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last updated: Moritz Eggert |
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Home Biography Discography Dates Photo gallery Music gallery Video gallery Texts Current press Links Imprint |
Sorting
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alphabetical | chronologic | ||||||
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Work Back to overview |
ground zero
(2002) a project by Hans Hoffer |
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Stage Works - Stage music |
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| music: epitaph, also featuring music by Renald Deppe, Wolfgang Mitterer, Simeon Pironkoff, Balduin Sulzer, Georg Holzmann, Sarah Huber, Magdalena Moser, Nina Ortner, Anna Windisch | |||||||
| completed |
11/15/2002
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| text |
Text: Magdalena Moser, Birgit Schoener, Waltraud Reiterer, Irene Diwiak
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| duration |
1 h 20'
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| world premiere |
11/15/2002
direction and stage design: Hans Hoffer, costumes: Clarisse Praun-Maylunas, lighting: Peter Michelitsch, conductor: Stephan Amschl, "Orchester des Jugendmusikfestes" Deutschlandsberg (Austria), Lassnitz-Haus, Jugendmusikfest Deutschlandsberg/ Steirischer Herbst |
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| special |
an evening by and for children and youths about September 11th
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| see also |
epitaph |
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Work Back to overview |
heute
(1997) Reading of a text by Ingeborg Bachmann Version 1: 9 speakers |
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Stage Works - Musiktheater und Performance |
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| for 9 reading voices | |||||||
| work list |
77a-97-HW
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| completed |
09/15/1997
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| text |
text: Ingeborg Bachmann (from "Malina")
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| voices |
9 speakers
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| duration |
8'
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| world premiere |
02/28/1997
Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor Darmstadt (Germany), Staatstheater |
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| special |
musical score for recitation, polyphonic speaking, rhythmical writing actions
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| see also |
heute now - I need now "aural corridors" |
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|
Work Back to overview |
Millennium Dance Shuffle
(1999) Variante zu "Number Nine III: Millennium Dance" |
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Stage Works - Dance theatre |
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| for 5 or more amplified dancers with orchestra | |||||||
| work list |
89b-98-BE
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| completed |
10/26/1998
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| voices |
5 or more amplified dancers with orchestra
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| instruments |
3 Fl. (3.+picc.), 2 Ob., 2 Clar.(Bb and Eb), 2 Bn., Double-Bn. - 4 Hn, 2 Tr., 3 Tb. - 1 Timp.,3 Perc. - strings 10.8.6.5.4
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| duration |
3'
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| world premiere |
03/27/1999
Guido Wallner, Ruth-Marie Hyprath, Sophatai Kanthatham, Wubkje Kuindersma, Alexandra Milne, Tom Baert, Yuki Mori, Adam Ster, Jessica Billeter, Dagmar Bock, Maria Nitsche, Brit Rodemund, Ivo Baertsch, Christian Maier, Luca Marazia, Philharmonisches Orchester Nuernberg, Christian Reuter, cond. Nuremberg (Germany), opera house |
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| special |
In this variant of the final part of the orchestral piece "Millennium Dance" rhythmical actions by the dancers are accompanied by the orchestra.
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| texts |
Millennium Dance Shuffle Aufführungshinweise Millennium Dance Shuffle [
23.03.2004
]
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| see also |
Aboriginal / Millennium Dance A visit to the mines Zu "Ein Besuch im Bergwerk" |
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|
Work Back to overview |
heute
(2002, changed 2001) Reading of a text by Ingeborg Bachmann Version 1: 6 speakers |
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Stage Works - Musiktheater und Performance |
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| for 6 reading voices | |||||||
| work list |
77b-01-BE
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| completed |
2001
|
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| text |
text: Ingeborg Bachmann (from "Malina")
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| voices |
6 speakers
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| duration |
8'
|
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| world premiere |
02/08/2002
Version 1: Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Dörthe Stöß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor Version 2:Desirée Petitpierre, Julia Wirth, Liat Himmelheber, Yaron Windmueller, Sebastian Hess, Moritz Eggert Version 1: Darmstadt (Germany), Staatstheater, Version 2: Basel (Schweiz), Theater Skala |
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| special |
musical score for recitation, polyphonic speaking, rhythmical writing actions
|
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| see also |
now - I need now "aural corridors" heute |
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|
Work Back to overview |
Die zwei Tauben
(2019) |
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Stage Works - Short operas also look at Songs with instruments |
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| Für singende Schauspielerin/singenden Schauspieler und Ensemble mit zusätzlichem Vokalpart | |||||||
| work list |
272-NW-2019
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| completed |
11/25/2019
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| text |
Patrick Hahn, Ludwig van Beethoven
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| movements |
1. Das Leben vor dem Tode 2. Barcarole 3. Tango 4. Walzer 5. Can-Can |
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| voices |
male voice, 2 female voices
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| instruments |
Baroque Harp, Jazz-Bass, Drumset, Piano
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| duration |
40'
|
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| world premiere |
12/16/2019
Jackie O./Jacques Offenbach: Marlene Goksch, Beethoven/B.: Moritz Eggert, Baroque Harp; Luise Enzian, Piano/voc.: Moritz Eggert, Drumset: Christian Thomé, Jazz-Bass: Johannes Esser RheinEnergie (ship), between Cologne and Bonn (Germany) |
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| special |
Written for the Offenbach/Beethoven celebrations 2019/2020
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| publication |
http://www.sikorski.de
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Work Back to overview |
The Trap
(1999) |
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Stage Works - Stage music also look at Dance theatre |
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Musiktheater von Laterna Magika, Prag. Beinhaltet folgende, einzelne aufgelistete Werke: Hämmerklavier III: One Man band, Lunu, Hämmerklavier IX: Jerusalem, Number Nine I: Incommunicado, Number Nine II: Melodie 1.0, Number Nine III: Millennium Dance, Number Nine V: Fragment/Zapping, Ein Haus mit 7 Zimmern: Die Bibliothek/Die Liebeskammer/Der Raum mit der verschlossenen Tür, Paul und Virginie: Paul und Virginie/Das Abendessen, Adagio-an answered question, Das Mahl des Herrn Orlong: Mondmann, Ouvertüre, Skelter, sowie div. Originalmusik |
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| photo |
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| completed |
1999
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| text |
Libretto: Milena Honzikowa
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| voices |
mixed ensemble (dancers)
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| instruments |
Musik vom Band
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| duration |
1 h 20'
|
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| world premiere |
09/17/1999
director/stage design: Josef Svoboda, Libretto: Milena Honzikova, Choreographer: Igor Holovac, camera: Antonin Weiser, costumes: Sarka Hejnova, pre-produced music Philharmonic Orchestra Prague, conductor: Mario Klemens, Art-Core - Saxophone quartet, Sebastian Hess, Vc., Moritz Eggert, pf. Prague (CZ), Laterna Magika |
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| soundcarrier |
Lunu |
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| scores |
Schott ED 9137 Schott ED 8265 http://www.schott-musik.de |
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| see also |
Haemmerklavier III The meal of Mr. Orlong Adagio - An Answered Question Paul and Virginie A house with seven rooms Number Nine V: Fragment/Zapping Number Nine III Number Nine II Number Nine I Haemmerklavier IX Lunu Skelter |
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|
Work Back to overview |
Titus - Fall of Rome
(1994) |
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Stage Works - Stage music |
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| Musik: Hämmerklavier II, III, IV, V, Wende Dich zu mir/Vom Schiff weg... | |||||||
| completed |
1994
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| text |
text: Heiner Mueller, William Shakespeare
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| voices |
mixed ensemble (actors), soprano
|
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| instruments |
piano
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| duration |
2 h 45'
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| world premiere |
09/23/1994
director: Tilman Knabe, stage design: Alfred Peter, costumes: B. Lohrer, with Claude-Oliver Rudolph, Peter Pruchniewitz, Moritz Eggert, Ralf Weikinger, Joost Siedhoff, Siegfried Wittig, Gerlinde Saemann, Saskia Leder, Daniel Enzweiler, Stephan Lewetz, Karin Boyd, Reinhold Wichmann, Gerd Lohmeyer, Wilfried Hochholdinger Munich (Germany), Prinzregententheater |
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| soundcarrier |
Haemmerklavier I-X Don't panic! |
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| scores |
Schott ED 8265 http://www.schott-musik.de |
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| see also |
Haemmerklavier II Haemmerklavier III Haemmerklavier IV Haemmerklavier V Wende dich zu mir / Vom Schiff weg ... |
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|
Work Back to overview |
Weird Actions
(1996) |
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|
Stage Works - Dance theatre |
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| Musik: Hämmerklavier II, III, IV, VII, IX | |||||||
| completed |
1996
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| voices |
mixed ensemble (dancers)
|
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| instruments |
piano
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| duration |
40'
|
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| world premiere |
08/14/1996
stage: Birgit Ehrlicher, light design: Charles Balfour, with: Lucy Bethune, Kerry Chappell, Paul Clayden, Sarah Fahie, Betsy Gregory, Hanne Lilleheim, Lizie Saunderson, Paula Vacarey (dancers), Moritz Eggert, pf. London (GB), Back Hill Studios |
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| soundcarrier |
Haemmerklavier I-X Don't panic! |
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| scores |
Schott ED 9137 Schott ED 8265 http://www.schott-musik.de |
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| see also |
Haemmerklavier II Haemmerklavier III Haemmerklavier IV Haemmerklavier VII Haemmerklavier IX |
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|
Work Back to overview |
Variations IV.XX
(2001) |
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Stage Works - Musiktheater und Performance also look at Electronic music |
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| Sketch for an Internet composition with any number of participants | |||||||
| work list |
107-00-HW
|
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| completed |
12/17/2000
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| voices |
ad libitum
|
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| instruments |
ad libitum
|
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| duration |
2 h
|
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| world premiere |
06/23/2001
FM Einheit, percussion, Sebastian Hess, Vc., Andreas Heck, internet realization, Moritz Eggert, director Munich (Germany), tube |
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| special |
based upon John Cage's "Variations IV"
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| Video |
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| texts |
Artikel aus der NMZ über die UA in München Cage im Cyber-Quirl: Internet in der tube [
Martin Hufner , 26.08.2004
]
Variations IV.XX, detaillierter Ablaufplan VARIATIONS IV.01 [
10.12.2004
]
Variations IV.XX, technische Liste VARIATION IV.XX [
07.12.2004
]
Variations IV.XX, Text für ADEvantgarde Programmheft VARIATIONS IV.01 [
09.12.2004
]
|
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| see also |
peace KlaNNgggeläut |
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|
Work Back to overview |
Avec ma main brulée
(1997) |
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|
Stage Works - Musiktheater und Performance |
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| for 8 dancers and reciter (plays instrument ad lib.) | |||||||
| work list |
70-97-HW
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| completed |
03/11/1997
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| text |
Short excerpt from "Malina", Ingeborg Bachmann
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| voices |
1 Rezitator/in (spielt beliebiges Instrument)
|
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| instruments |
8 dancers and recitation (reciter plays any instrument ad lib.)
