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last updated: Moritz Eggert |
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Work Back to overview |
La BETTLEROPERa
(2017) |
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Stage Works - Musiktheater und Performance also look at Dance theatre |
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Music/Dance Theatre Based on Gay/Pepusch “Beggar’s Opera” |
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| work list |
251-17-HW
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| completed |
07/24/2017
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| text |
Lyrics: Moritz Eggert Libretto: Bernhard Glocksin/Balletto Civile |
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| voices |
Roles (actors/dancers/singers): Peachum, Mrs. Peachum, Filch, Macheath, Polly, Matt, Jenny, Lucy, Lockit, Trappola, whores, gangsters
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| instruments |
Ensemble: 2 recorders (Sopranino-, Soprano-, Alto-, Tenor-, Bass-, Great Bass-, Paetzold), Electric Guitar, Violoncello and small instruments washboard/melodica/typewriter/bell/baroque violin (all instruments amplified)
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| duration |
1 h 30'
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| special |
Overture Morning Chorale (Peachum) And Beauty Must Be Paid (Filch) DANCE I (2a) 3. Diamonds are Whore’s best Friend (Mrs. Peachum/Peachum) DANCE II (3a) 4. Macheath is my man (Polly) 5. Wait for the Tillerman (Polly/Mrs. Peachum) DANCE III (5a) 6. Dreaming a Dream of you (Macheath) 7. Bleib bei mir, kleine Sonne (Macheath, Polly) 7.a Zwischenaktmusik 8. We’ll keep whoring till the end (Matt und Chor) 9. Enjoy yourself (Jenny und Huren) DANCE IV (9a) 10. Behind the green door (Jenny) 11. It’s later than you think (Jenny,Hurenchor)12. They call it Dharma in Mandalay (Lucy) 13. It doesn’t end like that (Lucy/Macheath) 14. Twang Dang Dillo Dee (Lockit) 15. The Power of Love (Polly/Lucy) DANCE V (15a) 16. Bleib bei mir kleine Sonne (Reprise:Lucy/Macheath) 17. Confession (Lucy) 18. Giocatori sono amici (Lockit)19. How to make a living (Filch) DANCE VI (19a) 20.Wir sind Freunde (Macheath/Chor) DANCE VII (20a) 21.In the days of my youth (Trappola) DANCE VIII (21a) 22. I’m like a little ship (Lucy) 23. The Bile of Men (Polly und Lucy) Dance IX (23a) 24. Every Month was May (Polly) DANCE X (24a) 25. Cercatene un altro (Peachum) 26. Nun geh ich ein in die Dunkelheit (Macheath) Dance XI (26a) 27. Adieu, Farewell (Lucy, Polly, Macheath) Dance XII (27a) 28. Finale (Hau ihm einfach auf die Fresse, Alle)
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| publication |
http://www.sikorski.de
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Work Back to overview |
Hells Kitchen
(2014) |
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Stage Works - Musiktheater und Performance also look at Chamber music |
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| for 3 players | |||
| work list |
233-NW-2014
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| completed |
07/14/2014
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| instruments |
Player 1: clarinet (Bb), hand brush, bass clarinet (Bb), soup/beer coaster/glass/spoon, horn Player 2: Marimbaphone (small), coconut and saw, wooden frog, rice rattle, peppermill, castanets, bread paper (withz brush), bongos (2), shrill whistle, lithophone (e��, f sharp��, g��, a��, b��, c���, c sharp���, d���, e���), �pot organ� (electronically simulated): 1 bb, 2 d�, 3 a�, 4 c��, 5 e��, 6 b��, 7 c sharp���), mouth siren, nuts with nutcracker, small drumset, 2 squeaky objects, bike horn, kalimba, soup/beer coaster/glass/spoon Player 3: Violoncello, metronome, glass organ (fastened tuned glasses, bowed): c��, e��, f��, g��, a��, singing saw, duck call, soup/beer coaster/glass/spoon |
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| duration |
70'
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| world premiere |
11/07/2014
"KinderKinder�-Festival, Music and performance: Carola Schaal (clarinets), Sonja Lena Schmid (Cello), Sven Kacirek (Percussion), Devil: Apostolos Dulakis, Director: Heiko Hentschel Hamburg (Germany), Kampnagel, P1 |
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| special |
Musical Theater for children, ca. 27 Minutes composed music, the rest improvisations devised together with the musicians
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| publication |
http://www.sikorski.de
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Work Back to overview |
Waltzing 1914
(2014) |
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Stage Works - Musiktheater und Performance |
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Musical performance by Moritz Eggert with Gebrueder Teichmann, Transforma and Theresa Martini Music by Satie, Chopin, Eisler, Antheil, Gebrueder Teichmann, Eggert a.m.o., contains: Einmal muss Sperrstund sein, Das Lied von der weiten Welt, Mach mit, So ein Wuermchen from the Bordellballade, contains highway 61 and One Man Band from Haemmerklavier |
