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last updated: Moritz Eggert |
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alphabetical | chronologic | ||||
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Work Back to overview |
Country Music
(2016) |
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Chamber music - Solo also look at Solo (suiteable for church) |
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| for discant zither solo | |||||
| work list |
245-NW-2016
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| completed |
12/06/2026
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| duration |
9'
|
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| special |
written for the 7th International Competition for Zither
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| publication |
http://www.sikorski.de
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|
Work Back to overview |
Haemmerklavier XXXI: Dual Band
(2020) |
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Chamber music - Duos |
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| For 2 pianists at one grand piano with special instruments | |||||
| work list |
278-HW-2020
|
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| completed |
07/01/2020
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| instruments |
Piano, toy piano, bongos, paper
|
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| duration |
8'
|
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| special |
one player at keyboard, the other with inside piano and special instruments
|
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| dedicated |
Dorrit Bauerecker
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| publication |
http://www.sikorski.de
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|
Work Back to overview |
EMC
(2020) |
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Chamber music - Duets also look at Duos (suiteable for church) |
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| for baroque harp and piano | |||||
| work list |
277-NW-2020
|
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| completed |
05/18/2020
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| instruments |
baroque harp, piano
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| duration |
2'
|
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| special |
Composed as Jingles for the podcast of the European Music Council (EMC)
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Work Back to overview |
Haemmerklavier XXX: One Woman Band
(2020) |
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Chamber music - Solo also look at Piano solo |
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| For piano solo, small instruments and sampler | |||||
| work list |
276-HW-2020
|
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| completed |
05/08/2020
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| instruments |
Piano Solo, sampler, small instruments (1 player)
|
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| duration |
6'
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| publication |
http://www.sikorski.de
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|
Work Back to overview |
Abendland
(2019) from Silly Symphony" |
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Chamber music - Solo also look at Piano solo (suiteable for church) |
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| for toy piano solo | |||||
| work list |
271b-NW-2019
|
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| completed |
12/01/2019
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| instruments |
Toy Piano
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| duration |
4'
|
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| world premiere |
11/28/2019
Moritz Eggert Munich (Germany), Villa Stuck |
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| publication |
http://www.sikorski.de
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|
Work Back to overview |
Mir mit dir
(2019) 10 Pre- and Afterthoughts to the violin sonatas by Beethoven |
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Chamber music - Solo (suiteable for church) |
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| for violin solo | |||||
| work list |
268-HW-2019
|
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| completed |
07/12/2019
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| instruments |
Violine
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| duration |
34'
|
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| world premiere |
09/27/2019
I Antje Weithaas II Nikita Boriso-Glebsky III Suyoen Kim IV Mihaela Martin V Alina Pogostkina VI Linus Roth VII Vadim Gluzman VIII Baiba Skride IX Hyeyoon Park X Stella Chen Kronberg (Germany), Johanniskirche und Stadthalle, Kronberg Academy |
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| publication |
http://www.sikorski.de
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| texts |
Mir mit dir, Text zum Stück Mir mit dir [
Moritz Eggert , 16.7.2019
]
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Work Back to overview |
Haemmerklavier XXIX: No Replay
(2019) |
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Chamber music - Piano solo also look at Singing with instruments |
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| for piano and screaming voice/s ad lib. (also from tape) | |||||
| work list |
267-NW-2019
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| completed |
04/02/2019
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| text |
Winnie Karnofka
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| instruments |
piano
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| duration |
4'
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| world premiere |
05/04/2019
Julia Sontag, Philipp Zemmrich, Laura Hempel, Tom Smith, Lysann Schläfke Leipzig (Germany), Theater der Jungen Welt |
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| publication |
http://www.sikorski.de
|
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| see also |
Maedchenmonstermusik |
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|
Work Back to overview |
Haemmerklavier XXVIII: Allemande
(2019) |
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Chamber music - Piano solo also look at Stage music (suiteable for church) |
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| for piano solo | |||||
| work list |
266-NW-2019
|
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| completed |
03/22/2019
|
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| instruments |
piano
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| duration |
3'
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| publication |
http://www.sikorski.de
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|
Work Back to overview |
To The Point
(2018) Piano Trio No. 3 |
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Chamber music - Trios |
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| work list |
258-18-NW
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| completed |
09/07/2018
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| instruments |
vl., vc., pf.
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| duration |
7'
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| world premiere |
11/24/2018
Elisabeth Kufferath, vl., Jessica Kuhn, vl., Moritz Eggert, pf. Sophiensaal, Munich (Germany), "Vom Phänomen der Zeit" |
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| special |
uses 3 metronomes, independent rhythms
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| publication |
http://www.sikorski.de
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Work Back to overview |
It Takes Two
(2018) for flute and timpani |
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Chamber music - Duos (suiteable for church) |
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| work list |
256-HW-2018
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| completed |
01/24/2018
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| instruments |
piccolo/flute/alto flute 5 timpanis |
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| duration |
16'
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| world premiere |
04/15/2018
Martina Overloeper, fl., Arend Weitzel, timp. Bochum (Germany), Anneliese-Brost-Musikforum Ruhr, Kleiner Saal |
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| dedicated |
Martina Overlöper, Arend Weitzel
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| publication |
http://www.sikorski.de
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Work Back to overview |
The Collectors
(2017) |
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Chamber music - Duets also look at Duos (suiteable for church) |
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| for percussion and piano | |||||
| work list |
255-HW-2017
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| completed |
12/19/2017
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| instruments |
percussion, piano
|
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| duration |
26'
|
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| world premiere |
04/22/2018
Eke Simons, Konstantyn Napolov Dorpskerk Wilp (Netherlands), "Jonge Meesters" |
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| special |
use of several small instruments and gadgets, also by pianist
|
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| publication |
http://www.sikorski.de
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|
Work Back to overview |
Haemmerklavier XXVII: Julieta's Sarabande
(2017) |
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Chamber music - Piano solo also look at Solo (suiteable for church) |
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| for harpsichord and piano (1 player) | |||||
| work list |
254-17-HW
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| completed |
11/19/2017
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| instruments |
harpsichord/piano
|
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| duration |
8'
|
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| dedicated |
in loving memory of Julieta Alvarado-Rieppel
|
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| publication |
Haemmerklavier XXVII: Julieta‘s Sarabande (Julietas Sarabande) (2017) For piano solo HV 254 8 Minutes Sheet Music: www.sikorski.de |
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|
Work Back to overview |
Hämmerklavier XXVI: To be played after Mompous Cancion 6
(2017) |
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Chamber music - Piano solo also look at Solo (suiteable for church) |
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| for piano solo | |||||
| work list |
250-17-HW
|
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| completed |
04/18/2017
|
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| instruments |
piano
|
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| duration |
6'
|
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| special |
freely relates to a piece by Frederic Mompou (see title)
|
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| publication |
http://www.sikorski.de
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|
Work Back to overview |
Fantasia in Stereo
(2017) |
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Chamber music - Solo (suiteable for church) |
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| for recorders Solo (Alto G/F/Voice Flute) | |||||
| work list |
249-17-NW
|
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| completed |
04/15/2017
|
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| instruments |
Alto G/F/Voice Flute
|
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| duration |
5'
|
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| special |
Freely relates to Telemann Fantasia No.9 from „12 Fantasias“
|
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| dedicated |
Tabea Debus
|
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| publication |
http://www.sikorski.de
|
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|
Work Back to overview |
Tamam Shud
(2016) |
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Chamber music - Solo (suiteable for church) |
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| for double bass solo | |||||
| work list |
243-HW-2016
|
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| completed |
04/26/2016
|
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| instruments |
Double Bass
|
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| duration |
8'
|
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| special |
Auftragswerk des Internationalen Musikwettbewerbs der ARD/ Commissioned by the ARD International Music Competition
|
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| publication |
http://www.sikorski.de |
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| texts |
Tamam Shud, english text about the piece TAMAM SHUD [
Moritz Eggert , 29.04.2016
]
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Work Back to overview |
Les Temps Modernes
(2015) |
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Chamber music - Quintets (suiteable for church) |
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| for 5 percussionists (mallets) | |||||
| work list |
240-HW-2015
|
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| completed |
12/15/2015
|
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| instruments |
I Vibraphone, Xylophone, Glockenspiel, Kleine Trommel II Vibraphone, Triangle III Marimbaphone, Ratchet, Glockenspiel IV Marimbaphone, Hi-Hat V Bass Marimbaphone, Great Drum, Bass Drum with pedal, Siren (hand crank-) |
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| duration |
22'
|
||||
| world premiere |
03/16/2016
Percussions Claviers de Lyon Lyon (France), La Renaissance, Biennale Lyon |
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| special |
Special: visual elements, singing/whistling
|
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| publication |
http://www.sikorski.de
|
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|
Work Back to overview |
PG Dada
(2015) |
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Chamber music - Octets also look at Ensembles |
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| for octet | |||||
| work list |
237-HW-2015
|
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| completed |
01/31/2015
|
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| instruments |
Fl., Ob, Cl. (Eb), Tr. (C), Hn., Ten.-tn., Bn., Cb. (conductor)
|
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| duration |
17'
|
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| world premiere |
06/07/2015
notabu-Ensemble, Mark-Andreas Schlingensiepen, conductor Dusseldorf (Germany), Tonhalle, Großer Saal |
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| special |
Instrumentation as in „Octandre“, theatrical elements