|
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| duration |
12'
|
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| world premiere |
02/28/1997
Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor, musician: Martina Bittner Darmstadt (Germany), Staatstheater |
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| special |
the music is created by the dancer's movements; mouth percussion, theatrical elements
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| texts |
English translation of performance notes Avec ma main brulée [
24.04.2003
]
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| see also |
now - I need now |
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|
Work Back to overview |
Lunu
(1992) |
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|
Stage Works - Operas/ music theatre |
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| abstract opera | |||||||
| photo |
|
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| work list |
36a-92-HW
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| completed |
10/15/1992
|
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| text |
text: Moritz Eggert
|
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| voices |
7 singers, 2 actors
|
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| instruments |
Fl./picc., Ob., Clar. (B), Bn. - Tr., Hn., Tb., Tba. - Percussion (2 players) - E-Guit., Hp. - Pf./Harmonium/Cemb. (1 player), Midi-Keyb. - strings 1.1.2.2.2
|
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| duration |
1 h 15'
|
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| world premiere |
12/11/1992
director: Tilman Knabe, design: Alfred Peter, costumes: Kathrin Maurer, Muenchener Bachsolisten, cond.: Jobst Liebrecht, with Stefanie Frueh (Lunu), Rita Kapfhammer (Feme), Martina Sauer (Aesaehoek), Christian Gerhaher (Jiri), Bernhard Hirtreiter (Pada), Tobias Schlierf (Uebuew), Alfred Reiter (Goto), Uli Zentner und Peter Pruchniewitz (Loele und Shuze) Munich (Germany), Theater in der Halle 50 |
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| special |
various contemporary playing and singing techniques, use of samples
|
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| soundcarrier |
Lunu |
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| publication |
http://www.sikorski.de
|
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| Multimedia |
|
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| see also |
idee fixe idee fixe (Celloversion) The Trap Lunu Lunu (versione italiana del libretto) |
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|
Work Back to overview |
"aural corridors"
(2002) |
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|
Stage Works - Dance theatre |
|||||||
| theatrical concert with the following music: L'idée fixe, heute (version for 6 speakers), Sonett an die schreibfaule Brieffreundin (Bar.), Liebeserklaerung (Mezzo), Flugkoerper (Bar.), Luft (Mezzo), herz vers sagen (Bar.), In der letzten Nacht (Mezzo), Rondeau Allemagne (Bar./Mezzo), Fast Forward , Luftkuesse, Haemmerklavier III, Haemmerklavier IX, Boehmische Hymne | |||||||
| photo |
|
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| completed |
2002
|
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| voices |
mezzo, baritone, 2 dancers
|
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| instruments |
piano, cello
|
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| duration |
1 h 15'
|
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| world premiere |
02/08/2002
with Desirée Petitpierre (director, concept, choreography, dancer, costumes), Julia Wirth (dancer), Liat Himmelheber (mezzo), Yaron Windmueller (baritone), Sebastian Hess (vc.), Moritz Eggert (pf.), Roger Staub (stage design) Basel (Switzerland), Theater Skala |
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| scores |
Schott ED 8622 http://www.schott-musik.de |
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| see also |
idee fixe Bohemian Hymn Haemmerklavier III Kisses in the air Fast Forward Rondeau Allemagne In der letzten Nacht herz vers sagen Luft flugkoerper Liebeserklaerung Sonett an die schreibfaule Brieffreundin heute Haemmerklavier IX |
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|
Work Back to overview |
"Shakespeare-Evening"
(1982) |
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|
Stage Works - Stage music |
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| work list |
0-82-NW
|
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| completed |
1982
|
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| text |
Text: William Shakespeare
|
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| voices |
mixed ensemble (actors)
|
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| instruments |
flute, guitar
|
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| duration |
1 h 30'
|
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| world premiere |
19820000
English theatre, Frankfurt am Main (Germany) English theatre, Frankfurt am Main (Germany) |
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|
Work Back to overview |
?
(1990) |
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|
Stage Works - Stage music |
|||||||
| music for a theatre piece by Edward Bond | |||||||
| completed |
1990
|
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| text |
text: Edward Bond (in German)
|
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| voices |
mixed ensemble (singing actors)
|
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| instruments |
piano
|
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| duration |
4'
|
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| world premiere |
19900000
Dominik Wilgenbus, piano, with Hermes Schmid, Katharina Laube, Martina Schröder, Arno Linker, Tanja Eppelsheimer Munich (Germany), Musikhochschule |
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| see also |
Warum wurden die Bomben abgeworfen? |
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|
Work Back to overview |
A Feast for Mackie
(2019) Pub Cantata for beggars, miners and drunks |
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|
Stage Works - Operas/ music theatre also look at Musiktheater und Performance |
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| work list |
269-NW-2019
|
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| completed |
09/05/2019
|
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| text |
Martin Becker
|
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| voices |
8 singing actresses and actors, optional choir
|
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| instruments |
fl. (picc.), Ob., clar. (bass-clar.), bassoon– Horn, trumpet, trombone, Tuba – Timpani – 1 percussionist(Drumset) – harp, elctr. guit., piano - strings
|
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| duration |
90'
|
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| world premiere |
10/10/2019
With: Guy Clemens, Martin Horn, Veronika Nickl, Romy Vreden, Michael Lippold, Dominik Dos-Reis, Moritz Eggert Bochumer Symphoniker, Conductor: Steven Sloane, Director: Johan Simons Bochum (Germany), Anneliese-Brost-Musikforum |
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| special |
"Song Play" (Play with inserted songs and musical interludes Uses musical material from "La BETTLEROPERa", orchestration: Katharina Schmauder, Moritz Eggert |
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| publication |
http://www.sikorski.de
|
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| see also |
24 Lieder und Zwischenspiele aus "Ein Fest für Mackie" |
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|
Work Back to overview |
A visit to the mines
(1999) |
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|
Stage Works - Stage music also look at Ballet |
|||||||
| part of the ballet "percussiv" by Daniela Kurz, contains Millennium Shuffle, Millennium Dance Shuffle, Number Nine I: Incommunicado, Number Nine II: Melody 1.0, Number Nine III: Millennium Dance | |||||||
| completed |
1999
|
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| text |
based on a text by Franz Kafka
|
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| voices |
mixed ballet ensemble
|
||||||
| instruments |
3 Fl. (3.+picc.), 2 Ob., 2 Clar.(Bb), 2 Bn., Double-Bn. - 4 Hn, 2 Tr., 3 Tb. - 1 Timp.,3 Perc. - strings 10.8.6.5.4
|
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| duration |
35'
|
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| world premiere |
03/27/1999
with Guido Wallner, Ruth-Marie Hyprath, Sophatai Kanthatham, Wubkje Kuindersma, Alexandra Milne, Tom Baert, Yuki Mori, Adam Ster, Jessica Billeter, Dagmar Bock, Maria Nitsche, Brit Rodemund, Ivo Baertsch, Christian Maier, Luca Marazia, Philharmonisches Orchester Nuernberg, Christian Reuter, cond., Stefan Morgenstern, stage design Nuremberg (Germany), opera house |
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| soundcarrier |
Porträt-CD Moritz Eggert |
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| see also |
Milennium Shuffle Millennium Dance Shuffle Number Nine I Number Nine II Number Nine III Zu "Ein Besuch im Bergwerk" |
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|
Work Back to overview |
All These Days
(2011) |
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|
Stage Works - Operas/ music theatre |
|||||||
| Time Opera in 14 scenes | |||||||
| work list |
205-HW-11
|
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| completed |
12/12/2011
|
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| text |
Andrea Heuser
|
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| voices |
Child (boy soprano), Old Man I (actor/singer), Old Man II (actor/singer), 3 girls (youths, speaking roles), voice artist (performer), The Boy Who Isn‘t (coloraturo soprano), Guelistan/Woman 2 (Soprano), Josefine/Woman 1 (Mezzo), Mother (Mezzo/Alto), Julian/Cedric (Tenor), Brother/handyman (Baritone), Father/Worker (Baritone), children’s choir, mixed choir, Performer ensemble (amateurs/yoths)
|
||||||
| instruments |
extra percussion (youths) Orchestra: picc./Fl., Ob., C.A.., Clar. (B), Bass-Cl. (B), 2 Bn. – 2 Hn., 2 Tr. (B), 2 tb. (Ten-), 1 tb. (Bass-) – Timpani, 2 perc. – Hp., Harmonium (stage), Sampler (Orchestra), Accordion, Electr. Guitar, Electric Bass – Strings (minimum 6.4.4.3.2) |
||||||
| duration |
1 h 35'
|
||||||
| world premiere |
04/28/2012
Conductor: Florian Ziemen, Director: Michael Talke, stage and costumes: Henrike Engel, choir: Daniel Mayr, children’s choir: Achim Rikus, choreography: Jacqueline Davenport, Dramaturgie: Hans-Georg Wegner, Guelistan/ Frau II: Sirin Kilic Josefine / Frau I: Barbara Buffy Mutter: Tamara Klivadenko Vater/ Arbeiter: Björn Waag Bruder/ Handwerker: Christoph Heinrich Julian/ Cedric: Kejia Xiong Junge, den es nicht gibt: Alexandra Scherrmann Alter Mann I: Wolfgang von Borries Alter Mann II: Daniel Wynarski Stimmkünstler: Benjamin Boresch Soufflage: Ulrike Heinrich Bremen (Germany), Theater Bremen |
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| publication |
http:///www.sikorski.de
|
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| Video |
|
||||||
| Multimedia |
|
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|
Work Back to overview |
At The Ball
(2007) A Footballet |
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|
Stage Works - Ballet also look at Essays |
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| for dancers and orchestra | |||||||
| work list |
172-HW-07
|
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| completed |
10/31/2007
|
||||||
| text |
story by Moritz Eggert
|
||||||
| instruments |
Large orchestra: picc., fl. 2 ob., 2 clar., 2 Bn. – 3 Hn., 3 Tr., 2 Tromb. (Tenor/Bass) – Timpani, Drumset, Percussion – Hp.. –Strings
|
||||||
| duration |
17' 30''
|
||||||
| world premiere |
01/31/2008
Dancers and young dancers of the Vienna State Ballet, choreography: Giorgio madia, orchestra of the "Opera Ball", conductor: Michael Halasz, Herbert Prohaska, Andi Herzog Vienna (Austria), state opera, Vienna Opera Ball 2008, opening ceremony |
||||||
| special |
Orchestra plays “fan instruments”, comments on action, etc.
