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last updated: Moritz Eggert |
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Work Back to overview |
Lunu
(1992) |
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Stage Works - Operas/ music theatre |
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| abstract opera | |||||||
| photo |
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| work list |
36a-92-HW
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| completed |
10/15/1992
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| text |
text: Moritz Eggert
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| voices |
7 singers, 2 actors
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| instruments |
Fl./picc., Ob., Clar. (B), Bn. - Tr., Hn., Tb., Tba. - Percussion (2 players) - E-Guit., Hp. - Pf./Harmonium/Cemb. (1 player), Midi-Keyb. - strings 1.1.2.2.2
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| duration |
1 h 15'
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| world premiere |
12/11/1992
director: Tilman Knabe, design: Alfred Peter, costumes: Kathrin Maurer, Muenchener Bachsolisten, cond.: Jobst Liebrecht, with Stefanie Frueh (Lunu), Rita Kapfhammer (Feme), Martina Sauer (Aesaehoek), Christian Gerhaher (Jiri), Bernhard Hirtreiter (Pada), Tobias Schlierf (Uebuew), Alfred Reiter (Goto), Uli Zentner und Peter Pruchniewitz (Loele und Shuze) Munich (Germany), Theater in der Halle 50 |
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| special |
various contemporary playing and singing techniques, use of samples
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| soundcarrier |
Lunu |
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| publication |
http://www.sikorski.de
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| Multimedia |
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| see also |
idee fixe idee fixe (Celloversion) The Trap Lunu Lunu (versione italiana del libretto) |
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Work Back to overview |
A Feast for Mackie
(2019) Pub Cantata for beggars, miners and drunks |
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Stage Works - Operas/ music theatre also look at Musiktheater und Performance |
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| work list |
269-NW-2019
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| completed |
09/05/2019
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| text |
Martin Becker
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| voices |
8 singing actresses and actors, optional choir
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| instruments |
fl. (picc.), Ob., clar. (bass-clar.), bassoonâ Horn, trumpet, trombone, Tuba â Timpani â 1 percussionist(Drumset) â harp, elctr. guit., piano - strings
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| duration |
90'
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| world premiere |
10/10/2019
With: Guy Clemens, Martin Horn, Veronika Nickl, Romy Vreden, Michael Lippold, Dominik Dos-Reis, Moritz Eggert Bochumer Symphoniker, Conductor: Steven Sloane, Director: Johan Simons Bochum (Germany), Anneliese-Brost-Musikforum |
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| special |
"Song Play" (Play with inserted songs and musical interludes Uses musical material from "La BETTLEROPERa", orchestration: Katharina Schmauder, Moritz Eggert |
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| publication |
http://www.sikorski.de
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| see also |
24 Lieder und Zwischenspiele aus "Ein Fest fĂŒr Mackie" |
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Work Back to overview |
All These Days
(2011) |
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Stage Works - Operas/ music theatre |
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| Time Opera in 14 scenes | |||||||
| work list |
205-HW-11
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| completed |
12/12/2011
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| text |
Andrea Heuser
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| voices |
Child (boy soprano), Old Man I (actor/singer), Old Man II (actor/singer), 3 girls (youths, speaking roles), voice artist (performer), The Boy Who Isnt (coloraturo soprano), Guelistan/Woman 2 (Soprano), Josefine/Woman 1 (Mezzo), Mother (Mezzo/Alto), Julian/Cedric (Tenor), Brother/handyman (Baritone), Father/Worker (Baritone), childrens choir, mixed choir, Performer ensemble (amateurs/yoths)
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| instruments |
extra percussion (youths) Orchestra: picc./Fl., Ob., C.A.., Clar. (B), Bass-Cl. (B), 2 Bn. 2 Hn., 2 Tr. (B), 2 tb. (Ten-), 1 tb. (Bass-) Timpani, 2 perc. Hp., Harmonium (stage), Sampler (Orchestra), Accordion, Electr. Guitar, Electric Bass Strings (minimum 6.4.4.3.2) |
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| duration |
1 h 35'
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| world premiere |
04/28/2012
Conductor: Florian Ziemen, Director: Michael Talke, stage and costumes: Henrike Engel, choir: Daniel Mayr, childrens choir: Achim Rikus, choreography: Jacqueline Davenport, Dramaturgie: Hans-Georg Wegner, Guelistan/ Frau II: Sirin Kilic Josefine / Frau I: Barbara Buffy Mutter: Tamara Klivadenko Vater/ Arbeiter: Björn Waag Bruder/ Handwerker: Christoph Heinrich Julian/ Cedric: Kejia Xiong Junge, den es nicht gibt: Alexandra Scherrmann Alter Mann I: Wolfgang von Borries Alter Mann II: Daniel Wynarski StimmkĂŒnstler: Benjamin Boresch Soufflage: Ulrike Heinrich Bremen (Germany), Theater Bremen |
