kitchen clocks, mechanical toys, radios, etc.), assistents play other instruments and sing, performance-elements
|
||||||
| see also |
The search for the KlaNNg |
||||||
|
Work Back to overview |
Warum "Paul und Virginie?"
language: French |
||||||
|
Texts & Essays - Texts about works |
|||||||
| introduction | |||||||
| completed |
1990
|
||||||
| publication |
catalogue 2nd Munich Biennale
|
||||||
| see also |
Paul and Virginie Warum "Paul und Virginie?" Warum "Paul und Virginie?" |
||||||
|
Work Back to overview |
piano trio no.2
(1990) |
||||||
|
Chamber music - Trios |
|||||||
| for piano trio | |||||||
| work list |
24-90-HW
|
||||||
| completed |
1990
|
||||||
| movements |
I. Moderato II. Choral III. Scherzo IV. Trio |
||||||
| instruments |
vl., vc., pf. (piano trio)
|
||||||
| duration |
27'
|
||||||
| world premiere |
05/25/1990
Barbara Kink, vl., Anja Lechner, vc., Moritz Eggert, pf. Munich (Germany), Gasteig, Black Box |
||||||
| special |
use of a metronome, some advanced playing techniques
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Warum "Paul und Virginie?"
language: Englisch |
||||||
|
Texts & Essays - Texts about works |
|||||||
| introduction | |||||||
| completed |
1990
|
||||||
| publication |
catalogue 2nd Munich Biennale
|
||||||
| see also |
Paul and Virginie Warum "Paul und Virginie?" Warum "Paul und Virginie?" |
||||||
|
Work Back to overview |
?
(1990) |
||||||
|
Stage Works - Stage music |
|||||||
| music for a theatre piece by Edward Bond | |||||||
| completed |
1990
|
||||||
| text |
text: Edward Bond (in German)
|
||||||
| voices |
mixed ensemble (singing actors)
|
||||||
| instruments |
piano
|
||||||
| duration |
4'
|
||||||
| world premiere |
19900000
Dominik Wilgenbus, piano, with Hermes Schmid, Katharina Laube, Martina Schröder, Arno Linker, Tanja Eppelsheimer Munich (Germany), Musikhochschule |
||||||
| see also |
Warum wurden die Bomben abgeworfen? |
||||||
|
Work Back to overview |
Warum wurden die Bomben abgeworfen?
(1990) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for choir and piano | |||||||
| work list |
25-90-NW
|
||||||
| completed |
1990
|
||||||
| text |
text: Edward Bond (in German)
|
||||||
| voices |
choir (can also be sung by actors)
|
||||||
| instruments |
piano
|
||||||
| duration |
3'
|
||||||
| world premiere |
19900000
Dominik Wilgenbus, piano, with Hermes Schmid, Katharina Laube, Martina Schroeder, Arno Linker, Tanja Eppelsheimer Munich (Germany), Musikhochschule |
||||||
| special |
stage music for "Die Konservendosenmenschen" by Edward Bond
|
||||||
| see also |
? |
||||||
|
Work Back to overview |
Fugue
|
||||||
|
Chamber music - Solo also look at Piano solo |
|||||||
| work list |
23-89-NW
|
||||||
| completed |
11/08/1989
|
||||||
| instruments |
piano or organ or harmonium or cembalo
|
||||||
| duration |
2'
|
||||||
|
Work Back to overview |
Paul and Virginie
(1990) |
||||||
|
Stage Works - Operas/ music theatre also look at Septets |
|||||||
| puppet opera | |||||||
| photo |
|
||||||
| work list |
22a-89-HW
|
||||||
| completed |
09/22/1989
|
||||||
| text |
text: Moritz Eggert, based on the book by Bernardin de St. Pierre and an idea by Erik Satie
|
||||||
| instruments |
Clar. (B), Tb., Percussion (1 player), Guitar, Vl., Cb., Harmonium/Pf. (1 player)
|
||||||
| duration |
1 h
|
||||||
| world premiere |
04/29/1990