|
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| dedicated |
Mark-Andreas Schlingensiepen
|
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| publication |
http://www.sikorski.de
|
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| Video |
|
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| texts |
PG Dada, Partiturvorwort und Text zum Stück Moritz Eggert [
PG Dada, score preface and text about the piece , 31.01.2015
]
|
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|
Work Back to overview |
Haemmerklavier XXV: Deviation
(2014) |
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Chamber music - Piano solo |
|||||
| for piano solo | |||||
| work list |
232-NW-2014
|
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| completed |
05/21/2014
|
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| instruments |
piano
|
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| duration |
4'
|
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| world premiere |
04/22/2015
Susanne Kessel, pf. Bonn (Germany), Rheinhotel Dreesen, "250 Piano Pieces for Beethoven" |
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| dedicated |
Susanne Kessel
|
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| publication |
http://www.sikorski.de �250 piano pieces for Beethoven�, ISMN 9790708147008, Editions Musica Ferrum |
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| Video |
|
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| texts |
Hämmerklavier XXV, kurzer Text zum Stück Für mich ist die Musik am interessantesten, die mit unserem Leben und den Umständen unseres Lebens zu tun hat und sich nicht allein in Kopfgeburten verliert. Insofern sind natürlich auch Freiheit und Frieden große Themen, die auf jeden Fall Platz in der Musik haben sollten. Ich ... [more] [
Moritz Eggert , 16.08.2015
]
|
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|
Work Back to overview |
Aggro
(2014) |
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|
Chamber music - Duos also look at Duets |
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| for alto saxophone and piano | |||||
| work list |
230-NW-2014
|
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| completed |
05/08/2014
|
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| instruments |
alto saxophone, piano
|
||||
| duration |
18'
|
||||
| dedicated |
Christian Segmehl
|
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| publication |
http://www.moritzeggert.de
|
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|
Work Back to overview |
man soll schwimmen
(2013) Cycle for Trio |
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|
Chamber music - Trios also look at Musiktheater und Performance (suiteable for church) |
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|
version 1: for Theremin, Cello and Harmonium version 2: for violin, cello and harmonium |
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| work list |
217a-HW-2013
|
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| completed |
04/01/2013
|
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| movements |
1. Bleeding With Light 2. She Is A Snake 3. tief ergruendend 4. Do you Follow Me? 5. morgenlich leuchtend 6. Deep Down River Flow 7. man soll schwimmen |
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| instruments |
Theremin, Cello, Harmonium
|
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| duration |
1 h 5'
|
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| world premiere |
10/02/2015
Version 2, No. 1,3,7 , Homburg,Homburger Kammermusiktage, Vogler-Quartett/Moritz Eggert Version 1, No. 1,6,7, Leipzig, WGT, 15.5.2016, Lydia Kavina, ther., Lukas Dreyer, vc., Moritz Eggert, Harm. |
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| special |
In Excerpts part of the Music Theatre “Tragedy Of A Friendship, thematically connected to „My Sleep Is A Dream“, cycle for orchestra
|
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| publication |
http://www.sikorski.de
|
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| see also |
My Sleep Is A Dream Tragedy Of A Friedship |
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|
Work Back to overview |
pong (version for 6 instruments)
(2012) |
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|
Chamber music - Sextets (suiteable for church) |
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| for sextet | |||||
| work list |
2012-HW-125b
|
||||
| completed |
11/11/2012
|
||||
| instruments |
flute, clarinet, violin, cello, marimbaphone, piano
|
||||
| duration |
9'
|
||||
| world premiere |
04/10/2013
Talea Ensemble Seattle (USA), Town Hall |
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| publication |
http://www.sikorski.de
|
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|
Work Back to overview |
Diversionary Tactics
(2012) |
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|
Chamber music - Duos also look at Musiktheater und Performance |
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| instrumental theatre for bassoon and piano | |||||
| work list |
214-HW-2012
|
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| completed |
10/29/2012
|
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| instruments |
Bassoon, Piano
|
||||
| duration |
16'
|
||||
| world premiere |
03/02/2013
Annette Winker, fg., Klaus Simon, pn. Freiburg (Germany), Elisabeth-Schneider-Stiftung |
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| dedicated |
Annette Winker
|
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| publication |
http://www.sikorski.de
|
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|
Work Back to overview |
P Is For Riot
(2012) |
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|
Chamber music - Duets (suiteable for church) |
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| for clarinet and horn | |||||
| work list |
212-NW-2012
|
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| completed |
09/09/2012
|
||||
| instruments |
Clarinet (Bb), Horn
|
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| duration |
6'
|
||||
| world premiere |
11/17/2012
Jean Johnson, clar., Andy Saunders, hn. Migvie (Scotland/GB), Migvie Church |
||||
| dedicated |
Jean Johnson and Andy Saunders
|
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| publication |
http://www.sikorski.de
|
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| texts |
P Is For Riot - english text about the piece P IS FOR RIOT [
Moritz Eggert , 10.09.2012
]
|
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|
Work Back to overview |
Janus
(2012) |
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|
Chamber music - Duos (suiteable for church) |
|||||
| for 2 pianos | |||||
| work list |
210 - HW -2012
|
||||
| completed |
06/09/2012
|
||||
| instruments |
2 pianos
|
||||
| duration |
33'
|
||||
| world premiere |
07/22/2012
Daria Iossifova, Moritz Eggert, pf. Passau (Germany), Europaeische Festwochen, Piano-Haus Mora |
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| special |
The Pianists sit between the 2 pianos, one hand on each keyboard
|
||||
| publication |
http://www.sikorski.de
|
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| Video |
|
||||
| texts |
Janus, short text about the piece There are some pieces where the idea for a different kind of performance situation comes first: we have grown accustomed to two pianists sitting opposite each other or next to each other, each at his or her own piano. But what would happen, if the two pianists sat between the pianos, back to back, e... [more] [
Moritz Eggert , 14.11.2012
]
Janus, Text zum Stück Janus [
Janus, text about the piece , 9.6.2012
]
Janus, Partiturvorwort Moritz Eggert [
Janus, score preface , 09.06.2012
]
|
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| Multimedia |
|
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|
Work Back to overview |
Little Samba from the "Foot Ballet"
(2011) |
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|
Chamber music - Solo |
|||||
| for bassoon solo | |||||
| work list |
NW-172b-2011
|
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| completed |
12/23/2011
|
||||
| instruments |
bassoon solo
|
||||
| duration |
1'
|
||||
| special |
easy piece intended for young players
|
||||
| dedicated |
Olli Schlichtenberg
|
||||
| publication |
http://www.sikorski.de
|
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| see also |
At The Ball |
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|
Work Back to overview |
3D Fountains
(2011, rev. 207-NW_2011) |
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|
Chamber music - Quintets (suiteable for church) |
|||||
| for 4 tenor recorders and Drumset or other percussion | |||||
| completed |
12/23/2011
|
||||
| instruments |
4 tenor recorders, drumset
|
||||
| duration |
2'
|
||||
| world premiere |
01/26/2016
Laura Kieskalt, Tzu-Han Kao, Marita Gehrer, Friederike Klek, Philipp Lamprecht Salzburg (Austria), Mozarteum |
||||
| special |
based on the medieval "Tre Fontane" - melody
|
||||
| dedicated |
Ronald Brox
|
||||
| publication |
http://www.sikorski.de Edition Tre Fontane ETF 2177 http://www.edition-tre-fontane.de/ |
||||
| texts |
Partiturvorwort Moritz Eggert: [
Moritz Eggert , 23.12.2011
]
|
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|
Work Back to overview |
Haemmerklavier XXIV: Trigonometry
(2011) |
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|
Chamber music - Piano solo |
|||||
| for piano solo | |||||
| work list |
206-NW-2011
|
||||
| completed |
12/16/2011
|
||||
| instruments |
piano
|
||||
| duration |
3'
|
||||
| world premiere |
06/08/2012
Huw Watkins, pf. London (GN), Schott London, Recital Room |
||||
| dedicated |
Peter Hanser-Strecker
|
||||
| publication |
http://www.sikorski.de Schott ED 21470 |
||||
| Video |
|
||||
| texts |
Trigonometrie, kurzer Text zum Stück Hämmerklavier XXIV: Trigonometrie [
Moritz Eggert , 16.5.2012
]
|
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|
Work Back to overview |
Haemmerklavier XXIII: musica viva
(2011) |
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|
Chamber music - Solo also look at Musiktheater und Performance |
|||||
| for pianist/performer | |||||
| work list |
204-NW-2011
|
||||
| completed |
07/05/2011
|
||||
| instruments |
piano and various materials
|
||||
| duration |
4'
|
||||
| world premiere |
07/08/2011
Moritz Eggert Munich (Germany), Kaufmannscasino, reception of the musica viva |
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| special |
musical realisation of all pieces that have been commissioned under Udo Zimmermann as artistic director (musica viva concert series, Munich)
|
||||
| dedicated |
Udo Zimmermann
|
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
Vorwort der Partitur Hämmerklavier XXIII: musica viva [
Moritz Eggert , 05.07.2011
]
|
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|
Work Back to overview |
Anchor Figure
musical sculpture on Bernhard Luginbuehl |
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|
Chamber music - Septets (suiteable for church) |
|||||
| for septet | |||||
| work list |
201-NW-2011
|
||||
| completed |
02/26/2011
|
||||
| instruments |
For brass sextet (2 Tr. (Bb), Horn, tbn., Bass-tbn.., Tuba) and accordion
|
||||
| duration |
6'
|
||||
| world premiere |
05/28/2011
Neue Pegnitzschaefer, Stefanie Schumacher, acc., Markus Elsner, cond. Bamberg (Germany), Tage fuer Neue Musik, Open Air (Sculpture Path) |
||||
| special |
written for the "Bamberger Sklulpturenweg"
|
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
Ankerfigur, kurzer Text zum Stück Ankerfigur [
Anchor Figure, short text about the piece , 28.11.2011
]
|
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| Multimedia |
|
||||
|
Work Back to overview |
Solfeggio
(2011) ("Catalogue") |
||||
|
Chamber music - Solo (suiteable for church) |
|||||
| for flute solo | |||||
| work list |
199-NW-2011
|
||||
| completed |
01/11/2011
|
||||
| duration |
2'
|
||||
| world premiere |
05/25/2012
Carin Levine, fl. Schloss Rheinsberg (Germany), Foyer des Schlosstheaters |
||||
| dedicated |
Carin Levine
|
||||
| publication |
http://www.sikorski.de http://www.sikorski.de |
||||
|
Work Back to overview |
Flea Walls
(2010) |
||||
|
Chamber music - Quartets (suiteable for church) |
|||||
| for recorder quartet | |||||
| work list |
NW-192-10
|
||||
| completed |
05/21/2010
|
||||
| instruments |
1. soprano/soprano rec. 2. soprano/alto rec. 3. soprano/great bass rec. 4. soprano/ sub bass rec. |
||||
| duration |
3'
|
||||
| world premiere |
06/27/2010
QNG (Quartet New Generation) New York, NY (USA), Bang on a Can Marathon 2010, Winter Garden, Financial Centre |
||||
| special |
based on "chopsticks"
|
||||
| dedicated |
QNG
|
||||
| publication |
http://www.sikorski.de
|
||||
|
Work Back to overview |
Haemmerklavier XXI: 3 Microludes
(2010) |
||||
|
Chamber music - Piano solo also look at Solo |
|||||
| for piano solo | |||||
| work list |
191-NW-2010
|
||||
| completed |
03/30/2010
|
||||
| movements |
1. Unnatural Selection 2. 2. Holly Golightly Is Surprised By A Thunderstorm On The Steps Of The Fire Exit Of Her New York Apartment 3. Variation upon a theme by Kai Schumacher |
||||
| instruments |
piano solo (+moo box in third movement)
|
||||
| duration |
3'
|
||||
| world premiere |
10/04/2012
(all three movements in one concert): Moritz Eggert, pf. Guanajuato (Mexico); Festival Cervantino |
||||
| dedicated |
diverse
|
||||
| publication |
http://www.sikorski.de
|
||||
| Video |
|
||||
|
Work Back to overview |
Processional: 2 Transfers
(2009) |
||||
|
Chamber music - Solo |
|||||
| for solo trumpet | |||||
| work list |
137bb/cc-NW-09
|
||||
| completed |
20/06/2009
|
||||
| movements |
1. 2. |
||||
| instruments |
solo trumpet (Bb)
|
||||
| duration |
6'
|
||||
| world premiere |
07/25/2009
Bregenz (Austria), opening "Musik aus der Zeit" (Bregenzer Festspiele) |
||||
| special |
Can only be performed as part of the larger work "Processional"
|
||||
| see also |
Processional |
||||
|
Work Back to overview |
Riffing
(2009) |
||||
|
Chamber music - Duos |
|||||
| for 2 violins | |||||
| work list |
119b-NW-09
|
||||
| completed |
20/06/2009
|
||||
| instruments |
2 violins
|
||||
| duration |
4'
|
||||
| special |
new instrumentation of the finale of „Riff“
|
||||
| see also |
Riff |
||||
|
Work Back to overview |
Processional: Evocation/Accord
(2009) |
||||
|
Chamber music - Quartets (suiteable for church) |
|||||
| for brass quartet | |||||
| work list |
137v/aa-NW-09
|
||||
| completed |
19/06/2009
|
||||
| movements |
1. Evocation 2. Accord |
||||
| instruments |
bass trumpet, tenor trombone, bass trombone, bass tuba
|
||||
| duration |
9'
|
||||
| world premiere |
07/25/2009
Bregenz (Austria), opening "Musik aus der Zeit" (Bregenzer Festspiele) |
||||
| special |
Can be performed alone or as part of the larger work "Processional"
|
||||
| publication |
http://www.sikorski.de
|
||||
| see also |
Processional Breaking The Waves (Open Air Performance) |
||||
|
Work Back to overview |
Processional: 2 Trilockes
(2009) |
||||
|
Chamber music - Trios |
|||||