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| completed |
05/07/2014
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| text |
Franzobel, Arthur Rubinstein, Kurt Schwitters, Andrea Heuser, Wilfred Owen
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| duration |
70'
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| world premiere |
05/07/2014
with: Gebrueder Teichmann, Theresa Martini, Moritz Eggert Video by Transforma, director/concept: Moritz Eggert Berlin (Germany), Maxim-Gorki-Theater, Grosse Buehne (History Campus 14-14) |
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Work Back to overview |
The Orchestra goes to the Concert
(2010) Alternative title: "Die Bamberger Symphoniker gehen zum Konzert" |
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Orchestral works - Musiktheater und Performance also look at Large ensemble |
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| for narrator and orchestra | |||
| work list |
198ab-HW-2010
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| completed |
12/30/2010
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| text |
Paul Maar
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| voices |
narrator
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| instruments |
picc., 2 Fl., 2 Ob., 2 clar. (Bb), 2 Bn., Dbn. ad lib. � 4 Hn., 2 Tr. (Bb), 2 tbn., bass tbn. ad lib., Timp., 2 perc., harp OR piano, strings ALTERNATIVE INSTRUMENTATION HV198b: picc., 1 Fl., 2 Ob., 2 clar. (Bb), 2 Bn., Dbn. ad lib. – 4 Hn., 2 Tr. (Bb), 2 tbn., bass tbn. ad lib., tba. Or bass trombone - Timp., 1 perc., harp OR (e-)piano, strings, narrator |
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| duration |
1' 90''
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| world premiere |
07/02/2011
Bamberger Symphoniker, Martin Neubauer, narrator, Jonathan Nott, cond. Bamberg (Germany), Maxplatz (Open Air) |
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| special |
piece for children, text and title can be adapted for the orchestra playing the piece
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| publication |
http://www.sikorski.de
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| texts |
Sprechertext von Paul Maar
[
Paul Maar , 10.01.2011
]
Besetzung und Partiturvorwort Paul Maar/Moritz Eggert: Die Bamberger Symphoniker gehen zum Konzert [
Moritz Eggert , 10.01.2011
]
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Work Back to overview |
Breaking The Waves (Open Air Performance)
(2010) |
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Stage Works - Musiktheater und Performance |
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Theatrical Open-Air-Performance for the Sound Symposium Music: Symphony 3.0, Trilocke 1 und 2, Passagen, Evokation, Akkorde (Processional), Trommlerprolog, Drums Of The World, Wende dich zu mir, Kisses In The Air, Breaking The Waves (World Premiere) |
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| completed |
07/10/2010
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| instruments |
12 Percussionists, 7 brass players, various other performers, 3 actors
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| duration |
1 h
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| world premiere |
07/10/2010
With artists of the Sound Symposium and percussion ensemble The Scruncheons, Moritz Eggert, conductor St. Johns, Neufundland (CAN), Sound Symposium 2010, Cape Spear |
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| Multimedia |
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| see also |
Symphony 3.0 Processional: 2 Trilockes Processional: Passages Processional: Evocation/Accord Opening ceremony of the FIFA World Cup 2006 Wende dich zu mir / Vom Schiff weg ... Kisses in the air Breaking The Waves Breaking The Waves - Call |
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Work Back to overview |
Auf dem Wasser zu singen (theatrical concert)
(2009) |
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Stage Works - Musiktheater und Performance |
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| contained: Bohemian Hymn, Zwei Klagegesaenge, excerpts from Processional, Three Interludes (Auf dem Wasser zu singen) (premiere), Streaming, schhhh, Trommlerprolog, Trommeln der Welt, Symphony 3.0, Fanfarerafnaf, Ausklang, Sea/Desert, Sanctus, Iron Curtain, morphing, Rondeau Allemagne, Auf dem Wasser zu singen (premiere) | |||
| completed |
07/05/2009
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| duration |
2'
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| world premiere |
07/05/2009
Gebrueder Teichmann, Max-Reger-Vereinigung, The Next Step Percussion-Ensemble, Mateja Zenzerovic, acc., C.W. Bauer, speaker/author, brass ensemble of the Tiroler Festspiele, Moritz Eggert, conductor, pf. Erl (Austria), Staustufe, Tiroler Festspiele |
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| special |