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Vorwort der Partitur mit detaillierter Besetzung und Szenenbeschreibung Am Ball [
Foreword of the score with detailed instrumentation and story , 02.11.2007
]
|
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| see also |
Little Samba from the "Foot Ballet" |
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|
Work Back to overview |
Auf dem Wasser zu singen (theatrical concert)
(2009) |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
| contained: Bohemian Hymn, Zwei Klagegesaenge, excerpts from „Processional“, Three Interludes (Auf dem Wasser zu singen) (premiere), Streaming, schhhh…, Trommlerprolog, Trommeln der Welt, Symphony 3.0, Fanfarerafnaf, Ausklang, Sea/Desert, Sanctus, Iron Curtain, morphing, Rondeau Allemagne, Auf dem Wasser zu singen (premiere) | |||||||
| completed |
07/05/2009
|
||||||
| duration |
2'
|
||||||
| world premiere |
07/05/2009
Gebrueder Teichmann, Max-Reger-Vereinigung, „The Next Step“ Percussion-Ensemble, Mateja Zenzerovic, acc., C.W. Bauer, speaker/author, brass ensemble of the Tiroler Festspiele, Moritz Eggert, conductor, pf. Erl (Austria), Staustufe, Tiroler Festspiele |
||||||
| special |
theatrical concert for the Tiroler Festspiele
|
||||||
| see also |
Auf dem Wasser zu singen Three Interludes (Auf dem Wasser zu singen) |
||||||
|
Work Back to overview |
Bordello Ballad
(2009) A Three Hoe Opera |
||||||
|
Stage Works - Operas/ music theatre also look at Songs with instruments |
|||||||
| for 6 singing actors and ensemble | |||||||
| work list |
188-HW-09
|
||||||
| completed |
12/23/2009
|
||||||
| text |
Franzobel (based on an idea by Moritz Eggert)
|
||||||
| movements |
1. Kann man die Liebe denn kaufen 10. Und ich moecht ja so gern 11. Do you like animals 12. Eine Vene, mein Herr 13. Die Zeiten, sie drehn sich 14. Man müsste blind sein 15. Das Studium des Grunzens 16. Jetzt sei nicht so gemein 17. So ein Wuermchen 18. Liebeslied 19. Ich will noch nicht sterben 2. Die Ballade von der koerperlichen Demontage 20. Einmal muss Sperrstund sein 21. Was heisst es Mensch zu sein 3. Das Lied von der weiten Welt 4. Geh her 5. Grad weilst glaubst 6. Mach mit 7. Das Lied vom goldenen Handwerk 8. Misch dich nicht ein 9. Fuer uns |
||||||
| voices |
Alfred (higher male voice), Bussibaer (medium male voice), Kirschgarten (lower male voice), Zuckergoscherl (higher female voice), Ferkel (medium female voice), Rosl (lower female voice)
|
||||||
| instruments |
Ensemble: alto saxophone, tenor trombone, jazz guitar, drumset, accordion, violin, double bass, piano (also conductor)
|
||||||
| duration |
1 h 40'
|
||||||
| world premiere |
03/04/2010
soloists: actors and musicians from the Theater Koblenz Rosl, brothel mother - Ks. Claudia Felke Ferkelchen, whore - Dorothee Lochner Zuckergoscherl, whore - Isabel Mascarenhas Bussibär, Mafioso - Matthias Schaletzky Kirschgarten, Mafioso - Adrian Becker Alfred, butcher - Marcel Hoffmann conductor and solo piano: Arno Waschk director: Robert Lehmeier stage design and costumes: Dirk Steffen Göpfert Dramaturgie: Judith Pielsticker correpetitors: Karsten Huschke a. Werner Lemberg production assistant: Alexander Wang Dessau (Germany), Bauhaustheater, Weill-Fest Dessau |
||||||
| dedicated |
Clemens Birnbaum
|
||||||
| publication |
http://www.moritzeggert.de
|
||||||
| see also |
Bordello Ballad Bordello Ballad, version with piano |
||||||
|
Work Back to overview |
Breaking The Waves (Open Air Performance)
(2010) |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
|
Theatrical Open-Air-Performance for the Sound Symposium Music: Symphony 3.0, „Trilocke 1 und 2, Passagen, Evokation, Akkorde“ (Processional), Trommlerprolog, Drums Of The World, Wende dich zu mir, Kisses In The Air, Breaking The Waves (World Premiere) |
|||||||
| completed |
07/10/2010
|
||||||
| instruments |
12 Percussionists, 7 brass players, various other performers, 3 actors
|
||||||
| duration |
1 h
|
||||||
| world premiere |
07/10/2010
With artists of the Sound Symposium and percussion ensemble „The Scruncheons“, Moritz Eggert, conductor St. John’s, Neufundland (CAN), Sound Symposium 2010, Cape Spear |
||||||
| Multimedia |
|
||||||
| see also |
Symphony 3.0 Processional: 2 Trilockes Processional: Passages Processional: Evocation/Accord Opening ceremony of the FIFA World Cup 2006 Wende dich zu mir / Vom Schiff weg ... Kisses in the air Breaking The Waves Breaking The Waves - Call |
||||||
|
Work Back to overview |
Bright Nights (Hagen version)
(2006) Hagen version (alternative instrumentation) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| opera based on motives from "Arabian Nights" and Knut Hamsun's "Mysteries" | |||||||
| work list |
66e-06-HW
|
||||||
| completed |
08/01/2006
|
||||||
| text |
Helmut Krausser
|
||||||
| voices |
8 singers, female choir
|
||||||
| instruments |
fl./picc., clar., alto-sax, bass-clar., Bn./Double Bn.. – sm. tr. in Eb, tr., 2 tn.., tb. – perc. (2 players) – piano/harmonium/MIDI-Keyb. (3 players) – strings (triple div. maximum)
|
||||||
| duration |
1' 40''
|
||||||
| world premiere |
08/26/2006
director: Roman Hovenbitzer, Stage: Roy Spahn, Choreography: Hilton Ellis, Conductor: Antony Hermus, with Johanna Krumin (Dagny), Peter Schoene (Nagel, Goldsmith, Executioner), Frank Dolphin-Wong (Nagel Dream-Double, Imam), Marc Baron/Florian Weber (Nagel Dream-Double stage), Tanja Schun (Angel), Andrea Schmermbeck (Angel stage), Margarete Nuesslein (Unknown Lady), Leonie Theis/ Kirsten Wagner (Unknown Lady stage), Richard van Gemert/ Jeffery Krueger (Father/Dwarf/Sultan), Dorian Luebbeck/ Ben Joy Muin (Dwarf Dream-Double stage), Liane Keegan (Aziza), Marily Bennett (Aziz/Dieb), Stefania Dovhan (Singer), Andrey Valiguras (Painter/Soldier), Opernchor/Statisterie des Theaters Hagen, Uwe Muench, Choir Director, Philharmonisches Orchester Hagen Hagen (Germany), Theater Hagen |
||||||
| publication |
Sikorski
|
||||||
| Video |
|
||||||
| see also |
Bright Nights (original version, reworked version) |
||||||
|
Work Back to overview |
Bright Nights (original version, reworked version)
(1997) The reworked version from 2006 has some cuts, the interval is at another position, apart of that it |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| large opera | |||||||
| photo |
|
||||||
| work list |
66c/66d-96-HW
|
||||||
| completed |
11/16/1996
|
||||||
| text |
text: Helmut Krausser,based on excerpts from the novel "mysteries" by Knut Hamsun
|
||||||
| voices |
Min. 10 singers (some of them casted in more than one role), 2 actors
|
||||||
| instruments |
1 Rec. (Garklein-, Discant-, Soprano-, Alto-, Tenor-, Bass-), Clar. (B), Ten.-Sax, Bass-Clar., Bn./Contrabn. - picc.Tr., Tr., Euph., Tb., Tba. - Percussion (2 players), Mouth Percussion (1 player) - Solo-Vl., Solo-Vla., Solo-Vc., E-Guit., E-Bass - Acc., Pf./Harmonium, MIDI-Keyb. (2 players) - strings 3.0.3.3.3
|
||||||
| duration |
2 h
|
||||||
| world premiere |
04/08/1997
director: Tilman Knabe, stage design: Alfred Peter, costumes: Kathrin Maurer, lighting: Michael Bauer, with Martina Koppelstetter (Dagny), Wolfgang Wirsching (Nagel/goldsmith/executioner), Charles Maxwell (Aziz/thief), Anne Salvan (Aziza), Claes H. Ahnsjoe (father/Sultan), Päivi Elina (mysterious woman/witch I), Irmgard Vilsmaier (servant I/crowd), Anne Pellekoorne (servant II/witch III), Simone Schneider (singer/crowd), Ruediger Trebes (painter/soldier/crowd), Helena Jungwirth (witch II/crowd), Hans Wilbrink (Imam), Gundula Köster (Dagny/when speaking), Peter Pruchniewitz (Nagel/when speaking ), Monika Manz/ Buelent Kullukcu (guards/doctors/exectutioner's assistants, silent roles), Bayerisches Staatsorchester, conductor: Peter Hirsch Munich (Germany), 5th Munich Biennale, Prinzregententheater |
||||||
| special |
amplified mouth percussion, various amplified instruments, use of MIDI-samples, spoken text
|
||||||
| dedicated |
"der lieben Muse"
|
||||||
| soundcarrier |
Porträt-CD Moritz Eggert Irrenoffensive |
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
So einfach es klingt: Ich wollte eine Oper schreiben, die mit dem Hörer und Zuschauer spricht, die ihm etwas über sich und über die menschliche Phantasie an sich erzählt. [
19.11.1997
]
|
||||||
| see also |
Song Angels/Signs/Journey Bright Nights (Hagen version) |
||||||
|
Work Back to overview |
Caliban
(2016) |
||||||
|
Stage Works - Operas/ music theatre also look at Musiktheater und Performance |
|||||||
| Chamber Opera | |||||||
| work list |
246-HW-2016
|
||||||
| completed |
12/09/2016
|
||||||
| text |
Peter te Nuyl
|
||||||
| voices |
Soprano, Tenor, Baritone, Actor
|
||||||
| instruments |
Orchestra (11 players): Contrabass Flute/Flute/picc., Clarinet/Bass-Clarinet – Trumpet (Bb), Tenor/Bass-Trombone – Percussion (1 player) – Keyboard/Toy Piano – Accordion – Violin, Viola, Cello, Double Bass
|
||||||
| duration |
85'
|
||||||
| world premiere |
03/25/2017
Conductor: Steven Sloane, Director: Lotte de Beer, Production Design: Clement&Sanou, Orchestra: Asko|Schönberg Caliban: Michael Wilmering Miranda/Trinculo: Alexandra Flood Stephano/Ferdinand: Timothy Fallon Prospero: Alexander Oliver Amsterdam (Netherlands), Compagnietheater, Opera Forward Festival |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Caliban, kurzer Text zum Stück Caliban [
Moritz Eggert , 08.01.2019
]
|
||||||
|
Work Back to overview |
Dr. Booger
(2002) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| Oper für Kinder | |||||||
| photo |
|
||||||
| work list |
115-01-HW
|
||||||
| completed |
08/2001
|
||||||
| text |
Text: Andrea Heuser
|
||||||
| voices |