| for 3 percussionists | |||||
| work list |
137y/z-NW-09
|
||||
| completed |
15/06/2009
|
||||
| movements |
1. 2. |
||||
| instruments |
small drum, cymbals, bass drum
|
||||
| duration |
6'
|
||||
| world premiere |
07/25/2009
Bregenz (Austria), opening "Musik aus der Zeit" (Bregenzer Festspiele) |
||||
| special |
Can only be performed as part of the larger work "Processional"
|
||||
| publication |
http://www.sikorski.de also published in: „Neue Töne - Musik für Percussion“, Verlag für Neue Musik ISBN |
||||
| see also |
Processional Breaking The Waves (Open Air Performance) |
||||
|
Work Back to overview |
Three Interludes (Auf dem Wasser zu singen)
(2009) |
||||
|
Chamber music - Solo (suiteable for church) |
|||||
|
version 1: for accordion solo version 2: for organ solo |
|||||
| work list |
NW-185a-09
|
||||
| completed |
05/04/2009
|
||||
| instruments |
accordion solo or organ solo
|
||||
| duration |
6'
|
||||
| world premiere |
07/05/2009
Mateja Zenzerovic, Acc. Erl (Austria), Staustufe, Tiroler Festspiele |
||||
| publication |
http://www.sikorski.de
|
||||
| see also |
Auf dem Wasser zu singen Auf dem Wasser zu singen (theatrical concert) |
||||
|
Work Back to overview |
Haemmerklavier XXII: Kreislerianana
(2009) |
||||
|
Chamber music - Piano solo also look at Solo (suiteable for church) |
|||||
| for piano solo | |||||
| work list |
184-HW-09
|
||||
| completed |
04/15/2009
|
||||
| instruments |
piano solo
|
||||
| duration |
14'
|
||||
| special |
Based on "Kreisleriana Nr.6" by Robert Schumann
|
||||
| dedicated |
Susanne Kessel
|
||||
| soundcarrier |
An Robert Schumann |
||||
| publication |
http://www.sikorski.de
|
||||
|
Work Back to overview |
Industrial, solo version
(2009) for percussion solo |
||||
|
Chamber music - Solo (suiteable for church) |
|||||
| work list |
181b-NW-09
|
||||
| completed |
04/13/2009
|
||||
| instruments |
Percussion Solo
|
||||
| duration |
16'
|
||||
| dedicated |
Peter Sadlo
|
||||
| publication |
http://wwww.sikorski.de
|
||||
| see also |
Industrial Industrial, solo version with obligatory synthesizer/sampler |
||||
|
Work Back to overview |
Industrial, solo version with obligatory synthesizer/sampler
(2009) for solo percussion and obligatory synthesizer/sampler |
||||
|
Chamber music - Duos (suiteable for church) |
|||||
| work list |
181c-NW-09
|
||||
| completed |
04/13/2009
|
||||
| instruments |
Percussion Solo, Synthesizer/Sampler
|
||||
| duration |
16'
|
||||
| dedicated |
Peter Sadlo
|
||||
| publication |
http://wwww.sikorski.de
|
||||
| see also |
Industrial Industrial, solo version |
||||
|
Work Back to overview |
Haemmerklavier XX: One Man Band 2
(2009) |
||||
|
Chamber music - Piano solo (suiteable for church) |
|||||
| for piano and small instruments | |||||
| work list |
183-HW-2009
|
||||
| completed |
03/04/2009
|
||||
| instruments |
Piano (with harmonica, toy piano, squeaky object, foot pedal with woodblock)
|
||||
| duration |
8'
|
||||
| world premiere |
04/18/2009
Moritz Eggert, pf. Carl-Orff-Saal, Gasteig, Munich (Germany), Festkonzert "20 Jahre Winners&Masters" |
||||
| dedicated |
Andreas Krause
|
||||
| Video |
|
||||
| texts |
short text about the piece, English In 1994 I wrote the since then most performed piece of my „Haemmerklavier“ cycle: “One Man Band”. In this piece I tried to test the limits of normal piano playing – not with massed notes but with unusual actions performed in addition to the playing on the keys. So the pianist has to play with chin a... [more] [
Moritz Eggert , 13.7.2009
]
One Man Band 2, kurzer Text zum Stück HÄMMERKLAVIER XII: One Man Band 2 [
One Man Band 2, short text about the piece , 25.3.2009
]
|
||||
|
Work Back to overview |
Processional: Passages
(2009) |
||||
|
Chamber music - Trios (suiteable for church) |
|||||
| for 3 trumpets | |||||
| work list |
137u-NW-09
|
||||
| completed |
01/06/2009
|
||||
| instruments |
3 trumpets (in Bb)
|
||||
| duration |
3'
|
||||
| world premiere |
07/25/2009
Bregenz (Austria), opening "Musik aus der Zeit" (Bregenzer Festspiele) |
||||
| special |
can be performed on it's own or as part of the larger work PROCESSIONAL
|
||||
| publication |
http://www.sikorski.de
|
||||
| Video |
|
||||
| see also |
Processional Breaking The Waves (Open Air Performance) |
||||
|
Work Back to overview |
Souvenir du Japon
(2008) |
||||
|
Chamber music - Duos |
|||||
| for Koto and Recorder | |||||
| work list |
178-08-HW
|
||||
| completed |
07/14/2008
|
||||
| instruments |
Koto (with voice), Recorder (Tenor and sopranino)
|
||||
| duration |
6' 30''
|
||||
| world premiere |
08/29/2008
Makiko Goto, Koto, Jeremias Schwarzer, rec. Fuerth (Germany), Logensaal, Fraenkischer Sommer |
||||
| special |
additional accessories and theatrical elements
|
||||
| dedicated |
Makiko Goto, Jeremias Schwarzer
|
||||
| publication |
http://www.sikorski.de
|
||||
| Video |
|
||||
|
Work Back to overview |
freaks (2003/2008)
|
||||
|
Chamber music - Sextets |
|||||
| für 4 Schlagzeuger und 2 Pianisten | |||||
| completed |
05/20/2008
|
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
Partiturvorwort (enthält detaillierte Besetzung) FREAKS [
Foreword Score (contains detailed instrumentation) , 20.5.2008
]
|
||||
| Multimedia |
|
||||
| see also |
freaks |
||||
|
Work Back to overview |
Idyl
(2006) |
||||
|
Chamber music - Solo |
|||||
| for violin solo | |||||
| work list |
167-06-HW
|
||||
| completed |
10/05/2006
|
||||
| instruments |
violin solo
|
||||
| duration |
4'
|
||||
| world premiere |
11/13/2006
Piotr Szewczyk, vl. Miami, FL (USA), New World Symphony, Forum Concert Video (WMV) |
||||
| special |
performance elements (reading from newspaper), light scordatura
|
||||
| dedicated |
Piotr Szewczyk
|
||||
| publication |
Sikorski
|
||||
| Video |
|
||||
| texts |
Idyl, short text about the piece Idyl [
Moritz Eggert , 3.5.2007
]
|
||||
|
Work Back to overview |
Haemmerklavier XIX: Anthems Of The World (Afghanistan To Zimbabwe)
(2006) for piano solo |
||||
|
Chamber music - Piano solo |
|||||
| work list |
166-06-HW
|
||||
| completed |
09/12/2006
|
||||
| duration |
11'
|
||||
| world premiere |
09/12/2006
|
||||
| special |
Contains nearly all current national anthems (from 2006)
|
||||
| dedicated |
Shiau-uen Ding
|
||||
| publication |
Sikorski
|
||||
| texts |
Hymnen der Welt, kurzer Text zum Stück Ich hatte schon immer ein perverses Interesse für Nationalhymnen, das auf dem Fund einer Ausgabe mit Nationalhymnen der Olympischen Spiele von 1936 aus dem Nachlass meines Großvaters beruht. [
Moritz Eggert , 19.10.2010
]
Haemmerklavier XIX, short text about the piece Hämmerklavier XIX: Anthems of the World (Afghanistan to Zimbabwe) [
20.09.2006
]
|
||||
| Multimedia |
|
||||
|
Work Back to overview |
Haemmerklavier XVIII: 3 Miniatures
(2006) for piano solo |
||||
|
Chamber music - Piano solo |
|||||
|
I Sketch (Skizze) (for Louisa Gustafsson) II Four-Dimensional Object Useful As A Souvenir (Vierdimensionales Objekt mit Souvenircharakter) (for Marianne Augustin) III For A Waltz (from Shostakovitch) / An einen Walzer (von Schostakowitsch) |
|||||
| work list |
165-06-HW
|
||||
| completed |
08/06/2006
|
||||
| instruments |
piano solo
|
||||
| duration |
5'
|
||||
| world premiere |
10/14/2006
Francesco Piemontesi, pf. Munich (Germany), Gasteig, Kleiner Konzertsaal, "Winners and Masters" |
||||
| special |
Unusual playing techniques, clapping, snapping
|
||||
| dedicated |
Louisa Gustafsson, Marianne Augustin
|
||||
| publication |
Sikorski
|
||||
| texts |
Hämmerklavier XVIII, kurzer Text zum Stück Hämmerklavier XVIII: 3 Miniaturen [
28.09.2006
]
|
||||
|
Work Back to overview |
Haemmerklavier II: Upon the first 4 notes of "Lulu"
(2006) |
||||
|
Chamber music - Quartets |
|||||
| for quartet | |||||
| work list |
48b-06-NW
|
||||
| completed |
02/28/2006
|
||||
| instruments |
alto/bass recorder, bass/great bass recorder, bass clarinet, percussion (vibraphone/glockenspiel)
|
||||
| duration |
6'
|
||||
| world premiere |
03/01/2006
|
||||
| dedicated |
for the Abash Ensemble
|
||||
| see also |
Haemmerklavier II |
||||
|
Work Back to overview |
Amadé, Amadé
(2006) |
||||
|
Chamber music - Quintets |
|||||
| for quintet | |||||
| work list |
162-06-HW
|
||||
| completed |
02/28/2006
|
||||
| instruments |
oboe, clarinet, horn, bassoon, piano
|
||||
| duration |
22'
|
||||
| world premiere |
05/21/2006
Zephyr-Ensemble (Manuel Bilz, ob., Thorsten Johanns, clar., Ole Kristian Dahl, bn., Luiz Garcia, hn.) Moritz Eggert, pf. Augsburg (Germany), Mozartfest, "Mozart der Fortschrittliche", Schaezler Palais |
||||
| special |
commission for the Mozart year 2006, same instrumentation as Mozart KV 452
|
||||
| publication |
www.sikorski.de
|
||||
| Video |
Ausschnitt aus dem Stück, gespielt von Ensemble piano possibile und dem Komponisten im Münchener icamp beim "Newmusix"-Projekt. |
||||
| texts |
Programmhefttext der UA „Jeder Komponist hält das, was er gerade geschrieben hat, für sein bestes“, kommentiert Moritz Eggert den berühmten Ausspruch Mozarts relativierend. Er muss es wissen. Denn der gebürtige Heidelberger, der im Alter von 15 Jahren zu komponieren begann, gilt heute als einer der meis... [more] [
Nicole Restle , 14.06.2006
]
|
||||
| Multimedia |
|
||||
|
Work Back to overview |
The Game Of The Century
(2006) |
||||
|
Chamber music - Quintets |
|||||
| For quintet and speaker or tape/samples ad lib. | |||||
| work list |
161-06-HW
|
||||
| completed |
01/31/2006
|
||||
| text |
text: Moritz Eggert
|
||||
| voices |
speaker
|
||||
| world premiere |
05/01/2006
Ensemble TrioLog Munich (Germany), Fussballglobus, Globusklaenge |
||||
| special |
Flute (also picc.), Oboe, Bass Clarinet, percussion (1 player), Cello
|
||||
| publication |
www.sikorski.de
|
||||
| texts |
Das Jahrhundertspiel, detaillierte Besetzung Moritz Eggert [
31.01.2006
]
Das Jahrhundertspiel, kompletter Text Das Jahrhundertspiel [
31.01.2006
]
|
||||
|
Work Back to overview |
alien
(2005) |
||||
|
Chamber music - Solo |
|||||
| for recorder (1 player plays Garklein, sopranino, soprano and renaissance-alto) and live electronics | |||||
| work list |
157-05-HW
|
||||
| completed |
12/21/2005
|
||||
| instruments |
Garklein, sopranino, soprano, renaissance-alto recorder (1 player), effects (Harmonizer, Chorus, Octaver), Sampler, 3 microphones
|
||||
| duration |
12'
|
||||
| world premiere |
12/21/2005
|
||||
| dedicated |
Genevieve Lacey
|
||||
| soundcarrier |
Weaver Of Fictions |
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
alien, short english text about the piece alien [
Moritz Eggert , 2.7.2007
]
alien, performance notes in english Moritz Eggert: [
17.07.2006
]
|
||||
| Multimedia |
|
||||
|
Work Back to overview |
Sanctus (2nd version)
(2005) 2nd version for trombone and accordion |
||||
|
Chamber music - Duos |
|||||
| work list |
50b-05-HW
|
||||
| completed |
10/27/2005
|
||||
| instruments |
trombone and accordion
|
||||
| duration |
13'
|
||||
| world premiere |
12/07/2005
Mateja Zenzerovic, accordion, Mateusz Dwulecki, trombone Hanover (Germany), Musikhochschule, Brass Micro Festival |
||||
| dedicated |
Mateja Zenzerovic und Mateusz Dwulecki
|
||||
| publication |
Sikorski
|
||||
| Multimedia |
|
||||
| see also |
Sanctus |
||||
|
Work Back to overview |
Interior At Petworth
(2005) 8 variations on a picture by William Turner |
||||
|
Chamber music - Septets |
|||||
| for septet | |||||
| work list |
156-05-HW
|
||||
| completed |
10/09/2005
|
||||
| instruments |
Flute (also picc.), clarinet (also bass clar.), perc.., piano, violin, viola, violoncello
|
||||
| duration |
16'
|
||||
| world premiere |
11/13/2005
ars nova - Ensemble Nuremberg, conductor: Werner Heider Erlangen (Germany). Musikinstitut |
||||
| special |
Based on a picture William Turner, performance elements, various small instruments
|
||||
| dedicated |
Werner Heider und dem ars-nova-Ensemble N�rnberg
|
||||
| publication |
Sikorski, http://www.sikorski.de
|
||||
| Video |
|
||||
| Multimedia |
|
||||
|
Work Back to overview |
Narcissus
(2004) alternative version of "Narcissus" for recorder and percussion |
||||
|
Chamber music - Duos |
|||||
| for recorder and prepared piano | |||||
| work list |
106b-04-HW
|
||||
| completed |
12/13/2004
|
||||
| voices |
Sopranblockflöte, präpariertes Klavie
|
||||
| instruments |
soprano recorder, prepared piano
|
||||
| duration |
12'
|
||||
| world premiere |
05/27/2004
Tomma Wessel, soprano recorder, Frederick Croene, pf. Gent (Belgium), De Handelsbeurs |
||||
| special |
various advanced playing techniques
|
||||
| see also |
Narcissus |
||||
|
Work Back to overview |
The Son Of The Daughter Of Dracula Versus The Incredible Frankenstein Monster (From Outer Space)
(2004) |
||||
|
Chamber music - Sextets also look at Electronic music |
|||||
| for 2 Theremins (+MIDI-Theremin), percussion, violin, cello, piano/sampler | |||||
| work list |
149-04-NW
|
||||
| completed |
11/28/2004
|
||||
| instruments |
2 Theremins (+MIDI-Theremin), percussion, violin, cello, piano/sampler
|
||||
| duration |
8'
|
||||
| world premiere |
03/30/2005
Barbara Buchholz, Lydia Kavina, theremin, Ensemble f�r Neue Kammermusik Berlin: Tobias Rempe, vl., Ringela Riemke, vc., Heather O�Donnell, pf., Dirk Rothbrust, perc. Weimar (Germany), "Fr�hjahrstage f�r Neue Musik", mon ami |
||||
| special |
parody of horror film music from the 50�s
|
||||
| dedicated |
Barbara Buchholz, Lydia Kavina
|
||||
| soundcarrier |
touch! - don't touch! |
||||
| publication |
http://www.sikorski.de
|
||||
| Video |
|
||||
|
Work Back to overview |
Haemmerklavier XVII
(2004) Advanced Kabuki |
||||
|
Chamber music - Piano solo also look at Musiktheater und Performance |
|||||
| for piano solo | |||||
| work list |
150-04-HW
|
||||
| completed |
10/28/2004
|
||||
| instruments |
piano solo
|
||||
| duration |
7'
|
||||
| world premiere |
07/02/2005
Moritz Eggert, pf. Bad Kissingen (Germany), Kissinger Sommer, "Lange Nacht der Neuen Musik", Rossini-Saal |
||||
| special |
nearly completely theatrical, music comes second place to visual actions by the pianist
|
||||
| dedicated |
Siegfried Mauser
|
||||
| publication |
Sikorski, www.sikorski.de
|
||||
| Video |
|
||||
|
Work Back to overview |
morphing
(2004) |
||||
|
Chamber music - Sextets |
|||||
| for brass quintet and accordion (bajan) | |||||
| work list |
147-04-HW
|
||||
| completed |
09/03/2004
|
||||
| instruments |
2 trumpets (in Bb), horn, trombone, tuba, accordion (bajan)
|
||||
| duration |
17'
|
||||
| world premiere |
12/07/2005
Stockholm Brass, Elsbeth Moser, Bajan Hanover (Germany), Musikhochschule, Brass Micro Festival |
||||
| dedicated |
Elsbeth Moser, Stockholm Brass
|
||||
| publication |
Sikorski
|
||||
| Video |
|
||||
| texts |
morphing, kurzer Text zum Stück "morphing" ist ein Stück in dem mit der unerwarteten Verwandlung gespielt wird. Im Film nennt man "morphing" die visuelle Verwandlung von Objekten mittels CGI (computer generated images), eine relativ neue Technik die erst durch den Einsatz von Computern möglich wird. Aber auch in der Musi... [more] [
18.11.2005
]
|
||||
|
Work Back to overview |
Iron Curtain
(2004) |
||||
|
Chamber music - Quartets |
|||||
| for percussion quartet | |||||
| work list |