theatrical concert for the Tiroler Festspiele
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| see also |
Auf dem Wasser zu singen Three Interludes (Auf dem Wasser zu singen) |
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Work Back to overview |
Wide Unclasp (theatrical version)
(2007) A haunting in 12 songs |
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Stage Works - Musiktheater und Performance |
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| completed |
02/08/2007
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| text |
Anne Sexton, William Shakespeare
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| voices |
see work list entry
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| instruments |
see work list entry
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| duration |
1 h 10'
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| world premiere |
02/08/2007
With Bettina Koziol (voc,), Mark Foster (musical director, pf.), Aurel Nowal (tp), Samuel Nyffeler (Vc.), Walter Beltrami (Guit.), Claudio Strebel (Bass), Arno Troxler (Drums), Wolfgang Lauber (Old Man), Elisabeth Kopp (speaker) Director/stage: Peter Carp, Stage/Sound Installation: Jan-Peter E.R. Sonntag, costumes: Silvana Arnold Lucerne (Switzerland), UG (Luzerner Theater) |
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| publication |
http://www.sikorski.de
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| Video |
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| see also |
wide unclasp |
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Work Back to overview |
Oral Pole Mazy Brats
(2006) |
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Vocal music - Musiktheater und Performance |
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| for 4 singers, narrator and orchestra, using the music of W.A. Mozart | |||
| work list |
164-06-HW
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| completed |
07/12/2006
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| text |
Moritz Eggert
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| voices |
sopr., mezzo/alt., ten., bar./bass, narrator
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| instruments |
Large Orchestra: picc., 2 Fl., 2 Ob., 2 clar., Bassethorn, 2 Bn. 4 Hn., 2 Tr., 3 Tr.. Timpani, 2 percussionists Cembalo, Cello (soloist of cello section) strings (min. 6.6.4.4.2)
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| duration |
25'
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| world premiere |
07/23/2006
Jennifer OLoughlin, sopr.; Maite Beaumont, mezzo; John Mark Ainsley, ten.; Markus Werba, bar., Moritz Eggert, narrator, Mozarteum-Orchester, Manfred Honeck, cond. Salzburg (Austria), Salzburger Festspiele, opening concert, Haus fuer Mozart |
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| special |
compendium of all personas of all Mozart operas, extremely dense collage techniques, theatrical elements
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| publication |
Sikorski
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| texts |
Vom zarten Pol, Sprechertext Vom zarten Pol [
Vom zarten Pol, text for speaker , 12.7.2006
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Vom zarten Pol, detaillierte Besetzung und Aufführungshinweise Moritz Eggert: Vom zarten Pol [
Vom zarten Pol, detailed instrumentation and performance instructions , 12.7.2006
]
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| Multimedia |
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Work Back to overview |
Home Game
(2005) |
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Stage Works - Musiktheater und Performance |
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| Description for a musical soccer-play with 11 or more participants plus referee (conductor) and stadium announcer | |||
| work list |
159-06-NW
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| completed |
12/31/2005
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| voices |
1 "home" team, 7 or more, 1 "away" team, 4 or more, referee, stadium announcer
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| duration |
11'
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| world premiere |
4
Music course of the "Gymnasium am Muensterplatz", Basle, rehearsed by Jennifer Rudin, Moritz Eggert, referee Weil am Rhein (Germany), Vitra-Design-Museum, "Les Museiques"-Festival |
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| special |
can also be performed by amateurs or youths and children, improvisatory character, with "game rules"
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| publication |
Ueben & Musizieren (Schott), Juni/July 2006 "Sport" (Magazine) http://www.sikorski.de |
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| texts |
Heimspiel, komplette Performanceanweisung I: Besetzung [
Moritz Eggert , 10.4.2008
]
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Work Back to overview |
L.O.V.E.R.S.