director/design: Helmut Danninger, Ensemble fuer Neue Musik (piano: Moritz Eggert) , cond.: Roger Epple Munich (Germany), Gasteig, Black Box, 2nd Munich Biennale |
||||||
| special |
Musicians also use small percussion instruments, piano is slightly prepared for one scene
|
||||||
| dedicated |
Erik Satie
|
||||||
| soundcarrier |
Klavier Musik Utopien |
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
scene from Paul and Virginie The Trap Paul and Virginie (Libretto), English Version Warum "Paul und Virginie?" Paul and Virginie (Libretto) |
||||||
|
Work Back to overview |
No man
(1989) |
||||||
|
Orchestral works - Orchestra alone also look at Vocal music |
|||||||
| for singers and orchestra | |||||||
| work list |
21-89-HW
|
||||||
| completed |
03/17/1989
|
||||||
| text |
Text: vocalises
|
||||||
| voices |
Soprano, Alto, Bass
|
||||||
| instruments |
Fl., Alto-Fl., Ob., Cor Angl.-., Bass-Cl. (Bb), Bar.-Sax., Bn. - Trump. (Bb), Fluegelhorn o. Cornet, Horn, Tb., Tba. - Percussion (3-4 players) - Organ o. electrical Organ, Pf. - Soprano (Solo), Alto, Bass ("orchestra voices") - strings 9.9.6.7.6
|
||||||
| duration |
12'
|
||||||
| world premiere |
04/05/1989
Sibylle Plocher, Soprano, Silvia Fichtl, Alto, Markus Hollop, Bass, Catharina Seidel, Organ, Matthias Preissinger, piano, Alexander Hoetzinger, Vibraphone, Andreas Ruppert, conductor, Symphonieorchester Graunke Munich (Germany), Musikhochschule, Grosser Saal |
||||||
| special |
Orchestra is divided in an unconventional way, singers sing with certain instrument groups
|
||||||
|
Work Back to overview |
Paul and Virginie (Libretto), English Version
English translation by Mandy Jackson and Sabine Roth |
||||||
|
Texts & Essays - Libretti |
|||||||
| puppet opera | |||||||
| completed |
1989
|
||||||
| publication |
program book 2nd Munich Biennale, 1989
|
||||||
| see also |
Paul and Virginie (Libretto) Paul and Virginie |
||||||
|
Work Back to overview |
The eternal song
(2001) Bearbeitung eines Satzes aus "12 Schläge der Sonnenuhr" |
||||||
|
Orchestral works - Chamber orchestra |
|||||||
| for strings | |||||||
| work list |
9b-89-BE
|
||||||
| completed |
1989
|
||||||
| instruments |
string orchestra (minimum: 6.4.4.3.1)
|
||||||
| duration |
2'
|
||||||
| world premiere |
04/11/2001
Nuernberger Symphoniker, Philippe Auguin, cond Nuremberg (Germany), Documentation Center Reichsparteitagsgelaende |
||||||
| special |
simple scordatura
|
||||||
| publication |
www.sikorski.de
|
||||||
| texts |
Der ewige Gesang (kurzer Text zum Stück) Der Ewige Gesang... [
02.08.2003
]
|
||||||
| Multimedia |
|
||||||
| see also |
The 12 strikes of the sundial The search for the KlaNNg |
||||||
|
Work Back to overview |
Paul and Virginie (Libretto)
language: German |
||||||
|
Texts & Essays - Libretti |
|||||||
| puppet opera | |||||||
| completed |
1989
|
||||||
| world premiere |
0
|
||||||
| publication |
programme 2nd Munich Biennale, 1989
|
||||||
| see also |
Paul and Virginie Paul and Virginie (Libretto), English Version |
||||||
|
Work Back to overview |
Song from "Merlin"
|
||||||
|
Vocal music - Singing with instruments |
|||||||
| song after a text from "Merlin" by Tankred Dorst | |||||||
| work list |
20-88-NW
|
||||||
| completed |
12/17/1988
|
||||||
| text |
text: Tankred Dorst
|
||||||
| voices |
singer (could also be an actor/actress)
|
||||||
| instruments |
Oboe, percussion (1 player), Vc., Pf.