High boy's voice, girl soprano, young baritone, young mezzo, adult baritone, adult actress, lower boy's voice, lower girl's voice, small choir of youths, young actor, 3-part children's choir, "noise"-choir
|
||||||
| instruments |
Orchestra (children and youths): recorder quintet (sopranino, soprano, alto, tenor, bass), 2 Fl., Ob., Clar. (B), saxophone quartet (soprano, alto, tenor, bass), bass cl., Bsn. - 2 Tr. (in Bb), Hn., ten.-tb. - tba. - timpani - percussion (3 players), sound orchestra (min. 4 players) - 2 electr. Guit., electric bass, drumset, keyboards (organ), celesta, cembalo, piano - strings: 6.6.4.3.2 (or more)
|
||||||
| duration |
1 h 30'
|
||||||
| world premiere |
06/14/2002
conductor: Roland Boeer, director: Aurelia Eggers, stage design: Marion Menzinger, costumes: Heike Ruppmann, Dramaturgie: Deborah Einspieler Abú Schabú: Manuel Zschunke , Ola Obelli: Jane Droste, father: Malte Dahme , mother: Indu Rani Sinha , padlock: Anne Schellhorn, collector of garden gnomes: David Jakovljevic, cello solo: Anna Lutz-Bachmann, improvisation: Anna Hanson, the composer Eggert/Dr. Snot: Martin Busen, Herr Hauser/Anton: Stephanie Theiß, Fritz : Helga Matzel / Gerhard Jaekel choir and orchestra: pupils of the Lessing-Gymnasium, Frankfurt am Main |
||||||
| special |
is easily realized, performable and playable by children and youths, modern and contemporary story (no fairy tale), room for improvisation and composition from the participating children
|
||||||
| scores |
Schott http://www.schott-musik.de |
||||||
| publication |
Schott
|
||||||
| Video |
|
||||||
| texts |
Pressestimmen "Gewiss hat Eggerts Musik ein Pionierstück wie Henzes Pollicino im Hinterkopf, aber in ihrer Beweglichkeit, Unbefangenheit und Drastik trifft sie sich besonders gut mit einer von viel Heterogenem berührten Wahrnehmung. Von besserwisserisch Altmeisterlichem hält er sich geschickt fern,... [more] Interview mit Helmut Peters über "Dr. Popel" für Welt am SonntagFragen an Moritz Eggert: [
Moritz Eggert, Helmut Peters ]
Dr. Popels fiese Falle, detaillierte Besetzung Dr. Popels fiese Falle [
13.09.2003
]
Dr. Popels fiese Falle, komplettes Libretto Dr. Popels fiese Falle [
Andrea Heuser , 11.09.2003
]
Dr. Popels fiese Falle, kurzer Text zum Stück zu „Dr. Popels fiese Falle“ [
27.08.2003
]
Interview des Komponisten mit zwei Schülern aus dem Lessing-Gymnasium Liebe Emi und Sibel, [
13.02.2004
]
|
||||||
| Multimedia |
|
||||||
| see also |
Tango Vacuo Dr. Booger Suite |
||||||
|
Work Back to overview |
Fleeting Encounter
(1997) |
||||||
|
Stage Works - Dance theatre |
|||||||
| for 8 or more dancers | |||||||
| work list |
71-97-NW
|
||||||
| completed |
1997
|
||||||
| voices |
8 or more dancers
|
||||||
| duration |
6'
|
||||||
| world premiere |
02/28/1997
Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor Darmstadt (Germany), Staatstheater |
||||||
| special |
the music is created by the dancer's movements; mouth percussion, theatrical elements
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Fleeting Encounter, translations of remarks in the score Flüchtige Begegnung (Fleeting Encounter) [
01.12.2003
]
|
||||||
| see also |
now - I need now Sea/desert |
||||||
|
Work Back to overview |
Freax
(2007) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| Large Opera in 2 Acts | |||||||
| work list |
169
|
||||||
| completed |
04/19/2007
|
||||||
| text |
Libretto: Hannah Duebgen
|
||||||
| voices |
Franz (Tenor), Lea (Mezzosoprano), Isabella (Soprano), Hibert Winter (Baritone), Direktor Andreas von Annen (Tenor), Lucia Tetralucchi (Alto), Anne-Marie (Soprano), Marie-Claire (Mezzo), Dominique (Baritone or Counter), Romeo (Bass), Helmut/Hartmut (speaking roles), Charly Chocolate (silent role), Extras, Large mixed choir, some audio samples
|
||||||
| instruments |
orchestra: 3 Fl. (3 also picc.), Ob., Oboe d’amore, clar., basscl., 2 Bn., 1 Dbn. – 2 Hn., 3 Tr., 1 Tenor-tb.., 1 Bass-tb., 1 Bass Tuba – timp. – 2 percussionists – Hp., Guitar/Banjo/Mandolin/12-string guit., E-Guit. ad lib. (1 player) – Harmonium, Bar piano, prepared piano, electric organ, grand piano (2 players) – cone or electric violin solo, Baroque or electric cello solo, Strings stage musicians: clarinet (eb), Trumpet, Violin, accordion, drum set, Jazz Bass |
||||||
| duration |
2 h 5'
|
||||||
| world premiere |
09/02/2007
concertante premiere: Bonn (Germany), Theater Bonn/ Beethovenfest Bonn, Grosses Haus, 9/2/2007 Conductor: Wolfgang Lischke, installation/film: Christoph Schlingensief, stage: Thekla von Muelheim / Tobias Buser, costumes: Aino Laberenz, Choreinstudierung: Sibylle Wagner, Dramaturgie: Jens Neundorff v. Enzberg Franz: Tom Harper, Lea: Anjara I. Bartz, Isabella: Julia Rutigliano, Hilbert Winter: Louis Gentile, Direktor Andreas von Annen: Hans-Jürgen Schoepflin, Lucia Tetralucci: Vera Baniewicz, Anne-Marie: Hege Gustava Tjoenn, Marie-Claire: Sybille Specht, Dominique: Otto Katzameier, Romeo: Johannes Floegl In weiteren Rollen (Film/Pauseninstallation) Susanne Bredehoeft, Kerstin Grassmann, Brigitte Kausch, Christiane Tsoureas, Helga von P., Karin Witt, Eva Zander; Arthur Albrecht, Klaus Beyer, Hagn Danny, Horst Gellonek, Manni Laudenbach, Willibald Mayerhofen, Peter Mueller, Dirk Salm, Achim von P. Chor des Theater Bonn Beethoven Orchester Bonn Theatrical Premiere: Regensburg, Theater, 1/21/2017, Franz: Matthias Laferi, Lea: Vera Semieniuk, Isabella: Michaela Schneider, Hilbert: Winter Matthias Wölbitsch, Direktor Andreas von Annen: Steven Ebel, Lucia Tetralucci: Vera Egorova, Anne-Marie: Theodora Varga, Marie-Claire: Ruth Müller, Dominique: Otto Katzameier, Romeo: Adam Krużel, Hartmut: Elena Lin, Helmut: Katrin Poemmerl, Statisterie, Opernchor, Philharmonisches Orchester Regensburg, Director: Hendrik Müller, stage/costumes: Marc Weeger, conductor: Tom Woods Bonn (Germany), Theater Bonn, Grosses Haus Regensburg (Germany), Stadttheater |
||||||
| special |
inspired by the film "Freaks" by Tod Browning
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
"Vergessen Sie die Regeln einer Wirklichkeit, hinter der so vieles erst beginnt" „Vergessen Sie die Regeln einer Wirklichkeit, hinter der so vieles erst beginnt“ [
Simone Hohmaier, für Programmheft des Beethovenfestes , 1.6.2007
]
Freax, Zur Entstehungsgeschichte Zur Entstehungsgeschichte: [
Moritz Eggert , 20.4.2007
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Grossstadtmenschen
(1986) poetry by Matthias Drawe |
||||||
|
Stage Works - Hörspiele |
|||||||
| enthält: "3 Vitrinen" für Klavier Solo | |||||||
| completed |
1986
|
||||||
| text |
text: Matthias Drawe
|
||||||
| duration |
45'
|
||||||
| world premiere |
01/04/1986
Moritz Eggert, pf. Hessian Radio (Germany) |
||||||
| special |
Klavier Solo
|
||||||
| see also |
3 showcases |
||||||
|
Work Back to overview |
Haemmerklavier
(1996) |
||||||
|
Stage Works - Dance theatre |
|||||||
| choreography by Lucinda Childs, based on "Haemmerklavier VII" | |||||||
| completed |
03/19/1996
|
||||||
| instruments |
male and female dancer, piano solo
|
||||||
| duration |
7'
|
||||||
| world premiere |
03/19/1996
with Anna Villadolid, Norbert Graf (dancers), Moritz Eggert (pf.) Munich (Germany), Bavarian State Opera |
||||||
| soundcarrier |
Haemmerklavier I-X Don't panic! |
||||||
| scores |
Schott ED 9137 http://www.schott-musik.de |
||||||
| see also |
Haemmerklavier VII |
||||||
|
Work Back to overview |
Hells Kitchen
(2014) |
||||||
|
Stage Works - Musiktheater und Performance also look at Chamber music |
|||||||
| for 3 players | |||||||
| work list |
233-NW-2014
|
||||||
| completed |
07/14/2014
|
||||||
| instruments |
Player 1: clarinet (Bb), hand brush, bass clarinet (Bb), soup/beer coaster/glass/spoon, horn Player 2: Marimbaphone (small), coconut and saw, wooden frog, rice rattle, peppermill, castanets, bread paper (withz brush), bongos (2), shrill whistle, lithophone (e��, f sharp��, g��, a��, b��, c���, c sharp���, d���, e���), �pot organ� (electronically simulated): 1 bb, 2 d�, 3 a�, 4 c��, 5 e��, 6 b��, 7 c sharp���), mouth siren, nuts with nutcracker, small drumset, 2 squeaky objects, bike horn, kalimba, soup/beer coaster/glass/spoon Player 3: Violoncello, metronome, glass organ (fastened tuned glasses, bowed): c��, e��, f��, g��, a��, singing saw, duck call, soup/beer coaster/glass/spoon |
||||||
| duration |
70'
|
||||||
| world premiere |
11/07/2014
"KinderKinder�-Festival, Music and performance: Carola Schaal (clarinets), Sonja Lena Schmid (Cello), Sven Kacirek (Percussion), Devil: Apostolos Dulakis, Director: Heiko Hentschel Hamburg (Germany), Kampnagel, P1 |
||||||
| special |
Musical Theater for children, ca. 27 Minutes composed music, the rest improvisations devised together with the musicians
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Home Game
(2005) |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
| Description for a musical soccer-play with 11 or more participants plus referee (conductor) and stadium announcer | |||||||
| work list |
159-06-NW
|
||||||
| completed |
12/31/2005
|
||||||
| voices |
1 "home" team, 7 or more, 1 "away" team, 4 or more, referee, stadium announcer
|
||||||
| duration |
11'
|
||||||
| world premiere |
4
Music course of the "Gymnasium am Muensterplatz", Basle, rehearsed by Jennifer Rudin, Moritz Eggert, referee Weil am Rhein (Germany), Vitra-Design-Museum, "Les Museiques"-Festival |
||||||
| special |
can also be performed by amateurs or youths and children, improvisatory character, with "game rules"
|
||||||
| publication |
Ueben & Musizieren (Schott), Juni/July 2006 "Sport" (Magazine) http://www.sikorski.de |
||||||
| texts |
Heimspiel, komplette Performanceanweisung I: Besetzung [
Moritz Eggert , 10.4.2008
]
|
||||||
|
Work Back to overview |
Home sweet home (new version)