144-04-HW
|
||||
| completed |
06/27/2004
|
||||
| duration |
16'
|
||||
| world premiere |
10/02/2004
Perkussionsensemble Freiburg Dresden (Germany), Hellerau, Dresdner Tage für Zeitgenössische Muksik |
||||
| special |
„situational“ composition, movements of musicians, compact instrumentation
|
||||
| dedicated |
Bernhard Wulff, Perkussionsensemble Freiburg
|
||||
| publication |
http://www.sikorski.de
|
||||
| Video |
|
||||
| Multimedia |
|
||||
|
Work Back to overview |
Symphony 2.0, version for any 4 instruments (without Kazoo)
(2003) 2nd version |
||||
|
Chamber music - Quartets |
|||||
| for any 4 instruments | |||||
| work list |
121a-03-HW
|
||||
| completed |
12/29/2003
|
||||
| instruments |
ad libitum
|
||||
| duration |
7'
|
||||
| world premiere |
0
|
||||
| special |
general effect descriptions
|
||||
| see also |
Symphony 2.0 |
||||
|
Work Back to overview |
freaks
(2003) |
||||
|
Chamber music - Quintets |
|||||
| for recorder quartet and percussion | |||||
| work list |
140-03-HW
|
||||
| completed |
08/04/2003
|
||||
| instruments |
I soprano (2x), sopranino, tenor, ren.alto, garklein, lotos flute, crotales (b'), high horn II shell chimes, nose flute, birdnoise, squeaky duck, bass (paetzold), soprano, tenor, prepared alto, jew's harp in A III lotos flute, soprano, flexatone, ren.alto, great bass, prepared alto, jew's harp in G, balloon, sub bass IV bass (paetzold), alto, sub bass, small bell tree, prepared garklein, double bass, jew's harp in G V percussion
|
||||
| duration |
21'
|
||||
| world premiere |
10/25/2003
Apsara-quartet (Natalie Houtman, Inse Rasbach, Tomma Wessel, Julia Whybrow), Wim Konink, percussion Leuven (Belgium), transit-Festival, Stuk (Labozaal) |
||||
| special |
use of small additional instruments, aulos-playing, singing and playing combinations, advanced playing techniques
|
||||
| dedicated |
Apsara-Ensemble
|
||||
| publication |
http://www.sikorski.de
|
||||
| Video |
|
||||
| texts |
freaks, detailed instrumentation with remarks freaks [
10.12.2003
]
Freaks, english text about the piece Freaks [
09.12.2003
]
Freaks, ursprünglicher Gedankenentwurf des Stückes „Freaks“ [
11.12.2003
]
|
||||
| see also |
freaks (2003/2008) |
||||
|
Work Back to overview |
The Wild Years
(2003) piano trio no.3 |
||||
|
Chamber music - Trios |
|||||
| for piano trio | |||||
| work list |
139-03-NW
|
||||
| completed |
07/25/2003
|
||||
| instruments |
violin, cello, piano
|
||||
| duration |
5' 30''
|
||||
| world premiere |
06/26/2004
Carolin Widmann, vl., Sebastian Hess, vc., Moritz Eggert, pf. Munich (Germany), "Nacht der 5 Hoefe" |
||||
| dedicated |
Lothar Voigtländer
|
||||
| publication |
http://www.sikorski.de
|
||||
|
Work Back to overview |
Haemmerklavier XV
(2003) Nose Dance |
||||
|
Chamber music - Piano solo |
|||||
| für Klavier Solo | |||||
| work list |
139-03-HW
|
||||
| completed |
05/23/2003
|
||||
| instruments |
Klavier
|
||||
| duration |
3'
|
||||
| world premiere |
10/16/2003
Moritz Eggert, pf. Munich (Germany); Bayerische Akademie der Schoenen Kuenste |
||||
| special |
Middle voice is played by nose or object
|
||||
| publication |
http://www.sikorski.de
|
||||
|
Work Back to overview |
Processional: Cryptic Chorale II
(2003) |
||||
|
Chamber music - Quartets |
|||||
| for brass quartet | |||||
| work list |
137o-03-HW
|
||||
| completed |
04/17/2003
|
||||
| instruments |
2 trombones, bass trumpet, tuba
|
||||
| duration |
2'
|
||||
| world premiere |
06/19/2003
Mnozil Brass Graz (Austria), Styriarte, opening concert |
||||
| special |
Can be performed alone or as part of the large work PROCESSIONAL
|
||||
| publication |
www.sikorski.de
|
||||
| see also |
Processional |
||||
|
Work Back to overview |
Processional: Cryptic Chorale I
(2003) |
||||
|
Chamber music - Quartets |
|||||
| for brass quartet | |||||
| work list |
137m-03-HW
|
||||
| completed |
04/14/2003
|
||||
| instruments |
2 trombones, bass trumpet, tuba
|
||||
| duration |
1' 30''
|
||||
| world premiere |
06/19/2003
Mnozil Brass Graz (Austria), Styriarte, opening concert |
||||
| special |
can be performed alone or as part of the large work PROCESSIONAL
|
||||
| publication |
www.sikorski.de
|
||||
| see also |
Processional |
||||
|
Work Back to overview |
Processional: Fanfares/Signals
(2003) |
||||
|
Chamber music - Solo |
|||||
| for trumpet solo | |||||
| work list |
137k-03-HW
|
||||
| completed |
04/08/2003
|
||||
| movements |
I. I II. II III. III IV. IV IX. IX V. V VI. VI VII. VII VIII. VIII |
||||
| instruments |
trumpet (Bb) solo
|
||||
| duration |
11'
|
||||
| world premiere |
06/19/2003
Mnozil Brass Graz (Austria), Styriarte, opening concert |
||||
| special |
can be performed on it's own or as part of the larger work PROCESSIONAL
|
||||
| publication |
www.sikorski.de
|
||||
| see also |
Processional |
||||
|
Work Back to overview |
Processional: Mnozil
(2003) |
||||
|
Chamber music |
|||||
| for brass septet | |||||
| work list |
137a-03-HW
|
||||
| completed |
03/17/2003
|
||||
| instruments |
3 trumpets in Bb, bass trumpet in Bb, 2 trombones and Tuba
|
||||
| duration |
3'
|
||||
| world premiere |
06/19/2003
Mnozil Brass Graz (Austria), Styriarte, opening concert |
||||
| special |
can be performed alone or as part of the large work PROCESSIONAL
|
||||
| publication |
www.sikorski.de
|
||||
| see also |
Processional |
||||
|
Work Back to overview |
Ostinato
(2003) |
||||
|
Chamber music - Solo |
|||||
| für Orgel Solo (and registrant) | |||||
| work list |
116/bII-03-NW
|
||||
| completed |
01/03/2003
|
||||
| instruments |
organ solo
|
||||
| duration |
2' 30''
|
||||
| world premiere |
08/27/2003
Michaela Aigner, organ Salzburg (Austria), Kajetanerkirche, Georg-Muffat-Orgelwettbewerb |
||||
| special |
written for single manual organ with connected pedal
|
||||
| publication |
http://www.sikorski.de
|
||||
| see also |
Haemmerklavier XIII |
||||
|
Work Back to overview |
Haemmerklavier XIV
(2003) The trouble with trills |
||||
|
Chamber music - Solo also look at Electronic music |
|||||
| for player piano/MIDI | |||||
| work list |
136-03-HW
|
||||
| completed |
12/19/2002
|
||||
| instruments |
(player) piano solo
|
||||
| duration |
9'
|
||||
| world premiere |
03/13/2003
--- Gent (Belgium), LOGOS-Foundation, "Man&Machine" concert |
||||
| special |
Practically throughout: 44-part writing, all 88 keys are active most of the time
|
||||
| publication |
http://www.vinao.com/Radio%20prog%20Children%20of%20Nan.html (this is a link to a radio show by Alejandro Vinao which contains a long excerpt of the piece) http://www.vinao.com/Radio%20prog%20Children%20of%20Nan.html |
||||
| texts |
Haemmerklavier XIV, short english program note Hämmerklavier XIV: The trouble with trills [
10.01.2004
]
|
||||
|
Work Back to overview |
Behr-Khyrsh-Interludes
(2002) |
||||
|
Chamber music - Quintets also look at Stage music |
|||||
| for quintet | |||||
| work list |
132b-02-NW
|
||||
| completed |
10/28/2002
|
||||
| movements |
I. Prélude II. Theme III. premonitions (Zukunftsahnungen) IV. alla Marcia IX. static sounds (Statische Klaenge) V. Improvisation VI. soft, with melancholy (leise, melancholisch) VII. soft, ominous (leise, draeuend) VIII. "play it again" |
||||
| instruments |
trumpet (Bb), guitar, percussion, violin, double bass
|
||||
| duration |
14'
|
||||
| world premiere |
09/21/2003
Florian Zeh, tr., Anika Hutschreuther, git., Stefan J. Walter, perc., Pius Strugalla, vl., Nicholas Baldock, cb. Schweinfurt (Germany), Rathaus, „Schweinfurter Kompositionswettbewerb, Preistraegerkonzert“ |
||||
| special |
part of the music theatre "The Behr-Khyrsh-project"
|
||||
| see also |
The Behr-Khyrsh project Das Behr-Khyrsh-Projekt (textbook) |
||||
|
Work Back to overview |
XeroX
(2002) |
||||
|
Chamber music - Duets |
|||||
|
original version: for soprano saxophone and harp 2nd version: for flute and harp |
|||||
| work list |
131-02-NW
|
||||
| completed |
09/30/2002
|
||||
| instruments |
1. soprano saxophone, harp 2. flute or harp |
||||
| duration |
9' 30''
|
||||
| world premiere |
04/08/2013
Camilla Hoitenga, fl., Xenia Narati, hp. Basle (Switzerland), Gare du Nord |
||||
| dedicated |
Xenia Narati
|
||||
| publication |
http://www.sikorski.de
|
||||
|
Work Back to overview |
Symphony 3.0
(2002) |
||||
|
Chamber music - Sextets |
|||||
| for 6 or more ships horns, car horns or gas horns | |||||
| work list |
128-02-NW
|
||||
| completed |
07/09/2002
|
||||
| movements |
I. leak II. wawltz |
||||
| voices |
|
||||
| instruments |
6 or more ships horns, car horns or gas horns
|
||||
| duration |
6'
|
||||
| world premiere |
07/12/2002
"The Scruncheons" St. John's (Newfoundland/Canada), Sound Symposium |
||||
| special |
written for the "harbour symphony" series
|
||||
| dedicated |
Paul Steffler (I) Kate Wherry (II)
|
||||
| publication |
http://www.sikorski.de
|
||||
| Video |
|
||||
| texts |
Symphony 3.0, english performance instructions Moritz Eggert [
12.10.2004
]
|
||||
| see also |
Breaking The Waves (Open Air Performance) Symphony 3.0 (extended version) |
||||
|
Work Back to overview |
Three Souls
(2002) I, II (Nouvelle Etude Blanche), III (Etude de Yolimba) |
||||
|
Chamber music - Duos |
|||||
| for violin and piano, based on "Oh wie schoen ist der Mai" from the opera "Yolimba" by Wilhelm Killmayer | |||||
| work list |
126-02-HW
|
||||
| completed |
06/30/2002
|
||||
| instruments |
violin and piano
|
||||
| duration |
8'
|
||||
| world premiere |
11/20/2002
Gottfried Schneider, violin, Moritz Eggert, pf. München, Bayerische Akademie der Schönen Künste |
||||
| special |
written for the 75th birthday of Wilhelm Killmayer
|
||||
| dedicated |
Wilhelm Killmayer
|
||||
| publication |
http://www.sikorski.de
|
||||
|
Work Back to overview |
pong
(2002) |
||||
|
Chamber music - Septets |
|||||
| for septet | |||||
| work list |
125-02-HW
|
||||
| completed |
03/30/2002
|
||||
| instruments |
fl./picc., cl. (Bb), string quartet, pf.
|
||||
| duration |
8'
|
||||
| world premiere |
08/29/2002
Anne-Laure Martin, Olga Pecherskaja, violin, Marie-Florence Ricard, viola, Sebastian Kraus, cello, Caroline Kocak, flute, Joris Ruehl, clarinet, Yannick Wirner, piano, Moritz Eggert, conductor Lyon (France), Conservatoire Nationale superieur Musique, Salle Varése, "Jeunesse Moderne" |
||||
| special |
unusual setup, ping-pong effects (hocket), various special playing techniques
|
||||
| soundcarrier |
Jeunesse Moderne |
||||
| publication |
www.sikorski.de
|
||||
| Video |
|
||||
| texts |
pong, kurzer deutscher Text zum Stück PONG [
Moritz Eggert , 22.5.2009
]
pong shorter english text about the piece PONG [
26.08.2004
]
Pongm short english text about the piece PONG [
25.08.2004
]
|
||||
| Multimedia |
|
||||
|
Work Back to overview |
La Risposta
(2002) for cello and bajan /accordion |
||||
|
Chamber music - Duos |
|||||
| for cello and bajan / accordion | |||||
| work list |
123b-02-HW
|
||||
| completed |
03/13/2002
|
||||
| instruments |
cello, bajan or accordion
|
||||
| duration |
14'
|
||||
| world premiere |
07/06/2002
Elsbeth Moser, Bajan, Nicolas Altstaedt, cello Bebersee-Festival (Germany) |
||||
| special |
partly free, graphic notation, thatrical actions, cello scordatura, various unusual effects
|
||||
| dedicated |
Elsbeth Moser, Nicolas Altstaedt
|
||||
| texts |
La Risposta, Text zum Stück LA RISPOSTA [
18.03.2004
]
|
||||
| see also |
La Risposta |
||||
|
Work Back to overview |
La Risposta
(2002) for cello and piano |
||||
|
Chamber music - Duos |
|||||
| for cello and piano | |||||
| work list |
123a-02-HW
|
||||
| completed |
02/25/2002
|
||||
| instruments |
cello, piano
|
||||
| duration |
14'
|
||||
| world premiere |
11/07/2004
Nicolas Altstaedt, vc., Moritz Eggert, pf. Mannheim (Germany), Reiss-Engelhorn-Museum, Robert Haeusser 80th birthday, Vernissage |
||||
| special |
partly free, graphic notation, thatrical actions, cello scordatura, various unusual effects
|
||||
| dedicated |
Robert Häusser
|
||||
| publication |
Sikorski, www.sikorski.de
|
||||
| Multimedia |
|
||||
| see also |
La Risposta |
||||
|
Work Back to overview |
organ
(2002) |
||||
|
Chamber music - Solo |
|||||
| for organ solo | |||||
| work list |
122-01-HW
|
||||
| completed |
12/21/2001
|
||||
| instruments |
organ
|
||||
| duration |
12'
|
||||
| world premiere |
11/09/2002
Joerg Abbing, organ Saarbruecken (Germany), Electricity-Festival, Johanneskirche |
||||
| special |
weights on keys, rhythmical playing of registers
|
||||
| dedicated |
Jörg Abbing
|
||||
| publication |
http://www.sikorski.de
|
||||
|
Work Back to overview |
Symphony 2.0
(2002) original version |
||||
|
Chamber music - Quartets |
|||||
| for 4 kazoos, solo, doubled or in combination with any instrument | |||||
| work list |
121-01-NW
|
||||
| completed |
12/19/2001
|
||||
| text |
Text: ---
|
||||
| instruments |
4 kazoos solo, doubled, or in combination with any instrument
|
||||
| duration |
7'
|
||||
| world premiere |
01/13/2002
Stefan Eblenkamp, Markus Verna, Anno Kesting (vibraphone/Kazoo), Moritz Eggert (Kazoo/conductor) Nuremberg (Germany), Neues Museum, Vortragssaal |
||||
| special |
blowing into water glasses at one point
|
||||
| publication |
http://wwww.sikorski.de
|
||||
| texts |
symphony 2.0, short english text about the piece Symphony 2.0 [
18.10.2004
]
|
||||
| see also |
Symphony 2.0, version for any 4 instruments (without Kazoo) |
||||
|
Work Back to overview |
Haemmerklavier XIII
(2002) highway 61 |
||||
|
Chamber music - Solo also look at Piano solo |
|||||
| for piano, kazoo and mouth organ (1 player) | |||||
| work list |
120-01-HW
|
||||
| completed |
11/28/2001
|
||||
| instruments |
piano, kazoo, mouth organ (1 player)
|
||||
| duration |
16'
|
||||
| world premiere |
04/14/2002
Marcel Worms, piano Mexico city (Mexico) Centro Nacional de Las Artes |
||||
| special |
additional instruments Kazoo and harmonica (played by the pianist), frisbee and bottleneck on strings, slight preparation, singing, stomping, actions
|
||||
| dedicated |
Marcel Worms
|
||||
| publication |
Schott, ED 9520
|
||||
| texts |
highway 61, english text of original blues
[
traditional , 16.01.2004
]
highway 61, english translation of performance notes Translation: [
12.01.2004
]
|
||||
| Multimedia |
|
||||
|
Work Back to overview |
Riff
(2002) |
||||
|
Chamber music - Duos |
|||||
| for 2 electric guitars with effects | |||||
| work list |
119-01-HW
|
||||
| completed |
11/03/2001
|
||||
| instruments |
2 electric guitars
|
||||
| duration |
24'
|
||||
| world premiere |
03/17/2002
Duo shraeng (Ralph Beerkircher, Frank Wingold) Nuremberg (Germany), Neues Museum, Vortragssaal |
||||
| special |
uses several effects, including them in the compositional structure (especially samples)
|
||||
| dedicated |
Ralph Beerkircher, Frank Wingold
|
||||
| publication |
http://www.sikorski.de
|
||||
| Video |
|
||||
| texts |
Riff, Text zum Stück RIFF [
01.09.2004
]
|
||||
| Multimedia |
|
||||
| see also |
Riffing |
||||
|
Work Back to overview |
lullaby (for Nicola)
|
||||
|
Chamber music - Ensembles also look at Quartets |
|||||
| for string quartet | |||||
| work list |
118-01-NW
|
||||
| completed |
10/2001
|
||||
| instruments |
string quartet, Glockenspiel (perc.)