|
||||||
| duration |
4'
|
||||||
|
Work Back to overview |
Lost Songs
(2000) version for 12 saxophones |
||||||
|
Orchestral works - Chamber orchestra also look at Music for choir |
|||||||
| work list |
19c-88-HW
|
||||||
| completed |
11/22/1988
|
||||||
| instruments |
12 saxophones (3 soprano, 3 alto, 3 tenor, 3 bass)
|
||||||
| duration |
16'
|
||||||
| world premiere |
11/04/2000
Sueddeutsches Saxophonorchester, Linda Bangs, cond. Griesheim (Germany), Haus Waldeck |
||||||
| special |
jede Stimme kann durch beliebige Instrumente verdoppelt oder ersetzt werden, extrem flexible Besetzung
|
||||||
| dedicated |
Gabriele Schlick
|
||||||
| Multimedia |
|
||||||
| see also |
Lost songs Lost songs |
||||||
|
Work Back to overview |
Lost songs
(1989) original version without intsrumentation |
||||||
|
Orchestral works - Chamber orchestra also look at Music for choir |
|||||||
| for 12 voices ad lib. | |||||||
| work list |
19a-88-HW
|
||||||
| completed |
11/22/1988
|
||||||
| text |
Text: Vokalisen
|
||||||
| instruments |
12 part ensemble ad lib., parts can be played by more than 1 instrument
|
||||||
| duration |
16'
|
||||||
| world premiere |
04/13/1989
Sybille Plocher, sopr., Silvia Fichtl, alto, Rainer Trost, Ten., Markus Hollop, Bass, Johannes Rieger, cond., orchestra of the Musikhochschule Munich (Germany), Musikhochschule, Grosser Saal |
||||||
| special |
flexible instrumentation, nearly any combination is possible
|
||||||
| dedicated |
Gabriele Schlick
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Verlorene Gesänge, genereller Text Verlorene Gesänge [
13.12.2004
]
|
||||||
| see also |
Lost songs Lost Songs |
||||||
|
Work Back to overview |
Lost songs
(1993) version for soprano, 2 recorders and tape |
||||||
|
Orchestral works - Ensembles also look at Music for choir |
|||||||
| work list |
19b-88-HW
|
||||||
| completed |
11/22/1988
|
||||||
| text |
Text: vocalises
|
||||||
| voices |
Soprano
|
||||||
| instruments |
2 recorders, tape
|
||||||
| duration |
16'
|
||||||
| world premiere |
06/02/1993
Temime Bowling, sopr., Naomi Graham, rec., tape produced by Moritz Eggert and Richard Gonski London (GB); Guildhall School of Music and Drama |
||||||
| dedicated |
Gabriele Schlick
|
||||||
| see also |
Lost songs Lost Songs |
||||||
|
Work Back to overview |
Space
(1988) |
||||||
|
Orchestral works - Chamber orchestra |
|||||||
| for spatial chamber orchestra | |||||||
| work list |
18-88-HW
|
||||||
| completed |
09/07/1988
|
||||||
| instruments |
Chamber orchestra: Fl., Ob., Clar. (Bb) - Trump. (B), Tb. - Percussion (3 players) - Pf., Guit. - strings 1.1.1.1.0
|
||||||
| duration |
24'
|
||||||
| world premiere |
11/11/1988