(1998) "Ein Versatzstueck" |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| Kammeroper | |||||||
| photo |
|
||||||
| work list |
79a-97-HW
|
||||||
| completed |
12/27/1997
|
||||||
| text |
Text: Helmut Krausser, nach einer Idee von Moritz Eggert
|
||||||
| voices |
Soprano, Tenor, Baritone, actor
|
||||||
| instruments |
E-Vl., E-Guit., Drumset, Acc., MIDI-Keyb., E-Bass
|
||||||
| duration |
1 h
|
||||||
| world premiere |
04/22/1998
director: Frank Hoffmann, stage design/costumes: Jean Flammang, choreographer: Rosemary Neri, Dramaturgie: Christian Carlstedt, with Mariette Lenz (Soprano), Hannelore Bode (housekeeper), Oskar Puergstaller (Tenor), Thomas Berau (Baritone), Robert Stemmle (the new Baritone), musicians: Andreas Kurth (E-Violin), David Heintz (electr. Guit.), Johannes Schaedlich (electr. bass), Viktor Janzer (accordeon), Ruediger Mayer (drums), Philippe Vandré (Keyboard), conductor: Wolfram Koloseus Mannheim (Germany), "Schnawwl" (Nationaltheater) |
||||||
| special |
various modern playing and singing techniques, tape ("Encore")
|
||||||
| texts |
Pressestimmen ""Wir sind daheim" entpuppt sich nicht nur als bitteres Lust-Spiel über einen merkwürdigen Urknall zwischen drei Personen, sondern auch als Parabel über die Oper an sich und deren Klischees, in denen wir uns so "daheim" fühlen. Eggert lässt den Gesang – sehr kunstreich geset... [more] Casa Dolce Casa (il libretto in italiano, traduzione: Rosalba LoDuca)CASA DOLCE CASA [
12.01.2005
]
Wir sind daheim, Vorbemerkungen in der Partitur
[
13.01.2005
]
"Wir sind daheim" kurzer Text zum Stück Wir sind daheim [
29.04.2003
]
|
||||||
| Multimedia |
|
||||||
| see also |
Home sweet home (old version) Encore |
||||||
|
Work Back to overview |
Home sweet home (old version)
(1991) Alte Fassung |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| chamber opera "von Atanasio Khyrsh, 1965", written together with Peter Frey, Axel Singer, Markus Schmitt und Sandeep Bhagwati | |||||||
| photo |
|
||||||
| work list |
34-91-NW
|
||||||
| completed |
1991
|
||||||
| text |
text: Moritz Eggert, together with Peter Frey, Axel Singer, Markus Schmitt, Sandeep Bhagwati
|
||||||
| voices |
4 singers (Sop., Alto, Ten., Bass)
|
||||||
| instruments |
Clar. (B), Tr., Vc., percussion (1 player), Pf./Synthesizer (1 player)
|
||||||
| duration |
55'
|
||||||
| world premiere |
06/08/1991
director: Tanja Gronde, conductor: Jobst Liebrecht, with Dietrich Henschel (Bariton), Bernhard Hirtreiter (Tenor) and others Munich (Germany), Musikhochschule, 1st A*Devantgarde-Festival |
||||||
| special |
various contemporary playing techniques, tape
|
||||||
| see also |
The search for the KlaNNg Wir sind daheim (old Version/Libretto) Home sweet home (new version) |
||||||
|
Work Back to overview |
In the sandbox
(2000) |
||||||
|
Stage Works - Dance theatre |
|||||||
| dance theatre by Brigitta Trommler. contains the following, seperately listed works: Bad Attitude: Bad Vibes, Bad Attitude, Croatoan II: Im Sandkasten, Breathless, the meal of Mr. Orlong: Mondmann/Die Buehnenarbeiter treten auf/Die Nacht, Sandbox-variations, Haemmerklavier VII: Secret Desires, A house with 7 rooms: The room with the locked door | |||||||
| completed |
03/11/2000
|
||||||
| voices |
mixed ensemble (dancers/actors)
|
||||||
| instruments |
Musik vom Band
|
||||||
| duration |
1 h 30'
|
||||||
| world premiere |
03/11/2000
stage design: Barbara Dallendorfer, costumes: Andrea Spanier, musical assistant: Hee-Seon Jin, with Barbara Sternberger, Brigitte Cuvelier, Vera Bilbija, Giuseppe und Michele de Filipis, Octavio Campos, Thomas Langkau, Mauricio Motta, Guido Markowitz, Sabine Lindlar, pre-produced music: members of the "Orchester des Staatstheaters Darmstadt", conductor: Moritz Eggert Darmstadt (Germany), Staatstheater |
||||||
| soundcarrier |
Ausser Atem Bridges into the future |
||||||
| scores |
Schott ED 9137 Schott OFB 192 http://www.schott-musik.de |
||||||
| texts |
Im Sandkasten, Skizzen zum musikalischen Konzept KONZEPT FÜR MUSIK „IM SANDKASTEN“ [
14.09.2004
]
|
||||||
| see also |
Bad Attitude Croatoan II Breathless The meal of Mr. Orlong Sandbox - Variations Haemmerklavier VII A house with seven rooms Schhhhh ... |
||||||
|
Work Back to overview |
Kisses in the air
(1997) |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
| for 6 or more performers | |||||||
| work list |
75-97-NW
|
||||||
| completed |
07/18/1997
|
||||||
| voices |
6 or more performers
|
||||||
| duration |
2'
|
||||||
| world premiere |
02/28/1997
Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor Darmstadt (Germany), Staatstheater |
||||||
| special |
the music is created by the dancer's movements; mouth percussion, theatrical elements
|
||||||
| texts |
kisses in the air, english translations of performance instructions LUFTKÜSSE [
20.03.2004
]
|
||||||
| see also |
now - I need now "aural corridors" Breaking The Waves (Open Air Performance) |
||||||
|
Work Back to overview |
Kommander Kobayashi: Go versus Comet
(2004) |
||||||
|
Stage Works - Short operas |
|||||||
| Opera scene for the “Kommander Kobayashi”-project by novoflot | |||||||
| work list |
151-04-HW
|
||||||
| completed |
11/20/2004
|
||||||
| text |
Tobias Dusche, Sebastian Bark, novoflot, Moritz Eggert
|
||||||
| voices |
Tii! (high Soprano), Go (Soprano), Scrabble (Mezzo), Ma’ (Baritone)
|
||||||
| instruments |
Ensemble: Bass Clarinet (Bb), French Horn, Trumpet (Bb), Bass trombone, percussion (1 player), piano/celesta (1 player), viola, cello, double bass
|
||||||
| duration |
15'
|
||||||
| world premiere |
01/14/2005
with Meik Schwalm („Ma“), Hanna Dora Sturludottir („Go“), Julia Henning (“Tii!”), Sibylle Fischer (“Scrabble”), director: Sven Holm, conductor: Vicente Larranaga, stage designn: Leonie von Arnim, costume: Bettina Latscha, video: Philip Kießling, “Dramaturgie”: Sebastian Bark, text: Tobias Dusche Hamburg (Germany), opera stabile |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
|
Work Back to overview |
L.O.V.E.R.S.
(2005) Stage play for singer, dancer and pianist |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
| included the following songs from „Neue Dichter Lieben“: 1. Auf welchem Fuss 2. Liebeserklaerung 3. Luft 4. Tote Liebe 5. herz vers sagen 6. Neues Maerchen 7. Ich liege neben Dir danach 8. Don Juan kommt am Vormittag 9. In der letzten Nacht | |||||||
| work list |
00-05-HW
|
||||||
| completed |
04/21/2005
|
||||||
| text |
various
|
||||||
| duration |
75'
|
||||||
| world premiere |
04/21/2005
idea: Rosamund Gilmore, Jutta Georg baritone: Claudio Otelli dance: Irene Klein piano: Christian Nagel Frankfurt am Main (Germany), Kuenstlerhaus Mousonturm |
||||||
|
Work Back to overview |
La BETTLEROPERa
(2017) |
||||||
|
Stage Works - Musiktheater und Performance also look at Dance theatre |
|||||||
|
Music/Dance Theatre Based on Gay/Pepusch “Beggar’s Opera†|
|||||||
| work list |
251-17-HW
|
||||||
| completed |
07/24/2017
|
||||||
| text |
Lyrics: Moritz Eggert Libretto: Bernhard Glocksin/Balletto Civile |
||||||
| voices |
Roles (actors/dancers/singers): Peachum, Mrs. Peachum, Filch, Macheath, Polly, Matt, Jenny, Lucy, Lockit, Trappola, whores, gangsters
|
||||||
| instruments |
Ensemble: 2 recorders (Sopranino-, Soprano-, Alto-, Tenor-, Bass-, Great Bass-, Paetzold), Electric Guitar, Violoncello and small instruments washboard/melodica/typewriter/bell/baroque violin (all instruments amplified)
|
||||||
| duration |
1 h 30'
|
||||||
| special |
Overture Morning Chorale (Peachum) And Beauty Must Be Paid (Filch) DANCE I (2a) 3. Diamonds are Whore’s best Friend (Mrs. Peachum/Peachum) DANCE II (3a) 4. Macheath is my man (Polly) 5. Wait for the Tillerman (Polly/Mrs. Peachum) DANCE III (5a) 6. Dreaming a Dream of you (Macheath) 7. Bleib bei mir, kleine Sonne (Macheath, Polly) 7.a Zwischenaktmusik 8. We’ll keep whoring till the end (Matt und Chor) 9. Enjoy yourself (Jenny und Huren) DANCE IV (9a) 10. Behind the green door (Jenny) 11. It’s later than you think (Jenny,Hurenchor)12. They call it Dharma in Mandalay (Lucy) 13. It doesn’t end like that (Lucy/Macheath) 14. Twang Dang Dillo Dee (Lockit) 15. The Power of Love (Polly/Lucy) DANCE V (15a) 16. Bleib bei mir kleine Sonne (Reprise:Lucy/Macheath) 17. Confession (Lucy) 18. Giocatori sono amici (Lockit)19. How to make a living (Filch) DANCE VI (19a) 20.Wir sind Freunde (Macheath/Chor) DANCE VII (20a) 21.In the days of my youth (Trappola) DANCE VIII (21a) 22. I’m like a little ship (Lucy) 23. The Bile of Men (Polly und Lucy) Dance IX (23a) 24. Every Month was May (Polly) DANCE X (24a) 25. Cercatene un altro (Peachum) 26. Nun geh ich ein in die Dunkelheit (Macheath) Dance XI (26a) 27. Adieu, Farewell (Lucy, Polly, Macheath) Dance XII (27a) 28. Finale (Hau ihm einfach auf die Fresse, Alle)
|
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Linkerhand
(2008) An Opera in 33 scenes |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| based on the novel "Franziska Linkerhand" von Brigitte Reimann | |||||||
| work list |
180-08-HW
|
||||||
| completed |
08/28/2008
|
||||||
| text |
Libretto: Andrea Heuser
|
||||||
| voices |
Franziska (young dramatic soprano), Franziska II (actress), Architekt (Tenor with buffo tendency), Wilhelm (lyrical tenor), Affaere (Baritone), Aristide/Engel (coloraturo soprano), Django/Schlagersaenger (singing and dancing actor), Assistent (various musical and theatrical actions, no singer) Mixed choir, Audio Samples |
||||||
| instruments |
Orchestra: fl/picc., ob., E.H., clar. In Eb, Bass-clar. � 2 Hn., Tr. (Bb), 3 Tromb. � Hp., theremin vox, percussion (1 player), drumset/small perc. (1 player), jazz-bass, electric guitar, piano/sampler/electric church organ (1 player) � strings: 6.5.4.3.1 (min.)