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| publication |
http:///www.sikorski.de
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| Video |
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| Multimedia |
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Work Back to overview |
Bordello Ballad
(2009) A Three Hoe Opera |
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Stage Works - Operas/ music theatre also look at Songs with instruments |
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| for 6 singing actors and ensemble | |||||||
| work list |
188-HW-09
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| completed |
12/23/2009
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| text |
Franzobel (based on an idea by Moritz Eggert)
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| movements |
1. Kann man die Liebe denn kaufen 10. Und ich moecht ja so gern 11. Do you like animals 12. Eine Vene, mein Herr 13. Die Zeiten, sie drehn sich 14. Man mĂŒsste blind sein 15. Das Studium des Grunzens 16. Jetzt sei nicht so gemein 17. So ein Wuermchen 18. Liebeslied 19. Ich will noch nicht sterben 2. Die Ballade von der koerperlichen Demontage 20. Einmal muss Sperrstund sein 21. Was heisst es Mensch zu sein 3. Das Lied von der weiten Welt 4. Geh her 5. Grad weilst glaubst 6. Mach mit 7. Das Lied vom goldenen Handwerk 8. Misch dich nicht ein 9. Fuer uns |
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| voices |
Alfred (higher male voice), Bussibaer (medium male voice), Kirschgarten (lower male voice), Zuckergoscherl (higher female voice), Ferkel (medium female voice), Rosl (lower female voice)
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| instruments |
Ensemble: alto saxophone, tenor trombone, jazz guitar, drumset, accordion, violin, double bass, piano (also conductor)
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| duration |
1 h 40'
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| world premiere |
03/04/2010
soloists: actors and musicians from the Theater Koblenz Rosl, brothel mother - Ks. Claudia Felke Ferkelchen, whore - Dorothee Lochner Zuckergoscherl, whore - Isabel Mascarenhas BussibÀr, Mafioso - Matthias Schaletzky Kirschgarten, Mafioso - Adrian Becker Alfred, butcher - Marcel Hoffmann conductor and solo piano: Arno Waschk director: Robert Lehmeier stage design and costumes: Dirk Steffen Göpfert Dramaturgie: Judith Pielsticker correpetitors: Karsten Huschke a. Werner Lemberg production assistant: Alexander Wang Dessau (Germany), Bauhaustheater, Weill-Fest Dessau |
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| dedicated |
Clemens Birnbaum
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| publication |
http://www.moritzeggert.de
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| see also |
Bordello Ballad Bordello Ballad, version with piano |
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Work Back to overview |
Bright Nights (Hagen version)
(2006) Hagen version (alternative instrumentation) |
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Stage Works - Operas/ music theatre |
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| opera based on motives from "Arabian Nights" and Knut Hamsun's "Mysteries" | |||||||
| work list |
66e-06-HW
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| completed |
08/01/2006
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| text |
Helmut Krausser
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| voices |
8 singers, female choir
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| instruments |
fl./picc., clar., alto-sax, bass-clar., Bn./Double Bn.. sm. tr. in Eb, tr., 2 tn.., tb. perc. (2 players) piano/harmonium/MIDI-Keyb. (3 players) strings (triple div. maximum)
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| duration |
1' 40''
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| world premiere |
08/26/2006
director: Roman Hovenbitzer, Stage: Roy Spahn, Choreography: Hilton Ellis, Conductor: Antony Hermus, with Johanna Krumin (Dagny), Peter Schoene (Nagel, Goldsmith, Executioner), Frank Dolphin-Wong (Nagel Dream-Double, Imam), Marc Baron/Florian Weber (Nagel Dream-Double stage), Tanja Schun (Angel), Andrea Schmermbeck (Angel stage), Margarete Nuesslein (Unknown Lady), Leonie Theis/ Kirsten Wagner (Unknown Lady stage), Richard van Gemert/ Jeffery Krueger (Father/Dwarf/Sultan), Dorian Luebbeck/ Ben Joy Muin (Dwarf Dream-Double stage), Liane Keegan (Aziza), Marily Bennett (Aziz/Dieb), Stefania Dovhan (Singer), Andrey Valiguras (Painter/Soldier), Opernchor/Statisterie des Theaters Hagen, Uwe Muench, Choir Director, Philharmonisches Orchester Hagen Hagen (Germany), Theater Hagen |
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| publication |
Sikorski
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| Video |
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| see also |
Bright Nights (original version, reworked version) |
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Work Back to overview |
Bright Nights (original version, reworked version)
(1997) The reworked version from 2006 has some cuts, the interval is at another position, apart of that it |
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Stage Works - Operas/ music theatre |
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| large opera | |||||||
| photo |
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| work list |
66c/66d-96-HW
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| completed |
11/16/1996
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| text |