Mutare Ensemble, Gerhard Mueller.Hornbach, cond. Braunschweig (Germany), Staedtisches Museum, Braunschweiger Tage Neuer Kammermusik |
||||||
| special |
musicians are placed apart
|
||||||
| dedicated |
Gerhard Mller-Hornbach
|
||||||
| publication |
www.sikorski.de
|
||||||
| texts |
All, detaillierte Schlagzeugbesetzung All [
19.07.2006
]
|
||||||
|
Work Back to overview |
The book of days
(1988) |
||||||
|
Chamber music - Solo also look at Piano solo |
|||||||
| for piano solo | |||||||
| work list |
17-88-NW
|
||||||
| completed |
06/1988
|
||||||
| instruments |
piano solo
|
||||||
| duration |
15'
|
||||||
| world premiere |
06/10/1988
Moritz Eggert, pf. Munich (Germany), Ludwig-Maximilan-University, Aula |
||||||
|
Work Back to overview |
One for Claude
(1988) |
||||||
|
Chamber music - Solo also look at Piano solo |
|||||||
| for piano solo | |||||||
| work list |
16-88-NW
|
||||||
| completed |
04/22/1988
|
||||||
| instruments |
piano solo
|
||||||
| duration |
3'
|
||||||
| world premiere |
06/15/1988
Moritz Eggert, pf. Frankfurt am Main (Germany), Alte Oper, Hindemithsaal |
||||||
| dedicated |
Gabriele Schlick
|
||||||
|
Work Back to overview |
Der kaleidoskopische Dieb und sein Schatten
(1988) Film von Benedict Neuenfels |
||||||
|
Film music |
|||||||
| contains music from: "The meal of Mr. Orlong" and "star dog" | |||||||
| completed |
1988
|
||||||
| instruments |
various
|
||||||
| duration |
10'
|
||||||
| world premiere |
19880000
? |
||||||
| see also |
The meal of Mr. Orlong Star dog |
||||||
|
Work Back to overview |
Samba sketch
|
||||||
|
Orchestral works - Chamber orchestra |
|||||||
| for chamber orchestra | |||||||
| work list |
15-87-NW
|
||||||
| completed |
1988
|
||||||
| instruments |
Chamber orchestra: 2 Fl., clar. (Bb), Bn. - Tr., Tb. - perc.. - Vl., Vla., Vc., Cb.
|
||||||
| duration |
2'
|
||||||
|
Work Back to overview |
The meal of Mr. Orlong
(1988) opera for actors |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| music for a silent play | |||||||
| photo |
|
||||||
| work list |
14-87-HW
|
||||||
| completed |
12/05/1987
|
||||||
| text |
Libretto: Moritz Eggert
|
||||||
| movements |
I. The Night II. Mr. Orlong gets dressed III. The man in the moon IV. The stagehands appear IX. Setting up the conductor's stand V. The man in the moon (2) VI. The drinking automatons VII. The stagehands appear for the second time VIII. The stagehands appear for the thrid time X. The man in the moon (3) XI. The man in the moon (4) XII. The night (2) XIII. Overture (in the style of the old masters) XIV. Entering the stage XV. Leaving the stage |
||||||
| voices |
Alto, Tenor, Bass, heroic tenor ad lib.
|
||||||
| instruments |
Cor angl., Ten.-Sax, Bass-Clar., 2 Bn. - Cemb., Harm., Celesta, Pf. - Percussion (1 player) - Strings 1.1.1.2.1.