(2005) Stage play for singer, dancer and pianist |
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Stage Works - Musiktheater und Performance |
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| included the following songs from Neue Dichter Lieben: 1. Auf welchem Fuss 2. Liebeserklaerung 3. Luft 4. Tote Liebe 5. herz vers sagen 6. Neues Maerchen 7. Ich liege neben Dir danach 8. Don Juan kommt am Vormittag 9. In der letzten Nacht | |||
| work list |
00-05-HW
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| completed |
04/21/2005
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| text |
various
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| duration |
75'
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| world premiere |
04/21/2005
idea: Rosamund Gilmore, Jutta Georg baritone: Claudio Otelli dance: Irene Klein piano: Christian Nagel Frankfurt am Main (Germany), Kuenstlerhaus Mousonturm |
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Work Back to overview |
heute
(2002, changed 2001) Reading of a text by Ingeborg Bachmann Version 1: 6 speakers |
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Stage Works - Musiktheater und Performance |
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| for 6 reading voices | |||
| work list |
77b-01-BE
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| completed |
2001
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| text |
text: Ingeborg Bachmann (from "Malina")
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| voices |
6 speakers
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| duration |
8'
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| world premiere |
02/08/2002
Version 1: Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Dörthe Stöß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor Version 2:Desire Petitpierre, Julia Wirth, Liat Himmelheber, Yaron Windmueller, Sebastian Hess, Moritz Eggert Version 1: Darmstadt (Germany), Staatstheater, Version 2: Basel (Schweiz), Theater Skala |
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| special |
musical score for recitation, polyphonic speaking, rhythmical writing actions
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| see also |
now - I need now "aural corridors" heute |
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Work Back to overview |
Variations IV.XX
(2001) |
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Stage Works - Musiktheater und Performance also look at Electronic music |
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| Sketch for an Internet composition with any number of participants | |||
| work list |
107-00-HW
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| completed |
12/17/2000
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| voices |
ad libitum
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| instruments |
ad libitum
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| duration |
2 h
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| world premiere |
06/23/2001
FM Einheit, percussion, Sebastian Hess, Vc., Andreas Heck, internet realization, Moritz Eggert, director Munich (Germany), tube |
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| special |
based upon John Cage's "Variations IV"
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| Video |
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| texts |
Artikel aus der NMZ über die UA in München Cage im Cyber-Quirl: Internet in der tube [
Martin Hufner , 26.08.2004
]
Variations IV.XX, detaillierter Ablaufplan VARIATIONS IV.01 [
10.12.2004
]
Variations IV.XX, technische Liste VARIATION IV.XX [
07.12.2004
]
Variations IV.XX, Text für ADEvantgarde Programmheft VARIATIONS IV.01 [
09.12.2004
]
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| see also |
peace KlaNNgggeläut |
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Work Back to overview |
heute
(1997) Reading of a text by Ingeborg Bachmann Version 1: 9 speakers |
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Stage Works - Musiktheater und Performance |
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| for 9 reading voices | |||
| work list |
77a-97-HW
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| completed |
09/15/1997
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| text |
text: Ingeborg Bachmann (from "Malina")
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| voices |
9 speakers
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| duration |
8'
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| world premiere |
02/28/1997
Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor Darmstadt (Germany), Staatstheater |
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| special |
musical score for recitation, polyphonic speaking, rhythmical writing actions
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| see also |
heute now - I need now "aural corridors" |
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Work Back to overview |
Kisses in the air
(1997) |
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Stage Works - Musiktheater und Performance |
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| for 6 or more performers | |||
| work list |
75-97-NW
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| completed |
07/18/1997
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| voices |
6 or more performers
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| duration |
2'
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| world premiere |
02/28/1997
Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor Darmstadt (Germany), Staatstheater |
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| special |
the music is created by the dancer's movements; mouth percussion, theatrical elements
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| texts |
kisses in the air, english translations of performance instructions LUFTKÜSSE [
20.03.2004
]
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| see also |
now - I need now "aural corridors" Breaking The Waves (Open Air Performance) |
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Work Back to overview |
Avec ma main brule
(1997) |
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Stage Works - Musiktheater und Performance |
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| for 8 dancers and reciter (plays instrument ad lib.) | |||
| work list |
70-97-HW
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| completed |
03/11/1997
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| text |
Short excerpt from "Malina", Ingeborg Bachmann
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| voices |
1 Rezitator/in (spielt beliebiges Instrument)
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| instruments |
8 dancers and recitation (reciter plays any instrument ad lib.)
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| duration |
12'
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| world premiere |
02/28/1997
Katrin Schyns, Cristina Czetto, Amelia Poveda, Jenny Coogan, Doerthe Stoeß, Yoshiko Waki, Javier Picardo, Rolf Kast, Guido Markowitz, Richard Taylor, musician: Martina Bittner Darmstadt (Germany), Staatstheater |
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| special |
the music is created by the dancer's movements; mouth percussion, theatrical elements
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| texts |
English translation of performance notes Avec ma main brule [
24.04.2003
]
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| see also |
now - I need now |
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