|
||||
| duration |
45''
|
||||
| special |
postcard piece II
|
||||
| dedicated |
Nicola Kremer
|
||||
|
Work Back to overview |
Haemmerklavier XIII
(2002) 2 Ostinati: ostinato 12.8.2001, ostinato 5.9.2001 |
||||
|
Chamber music - Piano solo |
|||||
| for piano, toy piano or celesta | |||||
| work list |
116a-01-HW
|
||||
| completed |
09/05/2001
|
||||
| movements |
I. ostinato 5.9.2001 II. ostinato 12.8.2001 |
||||
| instruments |
piano or celesta solo
|
||||
| duration |
6'
|
||||
| world premiere |
09/20/2002
Moritz Eggert, pf./celesta Biel (Switzerland), Tonkuenstlerfest, Salle de Peuple (ostinato 12.8.2001)/ Gent (Belgien) (ostinato 5.9.2001), Logos-Tetraeder, pian-OH Festival, 6/4/2003 |
||||
| special |
formerly postcard piece IV and V
|
||||
| publication |
http://www.sikorski.de also published in "Muenchner Klavierbuch - Neue Klaviermusik fuer den Unterricht" Vogt&Fritz, VF 755 |
||||
| texts |
Hämmerklavier XIII: short text about the piece Hämmerklavier XIII: 2 Ostinati [
Haemmerklavier XIII: short text about the piece , 25.04.2003
]
|
||||
| see also |
Ostinato |
||||
|
Work Back to overview |
peace
(2001) |
||||
|
Chamber music - Graphical scores |
|||||
| for any number of performers | |||||
| work list |
111a-01-NW
|
||||
| completed |
06/2001
|
||||
| instruments |
any
|
||||
| world premiere |
06/23/2001
FM Einheit, percussion, Sebastian Hess, Vc. Munich (Germany), tube, 6th A*Devantgarde festival |
||||
| see also |
Variations IV.XX |
||||
|
Work Back to overview |
KlaNNgggeläut
(2001) |
||||
|
Chamber music - Graphical scores |
|||||
| for any number of performers | |||||
| work list |
111b-01-NW
|
||||
| completed |
06/2001
|
||||
| instruments |
any
|
||||
| world premiere |
06/23/2001
FM Einheit, percussion, Sebastian Hess, Vc. Munich (Germany), tube, 6th A*Devantgarde festival |
||||
| special |
"von Atanasio Khyrsh"
|
||||
| see also |
Variations IV.XX |
||||
|
Work Back to overview |
Melody 1.0
(2001) version for clarinet, cello and typewriter |
||||
|
Chamber music - Trios |
|||||
| for clarinet, cello and typewriter | |||||
| work list |
85e-01-BE
|
||||
| completed |
2001
|
||||
| instruments |
clarinet, cello, typewriter
|
||||
| duration |
4'
|
||||
| world premiere |
06/16/2001
Joerg Widmann, clarinet, Sebastian Hess, Vc., Moritz Eggert, Pf. Holzhausen (Germany), Reithalle Gutried, Holzhausener Musiktage |
||||
| special |
basis for "Number Nine II: Melody 1.0"
|
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
melody 1.0 short english text MELODY 1.0 [
22.03.2004
]
|
||||
| see also |
Melody 1.0 Melody 1.0 Melody 1.0 Number Nine II |
||||
|
Work Back to overview |
Vexations II
|
||||
|
Chamber music - Duos |
|||||
| for 2 pianists | |||||
| work list |
113-01-NW
|
||||
| completed |
2001
|
||||
| instruments |
2 pianos
|
||||
| duration |
2'
|
||||
| world premiere |
02/25/2008
La Forge Trio Manitoba (CA), Brandon University, Lorne Watson Recital Hall |
||||
| special |
postcard piece III, theatrical elements
|
||||
| dedicated |
Eberhard Kloke
|
||||
| publication |
www.sikorski.de
|
||||
| texts |
vexations II english translations VEXATIONS II english translations: [
05.04.2004
]
|
||||
|
Work Back to overview |
senza perturbazione
|
||||
|
Chamber music - Trios |
|||||
| for Garklein, clarinet and trombone | |||||
| work list |
112-01-NW
|
||||
| completed |
2001
|
||||
| instruments |
Garklein, clarinet (Bb), bass trombone
|
||||
| duration |
30''
|
||||
| special |
postcard piece I
|
||||
| dedicated |
Winrich Hopp
|
||||
|
Work Back to overview |
Narcissus
(2001) |
||||
|
Chamber music - Duos |
|||||
| for soprano recorder and percussion | |||||
| work list |
106a-00-HW
|
||||
| completed |
11/15/2000
|
||||
| instruments |
soprano recorder, percussion
|
||||
| duration |
12'
|
||||
| world premiere |
05/08/2001
Petra de Gans, recorder, Thomas Meixner, percussion Siegen (Germany) , musica viva, Rudolf-Steiner-Schule |
||||
| special |
role-exchange at the end of the piece, partly unusual percussion instruments (bottles etc.)
|
||||
| dedicated |
Petra de Gans und Thomas Meixner
|
||||
| scores |
Schott OFB 199 http://www.schott-musik.de |
||||
| texts |
NARZISS ...ist der schöne Sohn der Flussgottes Kephisos, der unglücklich ist, da er in sein eigenes Spiegelbild, das er im Wasser erblickt hat, verliebt ist. Ovid führt die Legende in seinen "Metamorphosen" weiter aus: Da Narziss die Liebe zur Nymphe Echo (die wiederum dazu verdammt ist, sich... [more] [
16.11.2000
]
Narziss, Spielanweisungen NARZISS (2000) [
10.04.2004
]
|
||||
| Multimedia |
|
||||
| see also |
Narcissus |
||||
|
Work Back to overview |
Croatoan III
(2000) Perpetuum mobile |
||||
|
Chamber music - Duos |
|||||
| for great drum and string quartet | |||||
| work list |
103-00-HW
|
||||
| completed |
05/13/2000
|
||||
| instruments |
great drum, string quartet
|
||||
| duration |
10'
|
||||
| world premiere |
07/07/2000
Peter Sadlo, great drum, Vogler-quartet Hanover (Expo 2000/ Germany), German pavillon |
||||
| special |
advanced great drum notation, various effects
|
||||
| dedicated |
Peter Sadlo und das Vogler-Quartett
|
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
Croatoan III: short text about the piece CROATOAN [
04.05.2003
]
Kurzer Text zu allen "Croatoan"-Stücken CROATOAN [
09.05.2003
]
|
||||
| Multimedia |
|
||||
| see also |
Croatoan I Croatoan II |
||||
|
Work Back to overview |
Croatoan I
(2000) angelic voices |
||||
|
Chamber music - Ensembles |
|||||
| for glockenspiel and string quartet | |||||
| work list |
102-00-HW
|
||||
| completed |
03/01/2000
|
||||
| instruments |
string quartet, Glockenspiel (perc.)
|
||||
| duration |
8'
|
||||
| world premiere |
07/07/2000
Peter Sadlo, Glockenspiel, Vogler-quartet Hanover (Expo 2000/ Germany), German pavillon |
||||
| special |
Various advanced playing techniques, ping-pong balls/metal balls on Glockenspiel, etc.
|
||||
| dedicated |
Peter Sadlo und das Vogler-Quartett
|
||||
| soundcarrier |
Contemporanea 2000 (Quarta Rassegna di "Nuova Musica" Bridges into the future |
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
CROATOAN I: english translation of score notes MORITZ EGGERT [
08.05.2003
]
Kurzer Text zu allen "Croatoan"-Stücken CROATOAN [
09.05.2003
]
short text for all the "Croatoan" pieces CROATOAN [
08.05.2003
]
|
||||
| Multimedia |
|
||||
| see also |
Croatoan III Croatoan II |
||||
|
Work Back to overview |
Vermilion Sands
(2000) für einen Gitarristen und 2 Gitarren |
||||
|
Chamber music - Solo |
|||||
| für einen Gitarristen und 2 Gitarren | |||||
| work list |
100-99-HW
|
||||
| completed |
11/30/1999
|
||||
| instruments |
guitar (2 guitars played by 1 player)
|
||||
| duration |
16'
|
||||
| world premiere |
02/27/2000
Stephan Stiens, guitars Munich (Germany), Musikhochschule, Grosser Saal |
||||
| special |
scordatura, many special effects, is played partly on 2 guitars simultaneously
|
||||
| dedicated |
Stephan Stiens
|
||||
| publication |
Vogt & Fritz, VF 533
|
||||
| Video |
|
||||
| texts |
Link zu einem Video einer Aufführung von "Vermilion Sands" http://www.stephan-stiens.de/Images/Filmausschnitt_Eggert.htm [
Link to a video of a performance of "Vermilion Sands" , 18.10.2004
]
Vermilion Sands Der Titel meines Stückes bezieht sich auf die gleichnamige Sammlung von Erzählungen (Deutscher Titel: „Die Tausend Träume von Stellavista“, Suhrkamp) des englischen Autors J.G. Ballard. [
03.03.2003
]
Vermilion Sands The title of my piece refers to the story collection by the english author J.G. Ballard of the same name (also published as „The 1000 dreams of Stellavista“). [
03.03.2003
]
Vermilion Sands, English Translations of performance notes VERMILION SANDS [
18.12.2004
]
Vermilion Sands, technische Erläuterungen VERMILION SANDS [
16.12.2004
]
|
||||
|
Work Back to overview |
Croatoan II
(1999) In the sandbox |
||||
|
Chamber music - Ensembles |
|||||
| for string quartet and percussion | |||||
| work list |
95-99-HW
|
||||
| completed |
08/30/1999
|
||||
| instruments |
percussion and string quartet
|
||||
| duration |
12'
|
||||
| world premiere |
11/23/1999
Peter Sadlo, perc., Vogler-quartet Munich (Germany), Festival provocazione, Reithalle |
||||
| special |
percussionist exclusively plays "small instruments" like table-bell, bongos and castagnettes, various modern playing techniques, stomping and shuffling
|
||||
| dedicated |
Peter Sadlo und das Vogler-Quartett
|
||||
| publication |
http://www.sikorski.de
|
||||
| Video |
|
||||
| texts |
short text for all the "Croatoan" pieces CROATOAN [
08.05.2003
]
"Croatoan II" Detaillierte Besetzungsangaben Moritz Eggert [
"Croatoan II" detailed instruments description (German/English) , 02.05.2003
]
"Croatoan II" Text zum Stück Im Jahre 1587 gründeten 114 englische Kolonisten unter ihrem Anführer John White eine Kolonie auf Roanoake Island, an der Ostküste Amerikas, im heutigen Staate Carolina. Sie gehörten zu den ersten englischen Siedlern der Neuen Welt. Kurz nach ihrer Ankunft wurde Virginia, die Enk... [more] [
30.08.1999
]
|
||||
| Multimedia |
|
||||
| see also |
In the sandbox Croatoan I Croatoan III |
||||
|
Work Back to overview |
Continuum
(2000) |
||||
|
Chamber music - Duos |
|||||
| for cello and piano | |||||
| work list |
94-99-NW
|
||||
| completed |
08/11/1999
|
||||
| instruments |
cello and piano
|
||||
| duration |
6'
|
||||
| world premiere |
07/01/2000
Sebastian Hess, Vc., Moritz Eggert, Pf. Bad Kissingen (Germany), Kissinger Sommer, Rossini-Saal, "Nacht der Neuen Musik" |
||||
| special |
the cello bow never leaves the strings
|
||||
| dedicated |
Sebastian und Kate Hess
|
||||
| publication |
http://www.sikorski.de
|
||||
|
Work Back to overview |
Fast Forward
(1999) |
||||
|
Chamber music - Duos |
|||||
| for cello and piano | |||||
| work list |
90-99-HW
|
||||
| completed |
01/21/1999
|
||||
| instruments |
cello and piano
|
||||
| duration |
6'
|
||||
| world premiere |
05/02/1999
Nicolas Altstaedt, Vc., Christoph Altstaedt, Pf. Duesseldorf (Germany), Tonhalle, prize winner concert "Jugend musiziert" |
||||
| special |
playing inside the piano, various effects on the cello
|
||||
| dedicated |
Nicolas und Christoph Altstaedt
|
||||
| publication |
Sikorski, www.sikorski.de
|
||||
| texts |
Fast Forward, english translation of effect descriptions FAST FORWARD [
27.11.2003
]
Fast Forward, kurzer Text zum Stück FAST FORWARD [
28.11.2003
]
|
||||
| see also |
"aural corridors" |
||||
|
Work Back to overview |
Aboriginal / Millennium Dance
(1998) |
||||
|
Chamber music - Duos |
|||||
| for 2 singing and beating pianists | |||||
| work list |
89a-98-HW
|
||||
| completed |
10/24/1998
|
||||
| instruments |
piano 4 hands
|
||||
| duration |
22'
|
||||
| world premiere |
11/21/1998
Sigi Mauser, Moritz Eggert, pno. Munich (Germany), "Killmayer-Nacht", Bavarian Radio |
||||
| special |
knocking, singing, 2nd movement was the basis for "Number Nine III: Millennium Dance", movements can also be performed alone
|
||||
| dedicated |
Klaus Voswinckel (Aboriginal), Sigi Mauser (Millennium Dance)
|
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
millennium dance short english text „No! No! There are only 10 of us and there are 10.000.000 fighting somewhere in front of you, so get your onions up and we will throw up the truce flag“ (The last words of Dutch Schultz) [
06.04.2004
]
zu: "Aboriginal/ Millennium Dance" ABORIGINAL/MILLENNIUM DANCE [
16.04.2003
]
|
||||
| Multimedia |
|
||||
| see also |
Milennium Shuffle Millennium Dance Shuffle Number Nine III |
||||
|
Work Back to overview |
Melody 1.0
version for vibraphone and typewriter |
||||
|
Chamber music - Duos |
|||||
| for vibraphone and typewriter | |||||
| work list |
85c-98-BE
|
||||
| completed |
09/18/1998
|
||||
| instruments |
vibraphone and typewriter
|
||||
| duration |
4'
|
||||
| special |
basis for "Number Nine II: Melody 1.0"
|
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
melody 1.0 short english text MELODY 1.0 [
22.03.2004
]
|
||||
| see also |
Melody 1.0 Melody 1.0 Number Nine II Melody 1.0 |
||||
|
Work Back to overview |
Melody 1.0
(1998) |