|
||||||
| duration |
1 h 30'
|
||||||
| world premiere |
02/24/1988
Ensemble fuer Neue Musik, Muenchen, Roger Epple, cond., Director: Peer Martiny, stage design/costumes: Colin Walker, with: Silvia Fichtl, Sopr., Markus Brutscher, Ten., Donald George, Ten., Markus Hollop, Bar., Michael Hell (Mr. Orlong), Peter Luppa (the moon man), Grace Yoon (dancer), Sabrina Ascacebar, Andreas Borcherding, Dietmar Moessmer, Uta Tietje, Hans H. Steinberg Munich (Germany), Gasteig, Carl-Orff-Saal |
||||||
| special |
silent action, singers sing out of orchestra pit mostly, some scenes without music, tape, theatrical actions by musicians
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Multimedia |
|
||||||
| see also |
The search for the KlaNNg In the sandbox The Trap Der kaleidoskopische Dieb und sein Schatten Das Mahl des Herrn Orlong (textbook) Man in the Moon |
||||||
|
Work Back to overview |
Das Mahl des Herrn Orlong (textbook)
language: German |
||||||
|
Texts & Essays - Libretti |
|||||||
| suggestions for a silent drama | |||||||
| completed |
10/1987
|
||||||
| see also |
The meal of Mr. Orlong |
||||||
|
Work Back to overview |
Winter songs
(1987) original version |
||||||
|
Vocal music - Vocal ensemble |
|||||||
| for vocal quartet | |||||||
| work list |
13a-87-HW
|
||||||
| completed |
04/28/1987
|
||||||
| text |
text: vocalises
|
||||||
| voices |
soprano, alto, tenor, bass
|
||||||
| duration |
17'
|
||||||
| world premiere |
06/24/1987
Moritz Eggert, cond., Sybille Plocher/Ulrike Simon, sopr., Silvia Fichtl, Mezzo, Thomas Mohrherr, Ten., Markus Hollop, bass Munich (Germany), Musikhochschule, Grosser Saal |
||||||
| dedicated |
Wilhelm Killmayer
|
||||||
| soundcarrier |
Porträt-CD Moritz Eggert |
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Die Hibernalischen Gesänge - das älteste Stück auf dieser CD, und überhaupt eines der ersten richtigen "Stücke" von mir - stellten in vielerlei Hinsicht einen kompositorischen Neubeginn für mich dar, nicht zuletzt verursacht durch den Beginn meines Studiums bei Wilhelm ... [more] [
1990 (rev. 02.10.1998)
]
|
||||||
| Multimedia |
|
||||||
| see also |
Winter songs |
||||||
|
Work Back to overview |
Kleines Lied von den Schatten
(1987, rev. 1992) |
||||||
|
Vocal music - Songs with piano |
|||||||
| for tenor and piano | |||||||
| work list |
35-92-HW
|
||||||
| completed |
01/03/1987
|
||||||
| text |
text: Moritz Eggert
|
||||||
| voices |
tenor
|
||||||
| instruments |
piano
|
||||||
| duration |
6'
|
||||||
| world premiere |
07/08/1993
Nicolas Charters, Ten., Moritz Eggert, pf. London (GB), Guildhall School of Music and Drama |
||||||
|
Work Back to overview |
Departure
(1986) |
||||||
|
Chamber music - Sextets |
|||||||
| for sextet, originally planned as prologue to "Das Licht am Ende des Tunnels" (unfinished) | |||||||
| work list |
12-86-HW
|
||||||
| completed |
10/13/1986
|
||||||
| instruments |
Fl./picc., Clar. (Bb/Eb), Hn., Vl., Vc., Pf.
|
||||||
| duration |
9'
|
||||||
| world premiere |
11/15/1986
Annegret Lucke, Fl., Udo Schmitt, clar., Siochiro Ono, Hn., Johannes Blumenroether, Vl., Maike Bittner-Kunstreich, Vc., Gottfried Bittner, pf. Frankfurt am Main (Germany), Heussenstamm-Stiftung |
||||||
| special |
echo effects - french horn plays into the piano
|
||||||
|
Work Back to overview |
Star dog
(1986) |
||||||
|
Orchestral works - Concerts |
|||||||
| for piano, clarinet, trumpet, percussion and strings | |||||||
| work list |