text: Helmut Krausser,based on excerpts from the novel "mysteries" by Knut Hamsun
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| voices |
Min. 10 singers (some of them casted in more than one role), 2 actors
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| instruments |
1 Rec. (Garklein-, Discant-, Soprano-, Alto-, Tenor-, Bass-), Clar. (B), Ten.-Sax, Bass-Clar., Bn./Contrabn. - picc.Tr., Tr., Euph., Tb., Tba. - Percussion (2 players), Mouth Percussion (1 player) - Solo-Vl., Solo-Vla., Solo-Vc., E-Guit., E-Bass - Acc., Pf./Harmonium, MIDI-Keyb. (2 players) - strings 3.0.3.3.3
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| duration |
2 h
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| world premiere |
04/08/1997
director: Tilman Knabe, stage design: Alfred Peter, costumes: Kathrin Maurer, lighting: Michael Bauer, with Martina Koppelstetter (Dagny), Wolfgang Wirsching (Nagel/goldsmith/executioner), Charles Maxwell (Aziz/thief), Anne Salvan (Aziza), Claes H. Ahnsjoe (father/Sultan), PÀivi Elina (mysterious woman/witch I), Irmgard Vilsmaier (servant I/crowd), Anne Pellekoorne (servant II/witch III), Simone Schneider (singer/crowd), Ruediger Trebes (painter/soldier/crowd), Helena Jungwirth (witch II/crowd), Hans Wilbrink (Imam), Gundula Köster (Dagny/when speaking), Peter Pruchniewitz (Nagel/when speaking ), Monika Manz/ Buelent Kullukcu (guards/doctors/exectutioner's assistants, silent roles), Bayerisches Staatsorchester, conductor: Peter Hirsch Munich (Germany), 5th Munich Biennale, Prinzregententheater |
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| special |
amplified mouth percussion, various amplified instruments, use of MIDI-samples, spoken text
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| dedicated |
"der lieben Muse"
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| soundcarrier |
PortrÀt-CD Moritz Eggert Irrenoffensive |
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| publication |
http://www.sikorski.de
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| texts |
So einfach es klingt: Ich wollte eine Oper schreiben, die mit dem Hörer und Zuschauer spricht, die ihm etwas über sich und über die menschliche Phantasie an sich erzählt. [
19.11.1997
]
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| see also |
Song Angels/Signs/Journey Bright Nights (Hagen version) |
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Work Back to overview |
Caliban
(2016) |
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Stage Works - Operas/ music theatre also look at Musiktheater und Performance |
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| Chamber Opera | |||||||
| work list |
246-HW-2016
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| completed |
12/09/2016
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| text |
Peter te Nuyl
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| voices |
Soprano, Tenor, Baritone, Actor
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| instruments |
Orchestra (11 players): Contrabass Flute/Flute/picc., Clarinet/Bass-Clarinet ĂÂ Trumpet (Bb), Tenor/Bass-Trombone ĂÂ Percussion (1 player) ĂÂ Keyboard/Toy Piano ĂÂ Accordion ĂÂ Violin, Viola, Cello, Double Bass
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| duration |
85'
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| world premiere |
03/25/2017
Conductor: Steven Sloane, Director: Lotte de Beer, Production Design: Clement&Sanou, Orchestra: Asko|Schönberg Caliban: Michael Wilmering Miranda/Trinculo: Alexandra Flood Stephano/Ferdinand: Timothy Fallon Prospero: Alexander Oliver Amsterdam (Netherlands), Compagnietheater, Opera Forward Festival |
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| publication |
http://www.sikorski.de
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| Video |
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| texts |
Caliban, kurzer Text zum StĂŒck Caliban [
Moritz Eggert , 08.01.2019
]
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Work Back to overview |
Dr. Booger
(2002) |
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Stage Works - Operas/ music theatre |
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| Oper fĂŒr Kinder | |||||||
| photo |
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| work list |
115-01-HW
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| completed |
08/2001
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| text |
Text: Andrea Heuser
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| voices |
High boy's voice, girl soprano, young baritone, young mezzo, adult baritone, adult actress, lower boy's voice, lower girl's voice, small choir of youths, young actor, 3-part children's choir, "noise"-choir
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| instruments |
Orchestra (children and youths): recorder quintet (sopranino, soprano, alto, tenor, bass), 2 Fl., Ob., Clar. (B), saxophone quartet (soprano, alto, tenor, bass), bass cl., Bsn. - 2 Tr. (in Bb), Hn., ten.-tb. - tba. - timpani - percussion (3 players), sound orchestra (min. 4 players) - 2 electr. Guit., electric bass, drumset, keyboards (organ), celesta, cembalo, piano - strings: 6.6.4.3.2 (or more)
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| duration |
1 h 30'
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| world premiere |
06/14/2002
conductor: Roland Boeer, director: Aurelia Eggers, stage design: Marion Menzinger, costumes: Heike Ruppmann, Dramaturgie: Deborah Einspieler Abú Schabú: Manuel Zschunke , Ola Obelli: Jane Droste, father: Malte Dahme , mother: Indu Rani Sinha , padlock: Anne Schellhorn, collector of garden gnomes: David Jakovljevic, cello solo: Anna Lutz-Bachmann, improvisation: Anna Hanson, the composer Eggert/Dr. Snot: Martin Busen, Herr Hauser/Anton: Stephanie TheiĂ, Fritz : Helga Matzel / Gerhard Jaekel choir and orchestra: pupils of the Lessing-Gymnasium, Frankfurt am Main |