|
||||||
| duration |
1 h 35'
|
||||||
| world premiere |
05/10/2009
conductor: Eckehard Stier, director: Sebastian Ritschel, Dramaturgie: Ronny Scholz, stage: Karen Hilde Fries, choreographers: Dan Pelleg, Marco E. Weigert, with Yvonne Reich (Franziska), Ines Burdow (Franziska II), Lisa Mostin (Aristide), Frank Ernst (Architekt), Shin Taniguchi (Aff�re), Jan Novotny (Wilhelm), Django (Hans-Peter Struppe), Neue Lausitzer Philharmonie, Chor des Theaters Goerlitz Hoyerswerda (Germany), Lausitzhalle |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Linkerhand, kurzer Text zum Stück LINKERHAND [
Linkerhand, short text about the piece , 4.12.2008
]
Linkerhand, detaillierte Besetzung mit Auflistung von Toneinspielungen LINKERHAND [
Moritz Eggert , 28.8.2008
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
M - eine Stadt sucht einen Mörder
(2018) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
|
After the screenplay by Thea von Harbou und Fritz Lang, arranged and expanded with texts by Walter Mehring and children’s songs by Barrie Kosky and Ulrich Lenz |
|||||||
| work list |
257-18-HW
|
||||||
| completed |
06/28/2018
|
||||||
| voices |
M (Bariton), Solo-Soprano, Solo-Tenor, children’s choir and children soloists, actors, dancers, speakers, extras
|
||||||
| instruments |
orchestra (amplified): flute/picc., oboe, clarinet (Bb), alto saxophone, bassoon – horn, trumpet, tenor trombone, bass trombone, bass tuba – 3 percussionists (3: drum set) – accordion, electric guitar, electric bass– 4 keyboards (Software-Sampler) – 12 singers (SSSAAATTTBBB) – strings 6.6.4.3.2
|
||||||
| duration |
1 h 45'
|
||||||
| world premiere |
05/05/2019
Conductor: AinÄrs RubiÄ·is, director: Barrie Kosky, stage and lighting: Klaus Grünberg, stage: Anne Kuhn, costumes: Katrin Kath, Dramaturgie: Ulrich Lenz, choirs: David Cavelius, children’s choir: Dagmar Fiebach, cast: M, der Moerder: Scott Hendricks, voices: Alma Sadé, Tansel Akzeybek, students of the Hochschule für Schauspielkunst »Ernst Busch« Berlin: Emilia Giertler, Noëlle Haesling, Laura Kiehne, Max Haase, Jan Eric Meier, Daniel Warland Kinderchor und Kinderkomparserie der Komischen Oper Berlin, Saenger*innen des Opernstudios und des Vocalconsorts Berlin Berlin (Germany), Komische Oper |
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Maedchenmonstermusik
(2019) Clara Schumann - Wunderkind |
||||||
|
Stage Works - Stage music also look at Musiktheater und Performance |
|||||||
| A theatre piece with music | |||||||
| completed |
05/04/2019
|
||||||
| text |
Winnie Karnofka
|
||||||
| duration |
1 h 30'
|
||||||
| world premiere |
05/04/2019
Text: Winnie Karnofka | composition: Tom Smith & Moritz Eggert | with Julia Sontag, Philipp Zemmrich, Laura Hempel, Tom Smith, Lysann Schläfke, director: Michaela Dicu Leipzig (Germany), Theater der Jungen Welt |
||||||
| see also |
Cilia Wir drehen Bleib doch einfach fort Haemmerklavier XXIX: No Replay |
||||||
|
Work Back to overview |
Martien Martienne
(2018) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| Based on the short story „Ylla“ from the„Martian Chronicles“ by Ray Bradbury | |||||||
| work list |
261-HW-2018
|
||||||
| completed |
12/23/2018
|
||||||
| text |
Laurent Frèchuret, after Ray Bradbury
|
||||||
| voices |
singer/actress, actor
|
||||||
| instruments |
5 Percussionists (Mallets and other instruments)
|
||||||
| duration |
60'
|
||||||
| world premiere |
10/18/2019
Director: Laurent Fréchuret, Arnaud Perrat, stage and computer visuals: Grégory Lasserre & Anaïs Met Den Ancxt With Claudine Charreyre, Mychel Lecoq, „voix off:“:François Chattot, percussions claviers de Lyon : Sylvie Aubelle, Renaud Cholewa, Jérémy Daillet, Gilles Dumoulin, Lara Oyedepo Grenoble (France), Théatre Municipal de Grenoble |
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Milennium Shuffle
(1999) |
||||||
|
Stage Works - Dance theatre |
|||||||
| for 5 or more dancers with headphones | |||||||
| work list |
88-98-NW
|
||||||
| completed |
10/21/1998
|
||||||
| voices |
5 or more dancers with headphones
|
||||||
| instruments |
5 oder mehr Tänzer mit Kopfhörern
|
||||||
| duration |
5'
|
||||||
| world premiere |
03/27/1999
Guido Wallner, Ruth-Marie Hyprath, Sophatai Kanthatham, Wubkje Kuindersma, Alexandra Milne, Tom Baert, Yuki Mori, Adam Ster, Jessica Billeter, Dagmar Bock, Maria Nitsche, Brit Rodemund, Ivo Baertsch, Christian Maier, Luca Marazia Nuremberg (Germany), opera house |
||||||
| special |
music consists of percussive sounds created by the movements of the dancers; performance elements; the rhythm is provided by a cue-track through headphones, audible only for the dancers
|
||||||
| texts |
Pressestimmen … der Münchner Komponist Moritz Eggert hat extra für Nürnberg eine faszinierende, vielfarbige Klangwelt arrangiert, die in ihrer rhythmisch-instrumentalen Raffinesse ein weitaus größeres Ideenpotential hätte freisetzen können. Eggerts hervorragend proportionierte ... [more] [
MÄRZ/APRIL 1999
]
Millennium Shuffle Aufführungshinweise Millennium Shuffle [
24.03.2004
]
|
||||||
| see also |
A visit to the mines Zu "Ein Besuch im Bergwerk" |
||||||
|
Work Back to overview |
now - I need now
(1997) |
||||||
|
Stage Works - Dance theatre |
|||||||
| music: Et in Arcadio Ego, Kisses in the air, Sea/Desert, Bohemian Hymn, Avec ma main brulée, Symphony 1.0, Fleeting Encounter, Adagio, Heute, Skelter | |||||||
| completed |
1997
|
||||||
| text |
based on the life and works of Ingeborg Bachmann
|
||||||
| voices |
mixed ensemble (dancers, actors)
|
||||||
| instruments |
2 pianists, 2 percussionists
|
||||||
| duration |
1 h 30'
|
||||||
| world premiere |
02/28/1997
director/choreography: Birgitta Trommler, stage design: Gudrun Schretzmeier, with Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor, musicians: Martina Bittner, Arne Willimczik (pf.), Wolfgang Umber, Edgar Pritsch (perc.), conductor of the pre-produced recordings: Moritz Eggert, Art Core Sax-Saxophonquartett, Orchester des Staatstheater Darmstadt Darmstadt (Germany), Staatstheater |
||||||
| soundcarrier |
Porträt-CD Moritz Eggert |
||||||
| texts |
PRESSESTIMMEN "Vom Band spielen dazu ein Streichquartett, ein Saxophonquartett, ein Streicherensemble des Darmstädter Staatsorchesters. Sie schildern die Seelenzustände plastisch, mal in sanften Melodien, mal in chaotischen Dissonanzen, mal in minimalistischen Veränderungen. Von der depressiven Ver... [more] [
März 1998
]
Interview anlässlich der UA von "Gegenwart - Ich brauche Gegenwart" Fragen zu Musiktheater an Moritz Eggert [
nach Fragen von Laura Berman , 10.07.2003
]
|
||||||
| see also |
Avec ma main brulée Fleeting Encounter heute Kisses in the air Adagio - An Answered Question Skelter Symphony 1.0 Et in Arcadia Ego Sea/desert |
||||||
|
Work Back to overview |
Opening ceremony of the FIFA World Cup 2006
(2006) |
||||||
|
Stage Works - Stage music |
|||||||
| Gigantic show with 1400 participants | |||||||
| work list |
163-06-NW
|
||||||
| completed |
05/25/2006
|
||||||
| instruments |
participants: Toelzer Knabenchor, 180 Schuhplattler, 15 Goaßlschnalzer, Chorvereinigung Wien/Neubau (director: Walter Zeh), Junges Klangforum Mitte Europas (conductor: Christoph Altstaedt), 180 Wolfauslasser, 150 bavarian Ruehrtrommler, 120 “Drummers of the world”
|
||||||
| duration |
30'
|
||||||
| world premiere |
06/10/2006
director: Christian Stueckl, costumes. Marlene Pohley, music: Moritz Eggert (except the pieces by „Seeed“ and Herbert Groenemeyer), 1500 participants (see above) Munich (Germany), worldwide broadcast with 1.5 billion viewers, WM-Arena |
||||||
| special |
contains the following music: „Hymne an den Ball“ (from „The Depth Of Space“) (new version without voices) „Adagio – An Answered Question“ (excerpt) „Drums Of The World“ for 120 percussionists „Im Anfang war das Spiel“ for boy’s choir „Orchestral Intro“ for orchestra and choir „Drumming Prologue“ for 180 drummers and 15 „Gaosslschnalzer“ „Wolfauslasser“ for 180 „Wolfauslasser“ and orchestra „Finale“ (for all) |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Interview with the composer Malay Mail (Malaysia) Classical & Jazz: Symphonic soccer fan [
Ahmad Azrai , 11.06.2006
]
Liste der musikalischen Mitwirkenden Liste der musikalischen Mitwirkenden bei der Eröffnungsfeier der WM in Deutschland, 9.6.2006 (Regie: Christian Stückl) [
15.07.2006
]
|
||||||
| see also |
Adagio - An Answered Question From the depth of space - a soccer oratorio Breaking The Waves (Open Air Performance) |
||||||
|
Work Back to overview |
Orfeo Shows
(2004) Ballet by Ed Wubbe |
||||||
|
Stage Works - Dance theatre |
|||||||
| used music by Moritz Eggert: Haemmerklavier III, V | |||||||
| completed |
11/25/2003
|
||||||
| world premiere |
11/25/2003
Scapino-Ballett, Rotterdam Rotterdam (Netherlands), Rotterdamse Schouwburg |
||||||
|
Work Back to overview |
Paul and Virginie
(1990) |
||||||
|
Stage Works - Operas/ music theatre also look at Septets |
|||||||
| puppet opera | |||||||
| photo |
|
||||||
| work list |
22a-89-HW
|
||||||
| completed |
09/22/1989
|
||||||
| text |
text: Moritz Eggert, based on the book by Bernardin de St. Pierre and an idea by Erik Satie
|
||||||
| instruments |
Clar. (B), Tb., Percussion (1 player), Guitar, Vl., Cb., Harmonium/Pf. (1 player)
|
||||||
| duration |
1 h
|
||||||
| world premiere |
04/29/1990
director/design: Helmut Danninger, Ensemble fuer Neue Musik (piano: Moritz Eggert) , cond.: Roger Epple Munich (Germany), Gasteig, Black Box, 2nd Munich Biennale |
||||||
| special |
Musicians also use small percussion instruments, piano is slightly prepared for one scene
|
||||||
| dedicated |
Erik Satie
|
||||||
| soundcarrier |
Klavier Musik Utopien |
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