11-86-HW
|
||||||
| completed |
04/05/1986
|
||||||
| movements |
I. II. III. |
||||||
| instruments |
Pf. solo, Tr. solo, Cl. Solo, percussion (3 players), strings 6.4.4.4.2
|
||||||
| duration |
25'
|
||||||
| world premiere |
06/07/1986
Schwanheimer Kammerorchester, Martin Kraehe, cond., Moritz Eggert, pf., Alexander Michel, clar., Stefan Klemme, trp., Juergen Niessner, Julia Thais, Martin Lorentz, perc. Oberursel (Germany), Stadthalle |
||||||
| dedicated |
Leonard Hokanson
|
||||||
| publication |
www.sikorski.de
|
||||||
| see also |
The search for the KlaNNg Der kaleidoskopische Dieb und sein Schatten |
||||||
|
Work Back to overview |
cadence for flute concert in D by W.A. Mozart
(1986) |
||||||
|
Transcriptions - Cadences |
|||||||
| work list |
00-86-NW
|
||||||
| completed |
01/01/1986
|
||||||
| instruments |
flute solo
|
||||||
| duration |
3'
|
||||||
| dedicated |
Andrea Lieberknecht
|
||||||
|
Work Back to overview |
Grossstadtmenschen
(1986) poetry by Matthias Drawe |
||||||
|
Stage Works - Hörspiele |
|||||||
| enthält: "3 Vitrinen" für Klavier Solo | |||||||
| completed |
1986
|
||||||
| text |
text: Matthias Drawe
|
||||||
| duration |
45'
|
||||||
| world premiere |
01/04/1986
Moritz Eggert, pf. Hessian Radio (Germany) |
||||||
| special |
Klavier Solo
|
||||||
| see also |
3 showcases |
||||||
|
Work Back to overview |
3 showcases
(1987) |
||||||
|
Chamber music - Piano solo |
|||||||
| for piano solo | |||||||
| work list |
10-86-NW
|
||||||
| completed |
1986
|
||||||
| instruments |
piano solo
|
||||||
| duration |
7'
|
||||||
| world premiere |
03/10/1987
Moritz Eggert, pf. Frankfurt am Main (Germany), Leyda-Ungerer |
||||||
| special |
light preparation
|
||||||
| see also |
Grossstadtmenschen |
||||||
|
Work Back to overview |
The 12 strikes of the sundial
(1986) |
||||||
|
Orchestral works - Chamber orchestra |
|||||||
| for chamber orchestra | |||||||
| work list |
9a-85-HW
|
||||||
| completed |
11/15/1985
|
||||||
| movements |
I. Prlude (1) II. Into the deep (In die Tiefe) III. Leviathan IV. (The eternal song) Der ewige Gesang IX. Abyss (2) V. Prlude (2) VI. Abyss (1) VII. The announcer of time (Verkünder der Zeit) VIII. The reverser of time (Umkehrer der Zeit) X. The fanfare of the defender of time (Die Fanfare des Verteidigers der Zeit) XI. The defender of time (Der Verteidiger der Zeit) XII. (Leviathan's scream) Der Schrei des Leviathan |
||||||
| instruments |
Chamber orchestra: Fl./picc., Ob., Cor angl., Bn. - Hn., Tb. - percussion (2-4 players) - Hp. - strings 0.0.0.2.2.
|
||||||
| duration |
27'
|
||||||
| world premiere |
02/02/1986
Mutare Ensemble, Claus Kuehnl, conductor Frankfurt am Main (Germany), St. Leonhardt |
||||||
| special |
some unusual percussion, trombone and french horn wander around the concert hall (3rd part only)
|
||||||
| dedicated |
Claus K�hnl
|
||||||
| publication |
www.sikorski.de
|
||||||
| Video |
|
||||||
| see also |
The eternal song |
||||||
|
Work Back to overview |
3 pieces for euphonium and brass sextet
|
||||||
|
Chamber music - Septets |
|||||||
| for euphonium and brass sextet | |||||||
| work list |
8-85-NW
|
||||||
| completed |
05/1985
|
||||||
| movements |
I. Kryptischer Choral II. Trauermarsch III. Hymne |
||||||
| instruments |
euphonium, 2 trumpets, 2 french horns, 2 trombones
|
||||||
| duration |
12'
|
||||||
|
Work Back to overview |
piano trio no. 1 (Lux/Tenebrae)
(1984) |
||||||
|
Chamber music - Trios |