||||
|
Chamber music - Trios |
|||||
| for violin, cello and typewriter | |||||
| work list |
85a-98-NW
|
||||
| completed |
08/28/1998
|
||||
| instruments |
violin, cello, typewriter
|
||||
| duration |
4'
|
||||
| world premiere |
08/23/1998
Muriel Cantoreggi, vl. Sebastian Hes, vc., Moritz Eggert, typewriter Schloss Elmau (Germany), Grosser Saal |
||||
| special |
basis for "Number Nine II: Melody 1.0"
|
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
This piece is the only one of my pieces which exists in three different versions ... and a fourth one is still to come! [
14.10.1998
]
|
||||
| see also |
Melody 1.0 Melody 1.0 Number Nine II Melody 1.0 |
||||
|
Work Back to overview |
Nemesis
(1998) |
||||
|
Chamber music - Solo |
|||||
| for drumset solo | |||||
| work list |
84-98-HW
|
||||
| completed |
08/27/1998
|
||||
| instruments |
23-part rock drumset
|
||||
| duration |
16'
|
||||
| world premiere |
11/18/1998
Richard Moore, perc. Toronto (Canada), Music Gallery |
||||
| special |
geschrieben für 23-teiliges Rockschlagzeug
|
||||
| dedicated |
Richard Moore
|
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
The drumset is quite rarely used in contemporary composition. It still seems to be deeply rooted in popular music, and is mostly identified with the various forms of rock music. [
13.08.1998
]
Nemesis, kurzer deutscher Text zum Stück NEMESIS [
05.08.2004
]
|
||||
| Multimedia |
|
||||
| see also |
The search for the KlaNNg |
||||
|
Work Back to overview |
Sea/desert
(1998) |
||||
|
Chamber music - Ensembles |
|||||
| for 2 pianists and 2 percussionists | |||||
| work list |
80-98-HW
|
||||
| completed |
01/10/1998
|
||||
| movements |
I. See II. Desert |
||||
| instruments |
2 percussionists, 2 pianists (piano 4-handed)
|
||||
| duration |
14'
|
||||
| world premiere |
04/30/1998
Marta Klimasara, Jürgen Spitschka, perc., Siegfried Mauser, Moritz Eggert, pf. Munich (Germany), Biennale, Weltmusiknacht, Carl-Orff-Saal |
||||
| special |
1st movement: two percussionists play 1 vibraphone, two pianists play 1 piano 2nd movement: the two pianists perform various rhythmic actions inside 1 piano, rhythmic model of the 2nd movement equals the piece "fleeting encounter"
|
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
mehr meer bitte, bitte mehr meer (Ingeborg Bachmann) Diese beiden Stücke beschäftigen sich mehr mit einer imaginären Fremde, als mit konkretem exotischen Material. "Meer" ist ein kontinuierlicher "stream of consciousness". Die Musik befindet sich st&... [more] Erläuterungen zu "Wüste" Wüste [
17.01.2005
]
|
||||
| Multimedia |
|
||||
| see also |
now - I need now Fleeting Encounter |
||||
|
Work Back to overview |
Haemmerklavier XI
(1998) What if 1 composer from 1 country wrote 60 pieces under a second for solo piano |
||||
|
Chamber music - Piano solo also look at Musiktheater und Performance |
|||||
| for piano solo | |||||
| work list |
81-98-HW
|
||||
| completed |
1998
|
||||
| instruments |
piano solo
|
||||
| duration |
1'
|
||||
| world premiere |
02/11/1998
Guy Livingston, pf. Cape Town (South Africa) |
||||
| special |
60 single pieces each lasting one second, played quickly in a row, mouth-siren and moo-box needed
|
||||
| dedicated |
Guy Livingston
|
||||
| soundcarrier |
das ist taktlos Don't panic! |
||||
| scores |
Schott ED 9137 http://www.schott-musik.de |
||||
| texts |
Hämmerklavier Xi, Einleitungstext Moritz Eggert [
30.12.2003
]
|
||||
|
Work Back to overview |
Melody 1.0
version for clarinet, piano and typewriter |
||||
|
Chamber music - Trios |
|||||
| for clarinet, piano and typewriter | |||||
| work list |
85b-98-BE
|
||||
| completed |
1998
|
||||
| instruments |
clarinet, piano, typewriter
|
||||
| duration |
4'
|
||||
| special |
basis for "Number Nine II: Melody 1.0"
|
||||
| dedicated |
Nicola und Andreas Schindhelm
|
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
melodie 1.0 short english text MELODY 1.0 [
22.03.2004
]
|
||||
| see also |
Melody 1.0 Melody 1.0 Number Nine II Melody 1.0 |
||||
|
Work Back to overview |
Skelter
|
||||
|
Chamber music - Ensembles |
|||||
| for saxophone quartet | |||||
| work list |
78-97-HW
|
||||
| completed |
11/14/1997
|
||||
| instruments |
saxophone quartet (2 alto, 2 baritone)
|
||||
| duration |
9'
|
||||
| special |
refers to "Helter Skelter" by the Beatles , some multiphonics
|
||||
| dedicated |
art-core-sax-Quartett
|
||||
| soundcarrier |
Porträt-CD Moritz Eggert |
||||
| publication |
http://www.sikorski.de
|
||||
| Video |
|
||||
| texts |
Erinnerte Musik ist anders als gehörte Musik: manchmal dehnen sich einzelne Passagen im Geiste zu einer endlosen Klangcollage, manchmal schrumpfen sie auch zu einem allgemeinen "Sound" zusammen. [
02.06.1998
]
Skelter, short english text about the piece Skelter [
20.09.2004
]
|
||||
| Multimedia |
|
||||
| see also |
The Trap now - I need now |
||||
|
Work Back to overview |
Et in Arcadia Ego
(1997) Streichquartett Nr. 2 |
||||
|
Chamber music - Quartets also look at Ensembles |
|||||
| for string quartet | |||||
| work list |
72-97-HW
|
||||
| completed |
05/14/1997
|
||||
| instruments |
string quartet
|
||||
| duration |
16'
|
||||
| world premiere |
07/19/1997
Farandole-quartet Pescocostanzo (Italy), "Moto Perpetuo"-Festival, Auditorium Comunale S. Nicola |
||||
| special |
re-tuning, knocking sounds (both at the end of the piece)
|
||||
| dedicated |
Peter Ruzicka
|
||||
| soundcarrier |
Et in Arcadia Ego |
||||
| publication |
www.sikorski.de
|
||||
| texts |
... "und in Arkadien ich" ist ein Satz der einem oft beim Studium von Renaissance-Gemälden ins Auge fällt. In der symbolgeladenen Kunstsprache dieser Epoche wurde dieser Satz als eine Art "memento mori" gebraucht, also "auch in Arkadien existiere ich (der Tod)". Eine der berühmtesten ... [more] [
05.07.1997 (dt. Übersetzung 02.02.1999)
]
Et in Arcadia Ego short english text Et in Arcadia Ego [
21.10.2003
]
|
||||
| see also |
now - I need now |
||||
|
Work Back to overview |
Tableau
(1997) |
||||
|
Chamber music - Duos |
|||||
| for clarinet and piano (with melodica) | |||||
| work list |
68-97-HW
|
||||
| completed |
01/09/1997
|
||||
| instruments |
clarinet and piano (with melodica)
|
||||
| duration |
10'
|
||||
| world premiere |
04/10/1997
Joerg Widmann, clarinet, Moritz Eggert, pf. Munich (Germany), Siemens-Preis, Cuvilliés-Theater |
||||
| special |
many theatrical elements, pianist and clarinetist move while playing, piano lid has to be removed completely, playing under and in the piano
|
||||
| dedicated |
Jörg Widmann
|
||||
| publication |
http://www.sikorski.de
|
||||
| Video |
Duo Luxa in Chengdu:
|
||||
| texts |
I always liked the contradictory title of Lachenmann's chamber orchestra piece "Mouvement (vor der Erstarrung)" ("vor der Erstarrung" is difficult to translate in English - the most similar translation would be "before freezing"). Tableau [
19.10.2004
]
Tableau, short text about the piece Tableau [
21.10.2004
]
|
||||
|
Work Back to overview |
Haemmerklavier X: Mouth Organ
(1995) Mouth Organ |
||||
|
Chamber music - Piano solo |
|||||
| for performer solo | |||||
| work list |
64-95-HW
|
||||
| completed |
09/10/1995
|
||||
| text |
Love poem from "Arabian Nights", translated by Enno Littmann
|
||||
| instruments |
performer/piano solo
|
||||
| duration |
9'
|
||||
| world premiere |
09/23/1995
Moritz Eggert, voice Starnberg (Germany), Seenmusik-Festival, Schlossberghalle |
||||
| special |
no instrument of any kind is needed - all the music is produced with the mouth only, amplification needed in larger halls, spoken text passages
|
||||
| dedicated |
Helmut Lachenmann
|
||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||
| Video |
|
||||
| texts |
Dieses Stück wird gänzlich (und ohne elektronische Unterstützung) mit dem Mund produziert. Hämmerklavier X „Mouth Organ“ [
15.09.2003
]
Mouth Organ, English translation of performance notes Hämmerklavier X „Mouth Organ“ [
13.01.2004
]
|
||||
| Multimedia |
|
||||
| see also |
Querverbindungen |
||||
|
Work Back to overview |
Haemmerklavier VIII
(1995) Underground |
||||
|
Chamber music - Piano solo |
|||||
| for piano solo | |||||
| photo |
|
||||
| work list |
62-95-HW
|
||||
| completed |
05/24/1995
|
||||
| instruments |
piano solo
|
||||
| duration |
8'
|
||||
| world premiere |
06/10/1995
Moritz Eggert, pf. Munich (Germany), A*Devantgarde, Neues Theater |
||||
| special |
Use of sirens fastened under the piano, middle pedal, playing while half sitting under the piano, performance elements
|
||||
| dedicated |
Wolfgang Rihm
|
||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||
| scores |
Schott ED 9137 http://www.schott-musik.de |
||||
| texts |
Dieses Stück, eine sture Akkordetüde, die Hämmerklavier II nicht unähnlich ist, erfährt eine Art Bedrohung oder Störung von unten. Unter dem Flügel sind Sirenen angebracht, die mit der jeweils beim Spielen freien Hand ein- und ausgeschaltet werden. Am Schluß ... [more] Hämmerklavier VIII, english translations of performance notesHämmerklavier VIII „Underground“ [
06.12.2004
]
|
||||
| see also |
Querverbindungen |
||||
|
Work Back to overview |
Haemmerklavier IX
(1995) Jerusalem |
||||
|
Chamber music - Piano solo also look at Musiktheater und Performance |
|||||
| for piano solo | |||||
| photo |
|
||||
| work list |
61-95-HW
|
||||
| completed |
05/16/1995
|
||||
| instruments |
piano solo
|
||||
| duration |
8'
|
||||
| world premiere |
06/10/1995
Moritz Eggert, pf. Munich (Germany), A*Devantgarde, Neues Theater |
||||
| special |
pianist moves around the (grand-)piano (the lid has to be removed completely) and performs various actions, additional materials: sound metals, Blue-Tac, plastic disks, brush, pedal has to be fastened, performance elements
|
||||
| dedicated |
Claus K�hnl
|
||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||
| scores |
Schott ED 9137 http://www.schott-musik.de |
||||
| Video |
|
||||
| texts |
In dem Gesellschaftsspiel "Die Reise nach Jerusalem" werden die Sitzmöglichkeiten der Spieler nach und nach reduziert (und damit die Spieler selber). IX Jerusalem [
17.02.2004
]
|
||||
| see also |
"aural corridors" Querverbindungen The search for the KlaNNg The Trap Weird Actions |
||||
|
Work Back to overview |
Bad Attitude
(1995) |
||||
|
Chamber music - Duos |
|||||
| for cello and piano (with melodica and kazoo) | |||||
| photo |
|
||||
| work list |
60-95-HW
|
||||
| completed |
03/15/1995
|
||||
| movements |
I. Bad Vibes II. Bad Taste III. Bad Attitude |
||||
| instruments |
cello and piano (with melodica and kazoo)
|
||||
| duration |
12'
|
||||
| world premiere |
04/16/1995
Sebastian Hess, cello, Moritz Eggert, pf. Salzburg (Austria), Salzburger Osterfestspiele, Mozarteum |
||||
| special |
additional soprano-melodica and kazoo for the pianist, stomping, knocking, various advanced playing techniques, cellist sings one note
|
||||
| dedicated |
Sebastian Hess
|
||||
| soundcarrier |
Porträt-CD Moritz Eggert WERGO collection 2 |
||||
| publication |
Sikorski, www.sikorski.de
|
||||
| texts |
Dieses Stück hat viele ästhetische Parallelen zu meinem "Hämmerklavier" - Zyklus für Solo-Klavier, den ich kurz zuvor beendet hatte - auch hier geht es um die Umsetzung von Intensität. Mehr als in anderen meiner Stücke aber wird hier Übertriebenes, Triviales oder A... [more] Bad Attitude - Kurzer Text zum StückBAD ATTITUDE [
27.04.2003
]
|
||||
| Multimedia |
|
||||
| see also |
In the sandbox |
||||
|
Work Back to overview |
Haemmerklavier VII
(1995) Secret desires |
||||
|
Chamber music - Piano solo |
|||||
| for piano solo | |||||
| work list |
59-95-HW
|
||||
| completed |
02/11/1995
|
||||
| instruments |
piano solo
|
||||
| duration |
8'
|
||||
| world premiere |
03/28/1995
Moritz Eggert, pf. Paris, Cité des Arts |
||||
| special |
playing of additional notes with eraser in mouth
|
||||
| dedicated |
Louis Andriessen
|
||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||
| scores |
Schott ED 9137 http://www.schott-musik.de |
||||
| Video |
|
||||
| texts |
