Excerpt from the piece (beginning)

... "und in Arkadien ich" ist ein Satz der einem oft beim Studium von Renaissance-Gemälden ins Auge fällt. In der symbolgeladenen Kunstsprache dieser Epoche wurde dieser Satz als eine Art "memento mori" gebraucht, also "auch in Arkadien existiere ich (der Tod)". Eine der berühmtesten ... [mehr]

Et in Arcadia Ego
...“and in Arcadia I“ is a sentence which has fascinated scholars for a long time. In renaissance symbolism it is supposed to mean „and also in Arcadia, death exists“, a sort of „memento mori“. It famously appears on a picture by the french painter Nicolas Poussin, „The shep... [mehr]

Alle 7 Abschnitte dieses Stücks (die ohne Pause ineinander übergehen) basieren auf einer einzigen melodischen Linie, zu hören in den ersten zwei Takten.
Alle musikalischen Parameter - Form, Tonhöhen, Rhythmus, etc. - beziehen sich auf die eine oder andere Weise auf diese M... [mehr]

LITTLE HIDEAWAYS


I have always been fascinated by the famous sentence at the beginning of William Blake’s „Auguries of innocence“: To see a world in a grain of sand.
This is – in my mind - connected to another motto, which has also been of utmost importance for my work:... [mehr]

LITTLE HIDEAWAYS


I have always been fascinated by the famous sentence at the beginning of William Blake’s „Auguries of innocence“: To see a world in a grain of sand.
This is – in my mind - connected to another motto, which has also been of utmost importance for my work:... [mehr]

excerpt from the piece, played by the Molinari quartet

Symphony 2.0
For any 4 instruments


This piece is part of my ongoing series of „Domestic Symphonies“, the first (“Symphony 1.0”) is a concerto for 12 typewriters, and the third (“Symphony 3.0”) a piece for 6 ship, car or bicycle horns.
“Symphony 2.0” consists of t... [mehr]