|||||||
| for piano trio | |||||||
| work list |
7-84-HW
|
||||||
| completed |
11/1984
|
||||||
| movements |
I. Lux II. Tenebrae |
||||||
| instruments |
vl., vc., pf. (piano trio)
|
||||||
| duration |
11'
|
||||||
| world premiere |
12/18/1984
Sebastian Matthes, Vl., Patrick Sepec, Vc., Moritz Eggert, Pf. Frankfurt am Main (Germany), Forum Stadtsparkasse |
||||||
|
Work Back to overview |
Magical dances and rituals
(1984) original version for cello solo |
||||||
|
Chamber music - Solo |
|||||||
| for cello solo | |||||||
| work list |
6a-84-HW
|
||||||
| completed |
11/1984
|
||||||
| movements |
I. Ritual II. Morning Song III. Great Dance IV. Dirge V. Evening Song |
||||||
| instruments |
cello solo
|
||||||
| duration |
8'
|
||||||
| world premiere |
12/18/1984
Patrick Sepec, Vc. Frankfurt am Main (Germany), Forum Stadtsparkasse |
||||||
| dedicated |
Patrick Sepec
|
||||||
| publication |
http://www.sikorski.de |
||||||
| see also |
Magical dances and rituals |
||||||
|
Work Back to overview |
Totem
string quartet "0" |
||||||
|
Chamber music - Quartets |
|||||||
| for string quartet | |||||||
| work list |
5-84-NW
|
||||||
| completed |
1984
|
||||||
| instruments |
string quartet
|
||||||
| duration |
11'
|
||||||
|
Work Back to overview |
Stories of farmer Heisch
(1983) new version |
||||||
|
Chamber music - Solo also look at Piano solo |
|||||||
| for piano solo | |||||||
| work list |
1b-83-HW
|
||||||
| completed |
1983
|
||||||
| instruments |
piano solo
|
||||||
| duration |
3'
|
||||||
| world premiere |
19830000
Moritz Eggert, pf. Frankfurt am Main (Germany), Forum Stadtsparkasse |
||||||
| dedicated |
Heike Bauer
|
||||||
| see also |
Stories of farmer Heisch |
||||||
|
Work Back to overview |
Rayvelation
|
||||||
|
Chamber music - Solo |
|||||||
| for electric bass solo | |||||||
| work list |
4-83-NW
|
||||||
| completed |
1983
|
||||||
| instruments |
electric bass solo
|
||||||
| duration |
3'
|
||||||
|
Work Back to overview |
Das Gehirn zu Pferde
(1983) Film von Hans Neuenfels ("Das kleine Fernsehspiel") |
||||||
|
Film music |
|||||||
| Film von Hans Neuenfels ("Das kleine Fernsehspiel") | |||||||
| work list |
2-83-NW
|
||||||
| completed |
1983
|
||||||
| text |
text: Hans Neuenfels, after Strindberg
|
||||||
| instruments |
piano solo
|
||||||
| duration |
1 h 30'
|
||||||
| world premiere |
19830000
Moritz Eggert, pf. ZDF |
||||||
| special |
unter Verwendung von Musik von Schubert und Skrjabin
|
||||||
|
Work Back to overview |
piano piece
|
||||||
|
Chamber music - Solo also look at Piano solo |
|||||||
| for piano solo | |||||||
| work list |
3-83-NW
|
||||||
| completed |
1983
|
||||||
| instruments |
piano solo
|
||||||
| duration |
5'
|
||||||
|
Work Back to overview |
Stories of farmer Heisch
old version |
||||||
|
Chamber music - Solo also look at Piano solo |
|||||||
| for piano solo | |||||||
| work list |
1a-82-HW
|
||||||
| completed |
04/1982
|
||||||
| instruments |
piano solo
|
||||||
| duration |
3'
|
||||||
| dedicated |
Heike Bauer
|
||||||
| see also |
Stories of farmer Heisch |
||||||
|
Work Back to overview |
"Shakespeare-Evening"
(1982) |
||||||
|
Stage Works - Stage music |
|||||||
| work list |
0-82-NW
|
||||||
| completed |
1982
|
||||||
| text |
Text: William Shakespeare
|
||||||
| voices |
mixed ensemble (actors)
|
||||||
| instruments |
flute, guitar
|
||||||
| duration |
1 h 30'
|
||||||
| world premiere |
19820000