Das "Geheime Verlangen" dieses Stückes ist eine kurze Melodie die zweimal im Stück vorkommt: zum erstenmal, fast unbemerkt, am Anfang des Stückes; zum zweitenmal am Ende, wobei ein mit dem Mund gehaltener Radiergummi zum Spielen dieser Melodie benutzt werden muß (denn die restli... [more] |
||||
| see also |
Querverbindungen Haemmerklavier In the sandbox Weird Actions |
||||
|
Work Back to overview |
Breathless
(1995) |
||||
|
Chamber music - Solo |
|||||
| for 4 recorders and 1 player | |||||
| work list |
57-94-HW
|
||||
| completed |
11/13/1994
|
||||
| instruments |
1 soprano-, 2 alto-, 1 renaissance-alto recorder
|
||||
| duration |
8'
|
||||
| world premiere |
10/22/1995
Naomi Graham, recorders London (GB), Moeck-recorder-competition finals, Royal college of music |
||||
| special |
two recorders are played at the same time throughout most of the piece, various modern playing techniques
|
||||
| dedicated |
Naomi Graham
|
||||
| soundcarrier |
Ausser Atem Porträt-CD Moritz Eggert Blockflute Short Cuts Peripheries |
||||
| scores |
Schott OFB 1920 http://www.schott-musik.de |
||||
| Video |
|
||||
| texts |
short text about the piece in English BREATHLESS [
Moritz Eggert , 24.04.2016
]
The possibility of having one performer play two recorders at the same time has always held a fascination for me. Not only did I feel that this technique had not been fully explored - I was also drawn to the intensity that a playing technique like this automatically demands by a performer(especially... [more] [
1994/95
]
Ausser Atem - kurzer Text zum Stück AUSSER ATEM [
23.04.2003
]
|
||||
| see also |
The search for the KlaNNg In the sandbox |
||||
|
Work Back to overview |
Haemmerklavier VI
(1994) Variations upon Teba Ini Leh |
||||
|
Chamber music - Piano solo |
|||||
| for singing pianist | |||||
| work list |
56-94-HW
|
||||
| completed |
10/26/1994
|
||||
| instruments |
piano solo
|
||||
| duration |
14'
|
||||
| world premiere |
11/08/1994
Moritz Eggert, pf. Munich (Germany), Gasteig, "Klangspuren", Carl-Orff-Saal |
||||
| special |
singing, stomping, middle pedal, whistling, beating on the wooden frame, various modern playing techniques
|
||||
| dedicated |
Raymund Havenith
|
||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||
| scores |
Schott ED 8622 http://www.schott-musik.de |
||||
| texts |
Dieses Stück ist eines der längsten des "Hämmerklavier"-Zyklus und basiert auf einer Melodie der berühmten arabischen Sängerin Oum Kalsoum. Der Gesangspart, vom Pianisten während des Spiels auszuführen, ist ein wesentlicher Bestandteil der Komposition, ebenso eine ... [more] Haemmerklavier VI, short english textOum Kalsoum ist considered to be „the“ singer of arabian music. She became famous in the 30’s of the last century, and her famous singing style is imitated up to the finest embellishments by young singers until today. [
07.01.2004
]
|
||||
| see also |
Querverbindungen |
||||
|
Work Back to overview |
Mystic page
(2001) |
||||
|
Chamber music - Solo |
|||||
| for harp solo | |||||
| work list |
54-94-NW
|
||||
| completed |
09/20/1994
|
||||
| instruments |
harp solo
|
||||
| duration |
1' 30''
|
||||
| world premiere |
11/03/2001
Marlis Neumann, harp Gauting (Germany), Gautinger Schlosskonzerte |
||||
| dedicated |
Marlis Neumann
|
||||
|
Work Back to overview |
Haemmerklavier V
(1994) study in fall |
||||
|
Chamber music - Piano solo |
|||||
| for piano solo | |||||
| work list |
52-94-HW
|
||||
| completed |
07/18/1994
|
||||
| instruments |
piano solo
|
||||
| duration |
5'
|
||||
| world premiere |
07/29/1994
Moritz Eggert, pf. Montepulciano (Italy), Cantiere d'Arte, chiostro della fortezza |
||||
| special |
rhythmical moaning
|
||||
| dedicated |
David Lang
|
||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||
| scores |
Schott ED 8622 http://www.schott-musik.de |
||||
| texts |
Ein prozesshaftes Stück, auf einer einfachen (Quintfall)sequenz beruhend. Akkorde fallen langsam ins untere Register, dabei schneller werdend und sich in Einzeltöne auflösend. Jedesmal wenn ein Ton nicht mehr spielbar ist (d.h. sich sozusagen über den linken, tiefen Tastenrand be... [more] Analyse des Stückes "Fallstudie" von Moritz EggertANALYSE des STÜCKES „FALLSTUDIE“ von MORITZ EGGERT [
Markus Neuwirth , 20.11.2003
]
|
||||
| Multimedia |
|
||||
| see also |
Querverbindungen Titus - Fall of Rome |
||||
|
Work Back to overview |
Haemmerklavier IV
(1995) 2 miniatures: Omaggio/Silberberg-variation |
||||
|
Chamber music - Piano solo |
|||||
| for piano solo | |||||
| work list |
51-94-HW
|
||||
| completed |
06/29/1994
|
||||
| movements |
I. Omaggio II. Silberberg-Variation |
||||
| instruments |
piano solo
|
||||
| duration |
6'
|
||||
| world premiere |
08/17/1995
Moritz Eggert, pf. Guanajuato (Mexico), Teatro Juarez, El callejon del Ruido |
||||
| dedicated |
Hans Werner Henze
|
||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||
| scores |
Schott ED 8622 Emonts Schott's 20th Century Piano Classics (Schott ED 9565) http://www.schott-musik.de |
||||
| texts |
Zwei wenig verschlüsselte Hommagen, die erste an Stravinsky, die zweite, eine Art alternative Goldberg-Variation, an Bach. Trotzdem auch "Hämmerklavier": Intensität durch Reduktion. |
||||
| Multimedia |
|
||||
| see also |
Querverbindungen Titus - Fall of Rome Weird Actions |
||||
|
Work Back to overview |
Sanctus
(1994) |
||||
|
Chamber music - Duos |
|||||
| for trombone and organ | |||||
| work list |
50-94-HW
|
||||
| completed |
05/21/1994
|
||||
| instruments |
trombone and organ
|
||||
| duration |
13'
|
||||
| world premiere |
09/16/1994
Abby Conant, tb., Klemens Schnorr, org. Erfurt (Germany), Dom |
||||
| special |
cluster effects with wooden boards on bass pedals, registration effects (mechanical organ)
|
||||
| dedicated |
Abby Conant
|
||||
| publication |
Sikorski
|
||||
| texts |
Sanctus, kurzer Text zum Stück Sanctus [
Moritz Eggert , 24.03.2014
]
|
||||
| see also |
Sanctus (2nd version) |
||||
|
Work Back to overview |
Haemmerklavier III
(1994) One Man Band |
||||
|
Chamber music - Piano solo |
|||||
| for piano solo | |||||
| photo |
|
||||
| work list |
49-94-HW
|
||||
| completed |
04/28/1994
|
||||
| instruments |
piano solo
|
||||
| duration |
4'
|
||||
| world premiere |
05/08/1994
Moritz Eggert, pf. Munich (Germany), Gasteig, 4th Munich Biennale, Kleiner Konzertsaal |
||||
| special |
stomping, beating on the wooden frame and lid, playing with chin, singing/whistling, playing inside the piano, playing with left foot
|
||||
| dedicated |
George Crumb
|
||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||
| scores |
Schott ED 8622 http://www.schott-musik.de |
||||
| Video |
|
||||
| texts |
Kurzer Text zum Stück In der neuen Musik werden "Effekte" (d.h. besondere Spieltechniken wie das Anzupfen einer Seite im Inneren des Flügels) oft in einer gewissen Vereinzelung vorgeführt. Im diesen Stück sind die "Effekte" aber das bestimmende Element, d.h. die Komposition wird in eine (auch selbstparodie... [more] [
Short Text about the piece , 1.1.1996
]
|
||||
| Multimedia |
|
||||
| see also |
"aural corridors" Querverbindungen The search for the KlaNNg The Trap Titus - Fall of Rome Weird Actions |
||||
|
Work Back to overview |
Haemmerklavier II
(1994) upon the first 3 notes of "Lulu" |
||||
|
Chamber music - Piano solo |
|||||
| for piano solo | |||||
| work list |
48a-94-HW
|
||||
| completed |
04/04/1994
|
||||
| instruments |
piano solo
|
||||
| duration |
5'
|
||||
| world premiere |
04/21/1994
Moritz Eggert, pf. Munich (Germany), Orff-Zentrum |
||||
| dedicated |
Robert Saxton
|
||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||
| scores |
Schott ED 8622 http://www.schott-musik.de |
||||
| texts |
In England lernt man, daß die gesamte Musik der Wiener Schule sich an den ersten 4 Tönen von Alban Bergs "Lulu" erklären lässt. Ich nahm mir vor, mit diesen Tönen eigene Welten zu bauen. In diesem Stück, einer Art Akkordetüde, sind die Pausen zwischen den Klä... [more] |
||||
| Multimedia |
|
||||
| see also |
Querverbindungen The search for the KlaNNg Titus - Fall of Rome Weird Actions |
||||
|
Work Back to overview |
Haemmerklavier I
(1994) Into the open |
||||
|
Chamber music - Piano solo |
|||||
| for piano solo | |||||
| work list |
47-94-HW
|
||||
| completed |
03/25/1994
|
||||
| instruments |
piano solo
|
||||
| duration |
7'
|
||||
| world premiere |
03/25/1994
Moritz Eggert, pf. Guanajuato (Mexico), Teatro Juarez, El callejon del Ruido |
||||
| special |
short section uses beating on the wooden frame
|
||||
| dedicated |
Wilhelm Killmayer
|
||||
| soundcarrier |
Haemmerklavier I-X Querverbindungen |
||||
| scores |
Schott ED 8622 http://www.schott-musik.de |
||||
| texts |
Hämmerklavier Hämmerklavier ist ein abendfüllend angelegter Zyklus für Klavier solo, der - mit Ausnahme der 1.Miniatur von Hämmerklavier IV - in den Jahren 1994 und 1995 entstand. |
||||
| Multimedia |
|
||||
| see also |
Querverbindungen |
||||
|
Work Back to overview |
Consolations
(1993, changed 2016) |
||||
|
Chamber music - Solo |
|||||
|
Version 1: for viola solo (original version) HV 46a Version 2: reworked version for viola or electric viola solo HV 46b |
|||||
| work list |
46ab-93-HW
|
||||
| completed |
09/22/1993
|
||||
| instruments |
viola solo
|
||||
| duration |
7'
|
||||
| world premiere |
03/19/2017
Gunther Pretzel, viola reworked version: Andreas Ticozzi Munich (Germany), Gasteig, Black Box Munich (Germany), Johannissaal/Nymphenburg |
||||
| special |
bow is sometimes played under the strings, whistling (only in original version)
|
||||
| dedicated |
Gunther Pretzel
|
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
Consolations, Text zum Stück Im Sommer 1993, während der Arbeit an dem sehr komplexen und durchstrukturierten Orchesterwerk "Vexations" (ungefähr: "Quälereien" oder "Kränkungen") tröstete ich mich in müden Stunden mit dem Gedanken an mein nächstes Stück, das ganz intim und einfach sein so... [more] [
Moritz Eggert , 14.06.1995
]
|
||||
|
Work Back to overview |
Squared
|
||||
|
Chamber music - Ensembles also look at Octets |
|||||
| for octet | |||||
| work list |
44-93-NW
|
||||
| completed |
08/15/1993
|
||||
| instruments |
Fl., Ob., Trump. (in C), Tb., Hp., Pf., Vc., Cb.
|
||||
| duration |
5'
|
||||
| special |
some "Aeolic Harp" - passages inside the piano; chord structure also used in "Vexations" (see "orchestra music")
|
||||
| see also |
Vexations |
||||
|
Work Back to overview |
In the box
(1993) version for three trumpets |
||||
|
Chamber music - Trios |
|||||
| for three trumpets | |||||
| work list |
40b-93-BE
|
||||
| completed |
05/13/1993
|
||||
| instruments |
three trumpets
|
||||
| duration |
7'
|
||||
| world premiere |
07/07/1993
brass workshop London (GB), Guildhall school |
||||
| special |
trumpets are tuned in quarter tones
|
||||
| see also |
In the box |
||||
|
Work Back to overview |
Fanfarerafnaf
(1993) |
||||
|
Chamber music - Ensembles also look at Quintets |
|||||
| for brass quintet | |||||
| work list |
43-93-NW
|
||||
| completed |
05/05/1993
|
||||
| instruments |
brass quintet: 2 trumpets, horn, trombone, tuba
|
||||
| duration |
1' 45''
|
||||
| world premiere |
07/07/1993
brass workshop London (GB), Guildhall school |
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
short text about the piece "Fanfarerafnaf" FANFARERAFNAF [
24.11.2003
]
|
||||
|
Work Back to overview |
sky is retreating
(1993) music for a choreography |
||||
|
Chamber music - Ensembles also look at Quintets |
|||||
| for five players | |||||
| work list |
42-93-HW
|
||||
| completed |
03/06/1993
|
||||
| instruments |
flute, clar., vn., vc., pf.
|
||||
| duration |
6'
|
||||
| world premiere |
05/25/1993
choreography: Ursula Hegglin, dancers: Deborah Peacock, Maurizio Patti, Guildhall School ensemble (from tape) London (GB), London contemporary dance |
||||
| dedicated |
Wilhelm Killmayer
|
||||
|
Work Back to overview |
One Shot
(1993) |
||||
|
Chamber music - Quintets also look at Brass quintet |
|||||
| for wind quintet | |||||
| work list |
41-93-NW
|
||||
| completed |
02/22/1993
|
||||
| instruments |
wind quintet: fl., ob., clar., bn., hn.