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| special |
is easily realized, performable and playable by children and youths, modern and contemporary story (no fairy tale), room for improvisation and composition from the participating children
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| scores |
Schott http://www.schott-musik.de |
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| publication |
Schott
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| Video |
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| texts |
Pressestimmen "Gewiss hat Eggerts Musik ein Pionierstück wie Henzes Pollicino im Hinterkopf, aber in ihrer Beweglichkeit, Unbefangenheit und Drastik trifft sie sich besonders gut mit einer von viel Heterogenem berührten Wahrnehmung. Von besserwisserisch Altmeisterlichem hält er sich geschickt fern,... [more] Interview mit Helmut Peters über "Dr. Popel" für Welt am SonntagFragen an Moritz Eggert: [
Moritz Eggert, Helmut Peters ]
Dr. Popels fiese Falle, detaillierte Besetzung Dr. Popels fiese Falle [
13.09.2003
]
Dr. Popels fiese Falle, komplettes Libretto Dr. Popels fiese Falle [
Andrea Heuser , 11.09.2003
]
Dr. Popels fiese Falle, kurzer Text zum Stück zu Dr. Popels fiese Falle [
27.08.2003
]
Interview des Komponisten mit zwei Schülern aus dem Lessing-Gymnasium Liebe Emi und Sibel, [
13.02.2004
]
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| Multimedia |
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| see also |
Tango Vacuo Dr. Booger Suite |
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Work Back to overview |
Freax
(2007) |
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Stage Works - Operas/ music theatre |
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| Large Opera in 2 Acts | |||||||
| work list |
169
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| completed |
04/19/2007
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| text |
Libretto: Hannah Duebgen
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| voices |
Franz (Tenor), Lea (Mezzosoprano), Isabella (Soprano), Hibert Winter (Baritone), Direktor Andreas von Annen (Tenor), Lucia Tetralucchi (Alto), Anne-Marie (Soprano), Marie-Claire (Mezzo), Dominique (Baritone or Counter), Romeo (Bass), Helmut/Hartmut (speaking roles), Charly Chocolate (silent role), Extras, Large mixed choir, some audio samples
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| instruments |
orchestra: 3 Fl. (3 also picc.), Ob., Oboe damore, clar., basscl., 2 Bn., 1 Dbn. 2 Hn., 3 Tr., 1 Tenor-tb.., 1 Bass-tb., 1 Bass Tuba timp. 2 percussionists Hp., Guitar/Banjo/Mandolin/12-string guit., E-Guit. ad lib. (1 player) Harmonium, Bar piano, prepared piano, electric organ, grand piano (2 players) cone or electric violin solo, Baroque or electric cello solo, Strings stage musicians: clarinet (eb), Trumpet, Violin, accordion, drum set, Jazz Bass |
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| duration |
2 h 5'
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| world premiere |
09/02/2007
concertante premiere: Bonn (Germany), Theater Bonn/ Beethovenfest Bonn, Grosses Haus, 9/2/2007 Conductor: Wolfgang Lischke, installation/film: Christoph Schlingensief, stage: Thekla von Muelheim / Tobias Buser, costumes: Aino Laberenz, Choreinstudierung: Sibylle Wagner, Dramaturgie: Jens Neundorff v. Enzberg Franz: Tom Harper, Lea: Anjara I. Bartz, Isabella: Julia Rutigliano, Hilbert Winter: Louis Gentile, Direktor Andreas von Annen: Hans-JĂŒrgen Schoepflin, Lucia Tetralucci: Vera Baniewicz, Anne-Marie: Hege Gustava Tjoenn, Marie-Claire: Sybille Specht, Dominique: Otto Katzameier, Romeo: Johannes Floegl In weiteren Rollen (Film/Pauseninstallation) Susanne Bredehoeft, Kerstin Grassmann, Brigitte Kausch, Christiane Tsoureas, Helga von P., Karin Witt, Eva Zander; Arthur Albrecht, Klaus Beyer, Hagn Danny, Horst Gellonek, Manni Laudenbach, Willibald Mayerhofen, Peter Mueller, Dirk Salm, Achim von P. Chor des Theater Bonn Beethoven Orchester Bonn Theatrical Premiere: Regensburg, Theater, 1/21/2017, Franz: Matthias Laferi, Lea: Vera Semieniuk, Isabella: Michaela Schneider, Hilbert: Winter Matthias Wölbitsch, Direktor Andreas von Annen: Steven Ebel, Lucia Tetralucci: Vera Egorova, Anne-Marie: Theodora Varga, Marie-Claire: Ruth MĂŒller, Dominique: Otto Katzameier, Romeo: Adam KruĆŒel, Hartmut: Elena Lin, Helmut: Katrin Poemmerl, Statisterie, Opernchor, Philharmonisches Orchester Regensburg, Director: Hendrik MĂŒller, stage/costumes: Marc Weeger, conductor: Tom Woods Bonn (Germany), Theater Bonn, Grosses Haus Regensburg (Germany), Stadttheater |
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| special |
inspired by the film "Freaks" by Tod Browning
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| publication |
http://www.sikorski.de
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| texts |
"Vergessen Sie die Regeln einer Wirklichkeit, hinter der so vieles erst beginnt" Vergessen Sie die Regeln einer Wirklichkeit, hinter der so vieles erst beginnt [
Simone Hohmaier, für Programmheft des Beethovenfestes , 1.6.2007
]
Freax, Zur Entstehungsgeschichte Zur Entstehungsgeschichte: [
Moritz Eggert , 20.4.2007
]
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| Multimedia |
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Work Back to overview |
Fremdverstuemmelung