scene from Paul and Virginie The Trap Paul and Virginie (Libretto), English Version Warum "Paul und Virginie?" Paul and Virginie (Libretto) |
||||||
|
Work Back to overview |
solarplexus - neue dichter lieben
(2004) |
||||||
|
Stage Works - Stage music |
|||||||
|
music by moritz eggert: from "Neue Dichter Lieben": Auf welchem Fuss, Tierchen, Flugkoerper, Luft, Sonett an die schreibfaule Brieffreundin, Tote Liebe, Koitus, Schneiden und Scheiden, Sprich, Scheherazade, Ich liege neben Dir danach, In der letzten Nacht |
|||||||
| completed |
10/13/2004
|
||||||
| duration |
75'
|
||||||
| world premiere |
10/15/2004
Fabian Hemmelmann, baritone, Jori Schulze-Rempell, piano, with Alexe Limbach, Christine Stienemeyer, Christof Hemming, director: Joerg Fuerst, Samples: Markus Berger, stage design/costumes: Christina Wachendorff, Uta Heiseke, Angelika Remy Cologne (Germany), Alte Feuerwache |
||||||
|
Work Back to overview |
Terra Nova
(2015) the white life |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| Large Opera in 3 acts | |||||||
| work list |
238 - HW - 2015
|
||||||
| completed |
08/30/2015
|
||||||
| text |
Franzobel, Rainer Mennicken
|
||||||
| voices |
Pandura (Mezzo), Ruler (Tenor), Marilyn (Chansonette), Chang’e (coloratura-sopr.), Kolker (Bar.), Armstrong (Spieltenor), Titov (Baritone), Dreier (Lyrical Tenor), Ann (Sopr.), Mira (Mezzo), Yioti (Soubrette), Ein Freier (actor), The Little Prince (child soprano), Moonwalker etc. (choir soloists: T/Bar./B.), Choir, dance soloists
|
||||||
| instruments |
Orchestra: picc., 2 Fl. 2 Ob., C.A., 2 clar. (Bb), Bass clarinet, 2 Bn., D.Bn. – 4 Hn., 3 Tr. (Bb), 2 Ten-tn., 1 Bass-tn., Basstuba – Timpani, 2 percussionists, harp, electric guitar, E-Bass, Organ/Keyboards/piano (1 player) – Strings – Tape Sounds
|
||||||
| duration |
2 h 15'
|
||||||
| world premiere |
05/26/2016
conductor: Dennis Russell Davies, Takeshi Moriuchi, director: Carlus Padrissa, choreography: Mei Hong Lin, stage: Roland Olbeter, costumes: Chu Uroz Ruler, Präsident: Jacques le Roux, Lara alias Chang'e, seine ehemalige Frau: Mari Moriya, Marylin, seine Geliebte: Anaïs Lueken, Pandura, Astronomin: Katerina Hebelkova, Kolker, Laras Bruder, ein Agent: Martin Achrainer, Armstrong, Raumfahrer: Sven Hjörleifsson, Titov, Raumfahrer: Michael Wagner, Dreier, Raumfahrer: Matthäus Schmidlechner, Ann, Armstrongs Frau: Elisabeth Breuer, Mira, Titovs Frau: Kerstin Eder, Yioti, Dreiers Frau: Gotho Griesmeier, Ein Freier: Lutz Zeidler, Der kleine Prinz: Benjamin Gotthard/Jakob Reiter, Ein Lautsprecher: Ulf Bunde/Moritz Eggert, Drei Moonwalker / Drei Rädelsführer / Drei Reporter / Drei Partygäste: Csaba Grünfelder, Ulf Bunde, Marius Mocan Ballett des Landestheaters Linz Chor des Landestheaters Linz Kinder- und Jugendchor des Landestheaters Linz Statisterie des Landestheaters Linz Bruckner Orchester Linz Linz (Austria), Opera |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
|
Work Back to overview |
The Behr-Khyrsh project
(2002) manuscript for a piece to be performed in a cinema |
||||||
|
Stage Works - Short operas |
|||||||
| Music: Behr-Khyrsh-Interludes, Nemesis (excerpts), Vermilion Sands (excerpt), Sandbox - Variations (excerpt), Auf der Suche nach dem KlaNNg (excerpt) | |||||||
| work list |
132a-02-HW
|
||||||
| completed |
10/28/2002
|
||||||
| text |
text: Moritz Eggert
|
||||||
| voices |
Actor
|
||||||
| instruments |
trumpet (Bb), guitar, percussion, violin, double bass
|
||||||
| duration |
40'
|
||||||
| world premiere |
12/05/2002
Ensemble "a rose is", Manfred H. Wenninger, speaker, Lisa Lammel, violin, Ulf Pankoke, trumpet, Christian Buck, guitar, Almut Lustig, percussion, Gregor Schwellenbach, bass, Jule Kracht, costumes, Jan Meyer, stage, Andreas Simon, film Ensemble Website Goettingen (Germany), Junges Theater, "Platzende Kometen" |
||||||
| Video |
|
||||||
| see also |
Behr-Khyrsh-Interludes Das Behr-Khyrsh-Projekt (textbook) The search for the KlaNNg Vermilion Sands Nemesis Sandbox - Variations |
||||||
|
Work Back to overview |
The Gaze Of The Raven
(2013) an evening after Edgar Allan Poe |
||||||
|
Stage Works - Dance theatre also look at Ballet |
|||||||
| dance theatre with orchestra and singer | |||||||
| completed |
10/19/2013
|
||||||
| text |
„Nimmermehr!“ Der sprechende, stets verneinende Rabe aus Edgar Allan Poes berühmtem Gedicht ist eines der stärksten und faszinierendsten Symbole für Melancholie und Hoffnungslosigkeit. Der amerikanische Weltliterat setzte sich in seinen Werken wie kein anderer mit den dunkelsten Ängsten und Albträumen der Menschheit auseinander. Ausgehend von Poes Gedichten und Kurzgeschichten erkundet Tarek Assam dessen einmaligen Blick auf die Welt: düster und traurig – doch von einem unerklärlichen Zauber durchdrungen. Bereits zum vierten Mal wird er dabei von Bühnenbildner Fred Pommerehn und Kostümbildnerin Gabriele Kortmann unterstützt. Die eigens für diesen Abend komponierte Musik des renommierten Komponisten Moritz Eggert wird live unter der musikalischen Leitung von Michael Hofstetter vom Philharmonischen Orchester Gießen präsentiert. |
||||||
| voices |
female voice
|
||||||
| instruments |
dancers and orchestra
|
||||||
| duration |
1 h 40'
|
||||||
| world premiere |
10/19/2013
choreography: Tarek Assam musical director: Michael Hofstetter / Herbert Gietzen, stage design: Fred Pommerehn, costumes: Gabriele Kortmann , Dramaturgie: Christian Schroeder Der Schwarm: Endre Schumicky / Claudio Pisa / Edoardo Novelli / Sven Krautwurst / Leona Striet / Magdalena Stoyanova / Mamiko Sakurai / Jennifer Ruof / Yuki Kobayashi / Lea Hladka / Caitlin-Rae Crook Two Ravens: Manuel Wahlen / Michael Bronczkowski singer: Bettina D'Mello Philharmonisches Orchester Giessen Giessen (Germany), Stadttheater, Grosses Haus |
||||||
| publication |
http://www.sikorski.de
|
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|
Work Back to overview |
The last days of V.I.R.U.S.
(2003) An opera in 7 scenes |
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|
Stage Works - Short operas |
|||||||
| short opera | |||||||
| work list |
135-03-HW
|
||||||
| completed |
02/12/2003
|
||||||
| text |
Libretto: Moritz Eggert
|
||||||
| voices |
Dr. Colossus (mezzo), Dr. Kananga (baritone), The VIRUS/Dr. Psappha (tenor), Dr. Dax (actress or mezzo)
|
||||||
| instruments |
flute, oboe (also cor anglais), clarinet in Bb (also bass clarinet), bassoon (also double bassoon) - horn, trumpet in Bb, Tenor/bass-trombone - percussion (1 player) - piano - strings 1.1.1.1.1
|
||||||
| duration |
16'
|
||||||
| world premiere |
06/07/2003
conductor: Ulrich Nicolai, stage director; Florentine Klepper, stage and costume design. Chalune Seiberth, visuals: Bastian Trieb With: Veronika Benning (Dr. Mira Colossus), Martin Danes (Dr. Julian Kananga), Markus Durst (The Virus/ Dr. John Psappha), Monika Lichtenegger (Dr. Dax), Ensemble piano possibile München, Reaktorhalle, 7. ADevantgarde-Festival |
||||||
| special |
Part of the project "The last days of V.I.R.U.S.", ADEvantgarde 2003
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Multimedia |
|
||||||
| see also |
The last days of V.I.R.U.S. (Libretto) The last days of V.I.R.U.S. (full opera) |
||||||
|
Work Back to overview |
The last days of V.I.R.U.S. (full opera)
(2003) an infectious opera anthology by 6 composers |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| music by: Ricardo Zohn-Muldoon, Ketty Nez, Carlos Sanchez, Sandeep Bhagwati, Maxim Seloujanow, Moritz Eggert | |||||||
| work list |
00-03-HW
|
||||||
| completed |
05/10/2003
|
||||||
| text |
Text: Lia Purpura, Juan Trigos, Sandeep Bhagwati, Maxim Seloujanow, Ketty Nez, Moritz Eggert
|
||||||
| voices |
variable
|
||||||
| instruments |
flute, oboe (also cor anglais), clarinet in Bb (also bass clarinet), bassoon (also double bassoon) - horn, trumpet in Bb, Tenor/bass-trombone - percussion (1 player) - piano - strings 1.1.1.1.1
|
||||||
| duration |
1 h 10'
|
||||||
| world premiere |
06/07/2003
conductor: Ulrich Nicolai, stage director; Florentine Klepper, stage and costume design. Chalune Seiberth, visuals: Bastian Trieb With: Veronika Benning, Martin Danes, Markus Durst, Monika Lichtenegger, Sabine Lahm, Thomas Hohenberger, Puppentheater Wunderlich, Iris Julien, Reinhard M.K. Thasler, Leander Lichti, Kristina Hays, Nadine Germann, Franziska Junge, Ensemble piano possibile Munich (Germany), Reaktorhalle, 7th ADevantgarde Festival |
||||||
| special |
Mutual composition based on an idea by Moritz Eggert
|
||||||
| texts |
Interview mit Andreas Grabner anlässlich der UA in München Er gehört zu den zu den gefeierten Komponisten der jüngeren Generation: Schon während seiner Gymnasialzeit begann Moritz Eggert, Jahrgang 1965, Musikstücke für die Schulband zu schreiben. In den 80er-Jahren studierte er Komposition und Klavier in Frankfurt und München, ... [more] [
Andreas Grabner , 16.02.2004
]
|
||||||
|
Work Back to overview |
The meal of Mr. Orlong
(1988) opera for actors |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| music for a silent play | |||||||
| photo |
|
||||||
| work list |
14-87-HW
|
||||||
| completed |
12/05/1987
|
||||||
| text |
Libretto: Moritz Eggert
|
||||||
| movements |
I. The Night II. Mr. Orlong gets dressed III. The man in the moon IV. The stagehands appear IX. Setting up the conductor's stand V. The man in the moon (2) VI. The drinking automatons VII. The stagehands appear for the second time VIII. The stagehands appear for the thrid time X. The man in the moon (3) XI. The man in the moon (4) XII. The night (2) XIII. Overture (in the style of the old masters) XIV. Entering the stage XV. Leaving the stage |
||||||
| voices |
Alto, Tenor, Bass, heroic tenor ad lib.
|
||||||
| instruments |
Cor angl., Ten.-Sax, Bass-Clar., 2 Bn. - Cemb., Harm., Celesta, Pf. - Percussion (1 player) - Strings 1.1.1.2.1.