English theatre, Frankfurt am Main (Germany) English theatre, Frankfurt am Main (Germany) |
||||||
|
Work Back to overview |
Tragedy Of A Friedship
(2013) |
||||||
|
Stage Works - Dance theatre also look at Musiktheater und Performance |
|||||||
|
Wagner versus Nietzsche: a fatal friendship In 2013, it will be 200 years since Richard Wagner was born: an ideal time to turn the spotlight on this legendary composer. The Flanders Opera invited Jan Fabre to make a musical theatre creation on the subject of Wagner, who is one of his favourite artistic figures. He was inspired by Wagner's 13 operas and the fascinating but tragic association between Wagner and Nietzsche, which ended in a feud. In collaboration with the writer and Nietzsche expert Stefan Hertmans and the German composer Moritz Eggert, the result is an exciting new work of theatre. Coproductio,: Troubleyn/Jan Fabre, Concertgebouw Brugge, Thtre de la Ville Paris, Opra de Lille, Wagner Genva Festival & Holland Festival. |
|||||||
| text |
Stefan Hertmans, Wagner, Nietzsche
|
||||||
| voices |
Tenor/Mezzo (live)
|
||||||
| instruments |
Orchestra, Theremin, Cello, Harmonium (from tape)
|
||||||
| duration |
3 h 15'
|
||||||
| world premiere |
05/15/2013
singers: Lies Vandewege / Hans Peter Janssens, Performers: Silke Muys / Anne Pajunen / Solne Weinachter / Gustav Koenigs / Nikolaus Barton / Annabelle Chambon / Cdric Charron / Ivana Jozic / Kurt Vandendriessche / Fabienne Vegt Musicians from Tape: Lydia Kavina (ther.), Jadranka Gasparovic (vc.), Nico Declerck, Moritz Eggert (Harmonium), Flanders Symphony Orchestra, Conductor: Moritz Eggert Antwerp (Belgium), Opera Antwerp, "Opera XXI" |
||||||
| special |
contains parts of man soll schwimmen (cycle for Trio) and My Sleep Is A Dream (cycle for orchestra), sound improvisations and A Cappella excerpts from operas by Richard Wagner
|
||||||
| Video |
Tragedy of a Friendship - Warm-Up from Opera Vlaanderen on Vimeo.
Jan Fabre | Troubleyn - Tragedy of a Friendship from Peak Performances on Vimeo. |
||||||
| see also |
man soll schwimmen My Sleep Is A Dream |
||||||
|
Work Back to overview |
Symphony 3.0 (extended version)
(2015) extended version for roughly 22 cars and 2 musical car horns |
||||||
|
Orchestral works - Ensembles also look at Large ensemble |
|||||||
| work list |
128b-02-NW
|
||||||
| movements |
1. leak 2. wawltz 3. wall |
||||||
| instruments |
ca. 22 cars, conductor
|
||||||
| duration |
12'
|
||||||
| world premiere |
06/19/2015
Bayerischer Trabant Club e.V., Soloists, Moritz Eggert, conductor Passau (Germany), Residenzplatz, Europäische Festwochen (Eröffnung) |
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Symphonie 3.0 (erweiterte Fassung), Text zum Stück Moritz Eggert [
Moritz Eggert , 25.04.2015
]
|
||||||
| see also |
Symphony 3.0 |
||||||
|
Work Back to overview |
Komponieren ist Handwerk
(2016) Absolute Beginners (column) |
||||||
|
Texts & Essays - Articles |
|||||||
| publication |
NMZ 2/16
|
||||||
|
Work Back to overview |
Haemmerklavier III: One Man Band, more videos
|
||||||
|
Chamber music - Piano solo also look at Musiktheater und Performance |
|||||||
| Video |
|
||||||
|
Work Back to overview |
Musik zum Schmusen
(2014) Eine romantische Polemik |
||||||
|
Texts & Essays - Essays also look at Articles |
|||||||
| publication |
Published in Quart Heft für Kultur Tirol, Haymon-Verlag, ISBN 978-3-7099-7099-7 In German |
||||||
|
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