(2007) anlaesslich der Oper "Freax" von Moritz Eggert |
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filma about.../ participation in Films - Operas/ music theatre |
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| film by Christoph Schlingensief | |||||||
| completed |
09/02/2007
|
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| publication |
film by Christoph Schlingensief
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|
Work Back to overview |
Home sweet home (new version)
(1998) "Ein Versatzstueck" |
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Stage Works - Operas/ music theatre |
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| Kammeroper | |||||||
| photo |
|
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| work list |
79a-97-HW
|
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| completed |
12/27/1997
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| text |
Text: Helmut Krausser, nach einer Idee von Moritz Eggert
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| voices |
Soprano, Tenor, Baritone, actor
|
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| instruments |
E-Vl., E-Guit., Drumset, Acc., MIDI-Keyb., E-Bass
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| duration |
1 h
|
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| world premiere |
04/22/1998
director: Frank Hoffmann, stage design/costumes: Jean Flammang, choreographer: Rosemary Neri, Dramaturgie: Christian Carlstedt, with Mariette Lenz (Soprano), Hannelore Bode (housekeeper), Oskar Puergstaller (Tenor), Thomas Berau (Baritone), Robert Stemmle (the new Baritone), musicians: Andreas Kurth (E-Violin), David Heintz (electr. Guit.), Johannes Schaedlich (electr. bass), Viktor Janzer (accordeon), Ruediger Mayer (drums), Philippe Vandré (Keyboard), conductor: Wolfram Koloseus Mannheim (Germany), "Schnawwl" (Nationaltheater) |
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| special |
various modern playing and singing techniques, tape ("Encore")
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| texts |
Pressestimmen ""Wir sind daheim" entpuppt sich nicht nur als bitteres Lust-Spiel über einen merkwürdigen Urknall zwischen drei Personen, sondern auch als Parabel über die Oper an sich und deren Klischees, in denen wir uns so "daheim" fühlen. Eggert lässt den Gesang sehr kunstreich geset... [more] Casa Dolce Casa (il libretto in italiano, traduzione: Rosalba LoDuca)CASA DOLCE CASA [
12.01.2005
]
Wir sind daheim, Vorbemerkungen in der Partitur
[
13.01.2005
]
"Wir sind daheim" kurzer Text zum Stück Wir sind daheim [
29.04.2003
]
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| Multimedia |
|
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| see also |
Home sweet home (old version) Encore |
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|
Work Back to overview |
Home sweet home (old version)
(1991) Alte Fassung |
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|
Stage Works - Operas/ music theatre |
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| chamber opera "von Atanasio Khyrsh, 1965", written together with Peter Frey, Axel Singer, Markus Schmitt und Sandeep Bhagwati | |||||||
| photo |
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| work list |
34-91-NW
|
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| completed |
1991
|
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| text |
text: Moritz Eggert, together with Peter Frey, Axel Singer, Markus Schmitt, Sandeep Bhagwati
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| voices |
4 singers (Sop., Alto, Ten., Bass)
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| instruments |
Clar. (B), Tr., Vc., percussion (1 player), Pf./Synthesizer (1 player)
|
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| duration |
55'
|
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| world premiere |
06/08/1991
director: Tanja Gronde, conductor: Jobst Liebrecht, with Dietrich Henschel (Bariton), Bernhard Hirtreiter (Tenor) and others Munich (Germany), Musikhochschule, 1st A*Devantgarde-Festival |
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| special |
various contemporary playing techniques, tape
|
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| see also |
The search for the KlaNNg Wir sind daheim (old Version/Libretto) Home sweet home (new version) |
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|
Work Back to overview |
Linkerhand
(2008) An Opera in 33 scenes |
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|
Stage Works - Operas/ music theatre |
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| based on the novel "Franziska Linkerhand" von Brigitte Reimann | |||||||
| work list |
180-08-HW
|
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| completed |
08/28/2008
|
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| text |
Libretto: Andrea Heuser
|
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| voices |
Franziska (young dramatic soprano), Franziska II (actress), Architekt (Tenor with buffo tendency), Wilhelm (lyrical tenor), Affaere (Baritone), Aristide/Engel (coloraturo soprano), Django/Schlagersaenger (singing and dancing actor), Assistent (various musical and theatrical actions, no singer) Mixed choir, Audio Samples |
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| instruments |
Orchestra: fl/picc., ob., E.H., clar. In Eb, Bass-clar. ïżœ 2 Hn., Tr. (Bb), 3 Tromb. ïżœ Hp., theremin vox, percussion (1 player), drumset/small perc. (1 player), jazz-bass, electric guitar, piano/sampler/electric church organ (1 player) ïżœ strings: 6.5.4.3.1 (min.)