|
||||||
| duration |
1 h 30'
|
||||||
| world premiere |
02/24/1988
Ensemble fuer Neue Musik, Muenchen, Roger Epple, cond., Director: Peer Martiny, stage design/costumes: Colin Walker, with: Silvia Fichtl, Sopr., Markus Brutscher, Ten., Donald George, Ten., Markus Hollop, Bar., Michael Hell (Mr. Orlong), Peter Luppa (the moon man), Grace Yoon (dancer), Sabrina Ascacebar, Andreas Borcherding, Dietmar Moessmer, Uta Tietje, Hans H. Steinberg Munich (Germany), Gasteig, Carl-Orff-Saal |
||||||
| special |
silent action, singers sing out of orchestra pit mostly, some scenes without music, tape, theatrical actions by musicians
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Multimedia |
|
||||||
| see also |
The search for the KlaNNg In the sandbox The Trap Der kaleidoskopische Dieb und sein Schatten Das Mahl des Herrn Orlong (textbook) Man in the Moon |
||||||
|
Work Back to overview |
The Outsider (semi-theatrical version)
(2000) version for voice and ensemble |
||||||
|
Stage Works - Short operas |
|||||||
| mobile melodrama | |||||||
| work list |
86b-00-BE
|
||||||
| completed |
04/26/2000
|
||||||
| text |
based on the short story "The Outsider" by H. P. Lovecraft
|
||||||
| voices |
female voice
|
||||||
| instruments |
Fl.(+picc.), Ob., Clar.(+Small Clar. in Ab or Eb-), Tb., Perc. (1 player), E-Guit. Acc., Vl., Vla., Vc., Cb.,
|
||||||
| duration |
30'
|
||||||
| world premiere |
07/07/2000
Ensemble United, Berlin, Annina Papazian/Liat Himmelheber, voice/recitation, Eberhard Kloke, conductor Vockerode (Germany), Kraftwerk, "In den Stunden des Neumondes" |
||||||
| special |
detailed theatrical concept with movements of musicians and singer, various effects
|
||||||
| dedicated |
Eberhard Kloke
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| texts |
Der Andere (ausführlicher Text zum Stück) Der Andere [
23.07.2003
]
detaillierte Besetzung "Der Andere" DER ANDERE [
19.07.2003
]
|
||||||
| Multimedia |
|
||||||
| see also |
The Outsider (original version) |
||||||
|
Work Back to overview |
The search for the KlaNNg
(2001) Atanasio Khyrsh and the music of the future |
||||||
|
Stage Works - Hörspiele |
|||||||
| Contains new sound collages and original music, also excerpts from the following pieces: The eternal song, (version for strings), Haemmerklavier II, III, X, The meal of Mr. Orlong, Nemesis, Number Nine III, Sandbox-Variations, Loud and fearless, Adagio - An Answered Question, Breathless, Stardog, Symphonie 1.0, home sweet home (old version) | |||||||
| work list |
98-99-HW
|
||||||
| completed |
10/28/1999
|
||||||
| text |
based on a manuscript by Moritz Eggert
|
||||||
| voices |
7 Sprecher
|
||||||
| instruments |
Musik, Klangcollagen
|
||||||
| duration |
1 h 35'
|
||||||
| world premiere |
03/07/2001
Ulrike Arnold, Michael Quast, Dinah Schuebel, Peter Pruchniewitz, Moritz Eggert HR 2 (Hessian Radio, Germany) |
||||||
| special |
can also be performed live, with 4 speakers, piano (ad lib.) and tape
|
||||||
| dedicated |
Andrea Heuser
|
||||||
| texts |
Auf der Suche nach dem KlaNNg, erster Entwurf für eine Bühnenversion MORITZ EGGERT [
23.02.2004
]
Auf der Suche nach dem KlaNNg, exposé for an international radio version THE SEARCH FOR „KLANNG“ – Atanasio Khyrsh and the music of the future [
04.03.2004
]
|
||||||
| see also |
The eternal song Auf der Suche nach dem Klanng (textbook) Home sweet home (old version) Symphony 1.0 Star dog Breathless Adagio - An Answered Question Loud and fearless Sandbox - Variations Number Nine III Nemesis The meal of Mr. Orlong Haemmerklavier IX Haemmerklavier III Haemmerklavier II The Behr-Khyrsh project |
||||||
|
Work Back to overview |
The Snail
(2004) "Ein deutsches Sing - und Tanzspiel" |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| work list |
141-04-HW
|
||||||
| completed |
03/18/2004
|
||||||
| text |
Hans Neuenfels (based on a poem by Garcia Lorca)
|
||||||
| voices |
soprano, mezzo, alto, teno, baritone, bass, 4 actors, 4 "figurants", dancers, tape
|
||||||
| instruments |
Large orchestra: 3 Fl. (3 alt. Picc.), recorder (Garklein-, Sopranino-, Soprano-, Alto-, Tenor-, Bass-), 3 Ob. (3 alt. English Horn), 3 Clar. In Bb, (3 alt. Bass clarinet in Bb), Tenor saxophone in Bb, 2 Bn., 1 Double-Bn. – 4 Hn., 4 Tr. in Bb, 2 tb., 1 Bass tb., Bass tuba – Hp., 2 Electric Guitars, Electric Bass, timpani, percussion (4 players) – 2 Pianists (Celesta, Cembalo, Keyboard, grand piano) – Accordion – strings: 12.10.8.6.4. ALTERNATIVE (SMALLER) ORCHESTRATION: 2 Fl. (2 also picc.), 2 Oboes, 2 Cl. (2 also Bass-Cl.), 2 Bn. (2 also Double Bn.), - 3 Hn., 2 Tr., 2 Tb.., bass tba.. – timpani, 2 perc.. – hp., electric guitar, electric bass – 2 pianists – strings: 6.6.4.3.2. |
||||||
| duration |
2 h
|
||||||
| world premiere |
06/13/2004
with Almut Henkel (Irmgard), Marina Ivanova (Helga), Andrea Szanto (Inge), Ceri Williams (Maria), Thomas Berau (Edgar), Daniel Eberle (Florian), Alexander Heidenreich (Herbert), Tomasz Konieczny (Arthur), Xavier Moreno (Manfred), Manfred Trabant (Hemann), a.o. Chor und Orchester des Nationaltheaters Mannheim, conductor: Wolfram Koloseus (Bernhard Schneider), director: Hans Neuenfels, stage: Christof Hetzer, costumes: Elina Schnitzler Mannheim (Germany), Nationaltheater, Grosses Haus |
||||||
| dedicated |
Andrea Heuser
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Die Schnecke, einige Gedanken zur Aufführung in Luzern Einige Anmerkungen zur Neuorchestrierung der „Schnecke“ ORCHESTER [
05.04.2004
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Tragedy Of A Friedship
(2013) |
||||||
|
Stage Works - Dance theatre also look at Musiktheater und Performance |
|||||||
|
Wagner versus Nietzsche: a fatal friendship In 2013, it will be 200 years since Richard Wagner was born: an ideal time to turn the spotlight on this legendary composer. The Flanders Opera invited Jan Fabre to make a musical theatre creation on the subject of Wagner, who is one of his favourite artistic figures. He was inspired by Wagner's 13 operas and the fascinating but tragic association between Wagner and Nietzsche, which ended in a feud. In collaboration with the writer and Nietzsche expert Stefan Hertmans and the German composer Moritz Eggert, the result is an exciting new work of theatre. Coproductio,: Troubleyn/Jan Fabre, Concertgebouw Brugge, Théâtre de la Ville Paris, Opéra de Lille, Wagner Genèva Festival & Holland Festival. |
|||||||
| text |
Stefan Hertmans, Wagner, Nietzsche
|
||||||
| voices |
Tenor/Mezzo (live)
|
||||||
| instruments |
Orchestra, Theremin, Cello, Harmonium (from tape)
|
||||||
| duration |
3 h 15'
|
||||||
| world premiere |
05/15/2013
singers: Lies Vandewege / Hans Peter Janssens, Performers: Silke Muys / Anne Pajunen / Solène Weinachter / Gustav Koenigs / Nikolaus Barton / Annabelle Chambon / Cédric Charron / Ivana Jozic / Kurt Vandendriessche / Fabienne Vegt Musicians from Tape: Lydia Kavina (ther.), Jadranka Gasparovic (vc.), Nico Declerck, Moritz Eggert (Harmonium), Flanders Symphony Orchestra, Conductor: Moritz Eggert Antwerp (Belgium), Opera Antwerp, "Opera XXI" |
||||||
| special |
contains parts of „man soll schwimmen“ (cycle for Trio) and „My Sleep Is A Dream“ (cycle for orchestra), sound improvisations and A Cappella – excerpts from operas by Richard Wagner
|
||||||
| Video |
Tragedy of a Friendship - Warm-Up from Opera Vlaanderen on Vimeo.
Jan Fabre | Troubleyn - Tragedy of a Friendship from Peak Performances on Vimeo. |
||||||
| see also |
man soll schwimmen My Sleep Is A Dream |
||||||
|
Work Back to overview |
Traviata Remixed
(2016) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| new version of "La Traviata" (G. Verdi) | |||||||
| work list |
244-NW-2016
|
||||||
| completed |
06/26/2016
|
||||||
| voices |
4 singers (playing various roles)
|
||||||
| instruments |
flute/picc., clar./Bass-clar., Alt-Sax/Sopr.-Sax – Trumpet, Bass-Trombone – elec. Git., elec. Bass– Mallets (1 player), Drumset (1 player) – accordion, Keyboard - Violin, Cello
|
||||||
| duration |
90'
|
||||||
| world premiere |
08/13/2016
Alessandro Scotto di Luzio tenor / Alexandra Flood soprano / Ernst Daniël Smid baritone / Lore van den Broeck soprano / Alexander de Jong bass / Steven Sloane conductor/ Lotte de Beer director/ Clement & Sanôu scene/ Musici NJO: Nationaal Jeugd Orkest ensemble Amsterdam (Netherlands), Grachtenfestival, Zuiveringhal West |
||||||
| special |
composed together with Jacopo Salvatori
|
||||||
| Video |
|
||||||
|
Work Back to overview |
Wahnfried - ein deutsches Stammlokal
(2006) |
||||||
|
Stage Works - Stage music |
|||||||
|
theatre piece by Klaus Umbach Blues/Klavierimprovisation I/II/Rock’n Roll/Walzerimpro/Ballade (Eggert), excerpts from Walküre, Der Fliegende Hollaender, Die Meistersinger von Nuernberg, Rheingold (R. Wagner), Trauergondel Nr. 2, Wiegenlied, Am Grabe Richard Wagners (F. Liszt) |
|||||||
| work list |
00-06-HW
|
||||||
| completed |
08/27/2006
|
||||||
| text |
Klaus Umbach
|
||||||
| instruments |
piano (melodica)
|
||||||
| duration |
1 h 40'
|
||||||
| world premiere |
08/27/2006
with Alan Titus (Bill Applepie), Raphaela Crossey (Cosima, Völkl, Wesendonck), Jona Mues (Bruckner, Wieland Wagner), Dietmar Mues (Nietzsche), Klaus Philipp (Waechtershagen, Winifred Wagner, Mikhail Bakunin), and Silvia Ospina, Joerg Piel, Manfred Stelkens, Charles Toulouse, Lukas Arndt/ Moritz Pollock Regie: Markus Dietze, Kostüme: Tina Carstens, Bühne: Magdalena Gut musical director/ Franz Liszt/stage music/piano: Moritz Eggert Bochum (Germany), Jahrhunderthalle, Ruhrtriennale |
||||||
|
Work Back to overview |
Waltzing 1914
(2014) |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
|
Musical performance by Moritz Eggert with Gebrueder Teichmann, Transforma and Theresa Martini Music by Satie, Chopin, Eisler, Antheil, Gebrueder Teichmann, Eggert a.m.o., contains: „Einmal muss Sperrstund sein“, „Das Lied von der weiten Welt“, „Mach mit“, „So ein Wuermchen“ from the „Bordellballade“, contains „highway 61“ and „One Man Band“ from „Haemmerklavier“ |
|||||||
| completed |
05/07/2014
|
||||||
| text |
Franzobel, Arthur Rubinstein, Kurt Schwitters, Andrea Heuser, Wilfred Owen
|
||||||
| duration |
70'
|
||||||
| world premiere |
05/07/2014
with: Gebrueder Teichmann, Theresa Martini, Moritz Eggert Video by Transforma, director/concept: Moritz Eggert Berlin (Germany), Maxim-Gorki-Theater, Grosse Buehne (History Campus 14-14) |
||||||
|
Work Back to overview |
Wide Unclasp (theatrical version)
(2007) A haunting in 12 songs |
||||||
|
Stage Works - Musiktheater und Performance |
|||||||
| completed |
02/08/2007
|
||||||
| text |
Anne Sexton, William Shakespeare
|
||||||
| voices |
see work list entry
|
||||||
| instruments |
see work list entry
|
||||||
| duration |
1 h 10'
|
||||||
| world premiere |
02/08/2007
With Bettina Koziol (voc,), Mark Foster (musical director, pf.), Aurel Nowal (tp), Samuel Nyffeler (Vc.), Walter Beltrami (Guit.), Claudio Strebel (Bass), Arno Troxler (Drums), Wolfgang Lauber (Old Man), Elisabeth Kopp (speaker) Director/stage: Peter Carp, Stage/Sound Installation: Jan-Peter E.R. Sonntag, costumes: Silvana Arnold Lucerne (Switzerland), UG (Luzerner Theater) |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| see also |
wide unclasp |
||||||
|
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