|
||||
| duration |
1' 30''
|
||||
| world premiere |
07/08/1993
Gareth davies, fl., Derren Coles, cl., James Beatty, Ob., Robert Dulson, bn., Clare Hutchins, Hn. London (GB), Guildhall school |
||||
|
Work Back to overview |
In the box
(1996, changed 2001, 2016) original version for triple trumpet |
||||
|
Chamber music - Solo |
|||||
|
a) original version: for triple trumpet solo (1993/2001) HV 40a b) Version für trumpet solo (2016) HV 40b |
|||||
| work list |
40a-93-HW
|
||||
| completed |
02/15/1993
|
||||
| instruments |
triple trumpet solo
|
||||
| duration |
7'
|
||||
| world premiere |
03/10/1996
Malte Burba, triple trumpet London (GB), Guildhall school |
||||
| special |
unusual trumpet construction, artificial prolongation of the trumpet with a garden hose, "remote playing" through a metal box
|
||||
| dedicated |
Malte Burba
|
||||
| texts |
In The Box, short text about the piece In the Box [
Moritz Eggert , 11.4.2010
]
|
||||
| see also |
In the box |
||||
|
Work Back to overview |
Little Hideaways
(1993) string quartet no. 1 |
||||
|
Chamber music - Quartets |
|||||
| for string quartet | |||||
| work list |
39-93-HW
|
||||
| completed |
01/20/1993
|
||||
| movements |
1. There... 2. ...and back again 3. in 4. inside 5. emerging 6. away 7. out |
||||
| instruments |
string quartet
|
||||
| duration |
17'
|
||||
| world premiere |
07/08/1993
Rosamunde quartet Munich (Germany), Akademie der Wissenschaften |
||||
| special |
advanced playing techniques (playing behind the fingers) in first and second movement
|
||||
| soundcarrier |
Concours Molinari 2001-2002 |
||||
| publication |
http://www.sikorski.de
|
||||
| texts |
Alle 7 Abschnitte dieses Stücks (die ohne Pause ineinander übergehen) basieren auf einer einzigen melodischen Linie, zu hören in den ersten zwei Takten. [
24.02.1994 (rev. 02.10.1998)
]
Little Hideaways, english text LITTLE HIDEAWAYS [
05.03.2004
]
Little Hideaways, same text but shortened LITTLE HIDEAWAYS [
15.03.2004
]
|
||||
| Multimedia |
|
||||
|
Work Back to overview |
Seraphim
(1992) |
||||
|
Chamber music - Ensembles also look at Quartets |
|||||
| for trombone quartet | |||||
| work list |
38-92-HW
|
||||
| completed |
06/21/1992
|
||||
| instruments |
trombone quartet
|
||||
| duration |
11'
|
||||
| world premiere |
07/19/1992
Prisma-quartet Montepulciano (Italy), Cantiere d'Arte, San Fancesco |
||||
| special |
trombonists play in a square around the audience, quadrophonic effects, various advanced playing techniques
|
||||
| dedicated |
Abby Conant und "Prisma"
|
||||
| publication |
www.sikorski.de
|
||||
| Multimedia |
|
||||
|
Work Back to overview |
idee fixe
Version 1 für Viola |
||||
|
Chamber music - Solo |
|||||
| for viola solo | |||||
| work list |
36c-92-BE
|
||||
| completed |
05/10/1992
|
||||
| instruments |
viola solo
|
||||
| duration |
6'
|
||||
| world premiere |
12/16/2003
Nils Moenkemeyer, vla. Munich (Germany), Siemens-Rotunde |
||||
| special |
partly approximate notation, performance elements
|
||||
| see also |
idee fixe (Celloversion) Lunu "aural corridors" |
||||
|
Work Back to overview |
idee fixe (Celloversion)
(1993) Version 2 für Cello |
||||
|
Chamber music - Solo |
|||||
| for cello solo | |||||
| work list |
36b-92-BE
|
||||
| completed |
05/10/1992
|
||||
| instruments |
Cello Solo
|
||||
| duration |
6'
|
||||
| world premiere |
02/05/1993
Laura McPheeters, vc. London (GB), Guildhall school |
||||
| special |
partly approximate notation, performance elements
|
||||
| Video |
|
||||
| see also |
idee fixe Lunu |
||||
|
Work Back to overview |
A house with seven rooms
(1991) |
||||
|
Chamber music - Duos |
|||||
| for cello and piano | |||||
| work list |
29-91-HW
|
||||
| completed |
01/10/1991
|
||||
| movements |
I. The children's room II. The library III. The music room IV. The room of mirrors V. The chamber of love VI. The dying room VII. The room with the locked door |
||||
| instruments |
cello, piano
|
||||
| duration |
24'
|
||||
| world premiere |
02/03/1991
Anja Lechner, vc., Moritz Eggert, pf. Munich (Germany), Musikhochschule, Grosser Saal |
||||
| special |
all pieces can be performed out of context, some advanced playing techniques
|
||||
| dedicated |
Anja Lechner
|
||||
| see also |
The Trap In the sandbox |
||||
|
Work Back to overview |
Magical dances and rituals
(1992) 2nd version for viola solo |
||||
|
Chamber music - Solo |
|||||
| for viola solo | |||||
| work list |
6b-91-BE
|
||||
| completed |
1991
|
||||
| movements |
I. Ritual II. Morning Song III. Great Dance IV. Dirge V. Evening Song |
||||
| instruments |
viola solo
|
||||
| duration |
8'
|
||||
| world premiere |
07/17/1992
Gunter Pretzel, vla. Munich (Germany), Freies Musikzentrum |
||||
| dedicated |
Patrick Sepec
|
||||
| see also |
Magical dances and rituals |
||||
|
Work Back to overview |
Etude de Solitude
(1991) |
||||
|
Chamber music - Solo also look at Graphical scores |
|||||
| for violin solo | |||||
| work list |
33-91-NW
|
||||
| completed |
1991
|
||||
| instruments |
for violin solo
|
||||
| duration |
6'
|
||||
| world premiere |
0
|
||||
| dedicated |
Kathrin Maurer
|
||||
|
Work Back to overview |
The king of the squirrels changes the tree
(1991) |
||||
|
Chamber music - Trios |
|||||
| "musique d'ameublement" (new dining music) | |||||
| work list |
32-91-NW
|
||||
| completed |
1991
|
||||
| instruments |
clarinet, violin, piano
|
||||
| duration |
2'
|
||||
| world premiere |
06/08/1991
Carolin Widmann, vl., Joerg Widmann, clar., ?, piano Munich (Germany), Stadtmuseum, Stadtcafé |
||||
| special |
Neue Tafelmusik
|
||||
|
Work Back to overview |
Fugue II
(1990) |
||||
|
Chamber music - Piano solo |
|||||
| work list |
27-90-NW
|
||||
| completed |
07/1990
|
||||
| instruments |
piano or cembalo or organ or harmonium
|
||||
| duration |
5'
|
||||
| world premiere |
0
|
||||
|
Work Back to overview |
scene from Paul and Virginie
(1990) |
||||
|
Chamber music - Piano solo also look at Operas/ music theatre |
|||||
| a scene from "Paul & Virginie" for piano solo | |||||
| work list |
22b-90-BE
|
||||
| completed |
03/08/1990
|
||||
| instruments |
piano solo
|
||||
| duration |
7'
|
||||
| world premiere |
05/10/1990
Moritz Eggert, pf. Munich (Germany), Musikhochschule, Grosser Saal |
||||
| soundcarrier |
Klavier Musik Utopien |
||||
| see also |
Paul and Virginie |
||||
|
Work Back to overview |
piano trio no.2
(1990) |
||||
|
Chamber music - Trios |
|||||
| for piano trio | |||||
| work list |
24-90-HW
|
||||
| completed |
1990
|
||||
| movements |
I. Moderato II. Choral III. Scherzo IV. Trio |
||||
| instruments |
vl., vc., pf. (piano trio)
|
||||
| duration |
27'
|
||||
| world premiere |
05/25/1990
Barbara Kink, vl., Anja Lechner, vc., Moritz Eggert, pf. Munich (Germany), Gasteig, Black Box |
||||
| special |
use of a metronome, some advanced playing techniques
|
||||
| Multimedia |
|
||||
|
Work Back to overview |
Loud and fearless
(1990) |
||||
|
Chamber music - Piano solo |
|||||
| by "Atanasio Khyrsh" (written together with Sandeep Bhagwati), for piano solo with assistants | |||||
| work list |
26-90-NW
|
||||
| completed |
1990
|
||||
| voices |
singing assistants ad lib.
|
||||
| instruments |
piano solo, assistants playing any instrument
|
||||
| duration |
13'
|
||||
| world premiere |
11/22/1990
Moritz Eggert, pf., Hardy Wenzel, Vla., Lutz Landwehr, Sandeep Bhagwati, Peter Frey, voice, Jelka Weber, assistant Munich (Germany), A*Devantgarde, Gasteig, Black Box |
||||
| special |
Improvised Passages, use of unusual extra instruments (kitchen clocks, mechanical toys, radios, etc.), assistents play other instruments and sing, performance-elements
|
||||
| see also |
The search for the KlaNNg |
||||
|
Work Back to overview |
Fugue
|
||||
|
Chamber music - Solo also look at Piano solo |
|||||
| work list |
23-89-NW
|
||||
| completed |
11/08/1989
|
||||
| instruments |
piano or organ or harmonium or cembalo
|
||||
| duration |
2'
|
||||
|
Work Back to overview |
The book of days
(1988) |
||||
|
Chamber music - Solo also look at Piano solo |
|||||
| for piano solo | |||||
| work list |
17-88-NW
|
||||
| completed |
06/1988
|
||||
| instruments |
piano solo
|
||||
| duration |
15'
|
||||
| world premiere |
06/10/1988
Moritz Eggert, pf. Munich (Germany), Ludwig-Maximilan-University, Aula |
||||
|
Work Back to overview |
One for Claude
(1988) |
||||
|
Chamber music - Solo also look at Piano solo |
|||||
| for piano solo | |||||
| work list |
16-88-NW
|
||||
| completed |
04/22/1988
|
||||
| instruments |
piano solo
|
||||
| duration |
3'
|
||||
| world premiere |
06/15/1988
Moritz Eggert, pf. Frankfurt am Main (Germany), Alte Oper, Hindemithsaal |
||||
| dedicated |
Gabriele Schlick
|
||||
|
Work Back to overview |
Departure
(1986) |
||||
|
Chamber music - Sextets |
|||||
| for sextet, originally planned as prologue to "Das Licht am Ende des Tunnels" (unfinished) | |||||
| work list |
12-86-HW
|
||||
| completed |
10/13/1986
|
||||
| instruments |
Fl./picc., Clar. (Bb/Eb), Hn., Vl., Vc., Pf.
|
||||
| duration |
9'
|
||||
| world premiere |
11/15/1986
Annegret Lucke, Fl., Udo Schmitt, clar., Siochiro Ono, Hn., Johannes Blumenroether, Vl., Maike Bittner-Kunstreich, Vc., Gottfried Bittner, pf. Frankfurt am Main (Germany), Heussenstamm-Stiftung |
||||
| special |
echo effects - french horn plays into the piano
|
||||
|
Work Back to overview |
3 showcases
(1987) |
||||
|
Chamber music - Piano solo |
|||||
| for piano solo | |||||
| work list |
10-86-NW
|
||||
| completed |
1986
|
||||
| instruments |
piano solo
|
||||
| duration |
7'
|
||||
| world premiere |
03/10/1987
Moritz Eggert, pf. Frankfurt am Main (Germany), Leyda-Ungerer |
||||
| special |
light preparation
|
||||
| see also |
Grossstadtmenschen |
||||
|
Work Back to overview |
3 pieces for euphonium and brass sextet
|
||||
|
Chamber music - Septets |
|||||
| for euphonium and brass sextet | |||||
| work list |
8-85-NW
|
||||
| completed |
05/1985
|
||||
| movements |
I. Kryptischer Choral II. Trauermarsch III. Hymne |
||||
| instruments |
euphonium, 2 trumpets, 2 french horns, 2 trombones
|
||||
| duration |
12'
|
||||
|
Work Back to overview |
Magical dances and rituals
(1984) original version for cello solo |
||||
|
Chamber music - Solo |
|||||
| for cello solo | |||||
| work list |
6a-84-HW
|
||||
| completed |
11/1984
|
||||
| movements |
I. Ritual II. Morning Song III. Great Dance IV. Dirge V. Evening Song |
||||
| instruments |
cello solo
|
||||
| duration |
8'
|
||||
| world premiere |
12/18/1984
Patrick Sepec, Vc. Frankfurt am Main (Germany), Forum Stadtsparkasse |
||||
| dedicated |
Patrick Sepec
|
||||
| publication |
http://www.sikorski.de |
||||
| see also |
Magical dances and rituals |
||||
|
Work Back to overview |
piano trio no. 1 (Lux/Tenebrae)
(1984) |
||||
|
Chamber music - Trios |
|||||
| for piano trio | |||||
| work list |
7-84-HW
|
||||
| completed |
11/1984
|
||||
| movements |
I. Lux II. Tenebrae |
||||
| instruments |
vl., vc., pf. (piano trio)
|
||||
| duration |
11'
|
||||
| world premiere |
12/18/1984
Sebastian Matthes, Vl., Patrick Sepec, Vc., Moritz Eggert, Pf. Frankfurt am Main (Germany), Forum Stadtsparkasse |
||||
|
Work Back to overview |
Totem
string quartet "0" |
||||
|
Chamber music - Quartets |
|||||
| for string quartet | |||||
| work list |
5-84-NW
|
||||
| completed |
1984
|
||||
| instruments |
string quartet
|
||||
| duration |
11'
|
||||
|
Work Back to overview |
Stories of farmer Heisch
(1983) new version |
||||
|
Chamber music - Solo also look at Piano solo |
|||||
| for piano solo | |||||
| work list |
1b-83-HW
|
||||
| completed |
1983
|
||||
| instruments |
piano solo
|
||||
| duration |
3'
|
||||
| world premiere |
19830000
Moritz Eggert, pf. Frankfurt am Main (Germany), Forum Stadtsparkasse |
||||
| dedicated |
Heike Bauer
|
||||
| see also |
Stories of farmer Heisch |
||||
|
Work Back to overview |
Rayvelation
|
||||
|
Chamber music - Solo |
|||||
| for electric bass solo | |||||
| work list |
4-83-NW
|
||||
| completed |
1983
|
||||
| instruments |
electric bass solo
|
||||
| duration |
3'
|
||||
|
Work Back to overview |
piano piece
|
||||
|
Chamber music - Solo also look at Piano solo |
|||||
| for piano solo | |||||
| work list |
3-83-NW
|
||||
| completed |
1983
|
||||
| instruments |
piano solo
|
||||
| duration |
5'
|
||||
|
Work Back to overview |
Stories of farmer Heisch
old version |
||||
|
Chamber music - Solo also look at Piano solo |
|||||
| for piano solo | |||||
| work list |
1a-82-HW
|
||||
| completed |
04/1982
|
||||
| instruments |
piano solo
|
||||
| duration |
3'
|
||||
| dedicated |
Heike Bauer
|
||||
| see also |
Stories of farmer Heisch |
||||
|
Work Back to overview |
Haemmerklavier III: One Man Band, more videos
|
||||
|
Chamber music - Piano solo also look at Musiktheater und Performance |
|||||
| Video |
|
||||
|
|
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