|
||||||
| duration |
1 h 35'
|
||||||
| world premiere |
05/10/2009
conductor: Eckehard Stier, director: Sebastian Ritschel, Dramaturgie: Ronny Scholz, stage: Karen Hilde Fries, choreographers: Dan Pelleg, Marco E. Weigert, with Yvonne Reich (Franziska), Ines Burdow (Franziska II), Lisa Mostin (Aristide), Frank Ernst (Architekt), Shin Taniguchi (Affïżœre), Jan Novotny (Wilhelm), Django (Hans-Peter Struppe), Neue Lausitzer Philharmonie, Chor des Theaters Goerlitz Hoyerswerda (Germany), Lausitzhalle |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Linkerhand, kurzer Text zum Stück LINKERHAND [
Linkerhand, short text about the piece , 4.12.2008
]
Linkerhand, detaillierte Besetzung mit Auflistung von Toneinspielungen LINKERHAND [
Moritz Eggert , 28.8.2008
]
|
||||||
| Multimedia |
|
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|
Work Back to overview |
M - eine Stadt sucht einen Mörder
(2018) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
|
After the screenplay by Thea von Harbou und Fritz Lang, arranged and expanded with texts by Walter Mehring and childrenâs songs by Barrie Kosky and Ulrich Lenz |
|||||||
| work list |
257-18-HW
|
||||||
| completed |
06/28/2018
|
||||||
| voices |
M (Bariton), Solo-Soprano, Solo-Tenor, childrenâs choir and children soloists, actors, dancers, speakers, extras
|
||||||
| instruments |
orchestra (amplified): flute/picc., oboe, clarinet (Bb), alto saxophone, bassoon â horn, trumpet, tenor trombone, bass trombone, bass tuba â 3 percussionists (3: drum set) â accordion, electric guitar, electric bassâ 4 keyboards (Software-Sampler) â 12 singers (SSSAAATTTBBB) â strings 6.6.4.3.2
|
||||||
| duration |
1 h 45'
|
||||||
| world premiere |
05/05/2019
Conductor: AinĂrs RubiĂ·is, director: Barrie Kosky, stage and lighting: Klaus GrĂŒnberg, stage: Anne Kuhn, costumes: Katrin Kath, Dramaturgie: Ulrich Lenz, choirs: David Cavelius, childrenâs choir: Dagmar Fiebach, cast: M, der Moerder: Scott Hendricks, voices: Alma SadĂ©, Tansel Akzeybek, students of the Hochschule fĂŒr Schauspielkunst »Ernst Busch« Berlin: Emilia Giertler, NoĂ«lle Haesling, Laura Kiehne, Max Haase, Jan Eric Meier, Daniel Warland Kinderchor und Kinderkomparserie der Komischen Oper Berlin, Saenger*innen des Opernstudios und des Vocalconsorts Berlin Berlin (Germany), Komische Oper |
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Martien Martienne
(2018) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| Based on the short story âYllaâ from theâMartian Chroniclesâ by Ray Bradbury | |||||||
| work list |
261-HW-2018
|
||||||
| completed |
12/23/2018
|
||||||
| text |
Laurent FrĂšchuret, after Ray Bradbury
|
||||||
| voices |
singer/actress, actor
|
||||||
| instruments |
5 Percussionists (Mallets and other instruments)
|
||||||
| duration |
60'
|
||||||
| world premiere |
10/18/2019
Director: Laurent FrĂ©churet, Arnaud Perrat, stage and computer visuals: GrĂ©gory Lasserre & AnaĂŻs Met Den Ancxt With Claudine Charreyre, Mychel Lecoq, âvoix off:â:François Chattot, percussions claviers de Lyon : Sylvie Aubelle, Renaud Cholewa, JĂ©rĂ©my Daillet, Gilles Dumoulin, Lara Oyedepo Grenoble (France), ThĂ©atre Municipal de Grenoble |
||||||
| publication |
http://www.sikorski.de
|
||||||
|
Work Back to overview |
Paul and Virginie
(1990) |
||||||
|
Stage Works - Operas/ music theatre also look at Septets |
|||||||
| puppet opera | |||||||
| photo |
|
||||||
| work list |
22a-89-HW
|
||||||
| completed |
09/22/1989
|
||||||
| text |
text: Moritz Eggert, based on the book by Bernardin de St. Pierre and an idea by Erik Satie
|
||||||
| instruments |
Clar. (B), Tb., Percussion (1 player), Guitar, Vl., Cb., Harmonium/Pf. (1 player)
|
||||||
| duration |
1 h
|
||||||
| world premiere |
04/29/1990
director/design: Helmut Danninger, Ensemble fuer Neue Musik (piano: Moritz Eggert) , cond.: Roger Epple Munich (Germany), Gasteig, Black Box, 2nd Munich Biennale |
||||||
| special |
Musicians also use small percussion instruments, piano is slightly prepared for one scene
|
||||||
| dedicated |
Erik Satie
|
||||||
| soundcarrier |
Klavier Musik Utopien |
||||||
| publication |
http://www.sikorski.de
|
||||||
| see also |
scene from Paul and Virginie The Trap Paul and Virginie (Libretto), English Version Warum "Paul und Virginie?" Paul and Virginie (Libretto) |
||||||
|
Work Back to overview |
Terra Nova
(2015) the white life |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| Large Opera in 3 acts | |||||||
| work list |
238 - HW - 2015
|
||||||
| completed |
08/30/2015
|
||||||
| text |
Franzobel, Rainer Mennicken
|
||||||
| voices |
Pandura (Mezzo), Ruler (Tenor), Marilyn (Chansonette), Change (coloratura-sopr.), Kolker (Bar.), Armstrong (Spieltenor), Titov (Baritone), Dreier (Lyrical Tenor), Ann (Sopr.), Mira (Mezzo), Yioti (Soubrette), Ein Freier (actor), The Little Prince (child soprano), Moonwalker etc. (choir soloists: T/Bar./B.), Choir, dance soloists
|
||||||
| instruments |
Orchestra: picc., 2 Fl. 2 Ob., C.A., 2 clar. (Bb), Bass clarinet, 2 Bn., D.Bn. 4 Hn., 3 Tr. (Bb), 2 Ten-tn., 1 Bass-tn., Basstuba Timpani, 2 percussionists, harp, electric guitar, E-Bass, Organ/Keyboards/piano (1 player) Strings Tape Sounds
|
||||||
| duration |
2 h 15'
|
||||||
| world premiere |
05/26/2016
conductor: Dennis Russell Davies, Takeshi Moriuchi, director: Carlus Padrissa, choreography: Mei Hong Lin, stage: Roland Olbeter, costumes: Chu Uroz Ruler, PrĂ€sident: Jacques le Roux, Lara alias Chang'e, seine ehemalige Frau: Mari Moriya, Marylin, seine Geliebte: Anaïs Lueken, Pandura, Astronomin: Katerina Hebelkova, Kolker, Laras Bruder, ein Agent: Martin Achrainer, Armstrong, Raumfahrer: Sven Hjörleifsson, Titov, Raumfahrer: Michael Wagner, Dreier, Raumfahrer: MatthĂ€us Schmidlechner, Ann, Armstrongs Frau: Elisabeth Breuer, Mira, Titovs Frau: Kerstin Eder, Yioti, Dreiers Frau: Gotho Griesmeier, Ein Freier: Lutz Zeidler, Der kleine Prinz: Benjamin Gotthard/Jakob Reiter, Ein Lautsprecher: Ulf Bunde/Moritz Eggert, Drei Moonwalker / Drei RĂ€delsfĂŒhrer / Drei Reporter / Drei PartygĂ€ste: Csaba GrĂŒnfelder, Ulf Bunde, Marius Mocan Ballett des Landestheaters Linz Chor des Landestheaters Linz Kinder- und Jugendchor des Landestheaters Linz Statisterie des Landestheaters Linz Bruckner Orchester Linz Linz (Austria), Opera |
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
|
Work Back to overview |
The last days of V.I.R.U.S. (full opera)
(2003) an infectious opera anthology by 6 composers |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| music by: Ricardo Zohn-Muldoon, Ketty Nez, Carlos Sanchez, Sandeep Bhagwati, Maxim Seloujanow, Moritz Eggert | |||||||
| work list |
00-03-HW
|
||||||
| completed |
05/10/2003
|
||||||
| text |
Text: Lia Purpura, Juan Trigos, Sandeep Bhagwati, Maxim Seloujanow, Ketty Nez, Moritz Eggert
|
||||||
| voices |
variable
|
||||||
| instruments |
flute, oboe (also cor anglais), clarinet in Bb (also bass clarinet), bassoon (also double bassoon) - horn, trumpet in Bb, Tenor/bass-trombone - percussion (1 player) - piano - strings 1.1.1.1.1
|
||||||
| duration |
1 h 10'
|
||||||
| world premiere |
06/07/2003
conductor: Ulrich Nicolai, stage director; Florentine Klepper, stage and costume design. Chalune Seiberth, visuals: Bastian Trieb With: Veronika Benning, Martin Danes, Markus Durst, Monika Lichtenegger, Sabine Lahm, Thomas Hohenberger, Puppentheater Wunderlich, Iris Julien, Reinhard M.K. Thasler, Leander Lichti, Kristina Hays, Nadine Germann, Franziska Junge, Ensemble piano possibile Munich (Germany), Reaktorhalle, 7th ADevantgarde Festival |
||||||
| special |
Mutual composition based on an idea by Moritz Eggert
|
||||||
| texts |
Interview mit Andreas Grabner anlässlich der UA in München Er gehört zu den zu den gefeierten Komponisten der jüngeren Generation: Schon während seiner Gymnasialzeit begann Moritz Eggert, Jahrgang 1965, Musikstücke für die Schulband zu schreiben. In den 80er-Jahren studierte er Komposition und Klavier in Frankfurt und München, ... [more] [
Andreas Grabner , 16.02.2004
]
|
||||||
|
Work Back to overview |
The meal of Mr. Orlong
(1988) opera for actors |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| music for a silent play | |||||||
| photo |
|
||||||
| work list |
14-87-HW
|
||||||
| completed |
12/05/1987
|
||||||
| text |
Libretto: Moritz Eggert
|
||||||
| movements |
I. The Night II. Mr. Orlong gets dressed III. The man in the moon IV. The stagehands appear IX. Setting up the conductor's stand V. The man in the moon (2) VI. The drinking automatons VII. The stagehands appear for the second time VIII. The stagehands appear for the thrid time X. The man in the moon (3) XI. The man in the moon (4) XII. The night (2) XIII. Overture (in the style of the old masters) XIV. Entering the stage XV. Leaving the stage |
||||||
| voices |
Alto, Tenor, Bass, heroic tenor ad lib.
|
||||||
| instruments |
Cor angl., Ten.-Sax, Bass-Clar., 2 Bn. - Cemb., Harm., Celesta, Pf. - Percussion (1 player) - Strings 1.1.1.2.1.
|
||||||
| duration |
1 h 30'
|
||||||
| world premiere |
02/24/1988
Ensemble fuer Neue Musik, Muenchen, Roger Epple, cond., Director: Peer Martiny, stage design/costumes: Colin Walker, with: Silvia Fichtl, Sopr., Markus Brutscher, Ten., Donald George, Ten., Markus Hollop, Bar., Michael Hell (Mr. Orlong), Peter Luppa (the moon man), Grace Yoon (dancer), Sabrina Ascacebar, Andreas Borcherding, Dietmar Moessmer, Uta Tietje, Hans H. Steinberg Munich (Germany), Gasteig, Carl-Orff-Saal |
||||||
| special |
silent action, singers sing out of orchestra pit mostly, some scenes without music, tape, theatrical actions by musicians
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Multimedia |
|
||||||
| see also |
The search for the KlaNNg In the sandbox The Trap Der kaleidoskopische Dieb und sein Schatten Das Mahl des Herrn Orlong (textbook) Man in the Moon |
||||||
|
Work Back to overview |
The Snail
(2004) "Ein deutsches Sing - und Tanzspiel" |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| work list |
141-04-HW
|
||||||
| completed |
03/18/2004
|
||||||
| text |
Hans Neuenfels (based on a poem by Garcia Lorca)
|
||||||
| voices |
soprano, mezzo, alto, teno, baritone, bass, 4 actors, 4 "figurants", dancers, tape
|
||||||
| instruments |
Large orchestra: 3 Fl. (3 alt. Picc.), recorder (Garklein-, Sopranino-, Soprano-, Alto-, Tenor-, Bass-), 3 Ob. (3 alt. English Horn), 3 Clar. In Bb, (3 alt. Bass clarinet in Bb), Tenor saxophone in Bb, 2 Bn., 1 Double-Bn. 4 Hn., 4 Tr. in Bb, 2 tb., 1 Bass tb., Bass tuba Hp., 2 Electric Guitars, Electric Bass, timpani, percussion (4 players) 2 Pianists (Celesta, Cembalo, Keyboard, grand piano) Accordion strings: 12.10.8.6.4. ALTERNATIVE (SMALLER) ORCHESTRATION: 2 Fl. (2 also picc.), 2 Oboes, 2 Cl. (2 also Bass-Cl.), 2 Bn. (2 also Double Bn.), - 3 Hn., 2 Tr., 2 Tb.., bass tba.. timpani, 2 perc.. hp., electric guitar, electric bass 2 pianists strings: 6.6.4.3.2. |
||||||
| duration |
2 h
|
||||||
| world premiere |
06/13/2004
with Almut Henkel (Irmgard), Marina Ivanova (Helga), Andrea Szanto (Inge), Ceri Williams (Maria), Thomas Berau (Edgar), Daniel Eberle (Florian), Alexander Heidenreich (Herbert), Tomasz Konieczny (Arthur), Xavier Moreno (Manfred), Manfred Trabant (Hemann), a.o. Chor und Orchester des Nationaltheaters Mannheim, conductor: Wolfram Koloseus (Bernhard Schneider), director: Hans Neuenfels, stage: Christof Hetzer, costumes: Elina Schnitzler Mannheim (Germany), Nationaltheater, Grosses Haus |
||||||
| dedicated |
Andrea Heuser
|
||||||
| publication |
http://www.sikorski.de
|
||||||
| Video |
|
||||||
| texts |
Die Schnecke, einige Gedanken zur Aufführung in Luzern Einige Anmerkungen zur Neuorchestrierung der Schnecke ORCHESTER [
05.04.2004
]
|
||||||
| Multimedia |
|
||||||
|
Work Back to overview |
Traviata Remixed
(2016) |
||||||
|
Stage Works - Operas/ music theatre |
|||||||
| new version of "La Traviata" (G. Verdi) | |||||||
| work list |
244-NW-2016
|
||||||
| completed |
06/26/2016
|
||||||
| voices |
4 singers (playing various roles)
|
||||||
| instruments |
flute/picc., clar./Bass-clar., Alt-Sax/Sopr.-Sax Trumpet, Bass-Trombone elec. Git., elec. Bass Mallets (1 player), Drumset (1 player) accordion, Keyboard - Violin, Cello
|
||||||
| duration |
90'
|
||||||
| world premiere |
08/13/2016
Alessandro Scotto di Luzio tenor / Alexandra Flood soprano / Ernst Daniël Smid baritone / Lore van den Broeck soprano / Alexander de Jong bass / Steven Sloane conductor/ Lotte de Beer director/ Clement & Sanôu scene/ Musici NJO: Nationaal Jeugd Orkest ensemble Amsterdam (Netherlands), Grachtenfestival, Zuiveringhal West |
||||||
| special |
composed together with Jacopo Salvatori
|
||||||
| Video |
|
||||||
|
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